the piano lesson program

2014 CLASSIC SERIES

OLNEY THEATRE CENTER

This production is made possible in part by contributionsfrom Production Sponsor Mrs. Reba R. Heyman

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Dear friend of Olney Theatre Center,

The list of classic American playwrights Olney Theatre Center has produced in the past 76 years is staggering: Lillian Hellman, Arthur Miller, Tennessee Wil-liams, Eugene O’Neill, Moss Hart, William Inge, Rodgers and Hammerstein, Clifford Odets… the list goes on and on. But there is one great American playwright not yet on this list, and we are changing that right now: August Wilson.

Though only 60 when he passed in 2005, Wilson left behind an indelible legacy in the American theater. Called the “Century Cycle”, Wilson wrote a different play set in each of the ten decades of the 20th Century, nine of them set in the Hill District of Pittsburgh where he was born. To say Wilson’s magnificent cycle traces African-American history is far too limiting; his work illuminates the last century of American history, period, if only through a set of eyes traditional theater audiences weren’t used to when he began. Imag-ine a different Death of a Salesman for each decade of the 20th century, or Angels in America parts III – X.

So when I think of the American theatrical pantheon, I think of Salesman, Angels, Streetcar, Long Day’s Journey Into Night, and the Century Cycle, among others. They’re a pantheon because they reflect and refract each other, they talk to each other across the decades, defining ourselves as Americans differently at different moments.

I chose The Piano Lesson for two reasons. First, it’s my favorite play in Wilson’s great Cycle. One of the two to win a Pulitzer (the other was Fences, set in the ‘50s), I’ll never forget seeing the first Broadway production of the show, with Roc Dutton and S. Epatha Merkerson, and it changed the way I conceived of American theater.

The second reason The Piano Lesson is a particularly good choice for Olney is because it sits in perfect conversation with our upcoming fall production of Clifford Odets’ Awake and Sing! Both plays set in the 1930s, both concerning families – one black, one Jewish – moving haltingly to an uncertain future, the two are studies in the American family. And the family play is this country’s great gift to non-musical drama.

I’m delighted to have met many of you in person and via email, and want to meet more of our amazing audience. Will you drop me a line at [email protected] and let me know what you think of the show?

Onward!

Jason Loewith Artistic Director

Olney Theatre Center is a non-profit arts organization with a mission to create professional theater productions and other programs that nurture artists, students, technicians, administrators, and audience members; to develop each individual’s creative potential using the skill and imaginative possibilities of theater and the performing arts.

Contributing Editor: JJ KaczynskiAd Sales: 301.924.4485 x105

Copyright by Olney Theatre Center.All editorial and advertising material is fully protected and

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A NOTE FROM THE ARTISTIC DIRECTOR


Opening Night: May 10, 2014

Director

Jamil Jude

By

August Wilson

Costume Design

Reggie RayScenic Design

Daniel Ettinger Lighting Design

Xavier Pierce Sound Design

Elisheba Ittoop

Choreographer/Musical Director

Paige Hernandez Fight Choreographer

Robb Hunter

Production Stage Manager

C. Renee Alexander

Associate Artistic Director/Director of Education

Jason King JonesDirector of Production

Dennis A. Blackledge

presents

Amy Marshall,Managing Director

Jason Loewith,Artistic Director

This production is made possible in part by contributionsfrom Production Sponsor Mrs. Reba R. Heyman

featuring

The Piano Lesson is presented by special arrangement with Samuel French, Inc.

Ronald ConnerJaBen Early

Jessica Frances DukesJon Hudson Odom

Harold Surratt Nicole Wildy

Lauren DuPreeJonathan Peck

Disney’s

THE LITTLE MERMAID

AWAKE ANDSING!

AVENUE Q

COLOSSALTHE

TEMPEST

Choose any three shows from our 2014 Season for only $120!

BECOME AMEMBER TODAY!

Call 301.924.3400 or visit olneytheatre.org

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OLNEYTHEATRECENTER

THE RECIPIENT OF THIS YEAR’SHELEN HAYES AWARD FOR

OUTSTANDING RESIDENT MUSICAL

THE RECIPIENT OF THIS YEAR’SHELEN HAYES AWARD FOR

OUTSTANDING RESIDENT MUSICAL


Doaker .............................................................................................................................Jonathan Peck*

Boy Willie .........................................................................................................................Ronald Conner*

Lymon ........................................................................................................................ Jon Hudson Odom*

Berniece ................................................................................................................Jessica Frances Dukes*

Maretha ............................................................................................................................... Nicole Wildy+

Avery ....................................................................................................................................JaBen Early*

Wining Boy .......................................................................................................................Harold Surratt*

Grace ............................................................................................................................... Lauren DuPree*

CAST (IN ORDER OF APPEARANCE)

THERE WILL BE ONE 15-MINUTE INTERMISSION.The use of recording (audio and video) or photographic equipment during the show is strictly prohibited.

Please silence all cellular phones and personal paging devices before the performance begins.

Disney’s

THE LITTLE MERMAID

*Member Actors’ Equity Association +Equity Membership Candidate

Time: Pittsburgh, 1936

Place: The house of Doaker Charles, where he lives with his niece, Berniece

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For Tickets & Performance Times: 301.924.3400 • olneytheatre.org

JUNE 11 – JULY 6on the Mainstage

AVENUE

Music and Lyrics by Robert Lopez and Jeff Marx • Book By Jeff WhittyBased on an Original Concept by Robert Lopez and Jeff Marx

Music Direction by Christopher Youstra • Choreographed by Bobby Smith

Directed by Jason Loewith DIRECTOR

Jason Loewith

CHOREOGRAPHER

Bobby Smith

“savvy, sassy and eminently likable” – The New York Times

When a show opens with a song called “What Do You Do With a B.A. in English?”, sung by a lead puppet named Princeton, you know you’re in for something exciting. And that’s what you’ll get with the seismically hilarious, seriously-for-adults Tony Award©-winning Best Musical of 2004. Songs like “The Internet Is For Porn” and “If You Were Gay” rocketed AVENUE Q to the list of longest-running Broadway shows, satirizing (with its very big heart) the “you can do anything” message of kids’ shows from the 70s and 80s. Princeton and friends Kate Monster, Christmas Eve, and Gary Coleman might not be special in the grand scheme, but they’re awfully special to each other – and that’s what’s important.

