the renaissance - mrs. motsinger · the adoration of the shepherds, centre panel of the portinari...

56
THE RENAISSANCE History Alive Chapters 27 - 29

Upload: others

Post on 21-May-2020

2 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

THE RENAISSANCEHistory Alive Chapters 27 - 29

Page 2: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

DO NOW 09/23/19P R E V I E W S E C T I O N C H A P T E R

2 7

Page 3: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Important Reminder –Requirement for Summary Notes

Use the 4 Corner Notes

Graphic Outline to

summarize important

notes!!!

Page 4: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Essential Questions

• What changes in Europe led to the

Renaissance?

• How did Renaissance art reflect a

change in people’s beliefs and

values?

• How did the Medici family gain and

use their power and wealth?

• How are the arts and culture

connected?

Page 5: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

SILENT ARTISTIC

REFLECTION –TAKE 60

SECONDS TO WRITE DOWN WHAT DO YOU

NOTICE

The Adoration of the

Shepherds, centre panel of

the Portinari Altarpiece, by

Hugo van der

Goes, c. 1474–76; in the

Uffizi Gallery, Florence.

Page 6: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

But first, you know I need music!

https://youtu.be/aFzeuIzSI_I

Let’s get started…

Page 7: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Now…

■ Tidy up the spaces around your desks.

■ Make sure no sharp or bulky objects are on the floor

■ Next, lay on your back underneath the tables – be careful with

everyone else’s head and legs!!!!

Page 8: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

The Renaissance Begins

1300s to 1600 new ideas and a rebirth of Greek and Roman culture spread throughout western Europe

Societies transformed from traditional Roman Catholic focus on death, to appreciating & enjoying life.

Classical art and learning became the norm for society.

Since trade and economy flourished, rich merchants began patronizing artists and intellectuals.

The Renaissance began in Italy in the city-state of Florence

Page 9: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

The Renaissance Simply Put:

WAS A RETURN TO A FOCUS

ON THE CULTURE AND

EDUCATION OF THE

ANCIENT GREEKS AND

ROMANS

LEAD TO ADVANCEMENTS

AND DISCOVERIES

VALUE PLACED ON

EDUCATION

THE INDIVIDUAL BECAME

IMPORTANT

Page 10: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

The Renaissance and Humanism:

Balance between the individual and the spirituality.

The POSITIVE belief in the worth and potential of all individuals!!!

Page 11: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Classical Art:

In addition to mosaics, sculptures, murals and

pottery, they added:

• Balance and harmony

• Idealized lifelike figures

• Nude or barely clothed

• Attractive bodies that appeared to move

• Calm, emotionless faces

• Either heroic acts or everyday life

• Giving perspective and depth

Page 12: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Comparing the paintings:

Middle Ages

Renaissance

Page 13: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Comparing Medieval and Renaissance Art:

Medieval

• Stained glass

• Sculptures

• Illuminated manuscripts

• Paintings

• Tapestries

• Religious themes from the Bible

• Important people larger than others

• Stiff figures and fully clothed

• 2-Dimensional

• Bright colors but background one

color, mostly gold

Renaissance• Sculptures

• Murals

• Drawings

• Paintings

• Both religious and secular scenes

• Nature

• Real people doing real things

• Lifelike, 3-D figures (focus on the

body)

• Faces showed people thinking

• Colors were shown responding to

light

• Full background with perspective

Page 14: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Comparing the paintings:

This Photo by Unknown Author is licensed under CC BY

Page 15: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

This painting is on the cover

of a book and was created

by Benvenuto Di Giovanni.

1. What interesting details

do you see?

2. Why are people

differentiated by dress?

3. Who do you think are

the employers?

Soldiers? Citizens?

Page 16: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

EXIT TICKET

09/23/19Create a Venn

diagram to show the

difference between

Medieval Art and

Renaissance Art

Page 17: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Medieval Art Renaissance ArtBoth• Unrealistic, not

life-like

• Property of the

Church

• No balance,

proportion, or

perspective

• No nudity!

• Halos

• Realistic and life-like➢ Facial expression!

• Property of artists

• Depth, perspective,

balance

• Study of the body

• Portraits of earthly

people

• Religion

• Form of

expression

• Admired

today

Page 18: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Comparing and contrasting the art and culture from the Middle-Ages to the Italian Renaissance

Key Topic

is about…

So What? (What’s important to understand about this?)

