the impact of changes - sisu.ut.ee · the aim of this presentation is to reflect on how a practical...
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Education in the Craft of Weaving –The Impact of Changes
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Annelie Holmberg
Textile Studies, Uppsala University, Sweden
Textile history with a focus on:
• Practical knowledge about textile techniques, practices and methods of documentation
• Object based perspectives and Material Culture Methodology
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The aim of this presentation is to reflect on how a practical education is affected by governmental, and internal organizational, changes over
time. This is done with examples from three different educations in the craft of weaving.
Sätergläntan – Institutet för slöjd och hantverk
Handarbetets Vänners skola / Friends of Handicraft
Education of textil craft teachers/Slöjdlärarutbildning, Uppsala university
Educations on different levels
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Handarbetets Vänner – Friends of Handicraft
Stockholm, Sweden
Founded 1874
Studio, gallery/shop and school
School 1881
”Theoretical weaving”1903
Now – vocational training
Foto: Peter Segermark/ Nordiska Museet
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WeavingEmbroidery
DESIGN
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Sätergläntan – Institute for Sloyd and Craft
Dalarna, Sweden
Founded i 1922
Course in weaving 1923
Sold to Friends of Handicraftin 1934
1964 FoH sold Sätergläntan to Svenska HemslöjdsföreningarnasRiksförbund
Now – vocational training
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Fackskolan för huslig ekonomi – Institution for Domestic Science
Uppsala, Sweden
Founded 1895
Textile craft for teachers 1898
Seminar in 1961
Educations within the university 1977
Now – moved to Konstfack, StocholmMuch changed!
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Teacher education in textile craft - not just weaving
Didactics
Creativity
Craftsmanship
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What have affected these educations in weaving?
Changes in society:- Knowledge for the home- Production i the home- Patterns in Consumption/Production
Governmental changes- Public seminar 1961- University 1977 - Professionalization 1990/2000 - Important, compulsory knowledge?
Internal organisationAims specific for an organization
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Changes in society
What knowledge should/must a woman/pupil have- Women?- Pupil…sloyd
Production in the home - Sale? - What?
Consumption/Production- Slowart vs massproduction
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1961 – Public seminars are founded
Seminar of Domestic educations, UppsalaTeacher education in textile craft - National curriculum- Swedish National Agency for Education
Motive to Friends of Handicraft selling Sätergläntan
Sätergläntan – traditional textile craft?
Friends of Handicraft – back to ”their aims”?
Governmental changes
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Dominating courses!
One term weaving course
Mid 1950s…..end of 1990s
“Course in weaving, with design” – later also including bobbin lace/embroidery
Same education at many organisations
Compulsory:“Denna kurstyp, som efterträtt hemvävningskurserna, har blivit mycketeftersökt, då den kommit att bli obligatorisk grundkurs I vävning för såvälblivande handarbets- och vävlärarinnor som terapeuter.” (FoH Årsberättelse 1958)
ECONOMY! NEED FOR EDUCATION IN WEAVING.
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Part of a university - 1977
The education of teachers in textile craft- Academic education in craft?- Diminishing amount of lessons
Sätergläntan and Friends of Handicraft- Not within the university- Application denied 1999- Consequences
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The years 1990-2000
No need for courses in weaving ?
…don’t give enough knowledge for a life as a professional weaver…(Sätergläntan)
Sätergläntan: 1994, 1998Courses 3-year. Focus traditional textiles, “folktextiles”
FoH:1994, 1997Courses 3-years. Focus waving and embroidery, tradition and personal design.
Textile craft teachers, UppsalaFewer hours, expensive rent ------shut down autumn 2009
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Internal organisation
The aims of the organisations behind the educations
Sätergläntan – traditional ”Swedish” craft, craftsmanship
Friends of Handicraft – textile art, creativity and craftsmanship
Textile craft teachers – complexity of craft knowledge depending on organizer and time
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What is the aim with an education?
Is deep knowledge in a craft needed?
What is important when we learn a craft?
What is the impact of an academisation?Important or not?
The ”joy” of performing a craft – problematic or important?
Thoughts!