Recommended for ages 14 and up with parental advisement

This production is sponsored by Kevin White and Rossana Salvadori,Joan E. Dubinsky and Craig N. Packard, and Kathleen Quinn

OLNEYTHEATRECENTER


DRAMATURGICAL NOTES

“Ultimately Wilson becomes a myth maker, recasting the amber past in the crucible of his memory. The products of his alchemy are plays that, as their characters make decisions in the light of the hard-earned lessons of their ancestors, point to the future.”

– Dr. Sandra Shannon, The Dramatic Vision of August Wilson

“The train don’t never stop. It’ll come back every time.” – Doaker, Act I, Scene I of The Piano Lesson

When Boy Willie and Lymon’s truck pulls up to Berniece’s house at the opening of The Piano Lesson, August Wilson seems to be coming home. The play is, after all, the fourth in the playwright’s colossal “Century Cycle” – ten plays that stand alone or as a series, each documenting one decade of the African-American experience, and all but one taking place in Wilson’s native Pittsburgh neighborhood, the Hill District.

Although The Piano Lesson returns to Wilson’s eternal stomping grounds, it is, more than any of his other Century Cycle plays, a transitional story. As soon as Boy Willie bursts through his sister and uncle’s front door, it becomes clear that some kind of conflict is imminent; as Wilson describes it in the opening stage directions, “a coming together of something akin to a storm.” For a story that takes place entirely within the four walls of the Charles family’s cramped house, The Piano Lesson is teeming with movement – even its setting is in flux. The play takes place in the midst of the Great Migration, the mass movement of African Americans from their Southern homeland to the urban North.

The Charles family represents only a small portion of the six million children and grandchildren of former slaves who sought economic and social opportunity in such Northern cities as Chicago, Detriot, and Pittsburgh. This uprooting hardly yielded the idyllic results the migrants anticipated; after travelling hundreds of miles by boat, bus, train, or on foot, they faced a new wave of discrimination and economic turmoil, especially during the Great Depression. Wilson described this mass exodus as “a transplant that did not take,” a failed attempt to run from a traumatic past that was ultimately inescapable. The Charles family is at the crossroads of this Great Migration. Each of the characters in the play is a migrant to some degree or another, struggling to find closure with the past and move toward the future. On one side, Wilson presents us with Berniece and her Uncle Doaker; content in their new Northern neighborhood, they have left their past behind with little more than an old piano to remind them of their ancestors. Boy Willie, meanwhile, arrives at his sister Berniece’s house in passing; anxious to sell his share of the piano’s worth and invest in farmland, he wants to reclaim his family’s stake in their homeland and return South. And at the center of this brother-sister conflict is the titular piano, an instrument that embodies the Charles family’s traumatic, sprawling ancestry. After years of ignoring this history, The Piano Lesson wrenches Berniece and Boy Willie into a battle between past, present, and future. Wilson poses a very specific question in this confrontation: “What do you do with your legacy, and how do you best put it to use?”

In initial drafts, the playwright avoided taking sides in this enormous debate. When long-time collaborator and director Lloyd Richards began work on the original 1987 production, however, he implored Wilson to provide some sense of closure; as it stood, the fate of the piano was left unanswered, an ending that Wilson defended but ultimately changed. In its final version, and in the version Olney is presenting this season, Berniece and Boy Willie’s battle culminates decisively.

Like millions of other uprooted African-Americans in the ‘30s, the Charles family is on a journey. Even with his revised ending, however, Wilson never intended for The Piano Lesson to be about the family’s destination; the importance of the legacy question lies not in winning or losing, right or wrong, but in the courage to face these demons of the past. The ultimate lesson is, as Wilson described it, “the willingness to do battle.”

To learn more about August Wilson and the world of the play, pick up a context guide from the lobby or visit our dramaturgy blog at http://olneypianolesson.wordpress.com.

– Maegan Clearwood, Dramaturg

http://olneypianolesson.wordpress.com


DIRECTOR’S NOTES

I was introduced to Mr. Wilson’s classic, The Piano Lesson, by my 10th grade English teacher, Mrs. Ivy Watkins. I remember the first time I listened to the rhythms of these characters and how the musicality of their colloquial chatter landed on my ear. I remember falling in love with the beautifully flawed personas captured in this drama. I remember the feeling of seeing myself, and others who look and sound like me, represented in all our fullness.

Since that moment I have felt drawn to this work. Be it the voices of my ancestors or the experience of seeing the amazing artists whom, in previous iterations, have breathed life into these words, or the tremendous talent of the team assembled for this production, the play’s pull grows stronger every day. It is almost impossible not to feel the presence of these ancestors inside the rehearsal hall. It is quite an honor and a privilege to direct the first August Wilson show in Olney Theatre Center’s history.

It is so fitting for August Wilson to center the inaugural Classic series here at Olney Theatre Center. Despite his multiple Pulitzer Prizes, the plethora of Broadway productions, and the countless regional theatre stagings, Mr. Wilson’s work seems to get ghettoized, receiving credit as an African-American classic but rarely is the hyphen removed.

I’m excited to present an intimate version of this classic text. With this production, we have embraced the coziness of the space. As opposed to watching this family wrestle with the ghosts of the past and the indefinite future, we are dropping you down right inside their row house in Pittsburgh. With only three feet separating you from the actors, we hope that you’ll connect with this classic in a new way.

The Century Cycle, and this play in particular, capture what it means to be both African and American while trying to achieve the ever-illusive American Dream. The piano holds the history of the Charles family but it holds the larger story of being both American and a descendant of enslaved Africans. Inside Willie Boy’s intricate carvings lie both the pain and the beauty of our disenfranchisement. As members of the Charles family tussle over the family heirloom, we, the audience, are asked to consider the costs of trying to move forward. Can you deny one’s past and still move forward? Is reclaiming a troubled past and turning it into a bright tomorrow even possible?

Mr. Wilson stated that he wrote the play with the idea that Berniece was attempting to acquire a sense of self-worth by denying her past. As the play’s climax suggests, there will come a point where the past must be confronted; ghosts tend to stick around when there is unfinished business. This play teaches us that by embracing the inner yearnings and making oneself available to the ancestral forces, we shall overcome.

I hope that you enjoy our production and the experience of listening to the poetry left to us by this Great Griot. I hope that you leave here with the confidence to embrace the power of those that have come before you and that have walked the paths that they laid out. I hope you leave tonight with the confidence to face whatever challenges face you.

Thanks for coming to the show.– Jamil Jude

DirectorThe Piano Lesson

“Now I’m supposed to build on what they left me.”

