the great choral treasure hunt ivwmeamusic.org/files/2016/12/cmp_greatchoraltreasurehunt_iv.pdf ·...
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THE GREAT CHORAL TREASURE HUNT IVRandy Swiggum & Rebecca Renee Winnie
Anthony Cao, piano
Friday, October 27, 2006 • 2:45-4:00 PMMusic packets courtesy of J.W. Pepper Music
MUSIC FROM JEWISH TRADITIONS
Arr. Doreen Rao: Hashivenu Israeli Folk SongBoosey & Hawkes OCTB6430 Unison, or 2 or 3 part canon (a cappella or piano)[Pepper #1656560]
Flory Jagoda arr. Nick Page: Hamisha Asar Ladino textBoosey & Hawkes M-051-47234-5 3-part Treble, piano[Pepper #3273240]
Arr. Stephen Hatfield: Vus Vet Zayn Traditional Yiddish text & melodyPlymouth Music HL-231 3-part Treble, a cappella [Pepper #3013125]
Salamon Rossi: Psalm 128 Hebrew Psalm textRRW Edition (May be copied freely) SSAATB, a cappella
Other Recommended Music from Jewish Traditions:
Arr. Joshua R. Jacobson: Mi Zeh Y’maleil Sephardic Chanukah Song (Morocco)Transcontinental Music Publications 992016 SATB divisi, Bar. Solo, tof, tambourine
Arr. Yehezkel Braun, Adapted J. Jacobson: Durme, Durme Ladino Folk SongHaZamir Publications HZ-012 SSATTB (but easy 3-part), piano
Arr. Joshua Jacobson: Tsen Brider Text: Martin RosenbergTranscontinental Music Publications 99143 SATB, piano
GREAT POETRY
P.I. Chaikovsky: Nochevála túchka zolotáya Poem: M.I. Lermontov (1814-1841)earthsongs SATB a cappella[Pepper #3301045]
Nikolay Rimsky-Korsakov: Nochevála túchka zolotáya Poem: M.I. Lermontov (1814-1841)RRW Edition (May be copied freely) SSA, a cappella
Another Recommended “Great Poetry” piece:
Arthur Sullivan: Echoes Text: Thomas MooreOxford University Press SATB, a cappellaAlso found in English Romantic Partsongs ed. Paul Hillier. Oxford University Press.
GREAT POETRY FOR YOUNG VOICES
Elam Sprenkle: October's Party From: A Midge of Gold, by George CooperBoosey and Hawkes 2-part, piano[Pepper #1724640]
Another Recommended “Great Poetry for Young Voices” piece:
Benjamin Britten: Ride-by-Nights Text: Walter de la MareOxford University Press 2-part, piano(soon to be only published in Three Two-Part Songs, which will also include Britten’s The Rainbow & The Ship of Rio)
RENAISSANCE
Leonhard Lechner: Gott b'hüte dich Text: Paul Dulner (d.1596)ed. Linda Allen Anderson; Alliance Music Publications AMP 0068 SATB, a cappella [Paul Dulner] [Pepper # 1986645]
Many more Renaissance suggestions in past Great Choral Treasure Hunt packets http://www.wmea.com/CMP/participants/repertoire/index.html
BAROQUE
Jean-Philippe Rameau: Laboravi Clamans Psalm 69:3Edited by Vivian James SSATB, realized basso continuo (organ)Handlo Music (www.handlo-music.com), Edition in packet is courtesy of Handlo Music. Please Purchase from Handlo for use.
Georg Philipp Telemann: Laudate Jehovam, Omnes Gentes Psalm 117Concordia Publishing House 97-4838 SATB, realized basso continuo (organ), 2 violins[Pepper #4533436]
George Frederic Handel: Haste Thee, Nymph From L’Allegro, by John MiltonWalton Music Corp No. W7007 SATB, piano reduction[Pepper #4031217]
BRAHMS
Johannes Brahms: Dem dunkeln Schoß der hei’lgen Erde Poem: Friedrich Schiller (1759-1805)Lawson-Gould LG52285 SATB a cappella[Pepper #1648872]
An alternate singable English translation from Randy Swiggum:
In earth’s dark womb, in sacred earth, entrusts the sower precious seed,And hopes some day to see it blossom in blessing by Heav’n’s own decree.More precious yet the seed (more precious ye the seed) we bury,In sorrow, in sorrow (in sorrow) in the earth’s dark womb (in the earth’s dark womb),With faith and hope that from death’s veil,It will as sure in beauty, beauty bloom, in beauty (beauty) bloom.