Middle Ages vs. Italian

Renaissance

Middle Ages Art

and Culture

Italian

Renaissance Art

and Culture

Life was centered

around the church

Concerned with the

after life

The world was

corrupted by sin

Art was influenced

by chaos and

violence

Focused on the

individual

Concerned with the

present—here & now

Brought back classic

Greek and Roman culture

Supported by

wealthy patrons

Page 19: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Dow Now 09/24/19

Vocabulary

■ Perspective

■ Patron

■ City-state

■ Republic

■ Humanities

Chapter 27: The Renaissance Begins

Term Definition: Key Words

[pull 2-3 important

words]

Picture

[illustrate

definition]

Perspective the appearance

of distance or depth on

a flat

surface, as in a painting

Patron a person who supports

the arts or other

activities by

supplying money for

them

City-State an independent state

consisting of a city and

its surrounding

territory

Page 20: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

THINK-PAIR-SHARE:

ARTISTIC REFLECTION –

TAKE 60 SECONDS TO

DISCUSS YOUR FINDINGS WITH

A PARTNER

The Adoration of the

Shepherds, centre panel

of the Portinari Altarpiece,

by Hugo van der

Goes, c. 1474–76; in the

Uffizi Gallery, Florence.

Page 21: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

You can’t get away that easy!

■ Different version of a Renaissance

song!!!

https://youtu.be/szwk81qQzYc

Page 22: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Growth of Trade and

Commerce:

More $$ = More prosperity = More time for Reflection

and the arts

Trade on the Silk Road brought luxury items.

Port cities on the Indian Ocean, like Venice and

Genoa benefited from increase trade and diplomacy

with other countries and religions.

Transitioned from trading things to using actual coins

and currency

BANKS GOT RICH – the Medici Family benefited from

trade, money changing, money lending. That quickly

grew to patronizing the arts and higher ranks in

government.

New universities were established.

$$$$$ = INCREASED CULTURE

Page 23: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Checking in Question

■ How important was

money to the

Renaissance?

■ Why? Why not?

Page 24: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

The Medici Influence:

Catherine de’ Medici,

regent of France—

1547-1559

Giovanni di Bicci de’

Medici—founded to

Medici Bank

Maria de’ Medici,

regent of France—

1600-1610

Page 25: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Act-it-Out

o With your group, read the background

information on Trade and Commerce in Siena

o Several countries will have the opportunity to

nominate one person from your group to

perform a specific role.

o We will answer questions at the end of each

scene.

o BRING IT!!!

Page 26: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Do Now 09/25/19 –Quick Write

Activity

Imagine that you lived in

Florence, Italy immediately

following the Black

Death. You have survived,

but many around you have

not. Describe your

environment. How do you

feel?

Page 27: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

SMALL GROUP DISCUSSION AT

YOUR TABLE: ARTISTIC

REFLECTION –TAKE 3

MINUTES TO DISCUSS YOUR

FINDINGS WITH THE

OTHER STUDENTS AT YOUR TABLE

The Adoration of the

Shepherds, centre panel of

the Portinari Altarpiece, by

Hugo van der

Goes, c. 1474–76; in the

Uffizi Gallery, Florence.

Page 28: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Francesco Petrarch and Humanism:■ “Father of Renaissance”

■ First to declare a difference between the Renaissance and Middle Ages

■ Wrote in both Italian and Latin

■ Famous sonnets—about Laura

■ One of the earliest and most influential humanists

■ Scholars from all over traveled to Italy to study

■ The Humanities were created – history, philosophy, poetry, ethics/morality,

rhetoric and grammar

■ Influenced changes in government and politics – a person’s achievements

counted more than his circumstances at birth.

■ Conflicted with the Roman Catholic Church – life after death vs. living now

Page 29: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Essential Questions

What advances were made during the Renaissance?

How did the work of Machiavelli influence how people viewed political power?

What the factors that made Florence an important cultural center during the Renaissance?

How did various advances make during the Renaissance reflect humanist thinking and ideals?

Page 30: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Florence: The Cradle of the Renaissance➢ Let’s read the

introduction together.

➢ Think about what you just read.

➢ Describe the city of Florence.

➢ How did Florence become such a wealthy city?

➢ Why do you think Florence has been called the "cradle of the Renaissance"?

This Photo by Unknown Author is licensed under CC BY-SA

Page 31: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Walking Tour

• You will be taking a “walking tour” of

Florence to learn about many of the

advances made there during the

Renaissance.

• Florence became Italy’s leading cultural

center during the Renaissance.

• It was the birthplace of many important

writers, artists, and thinkers.

• In this lesson, you will be introduced to

many of these people and will discover

how their achievements affected

Renaissance life and ideas.

This Photo by Unknown Author is licensed under CC BY-SA

Page 32: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Activity Directions

■ At each of the seven stations, you will learn about an aspect of the Renaissance. You will read a section in the Student Text, perform a task, and record notes in your interactive student notebook.