–Boy Willie, August Wilson’s The Piano Lesson

Jamil Jude


WHO’S WHO - CAST

Ronald Conner (Boy Willie) is pleased to be making his Olney Theatre Center debut. This is Ron’s fourth time bringing Boy Willie to life. Previous productions include: The St. Louis Black Rep, Portland Stage, and Court Theatre (Jeff Nominated Best Play, 2009 BTAA winner Best Actor in a Lead role). Conner has performed in eight out the ten plays in August Wilson’s Century Cycle. In Chicago he’s a proud ensemble member of Congo Square Theatre and recently appeared as Greg Hammels on ABC’s short lived series Mind Games. Other notable T.V. And film credits include The four year Coors

Light NFL campaign and a small role in the Dark Knight.

Jessica Frances Dukes (Berniece) has most recently been seen in The Mountaintop at Virginia Stage Company, and Stick Fly at The Arden Theatre Company. Other regional appearances include:The Raisin Cycle - Beneatha’s Place and Clybourne Park at Center Stage; A Raisin In The Sun and The Piano Lesson at Geva Theatre; The Piano Lesson at Indiana Rep Theatre; The Vibrator Play at Pittsburgh Irish and Classical Theatre; A Trip To Bountiful at Cleveland Playhouse; and The Bluest Eye at Horizon Theatre. DC area credits include: Bootycandy, In the Next Room (or The Vibrator Play), Full Circle, Eclipsed, Fever/Dream, Antebellum, and Starving at Woolly Mammoth Theatre Company; The Conference of the Birds at Folger Theatre; Passing

Strange and Caroline, or Change at Studio Theatre; A Trip To Bountiful and Permanent Collection at Round House Theatre; Jitney at Fords Theatre; Sanctified, a Gospel Musical at The Lincoln Theatre; In Darfur at Theater J; The Amazing Adventures of Dr. Wonderful, Unleashed: The Secret Lives of White House Pets, Izzy Iccarus Fell Off the World at The Kennedy Center; Spunk (Helen Hayes Nomination for Outstanding Lead Actress) at Tribute Productions in association with African Continuum Theatre Company; The Bluest Eye (Helen Hayes best ensemble nomination) and Insurrection: Holding History (Helen Hayes best ensem-ble nomination) at Theater Alliance; Fanny’s First Play at Washington Stage Guild. Ms. Dukes is a company member with Woolly Mammoth Theatre Company and earned her MFA from The Catholic University of America. www.jessicafrancesdukes.com.

Lauren DuPree (Grace) is happy to be making her Olney Theatre Center debut. Previous credits include: The Kennedy Center: Orphie and the Book of Heroes (Orphie); Signature Theatre: Dreamgirls, Spin (Ensem-ble); Studio 2ndStage: Bloody Bloody Andrew Jackson (Storyteller); Adventure Theatre: The Snowy Day; 1st Stage Theatre: Trav’lin (Ella); Washington Savoyards: Ain’t Mibehavin’ (Charlayne); Discovery Theater: Seasons of Light; Imagination Stage: Roald Dahl in Repertory, Lulu and the Brontosarus (Narrator). TV: Biz Kid$. EDUCATION: Howard University, BFA, 2011. UPCOMING: Ford’s Theatre: A Christmas Carol.

JaBen Early (Avery) is a Washington DC native who has been performing in the area all his life. He’s proud to be in his first performance at Olney Theatre Center. His previous credits include: Philly’s InterAct Theatre Company: We Are Proud to Present...; Woolly Mammoth Theatre Company: The Convert; Arena Stage: Ruined; Studio Theatre: Fucking A; and, American Century Theater: Native Son. He studied theater at Morehouse College and received his MFA from Sarah Lawrence College.

Jon Hudson Odom (Lymon) is thrilled to be working with Olney Theatre Center for the first time. REGIONAL: The Goodman Theatre: A Christmas Carol; Ravinia Festival: West Side Story 50th Anniversary; Theatre Alliance Winston-Salem: Take Me Out. DC AREA: Center Stage: Twelfth Night; Rep Stage: Yellowman; Everyman Theatre: You Can’t Take It With You; Ford’s Theatre: Our Town; The Keegan Theatre: A Few Good Men; Studio Theatre: 2-2-Tango, Invisible Man (u/s); Theatre Alliance DC: Reals; Constellation Theatre: The Ramayana; National Gallery of Art: Framed. EDUCATION: University of North Carolina School of the Arts.

Harold Surratt (Wining Boy) Theater credits include: BROADWAY: Impressionism directed by Jack O’Brien, Serious Money directed by Max Stafford-Clarke. REGIONAL: The Convert (World Premiere) by Danai Gurira at The McCarter, The Goodman, and The Kirk Douglas directed by Emily Mann. Trouble in Mind and The Sunset Limited at Triad Stage directed by Preston Lane. Other theaters include Premiere Stages, The Public, Keen Company, Berkshire Theatre Festival, and The Folger. TELEVISION: Babylon Fields (pilot), Orange is the New Black, The Temptations (mini-series), Fringe, The Practice, and ER. FILMS: Sudden Death, The Pelican Brief, and Blood In Blood Out.


Jonathan Peck (Doaker) has most recently been seen in such acclaimed new works such as The Whipping Man at Syracuse Stage, and The Most Deserving at Denver Theatre Center. This is his first pro-duction of The Piano Lesson although he has appeared as Sterling in August Wilson’s Two Trains Running directed by Lloyd Richards and Fences. Other regional appearances include: Othello, Macbeth, and Les Blancs at Center Stage in Baltimore. Recent DC-Area credits include: Arena Stage: Every Tongue Confess opposite Felicia Rashad, The Glass Menagerie opposite Ruby Dee, Banquo in Macbeth; Shakespeare The-atre: Inaugural productions of Tamburlaine and Edward II. Mr. Peck also played Jafar in Disney’s original

musical Aladdin at Disney’s California Adventure theme park. BROADWAY: Lincoln Center: Abduction from the Seraglio, The Roundabout: The Lion in Winter; The New Victory: The Color of Justice. Recent film and TV productions include the recurring character of Agent Baker, One Life to Live, The Rubicon. AMC, The West Wing, Cadillac Records, and various episodes in the Law and Order series.