Brahms Canons
Wenn die Klänge nahn (Op. 113, No. 7) Poem: Joseph von EichendorffRRW Edition (May be copied freely) 3-part Treble voices
Ich weiß nicht (Op. 113, No. 11) Poem: Friedrich RückertRRW Edition (May be copied freely) 3-part Treble voices
Töne, lindernder Klang AnonymousRRW Edition (May be copied freely) SATB Canon
Other Recommended Brahms works:
O süsser Mai! Op. 93a, No. 3 (O Lovely May) Poem: L. Achim von ArnimE.C. Schirmer ECS No 1727 SATB, a cappella
Brahms Weltliche A Cappella Gesänge, Heft I Opus 42, 62Edition Peters 3915a Mixed voices, a cappella
RRW recommends: Op.62 Nr.3 Waldesnacht; Op.62 Nr.6 Es geht ein Wehen
Brahms Weltliche A Cappella Gesänge, Heft II Opus 93a, 104Edition Peters 3915b Mixed voices, a cappella
RRW recommends: Op.93a Nr.1 Der bucklichte Fiedler; Op.93a Nr.3 O süßer Mai
Brahms Four Folk Songs (Second Series) from Deutsche VolksliederEdward B. Marks No. 23 Mixed voices, a cappella
RRW recommends: In stiller Nacht & Abschiedslied. Also recommended, but available in other publications: Da unten im Tale
Four Songs for Treble Voices by Johannes Brahms Includes Nos. 4, 11, 2, 12 from Opus 44Shawnee Press B-243 SSAA, a cappella
RRW recommends: Nr.4 Fragen, Nr.2 Der BräutigamAll 12 of Op. 44 are in: Brahms 12 Lieder & Romanzen, Op. 44 Augener’s Edition No. 13724
RRW recommends: Nr.7 Nun stehen die Rosen in Blüthe; Nr.9 Am Wildbach die Weiden
Vier Gesänge (Four Songs) Op. 17Edition Peters No. 6617 Women’s Chorus, Two Horns & Harp
RRW recommends: Nr.1 Es tönt ein voller Harfenklang (uses harp and 1 horn)
POWER PIECES FOR WOMEN
Dolores Keane/John Faulkner: Mouth Music Celtic mouth music tradition, from the HebridesTranscribed by Joseph Byrd; earthsongs SSA, drum [Pepper #3101995]
Other Recommended “Power Pieces” for Women:
See Above: Hamisha Asar; Vus Vet Zayn: Rimsky-Korsakov Nochevála túchka zolotáya; and the various Brahms suggestions
Arr. Stephen Hatfield: Run Children Run Field YellBoosey & Hawkes OCTB6972 Two 2-part Treble Choirs
Gustov Holst: Choral Hymns from the Rig-VedaGroup II for Women’s Voices & Orchestra (piano reduction) Especially: 2. To AgniGroup III for Women’s Voices & Harp (piano) Especially: 2. Hymn to the WatersGalaxy Music a division of ECS Publishing 4. Hymn of the Travellers
Kodály: Gyermek-és nóikarok (Choral works for Children’s and Female Voices)available through Boosey & Hawkes in the original Hungarian: Editio Musica Budapest, Z.6724
RRW recommends: Táncnóta (Dancing Song); Turót ëszik a cigány (See the gypsies); Katalinka (Ladybird)(each of these are also available in octavo form in English)
Arr. Alice Parker: Come On Up Traditional SpiritualG.I.A. Publications G-4231 SSA, a cappella
Gioacchino Rossini: La Fede I GondlieriSchott: Piano/Vocal ED 7656; choral part ED 7656-01 SSA, piano
SAB WITH IMAGINATION
Arr. Stephen Hatfield: All For Me Grog Traditional Sea ShantyBoosey & Hawkes 48005175 3-part Mixed, a cappella[Pepper #3701113]
Many more SAB suggestions in past Great Choral Treasure Hunt packets http://www.wmea.com/CMP/participants/repertoire/index.html
• • •
RESOURCES AND ENCOURAGEMENTS
RECORDINGS OF WORKS ON THE 2006 TREASURES LIST:Johannes Brahms: Samtliche Chorwerke a cappella und mit Instrumentalbegleitung. Rundfunkchor Leipzig undInstrumentalsolisten, Wolf-Dieter Hauschild. 1997. Orfeo C026 974. [Includes all Brahms listed above]
Britten: A Ceremony of Carols, Friday Afternoons, Three Two-part Songs. New London Children’s Choir. Ronald Corp, Director.1994. Naxos 8.553183. [Includes Ride-by-Nights]
Handel: L’Allegro, Il Penseroso ed Il Moderato. Soli-Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner. 1981.Erato 2292-45377-2. [Includes Haste Thee, Nymph]