Page 33: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Preparing for your Adventure

Before you go on your tour of Florence, practice the following words with your partner:

■ Ciao (chow): Hello or goodbye

■ Per favore (PAYR fa-VOR-ay): please

■ Scusa (skoo-za): excuse me or pardon me

■ Grazie (GRAH-tzee-ay): thank you

Now, let’s practice the names of the places in Florence you will be visiting:

■ Casa di Dante (kah-sah dee DAHN-tay)

■ Duomo di Santa Maria del Fiore (DWOH-moh dee SAHN-tah mah-REE-ah del FYOR-ay)

■ Mercato Nuovo (mehr-KAH-toh NWOH-vuh)

■ Orsanmichele (OR-sahn-mee-KAY-leh)

■ Palazzo Medici (pah-LAH-zoh MAY-dee-chee)

■ Palazzo Vecchio (pah-LAH-zoh VEHK-kyoh)

■ Piazza della Signoria (pee-AT-sah DELL-ah seen-yoh-REE-uh)

Page 34: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Do Now 09/26/19

■ Renaissance in

Education mini-DBQ

Page 35: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

WHOLE CLASS DISCUSSION:

ARTISTIC REFLECTION –

TAKE 4 MINUTES TO

DISCUSS YOUR FINDINGS. DID

YOUR IDEAS CHANGE

DURING THE WEEK?

The Adoration of the

Shepherds, centre panel of

the Portinari Altarpiece, by

Hugo van der Goes, c. 1474–

76; in the Uffizi Gallery,

Florence.

Page 36: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

CSI Florence – The Medici Assassination

In 1498 an attempt was made to wipe out the Medici dynasty.

This brazen attack may have been set into motion by the pope

himself. Examine the clues below to find out who was behind it.

https://youtu.be/nxcRXsAzgAE

Page 37: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Exhibit A – Historian

https://youtu.be/3Xl4mNSsaXg

Page 38: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Exhibit H – Duke of Urbino Testimony

https://youtu.be/jiXhAQR7YMw

Page 39: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Outcome

After you complete your Agent Journal, watch the

outcome on the video (between 20:45 – 30:30)

https://youtu.be/9-YyCyrtSrQ

Page 40: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

LEADING FIGURES OF THE RENAISSANCEItaly played a critical role in the re-birth. However, we will see the impact on other parts of the eastern

hemisphere.

Page 41: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

DO NOW 09/30/19Preview Section Ch 29 Leading Figures of the Renaissance

Page 42: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

TRUE OR FALSE…ALL RENAISSANCE PERSONS

WERE ITALIAN ARTISTS?

Page 43: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Essential Questions

• How did the invention of the printing press impact society?

Page 44: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Leading Figures

Johannes Gutenberg

❑ German inventor

❑ Inventor of the printing press

❑ Dramatically improved printing methods – with moveable type

❑ Allowed pamphlets and books to be copied quicker and spread to more people.

Michelangelo

❑ Italian artist

❑ Sculpture and Painter

❑ Important works:

❑ Sculptures

❑ Pieta

❑ David

❑ Moses

❑ Paintings

❑ Sistine Chapel

❑ The Creation of Adam

Page 45: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Leading Figures

titian

❑ Italian painter

❑ Studied fresco, but became better than his teachers

❑ Expressed human personality

❑ Holy Roman Emperor Charges V made him Court Painter of Italy.

❑ First painter to become a knight

❑ Influenced other artists’ use of color and brush strokes.

Albert durer

❑ German artist

❑ Also studied math, Latin and classical literature

❑ Focused on human proportions (relative sizes of things)

❑ Encouraged others to study measurement and geometry as key to understanding

❑ Mostly religious figures and self portraits.

❑ Worked as Court Artist for Holy Roman Emperor Maximilian I.

Page 46: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Leading Figures

Nicolas Copernicus

❑ Polish scientist

❑ Went to Poland’s University of

Krakow to study medicine &

church law – learned astronomy

❑ Free thinker who questioned

accepted beliefs

❑ Published his book on the Earth

in the sun’s orbit…NOT the other

❑ Dedicated it to the pope

❑ Died right after it was in

print

❑ The Church forbade

anyone to read

Andreas Vesalius

❑ Brussels (now Belgium) scientist

❑ Interested in living things &

anatomy.

❑ Studied in Belgium, France & Italy

❑ Personal doctor to Italian and

Spanish royalty

❑ His drawings of the human

anatomy showed the heart had 4

chambers

❑ Wrote a book On the Structure of

the Human Body to explain the

body and functions.