Nicole Wildy (Maretha) is thrilled to return to Olney Theatre Center. Nikki was last seen as one of the King’s children in The King and I. Previous regional theater credits include: Ford’s Theatre: A Christmas Carol (Want, School Girl); Paper Mill Playhouse: Swing Awakening (Ensemble). A fifth grader at Triadel-phia Ridge Elementary School, Nikki was honored to play her trombone recently with the Howard County Gifted and Talented Band. Nikki loves singing, acting, and dancing as well as playing the piano. Dancing since age two, she has won numerous regional and national awards and has performed at the Manhattan Center, NY and Hippodrome Theatre, MD.

WHO’S WHO - CREATIVE

August Wilson (Playwright) (April 27, 1945 - October 2, 2005) authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African-Americans, decade-by-decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s works garnered many awards including Pulitzer Prizes for Fences (1987); and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as seven New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, and Jitney. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcolm X, The Homecoming, and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in Playwrighting, the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National Humanities Medal by the President of the United States, and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street - The August Wilson Theatre. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania and lived in Seattle, Washington at the time of his death. He is immediately survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.

Jamil Jude (Director) is honored to direct his first show at Olney Theatre Center and the first August Wilson show in the company’s history. Selected credits (director, unless otherwise noted): REGIONAL: Theatre in the Round: Dead Man’s Cell Phone; Lakeshore Players: The Petrified Forest; Freshwater Theatre: The Beacon From Belle Isle, Schadenfreude, Second Wedding; Park Square Theatre: Stick Fly (assistant director). DC AREA: Arena Stage: every tongue confess (assistant director); Forum Theatre: for colored girls who have considered suicide/when the rainbow is enuf. EDUCATION: BA in English from Colgate University, Hamilton, NY.

WHO’S WHO - CAST


C. Renee Alexander (Production Stage Manager) OLNEY THEATRE CENTER: Neville’s Island, Angel Street, Over The Tav-ern. OFF-BROADWAY: for colored girls who have considered suicide 25th Anniversary, Freed (59E59th), One Night (Cherry Lane), Apollo Club Harlem (The Apollo) Home Front (La Mama), The Shoemaker (Theatre Row). INTERNATIONAL TOURS: The Oedipus Plays (Athens, Greece), Flipsoids (Manila, Philippines). DC AREA: The Shakespeare Theatre: The Oedipus Plays, Richard III; Arena Stage: Resident Stage Manager for five years.

Daniel Ettinger (Scenic Designer) is pleased to be making his Olney Theatre Center debut. DC AREA: Woolly Mammoth: You For Me For You, Civilization, Eclipsed, Vigils, The Mineola Twins, Recent Tragic Events, Tommy J & Sally; Theater J: Body Awareness, The Disputation; Rep Stage: Piano Teacher, Boeing, Boeing, Mrs. Warren’s Profession, The Goat, Or Who Is Sylvia?, God’s Ear, Tintypes; BALTIMORE AREA: Resident Scenic Designer for Everyman Theatre: By The Way, Meet Vera Stark, The Beau Stratagem, Glass Menagerie, Red, August: Osage County, Time Stands Still, A Number, I Am My Own Wife, She Stoops To Conquer, Shipwrecked, An Entertainment! Daniel teaches design at Towson University in Maryland and is a member of United Scenic Artists, local 829.

Paige Hernandez (Choreographer/Musical Director) is a multifaceted artist who is known for her innovative fusion of poetry, hip hop, dance, and education. She has performed on many stages throughout the country including The Folger Theatre, The Kennedy Center, Manship Theatre, The Wharton Center, Cleveland Playhouse, and many others. Paige’s chore-ography has been seen all over the world and in 2014 will also be featured at Imagination Stage and Forum Theatre. With her company B-FLY ENTERTAINMENT, Paige has toured her children’s show Havana Hop and her one woman show, Paige in Full: A B-girl’s Visual Mixtape throughout the country. www.paigehernandez.com.

Robb Hunter (Fight Director) is very glad to be back at Olney Theatre Center where his previous credits include Bus Stop, Oliver!, The Millionairess, Carousel, and 13 Rue de L’Amour. DC AREA: The Kennedy Center/WNO: Moby Dick, Don Giovanni, Hamlet; The Shakespeare Theatre Company: Measure for Measure, The Alchemist, The Winter’s Tale, Hamlet (AFD); Arena Stage: Ruined, Stick Fly, Noises Off, Frankie and Johnny in the Claire du Lune, The Heidi Chronicles; The Studio Theatre: Red Speedo (Helen Hayes Award nomination for Outstanding Choreography), The Motherf**ker with the Hat, Invisible Man, The Walworth Farce (Helen Hayes Award nomination for Outstanding Choreography), Superior Donuts, American Buffalo, Reasons to be Pretty, Legends, Red Speedo. AWARDS: Helen Hayes Award nomination for Outstanding Choreography in Red Speedo (2014) and The Walworth Farce (2012), ACTF Certificate of Merit in Fight Direction for Ubu Roi (American University - 2012), Likhachev Foundation Cultural Fellowship to Russia (2012). EDUCATION: Virginia Commonwealth University: MFA Theatre Pedagogy; Certified Fight Director and Teacher for the Society of American Fight Directors.

Elisheba Ittoop (Sound Design) OLNEY THEATRE CENTER: Trumpery, Tree Boy. REGIONAL: The Kennedy Center: Elephant and Piggie, The Mostly True Adventures of Homer P. Figg, American Scrapbook, Teddy Roosevelt and the Ghostly Mistletoe, Mermaids Monsters and the World Painted Purple; Cleveland Playhouse: Yentl; Arena Stage: Love in Afghanistan; Center Stage: Clybourne Park, Beneatha’s Place; Woolly Mammoth: You for Me for You, Mr. Burns; Folger: The Conference of the Birds; Studio: The Big Meal, Songs of the Dragons Flying to Heaven, That Face, The Receptionist; Virginia Stage Company: Black Pearl Sings, Radio Golf; National Gallery of Art: Framed!; Eugene O’Neill Theater Center: How We Got On, The Nether, Good Goods, Follow Me to Nellie’s; Chautauqua Theater: Everything is Ours, Muckrakers. EDUCATION: North Carolina School of the Arts. www.elishebaittoop.com.

Xavier Pierce (Lighting Designer) NATIONAL/INTERNATIONAL TOUR: DRUMLINE LIVE! REGIONAL: Long Wharf Theatre & McCarter Theatre: Fences; Playmakers Repertory & Triad Stage: The Mountaintop; Triad Stage: Red; Two River Theater Company: Two Trains Running; Westport Country Playhouse: A Raisin in the Sun. Recipient of the Thomas C. Fichandler Award for Excellence in Lighting and Allen Lee Hughes Lighting Design Fellow at Arena Stage. EDUCATION: MFA in Design for Stage and Film from New York University Tisch School of the Arts. Visiting Assistant Professor in Lighting Design at the University of Illinois.