The Music of Stephen Hatfield. Amabile Youth Singers. John Barron & Brenda Zadorsky, directors. 1997. AYS-006. Availablefrom www.stephenhatfield.com. [Includes Run Children, Run & Vus Vet Zayn] [All for me Grog is recorded on Amabile’s All Good People, also fromwebsite]
Gustav Holst: Hymns from the Rig Veda, Two Eastern Pictures, Hymn to Dionysus. Royal Philharmonic Orchestra, Royal collegeof Music Chamber Choir, Sir David Willcocks. 1985. Unicorn-Kanchana DKP9046. [Includes all recommended Holst]
The Choral Music of Kodály: 7. Children’s, Youth, and Female Choruses. Cantemus-Nyíregyháza. Dénes Szabó. 1994.Hungaroton classic KFT HCD 31291. [Includes Táncnóta (Dancing Song); Turót ëszik a cigány (See the gypsies]
La bella Nifa: Europäische Madrigale um 1600. Hallenser Madrigalisten, Andreas Göpfert. 1998. Berlin Classics 0093362BC.[Includes the Lechner Gott b’hüte dich]
Lights: Music for Chanukah. Zamir Chorale of Boston. Joshua Jacobson, conductor. 1990 Zamir Chorale of Boston. Availableform www.zamir.org. [Includes Mi Zeh Y’maleil]
Rossini: I Gondolieri: Chor-und Ensemblemusik. Sündfunk-Chor. Rupert Huber, Eric Ericson, & Helmut Wolf, Dirigent. RolandKeller & Susan Wenckus, Klavier. 1993. Carus 83.127. [Includes La Fede]
One World Many Voices. earthsongs. 1998. CD 02. [Includes Mouth Music]
Rameau: Les grand motets. La Chapelle Royale, Herreweghe. 1982/2000. Harmonia mundi HMA 1951078. [Includes Laboravi]
The Songs of Solomon: Salamone Rossi, Vol. 2: Holiday & Festival Music: Jeish Sacred Music From 17th Century Italy. NewYork Baroque. Eric Milnes, Director. 1996/2001. Dorrian Recordings, DOR-93220. [Includes Psalm 128]
Take Me to the Water. Alice Parker. 1994. GIA Publications. [Includes Parker’s Come on Up]
Without Time or Season: Russian Choruses for Children.The Bolshoi Theatre Childrens Choir, Andrey Zaboronok.1995. CollinsClassics 13912. [Includes Rimsky-Korsakov Nochevála túchka zolotáya]
SOME THOUGHTS ON QUALITY MUSIC“Swimming Upstream” & “Swimming Upstream Part II: Hooking Singers on Great Music” – Two articles by Randal Swiggum inthe NC-ACDA newsletter Melisma (Winter 2005 and Spring/Summer 2005) available online at www.ncacda.org.
SOME SUGGESTIONS FOR YOUR TREASURE HUNT♦ Visit a nearby college library. Peruse the collected works of great composers.
♦ Seek out recommendations and lists from colleagues whom you trust.
♦ Attend convention performances. Save the programs. Make notes to yourself as you listen.
♦ Consider the suggestions students make from their summer music camp repertoire.
♦ Listen to choral music. Attend concerts. Purchase CDs and professional recordings. (Suggestion: Use the Classical MusicAdvanced Search at Amazon.com to find professional recordings of pieces that interest you. It is a remarkable search engine.)
♦ Check out the Choral Public Domain Library (www.cpdl.org) and Handlo Music (www.handlo.com).
♦ Look in choral collections. Permission to photocopy can be sought from the publisher.
♦ Start a personal file of single octavos.
• Buy single copies from lists of quality music offered by individuals respected in the profession.
• Organize them so they can be accessed. {RRW organizes her personal octavo library by voicing and by style eras: (by composer)Early music, Renaissance (sacred/secular), Baroque, 19th Century, 20th Century, (by title) N. American/European folksongarrangements, Other folksongs/World music, African-American spiritual arrangements/gospel; jazz; Christmas/Hanukkah;(popular/musical theatre). [SATB (& divisi); SAB; Unison/Treble; Men’s Voices]}
• Throw out almost all music/CDs sent by publishers.
• File your personal copy of performance scores as well, with your notes, research, markings, etc. for the next time youteach the piece.
PREVIOUS TREASURE HUNT LISTSThe Great Choral Treasure Hunts I, II, III available at: http://www.wmea.com/CMP/participants/repertoire/index.html.
