the niobid painter jse

21
Exekias Kylix (cup) a new shape White text: p.30-31 Black text: p.23-25

Upload: sudsnz

Post on 17-Jan-2015

561 views

Category:

Education


0 download

DESCRIPTION

 

TRANSCRIPT

Page 1: The Niobid Painter Jse

Exekias Kylix (cup)

a new shape

White text: p.30-31

Black text: p.23-25

Page 2: The Niobid Painter Jse

The Exekias Kylix

• Exekias’ vases are renowned for the quality of the composition and the detail in the decoration. His work is of a much higher quality than any other black-figure decorator.

• It is possible that the Kylix shaped vase was invented by Exekias, since the first known example of the shape was made and decorated by him.

Page 3: The Niobid Painter Jse

• Exekias’ kylix shows a crucial innovation from previous types of drinking cups:

Earlier kylix had a slightly offset rim –

this is the first known example of a new

style without this rim

Page 4: The Niobid Painter Jse

Shape: kylix (cup)

Function: drinking cup

Painter: Exekias (attributed)

Potter: Exekias

Technique: Black-figure

Date: c.535 BC

Page 5: The Niobid Painter Jse

DimensionsDimensions

Width: 30cm

Page 6: The Niobid Painter Jse

Inscriptions

• Exekias signed the vase on the front face of the foot– “Exekias made me”

Page 7: The Niobid Painter Jse

Decoration Overview

• The presence of two large eyes on the outside has led to its being known as “the eye cup”.

• The eyes meant that when a person was drinking it would appear that they were looking at the person opposite.

Page 8: The Niobid Painter Jse

Inside the vase

• Any circular picture inside a kylix is called a tondo

• The tondo inside this kylix is of Dionysos’ voyage by ship

• The deep red of the background is created by using coral slip (produced by mixing ochre and black slips), and is supposed to resemble both the colour of wine, and the “wine-dark” colour of the Mediterranean.

Page 9: The Niobid Painter Jse

The MythDionysos, a son of Zeus, was the God of vegetation. As the provider of fruits from the forest and the field, he was also identified as the giver of the vine. He was also known as the God of ecstasy, and he collected a wide range of followers, in various forms.

He is often associated with the satyrs, the maenads, and snake-handling. He is often shown with a vine or a drinking cup.

Page 10: The Niobid Painter Jse

Some stories said that Dionysos died each winter and was re-born in the spring, as a vine grows again from the spring. Dramas were written to celebrate the revival of Dionysos in the spring, and gradually he became a more serious figure.

Dionysos is the closest God to mankind. No other God wandered all over the earth. Alexander the Great found evidence of the cult of Dionysos in India.

Page 11: The Niobid Painter Jse

In Athens, people believed that Dionysos came to them by boat from Lydia or Phrygia.

Homer’s story “Hymn to Dionysos” tells of one occasion, when Dionysos was standing on the seashore as a ship of Tyrrhenian pirates passed by. They captured him and took him on board, thinking he was a prince for whom they could collect a huge ransom.

Page 12: The Niobid Painter Jse

He went with them peacefully and sat on the ship, watching the pirates. Suddenly, he showed his divine power.

Vines and ivy grew from the tall mast and enveloped the boat. Dionysos turned himself into a lion, and a bear appeared from the other end of the boat. The pirates, stricken with fear, threw themselves into the sea, and were immediately turned into dolphins.

Page 13: The Niobid Painter Jse

The vase interiorThe vase interior

Page 14: The Niobid Painter Jse

The ShipThe Ship

The boarding ladder and The boarding ladder and the twin steering oars the twin steering oars are clearly visible at the are clearly visible at the sternstern

The bow of the ship is in the form of a stylised boar’s head

The ship is elaborate in design, with a tall mast and a broad sail.

The ship is decorated with a pair of white dolphins

The stern of the ship curves upwards into the graceful shape of a swan’s neck

Page 15: The Niobid Painter Jse

Dionysos

Dionysos lies back in the boat, holding a wine horn, and wearing a spotted robe

The vines growing from the mast are laden with grapes.

Page 16: The Niobid Painter Jse

The pirates who tried to abduct Dionysos have

been transformed into dolphins, and

they now swim around the boat.

Page 17: The Niobid Painter Jse

CompositionComposition As always, Exekias’ decoration

complements the shape of the vaseTwin vines

branch out, following the shape of the top 1/3 of the kylix

Dolphins swim around the bottom 2/3 of the kylix

Dionysos’ ship sails across the kylix – there is no ground line as the ship is on the sea

Page 18: The Niobid Painter Jse

Painting technique

Coral-red slip intensifies the red of the background – “intentional” red

White slip used for the sail and the dolphins decorating the boat

Purple was added to the grapes and the branches

Slip was added thicker than normal

on the bows of the ship to show more depth and texture

Page 19: The Niobid Painter Jse

The vase exteriorThe vase exteriorEyes are painted as concentric circles, using white, purple and black slips

A very stylised nose

A band of rolled clay separates the bowl from the foot of the vase

The foot is painted with black slip

Elongated tear ducts frame the nose

Both sides have apotropaic eyes. They are supposed to look out for you and ward off evil.

Page 20: The Niobid Painter Jse

Around the handles

On both sides, in the gaps between the eyes and the handles, Exekias shows symmetrical sets of 3 warriors fighting over a corpse. They all wear the Corinthian style

helmet with horse hair crests, corselets and greaves.

The dead The dead warrior’s armour warrior’s armour

is whiteis white

Exekias uses purple to accentuate armour

Page 21: The Niobid Painter Jse

Incisions through the Incisions through the slip show the details slip show the details of the armour and of the armour and musculaturemusculature

The corpse has been stripped of its armour and is being dragged away.

A series of concentric lines, painted in black and purple slip, accentuates the shape of the kylix. Underneath is a band of small, stylised rays.