Reggie Ray (Costume Designer) has designed for Artistic Directors and Directors which include: Kenny Leon: (BROADWAY: The Cort Theatre, The Palace Theatre, Kennedy Center), Derrick Sanders: (OFF BROADWAY: Signature Theatre, Cincinnati Play-house, Lincoln Theatre, Center Stage, and True Colors Theatre Co.), Debbie Allen: (The Kennedy Center), Al Freeman, Jr.: (Mar-


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tha’s Vinyard Playhouse), Maurice Hines: (Arena Stage and MetroStage), Joy Zinoman: (Studio Theatre) and countless others. Theater critics have recognized Ray’s designs as he was nominated for five Helen Hayes Awards for Outstanding Costume Design (Spunk, God’s Trombones, Black Nativity, The Old Settler, and Souvenir). Mr. Ray received two: Spunk and Souvenir. He is also Resident Designer and Instructor for Howard University’s Department of Theatre Arts. Union: USA Local 829 (NY).

Jason Loewith (Artistic Director) directed the world premiere of Steven Dietz’s Rancho Mirage for Olney Theatre Center last season as well as this season’s production of How to Succeed in Business Without Really Trying. Jason won Lucille Lortel, Outer Critics Circle, and Jeff Awards for Best New Musical for Adding Machine: A Musical, which he co-wrote with composer Joshua Schmidt (off-Broadway, 2008). His latest musical is Big Nate: The Musical which premiered in 2013 at Adventure Theatre MTC, co-written with Olney’s Associate Artistic Director Christopher Youstra. Recent regional work as a director includes the world premiere of Broke (Alliance Theatre, Atlanta), Time Stands Still (Everyman, Baltimore), Crime and Punishment, and Working It Out (Center Stage, Baltimore), Adding Machine: A Musical (Studio Theatre, DC), and a dozen plays for Chicago’s Next Theatre Company, where he served as Artistic Director from 2002-08. Those credits include the Chicago area premieres of Dying City, Defiance, The Long Christmas Ride Home, and Fabulation. He conceived and directed the world premiere of The American Dream Songbook, wrote and directed the world premiere of War With the Newts, and produced Chicago premieres by Caryl Churchill, Suzan-Lori Parks, Carson Kreitzer, Sam Shepard, Dael Orlandersmith, and many more. He is a three-time grantee from the NEA for Artistic Excellence, a recipient of support from the Rockefeller MAP Fund and MacArthur’s International Connections Fund, and a TCG New Generations Future Leaders grant. Jason joined Olney as Artistic Director in 2013 after serving four years as Executive Director of the National New Play Network.

Amy Marshall (Managing Director) joined Olney Theatre Center in October of 2007. Ms. Marshall graduated with a Bachelor of Arts degree from Marquette University in 1991 and joined the staff of the Florentine Opera that same year. During her seven years as Production Director at the Florentine, she maintained a balanced production budget every year. In the summer of 2000, she accepted a position with the Milwaukee Ballet. Her enthusiasm for the art form led to her eventual promotion to Executive Director. Under Ms. Marshall’s leadership, the Milwaukee Ballet achieved a balanced budget for the four years she served as Executive Director. That trend has continued as she has lead Olney Theatre Center to a balanced budget for the past three years. In addition, due in large part to Ms. Marshall’s leadership, The Gazette for Politics and Business recognized Olney Theatre Center as one of the top 53 businesses in the state of Maryland in 2011 and 2012.


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Artist Sponsors Jay and Susan Finkelstein with George Dvorsky

BECOME AN ARTIST SPONSOR TODAY!

To learn more about these opportunities, please contact the Development Office at 301.924.4485 (ext. 129)

There’s still time to sponsor an artist inour 2014 season productions!


Residential Cottages Assisted Living Skilled Nursing Care

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DIFFERENTThe State Office of Health Care Quality interviewed our clients,

measured patient outcomes and ranked Brooke Grove Rehabilitation and Nursing Center #1 in Montgomery County. We’re proud of our rankings, but what’s really worth celebrating is the quality

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AUDIENCE SERVICES Theater PoliciesLatecomers are seated at the discretion of the house man-ager. Please do not bring food into the theater (beverages are allowed) and all buildings are smoke-free. The use of recording or photographic equipment during the show is prohibited. Olney Theatre Center is not responsible for any items left on our campus. All children, including babies, re-quire a ticket. We will ask parents to take their children to the lobby if their behavior is disturbing patrons. Please turn off your cell phone in the theaters.

Sign-Interpreted PerformancesSign interpretation is available for the third Thursday eve-ning during a show’s run. The service must be reserved two weeks in advance and is based on the availability of qualified interpreters.

Post-Show DiscussionsJoin the artistic staff and/or invited guests after Saturday matinees for AfterWords. Please call the Box Office at 301.924.3400 for more information on these events.

Listening AssistanceWe offer devices that amplify sound free of charge in ex-change for identification. Please ask the house manager for assistance. (This service is not available on the third Wednesday evening of a show’s run.)

Audio-Described PerformancesAudio-described performances are offered on the third Wednesday evening during a show’s run, which include pre-show program notes and descriptions of the action, scenery, and costumes during pauses in the dialogue. Metropolitan Washington Ear can provide an escort to audio-described performances for patrons who are visually impaired.

President ..............................................................................................................................Jennifer L. KneelandBoard Chair ...............................................................................................................................Susan FinkelsteinVice President .....................................................................................................................Megan Davey LimarziTreasurer .................................................................................................................................Patricia WoodburySecretary .....................................................................................................................................Robert MitchellPresident Emeritus ........................................................................................................................Gene Counihan

BOARD MEMBERSPhyllis Bottegal

Frances H. Glendening John E. Going W. E. Gregory

Robert E. Hebda

Arthur Holmes Stephen Kaufman

Jason LoewithAmy MarshallHelen Marshall

Anthony Morella

Nancy Nelson OrtizSandeep Saggar Mita M. SchafferNicole T. Totah

Alan Wade

OLNEY THEATRE CORPORATION BOARD OF DIRECTORS

William H. Graham, Sr. (in memoriam)

Suzanne B. SimpSonAttorney and Counselor at Lawprovides a comprehensive, compassionate, and convenient way for busy parents and professionals to obtain vitally necessary estate planning services including: probate and trust administration, elder law, Wills, Trusts, Special Needs Trusts, Medical Directives, and Powers of Attorney.