• • •
Randal Swiggum has conducted choirs around the world and loves to talk about good music of all kinds. A long-time member of the CMP project,he has taught at Whitefish Bay H.S., Verona H.S., Lawrence University, and UW-Milwaukee. He is currently Music Director of the Elgin YouthSymphony, conductor with the Madison Boychoir, and a PhD candidate in Musicology at UW-Madison. [email protected]
Rebecca Renee Winnie has taught high school choral music for more than 23 years, most of it at Homestead High School in Mequon, WI. She hasserved on the CMP committee since 1997 and especially enjoys the adventure of searching for diverse and powerful music to study with her [email protected]
• • •
Wisconsin Music Educators Association • 2006 Wisconsin State Music Conference: Connecting Music & Children for Life!Comprehensive Musicianship Through Performance (CMP) • Celebrating nearly 30 Years of Service to Music Educators & Students
Salamon Rossi(ca.1570-1630)
Psalm 128Shir Hamma’a lot ashre kol y’re Adonai
from Hashirim Asher Lish’lomo (The Songs of Solomon)
A song of ascents.Praiseworthy is each person who fears HASHEM, who walks in His ways.When you eat the labor of your hands, you are praiseworthy, and it is well with you.Your wife will be like a fruitful vine in the inner chambers of your home; your children will be
like olive shoots surrounding your table.Behold, for so is blessed the man who fears HASHEM.May HASHEM bless you from Zion, and may you gaze upon the goodness of Jerusalem, all the
days of your life.And may you see children [born] to your children, peace upon Israel.
(translation from The Stone Edition of the Tanach)
~ ~ ~ ~
Rossi was the most famous Jewish musician ofthe late Italian Renaissance. For most of hisadult life he worked as a composer andperformer for the ducal court at Mantua. In anera when Jews enjoyed few legal rights orprivileges, Salamon Rossi was granted specialfavor. For example, in 1606 a ducal orderpermitted him to refrain from wearing theyellow badge that all Jews were required to wearat that time. Besides madrigals, trio sonatas, andother secular instrumental works, Rossi alsocomposed a significant collection of Jewishservice music, published in 1623. The title of thecollection, The Songs of Solomon, is a punningwordplay on Rossi’s own name, alluding to thebiblical Song of Songs. Psalm 128 is a six-partwork from this collection, which treats eachphrase of text with a new musical idea. Varietyis created by the use of differing numbers ofvoices, meter change, imitation, and aconcluding polyphonic treatment of the text“shalom al yisrael.”
Original Title Page – Bologna CopyTranslation: The Songs of Solomon, Psalms, Songs, and Hymns which have been set to music for 3, 4, 5, 6, 7, and 8 voices by Shlomo Me-ha-Adumim[Salamon de’Rossi], resident of the holy congregation of Mantua. In order to praise God and to sing to His exalted name. Something new in the land.Published in Venice in the your 5383 (1623) by the illustrious Signori Pietro and Lorenzo Bragadini, in the house of Giovanni Caleoni. Appresso gliIllustr. Sig. Pietro e Lorenzo Bragadini.
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10œ œkol y' -.œ Jœkol y' -
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11œn œre a -œ jœ Jœre a - do -jœ jœn œre a - do -
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13˙ ,nai(shem)˙ ,nai(shem)
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RRW Edition 7/5/01
Psalm 128 Salamon Rossi (ca.1570-1630)
The original is pitched a whole-step lower and voiced for SSATTB. Rebecca Renee Winnie, 2001
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14œ œnha - ho -œ œha - ho -
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.œ jœha - ho -
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15 .œ œ œlech˙lech
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œ jœ jœlech ha - ho -.œ œ œlech˙lech
16œ œbid - ra -œ œbid - ra -
œ œbid - ra -jœ jœ œlech bid- ra -
œ œbid - ra -œ œnbid - ra -
17˙ ,chav˙ ,chav
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18 ∑∑
œN œY' - gi -
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19 ∑∑
jœ jœ œa ka -jœ jœ œa ka -
Jœ Jœ œa ka -
Jœ Jœ œa ka -
20 ∑∑
œ œpe - chajœ jœ œpe - cha ki
œ œpe - chaœ œpe - cha
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21 ∑∑
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22Œ œash -Œ œash -
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23˙re -˙re -
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26˙# ,-lach
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27 .œ Jœesh - t' -.œN Jœesh - t' -
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28œ œcha k' -œ œcha k' -
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29œ œge - fen
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30œ œpo - ri -