❑ changed how people

thought of the body

❑ Thought of as the 1st

modern medical textbook

Page 47: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Leading Figures

Queen Isabella I - Spain

❑ Supported education (built

universities) and arts

❑ Self taught in Latin and court politics

❑ Devout Catholic and demanded all

subjects to be the same – inflexible

❑ Married Ferdinand of Aragon against

her brother’s wished (unheard of

back then)

❑ Unified Spain under 1 rule

❑ Encouraged exploration

❑ Sponsored Christopher

Columbus’ voyages

❑ Increased the wealth of Span

and expanded the empire

Queen Elizabeth I - England

❑ Raised by an English scholar –

highly educated

❑ Willing to listen to other voices –

flexible

❑ Her rule called “The Golden Age”

❑ Supported theater, fashion,

literature, dance and

education

❑ Strengthened the English economy –

encouraged trade & commerce

❑ Authorized trading companies

in Africa, Asia & the Americas

❑ Defeated the Spanish Armada

with her powerful navy

❑ Became one of the

strongest/riches countries

Page 48: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Leading Figures

William Shakespeare

❑ English poet & playwright

❑ Did not go to college but his work shows his expansive subject matter knowledge

❑ Expression – capturing human behavior, emotions and depth

❑ Wrote both comedies and tragedies – 38 plays

❑ “Love is Blind.” and “All’s well that ends well.”

Miguel Cervantes

❑ Spanish writer

❑ Studied with priests influenced by humanism.

❑ Hard life

❑ @ 23, soldier – shot in the chest twice

❑ Later – injured his hand, useless

❑ Later – taken prisoner by pirates for 5 years until his family could pay.

❑ Wrote many plays, poems and novels –most famously Don Quixote, a satire

Page 49: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Leading Figures

■ LEONARDO da VINCI

q Italian

q Painter, sculpture, architect,

mechanical engineer,

inventor – the ultimate

“Renaissance Man”

q Like Durer, studied

dimensions, proportions,

geometry and balance

q Mona Lisa – his most

famous painting

q The Last Supper and The

Vitruvian ManThis Photo by Unknown Author is licensed under CC BY-NC-ND

Page 50: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

SO LET’S SEE IF YOU’RE READY FOR OUR

PROJECT

Pop quiz time!!!

Page 51: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

POP QUIZ Lesson 1

1. What was the Renaissance?

A) the rebirth of ancient Greek and Roman culture

B) the buying and selling of a large quantity of goods

C) the largest building ever constructed in Italy

2. Which Italian city-state is considered to be the birth place of the Renaissance?

A) Venice

B) Milan

C) Florence

Page 52: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

POP QUIZ Lesson 1

3. What wealthy group supported art and education in Italy during the Renaissance?

A) Giotto

B) patrons

C) mercenaries

4. Which family ruled Florence during the Renaissance?

A) Gambino Family

B) Moniacci Family

C) Medici Family

Page 53: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Group Activity 10/02 – 10/4

Page 54: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes
Page 55: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Renaissance Museum –Project Based Learning Background

■ The Capitol Encore Academy Renaissance Museum

just received a shipment of artworks from our

acquisitions expert in Europe.

■ Unfortunately, she didn’t label the boxes!

■ We have 12 priceless artworks, but before we can put

them on display, we have to figure out which country

they belong to. It would be pretty embarrassing, for

example, if a museum of American artifacts put a

television in the Civil War exhibit, or gave George

Washington a cell phone.

■ Our acquisitions expert did, however, send us

information about the countries of France, Germany,

Italy and the Netherlands during the Renaissance.

Using this information, we will need to match artwork

to countries. Some of our guesses might be wrong;

we’ll just have to do the best we can. Our expert said

that if she found anymore information, she’d send it

right away.

Page 56: The Renaissance - MRS. MOTSINGER · The Adoration of the Shepherds, centre panel of the Portinari Altarpiece, by Hugo van der ... • Paintings • Tapestries • Religious themes

Renaissance Museum –

Project Based

Learning Mission

We will be working in four groups of curators. Each group will be responsible for choosing 3 artworks to go in their country’s museum display.

When you gather with your group, your first task will be to fill out the Renaissance Country sheet individually.

You will then use the Artwork Master Sheet to select your artifacts as a group. When groups are finished choosing artworks on their sheets, we will take turns picking artworks so that no two groups choose the same thing.

Once groups have artworks and have used the Curator Tasks sheets to decide who is working on what, you will get a sheet that describes each painting you chose.

If you find that once you see your paintings, you don’t think they are from your country, you can trade them with other groups.

Follow the directions on the sheet to crate your own work of Renaissance art.