SimpSon Law, pa • Spencerville, Maryland301-421-0190 • www.SimpsonLaw.biz

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Director’sCircle $1,000+America’s CharitiesCreative Floral DesignFern Eisner PhotographyMartha Washington Straus-Harry A. Straus Foundation, Inc.Hospice Caring, Inc.Saggar & RosenbergVerizon Foundation

Artist’s Circle $500+ The Ansary FoundationFidelity Charitable Gift FundKang’s Black Belt AcademyOBA BankOld Brick InnSchwab Fund for Charitable GivingThe T. Rowe Price Program for Charitable Giving

Government SupportThe William S. Abell Foundation and Margaret Abell Powell Fund

Bradford World Renowned Portraiture

Morty Gudelsky Foundation, Inc.

CORPORATE AND FOUNDATION GIFTSThis list consists of Annual Fund contributions for the 12-month period ending March 15, 2014

Edgerton FoundationNew American Play Program

OLNEY THEATRE CENTER THANKS THE FOLLOWING FOR THEIR GENEROSITY

Angel $100,000+

Champion $50,000+

Leader $10,000+

Enthusiast $5,000+

Believer $2,500+


INDIVIDUAL GIFTSThis list consists of Annual Fund contributions for the 12-month period ending March 15, 2014

Angel $100,000+Mr. Robert Dohmen Bob and Eveline Roberts Mr. and Mrs. Tommy Mulitz – In honor of the Mulitz-Gudelsky FamilyMiss Gertrude L. PoeMrs. Maggi Root

Champion $50,000+AnonymousHelen MarshallMr. and Mrs. Stephen Z. Kaufman

Leader $10,000+Joan E. Dubinsky and Craig N. PackardMr. and Mrs. W. E. GregoryIn Memory of Ms. Shirley S. PlattKathleen Quinn Mr. Vernon L. Skinner, Jr.Patricia Woodbury

Enthusiast $5,000+Kay and Paul DeerinSusan and Jay FinkelsteinThe William H. Graham, Sr. FamilyRobert E. HebdaMrs. Reba HeymanIn Memory of Mr. Jacob M. JaffeJennifer and Scott KneelandThe Honorable Sidney KramerPaul and Pat MangusAlan L. and Amy MeltzerJames Pape and Nancy Newman-PapeKevin White & Rossana Salvadori – In honor of our parents, Anson & Marge, Dilvo & DinaCarol Trawick

Believer $2,500+Eleanor Clain-StefanelliLinda A. DawkinsGordon and Margot DibbleMichael and Michelle FannonBarry and Marie FleishmanMs. Winifred E. HerrmanNettie HorneAmy and Dean MarshallThe Honorable Karen S. Montgomery and Mr. Harry MontgomeryTony and Connie Morella

Friend $1,500+AnonymousAnonymous – In memory of Kate Gibson

Mr. and Mrs. David BottegalRobert BurkMrs. Melissa CollinsThe Honorable Gene and Mrs. Cindy CounihanMrs. Frances Hughes GlendeningMax JacobsJohn and Kathy LyonsBob and Marlene MitchellStuart and Margaret NatofDaniel and Christine PowersMargaret T. Roper and Mr. Clifford L. JohnsonRobert and Lelia RussellMr. and Mrs. Sandeep SaggarCharles and Mary SollaSandy and Alan Wade

Director’sCircle $1,000+Ms. Jeanne BrushNed CramerRichard and Joan CurtisSteve Danielson and Dr. Kenneth HoyleEileen and Paul DeMarco M. Charlene DorrianMs. Miriam DubinEdith L. EmbreyMaureen and Tom EstrinBerdie and David FirestoneSenator Jennie M. and William ForehandHal and Karen GordonMargaret and Jim JohnstonThe Honorable Benjamin F. KramerJane Thérèse Larsen Evlyn D. LatimerJason LoewithCharles S. Mack and Alice Barrett MackMaggie and Tico McCreadyLester R. and Helaine G. MorssRobert W. NeighborsNancy and Hector OrtizVictor Shargai and Craig PascalChris and Chris Youstra

Artist’s Circle $500+ JoAnn and Dean AulickHarold M. and Christine A. BartlettBarbara BaumannDennis and Holly BlackledgeFrederick DeneckeMs. Andrea DrimmerMatthew W. and Laura G. FettersRobert and Carole FontenroseMr. David Frankenberger, Jr.Tom and Peg GibianMr. John E. Going

Mr. and Mrs. Michael GreenhutPaul and Marilyn HendersonJim and Lynne HensleyMr. Richard F. HughesJon and Michelle HulsizerMr. Clayton JohnsonMr. and Mrs. Jason King Jones Sheldon T. and Audrey KatzThe Honorable Isiah Leggett and Mrs. Catherine S. LeggettMrs. Lillian LitowskyMs. Sandra Marks Linda and Tom McCabeMarie Lisa McKillopFrederick and Elizabeth MontgomeryTimothy C. O’Hara Osborne C. Parchment, PhDRichard and Anita PetersonMs. Jacqueline RaymoCokie and Steve RobertsMrs. Lillian RoehlGary RosenthalMr. Michael Rubino Ms. Robin RuddenMita Schaffer and Tina Martin Cora and Murray SimpsonCarl W. Smith and Michael L. BurkeDr. and Mrs. Roger G. SorensenMichael and Chris SpatesMs. Donna SpieglerIn Loving memory of Dick and Nancy ThomasGeorge A. and Katherine C. WhitehouseMs. Halo WinesJohn A. and Mary Daley Yerrick

Advocate $250+Sarah Allen and John AndersonMs. Louise G. BargamianPetee BarnesDr. Patricia BeastonFran and Harvey BergerElyse and Jeffrey BernsteinMichael BobbittDr. and Mrs. Kelly BossardWeldon C. BrownBarbara and Martin BuzasValerie M. CampbellPhilip and Elaine ClarkinMrs. Clare W. Crawford - MasonMs. Jerilyn DaliScott DvileskisMarilyn and Bennett L. ElisbergMr. Brian FeitLaurie and Arnold FoudinLawrence and Joan FriendMs. Annette GageTookie Gentilcore