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31jœ,Jœ Jœ Jœ
yah b' - yar - k' -jœ, jœ jœ jœ
yah b' - yar - k' -
jœ, jœ jœ jœ
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32œ œtete ve -
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cha ba -Œ jœba -
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cha ba -
35œ Jœne - chaœ jœne - cha
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œ jœne - cha
œ Jœne - chaœ Jœne - cha
36œ Jœkish - ti -œ Jœkish - ti -
œ jœkish - ti -
œ jœkish - ti -
œ jœkish - ti -œ jœkish - ti -
37œ Jœle ze -
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38œ , Jœtim sa -
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3
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40œn Jœshul - cha -œ Jœshul - cha -
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41˙ne -
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42˙cha˙cha
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43Œ œHin -Œ œHin -
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44œ œneh ki -
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45 .œ Jœchen y' -.œ Jœchen y' -
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46œn œvo - rach
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48œ , œver y' -œ , œver y' -
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49œ œre a -œ œre a -jœ jœ œre a - do -
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50˙do -
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51˙ ,-nai(shem)
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52 ∑∑∑
.jœ rœ jœ jœy' - va-re - ch'-
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4
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53 ∑∑
.jœ rœ jœ jœy' - va-re - ch' -
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54 ∑.jœ rœ jœ jœ
y' - va-re - ch' -
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55 .Jœ Rœ Jœ Jœy' - va-re - ch' -œ œcha a -
˙a -
œ œre - ch' -
˙nai(shem)
œ œcha a -
56Jœ Jœ Jœ Jœcha a - do - nai(shem)œ œdo - nai(shem)
œ œdo - nai(shem)
jœ jœ jœ jœcha a - do - nai(shem)jœ jœ œa - do - nai(shem)
œ œdo - nai(shem)
57œ œmi - tsi -œ œmi - tsi -
œ œmi - tsi -
œ œmi - tsi -
œ œmi - tsi -
œ œmi - tsi -
58˙ ,yon˙ ,yon
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59 ∑∑∑
˙nur' -œ œur' - e -
œ œur' - e -
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60 ∑∑
œn œur' - e -
œ œe -e - b' -œ œ
b' -œ œb' -
61 ∑∑
œ œb' -
œ œtuv˙tuv˙tuv
62 ∑∑
œ œtuv y' -
œ .œ œy' -œ œy' -œ œy' -
63 ∑∑
œ œru - sha -
jœ jœ œru - sha-la -
œ œru - sha -œn œru - sha -
64 ∑∑
˙nla -
œ œ˙la -
˙la -
65Œ œkolŒ œkol
œ, œ
yim kol
œ,œ
yim kol
˙,
yim
œ , œyim kol
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- - - - - - - - - -
- - - - - - - - - - - - -
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Nochevála túchka zolotáyaNikolay Rimsky-Korsakov (1844-1908)
RRW Edition, 2006
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- - - - - -
- - - - - - - - - - -
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-2- Nochevála túchka zolotáya
The golden cloudlet passed the night nestling on the breast of a giant cliff.Early in the morning she went away, playing gaily in the azure sky.
But there remained a moist trace in a wrinkle on the face of the old cliff.Alone he stands, deep in thought, and quietly weeps in the wilderness.
M.I. Lermontov (1814-1841)
Soprano II
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Latin Text
Jean Philippe Rameau (1683-1764)
Engraved by Keith Hudson
Source Text: Psalm 69 v.3*
© Handlo Music 2001: Licensed for limited copying (see Terms) R-JL--A
Edited by Vivian James
*Laboravi clamans; raucae factae sunt fauces meae. Defecerunt oculi mei; dum spero in Deum.I am weary from my crying; my throat is raw. My eyes are failing in waiting for my God.
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Wenn dei Klänge nahnJohannes Brahms (1833-1897)
RRW Edition, 2006
Op. 113 No.7
from Dreizehn Kanons für Frauenchor
When the tones [ringing, sounds of music] come near and then flee,In waves of sweet desire,Ah, how often yearns the heart for deeper melodies!
Joseph von Eichendorff
express.
tenutos and accents are editorial
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Ich weiß nichtJohannes Brahms (1833-1897)
RRW Edition, 2006
from Dreizehn Kanons für Frauenchor
Op.113 No. 11
I know not why the dove coos in the grove.Does she lament, like my soul, waiting forThe friend who has strayed away from her?
Friedrich Rückert
Andante con moto
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Töne, lindernder KlangJohannes Brahms (1833-1897)
RRW Edition, 2006
Canon for Soprano, Alto, Tenor, and Bass
Sound, soothing melody,you cannot take away my griefs,but your sounds may perhapsallay the pain in my breast.
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