Robert J. and Liane A. GiardinaMs. Amy GonceAnn and Thomas GoochMr. Philip GranetoDavid and Eileen M. HaleyFreddi and Dick HammerschlagMr. Edward HanWilliam A. Hanson and Gail A. LiebermanJoshua and Ana Rita HaugeMs. Elizabeth HenriksenJoannene HudakJohn F. Jameson and B.J. ShorakNene Keita - in honor of Aissatou DiakiteElizabeth S. KingEdith M. KirkStephen and Katharine KovarcikMegan Davey LimarziMarcia LitwackMarina LowenAmy LowensteinDelmar and Dorothea LuceAnn MalekzadehBetty and Frederick MarcellSusan McCarthyBill MichieMr. and Mrs. Forest MontgomeryMr. and Mrs. Russell MuntiferingTom and Denise MurphyJoan Murray-ReynoldsMr. and Mrs. Richard NelsonGeorge and Maureen NesbittMr. and Mrs. George NewettMr. and Mrs. Kevin ParkerLibby S. RubinFill and Linda RueggThe Savada-Stevenson FamilyBetty J. ShorakMr. and Mrs. Richard SilbertThe Honorable Luiz R. SimmonsLeslie F. Smith and Stacy P. SmithMr. Gary SowersMs. Donna SpieglerMs. Carole SteeleMs. Susan StracquatanioAlicia and Marlin TaylorLois Taylor and Stephen SimpsonCharlie and Deborah ThompsonPeter ThreadgillKevin Townsend & Jane Pesci-TownsendAdolph VezzaDebby VivariBrad WatkinsMs. Helene R. WeiszDr. and Mrs. Steven WhiteBuddy and Kim WyreThe Honorable and Mrs. Craig Zucker



Patron $100+AnonymousMr. Arthur AdamsMs. Jacqueline AdlerRick and Susan AndrewsSusan and MacDCG AndrewsDr. Gina AngiolaMr. Russell AntlerAlan and Susan ApterBill and Sandy AttickHoward G. AusdenMs. Mary A. AustingMr. and Mrs. Clyde BallardRichard BanvardMr. Stanford B. BarouhElaine B. Baugham-Young and James A. Young, Jr.Howard R. and Alice L. BaumDan the ManMarian BellamaNeil R. Bernstein Ms. Rhonda D. BestMr. Merle J. BigginMs. Nina BlecherMs. Elizabeth Russell BoeDr. Vera BorokovecJulius BowenMr. and Mrs. Peter BradyMr. Richard BrushWatson and Jane BullockMr. and Mrs. Frank BuscaglioMr. and Mrs. William M. ButlerRobert Calvert, Jr.Ms. Robin M. CameronRich and Sherry CarsonMs. Mary ChampagneMr. and Mrs. Sotiros ChaparasStephen Charing and Bob FordMr. and Mrs. Chuck ChatlynneHoward and Rosie ChernoffMs. Shirley L. CohenJames Costrell and Helen WoodMr. Leonard V. CovelloMr. Edward CowanKaye CraftMr. and Mrs. Dale CrownMargaret E. CusackMrs. Bernadine DadeyMr. and Mrs. Joseph J. DadeyBarbara B. DahlgrenMartin and Belle DavisKeith and A. Eletheer DeckerHampton DeJarnette and Leslie EnglandMr. Donald DeLucaMr. Howard DeutchMs. Kay DildineMr. and Mrs. James DudaMs. Ilona DulaskiMs. Janet DunlopMr. David DunnMr. Samuel P. EdgerlyDonald and Barbara EisenMichele and Steve EisenbergEdith EspenshadeMr. Mark B. Epstein

The Honorable Gail Ewing and Mr. Bob EwingJohn and Heea (Vazirani-) Fales Mr. B. and Dr. N. FarrellMr. Brad FarrellBob and Pat FauverWyn FitzpatrickMrs. Roger J FolstromMr. William FriarLeonard Friedman and Randi PassamaneckMs. Noreen B. FriedmanMr. Richard FromeMr. and Mrs. Edward GarzeroMr. Thomas P. GaskeShad GhozatiStuart and Vivian GoldmanMr. and Mrs. Frank R. GoldsteinMs. Jan GoldsteinMrs. Ann L. GrauMr. Jonah D. GreenPat GrossSam HackBill and Ines HackettRomayne A. HagyardSusanne and Stephen HardyMr. Kevin HasserMr. Brian HecklerDelegate and Mrs. Hank HellerMr. and Mrs. David HendersonJoseph HessSaundra HillMr. and Mrs. Gordhan HiraniRobert HiranoDelegate Sheila HixsonCharles and Pamela HofmannMaj. Gen. and Mrs. Arthur HolmesAlison Drucker and Tom HolzmanMr. and Mrs. Eugene M. HormanMrs. Linda HorowitzJohn D. HorrocksRobert R. HudsonKatherine JordanMr. and Mrs. Richard JourdenaisMary and Larry JudgeMr. JJ KaczynskiMr. and Mrs. Jerome KaplanJeffrey KaufmanMs. Barbara KleinknechtMs. Amy R. KnowltonMs. Anya KornilovaMr. and Mrs. John KoskinenMr. and Mrs. Joseph KunsmanMs. Nancy LaingMr. David LandstromM.C. Lang and G.H. BurkettMs. Erica LeathamJohn and Jeanine LeeCindy R. LefkowitzCarol M. and Michael B. LehanSuzanne LillisPaul and Susan LinzLaurie Weker LiptonBetty LongMr. Richard M. LoughlinAnn and and Barry Lubin

Mr. Robert LuskinWes MacAdamRosemary A. MacDonaldBrent and Sharon MalcolmMs. Liz MamanaMs. Nancy M. MannMs. Pearl B. MarksMs. Sherryl Marshall – in memory of Bette MarshallRon and Ingrid MasiThe Matathais FamilyMs. Barbara Mayo-WellsMr. and Mrs. Brent McIntoshJohn and Rita McKeeMs. Claire McLaughlinMs. Pauline MendoMs. Bette MercerBlanche MesserlyRobert and Susan MeyerMr. Philip D. MicaliFrances MichelsenDr. and Mrs. Laurence MillerNancy Cox Mills and Edward W. MillsMr. William L. Mitchell and Mr. David A. VignoloVivian S. MontalbanBruce and Janet MontgomeryDr. and Mrs. Roscoe M. Moore, Jr.Mr. and Mrs. Lance MorrellMr. Christopher MuellerMr. Stephen NachamieIrva Nachlas-GabinMs. Patricia NicholsMr. and Mrs. Brian W. Nutting Robert O’ReaganMs. Rosemary PardeeJulie S. ParkerMr. Fred T. PaulClara PerlingieroEvelyn and Peter PhilippsMr. and Mrs. Paul PicciottaMs. Jacqueline O. PickardMr. Eric W. PierpointMr. and Mrs. Edward PodhajskySusannah F. PrindleMr. Avee RanjanDr. Carole A. RayburnMrs. Elizabeth M. ReadBarbara G. ResnickMary and Robert RichCaroline M. RickersonNancy RicksMs. Rose RidgewayMr. Randolph RifeMr. Michael J. Rinaldi IIMr. and Mrs. James C. RitterMrs. Leigh RobertsRuth R. UnterwegerMr. Tim RoganMr. and Mrs. Howard RosemanMs. Margaret Ann RossSuzanne Rotbert and Jim DawsonIn Memory of Philip L. RothchildMs. Jan RothmanMrs. Ludmilla Sabatiuk

Mr. Stanley SacharIn Memory of Paula SavageRonnie and Les SaxAmy E. SchafferE. Pat SchafferCharlie and Marie SchaubThe Honorable and Mrs. Donald SchiffElizabeth M. SchmidtMr. Roger SchmidtEdwin and Sondra SchonfeldMr. Jeff SchragerMs. Corinne O. SchramDick SchreitmuellerJayson and Leslie Schwam-MilesAlfred and Patricia ScipioMs. Linda ScofieldBernard and Rita SegermanRichard Apstein and Lenny SeligerMr. and Mrs. Guy ShannonMs. Susan J. ShawhanEvelyn R. SheaTheda and Sholom SheffermenMr. and Mrs. Lawrence A. ShulmanMr. and Mrs. SickelMr. and Mrs. Joseph F. SlateMarshall and Deborah SluyterMr. Arnold SperlingMs. Hilda SpringerMs. Barbara StarkeMr. and Mrs. David StearmanMs. Mary A. SteeleMr. Harold SteinKenneth and Christine SteinbrucknerMr. and Mrs. Duane G. StraubMr. Calhoun StrawhandDonald and Mary StreetMs. Carol C. StretmaterMs. Serena ToroMr. John D. TownsleyCarrie and John TrauthGeorge TresselGinny and Ray Van BruntChitra VermaJoy B. VertelMr. Michael VotawJohn and Charlotte WalkerMs. Susan Walker and Mr. Harry SalwenMr. Ethan WatermeierProfessor and Mrs. Peter P. Weidenbruch, Jr Susan WeisgerberMs. Kaissa WetcherIris WilderMs. Marybeth WisePhilip and Shirley YaffeeMs. Renee E. YanceyChristopher Yates and Carolyn PasquantinoThomas YoungMr. and Mrs. Dan Zimmerman Mary Zmitrovich



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Connect with us:

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Join us as we celebrate 25 years of service to the Montgomery Co. community.

Practical, social and emotional care and support for anyone dealing with death, dying and grief.

All programs and services provided without charge.

301-869-HOPE (4673) • www.HospiceCaring.org

25years

1989 2014

25years


OLNEY THEATRE CENTER STAFF

Olney Theatre Center for the Arts is a professional theater employing members of Actors’ equity Association, the union of professional actors and stage managers in the united States.

Actors’ equity Association, founded in 1913, represents more than 45,000 actors and stage managers in the u.S. equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. equity seeks to foster the art of live theatre as an essential component of our society.

Olney Theatre Center for the Arts is a member of Theatre Communications Group, the national service organization representing the not-for-profit American theater; the Cultural Alliance of Greater Washington; the League of Washington Theatres; and the Baltimore Theatre Alliance.

ARTISTICArtistic Director Jason LoewithAssociate Artistic Director/ Director of Special Programs John GoingAssociate Artistic Director/ Director of Music Theatre Christopher YoustraAssociate Artistic Director/ Director of Education Jason King JonesArtistic Apprentice Jenna Duncan

PRODUCTIONDirector of Production Dennis A. BlackledgeCompany Manager/ Associate Production Manager Fred T. PaulTechnical Director Stephen M. GreeneAssistant Technical Director Matthew Robert MillsScene Shop Foreman W. M. Yarbrough IIICarpenter David AshResident Scenic Artist Fred ViaCostume Shop Supervisor Jeanne BlandAssistant Costume Shop Supervisor Seth GilbertMaster Electricians Samantha Campbell, Marc HurstProperties Master Rachael ErichsenResident Sound Engineer Elvin J. CrespoProduction Management Apprentice Sarah TomberlinCompany Management Apprentice Claire KennedyProduction Apprentices Claire Carden, Lauren E. Chilton, Brian Chismar, Brendan Gregg, Mollie LaTorre, Vincent Loucks, Katie Mikula, Mandy Schultz, Mike Vaughan

SHOW STAFFProduction Manager Sarah TomberlinAssistant Stage Managers Angela Plante, Mandy SchultzAssistant Lighting Designer Elaine SenftAssistant to the Costume Designer Luqman SalimPiano Coach Christopher YoustraAdditional Electrics Crew Laurie Bautista, Sarah SplaineWardrobe Mary Woll

EDUCATIONNational Players General Manager Kevin HasserEducation Apprentice Maegan Clearwood

ADMINISTRATIONManaging Director Amy MarshallAssistant to Managing Director Maureen EstrinFacilities Manager/ IT Manager Dean Marshall

FINANCEDirector of Accounting and Financial Services Nene Keita Senior Accountant Chyeslan BusoBusiness Manager Kynda Reid

COMMUNICATIONSSales Director Weldon C. BrownMarketing and Public Relations Manager Heather AndrewsSocial Media/ Marketing Associate Sonie MathewGraphic Designer JJ KaczynskiPatron Services Manager R. Wesley MeekinsBox Office Manager Henriette MendoBox Office Supervisors Shanna Chuenyane, Kara FannonHouse Managers Lucirae Cooley, Kelly Craig, Lina Al Dajani, Jake Fullmer, Ricardo Melendez, Barbara Scanlan, Khris-Ann Small, Desiree WardBox Office Associates Judy Abrams, Arash Bahari, Vince Constantino, Rachel Spory-Harper, Nicole Jennings, Leah Keilsohn, Andrew Majors,Chisomo Maluwa Angela Plante, Emily Townsend

DEVELOPMENT Director of Development Loretto McNallyDevelopment Assistant Maureen EstrinDevelopment Associate Lacey Burbage

OLNEY THEATRE CENTER

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the piano lesson program

Documents

american theater

century of american

american family

century cycle

great american playwright

american theatrical

different play set

wilsons great cycle