the great cello solos · apres un reve: faure this haunting melody is so well suited to the cello...
TRANSCRIPT
THE GREAT
CELLO SOLOS
ESSENTIAL REPERTOIRE FOR CELLO !< PIANO SELECTEO !< EDITEO BY
JULIAN LLOYD WEBBER
THE GREAT
CELLO SOLOS
SELECTED & EDITED BY
JULIAN LLOYD WEBBER
The purpose of this collection is to bring the E"Ssfmtial short pieces for
the cello together in one attract ive volume.
Great care has been taken to make use of the composers' original editions, and editorial markings have, I trust, been kept to a helpful minimum.
I ho~ that Tht Great Ceflo Solos will give much pleasure to players and listeners ali ke.· J. L.W.
ALLEGRO APPASSIONATO: SAINT-SAENS 3 APRES UN REVE: FAURE 10
ARIOSO: BACH 1 3 ELEGIE: FAURE 16
KOL NIDREI: BRUCH 23 SONG WITHOUT WORDS: MENDELSSOHN 30
THE SWAN : SAINT-SAENS 36
--...... s..~~lilaoeci....,.St.~-·)]li'L CtiOgMdbyMiciiMI W Oftlr """' ..... -by-~.
~..,.....,...,. Cif qp.rtfllh...--,t.,o
..,--~~~~ ... ......__...,("PP"''Jhl-
- ".'.0 ,rcr••~ ', l •lt'\,'
CIESla----~
JULIAN LLOYD WEBBER
Since completing his studies in Gen('Va with Pierre Fournier, Julian Uoyd Webber has performed throughout the world, partnering many of the great orchestras and musicians of our t ime.
Recent engagements include appearances with the Berlin Philharmonic Orchestra under Lorin Maazel, the Czech Philharmonk Orchestra under Vadav Neumann,
the Royal Philharmonic Orchestra u~ Sir Yehudi Menuhin and perfonnances at the Sydney Opera Hou~. the Konzerthaus in Vienna a nd the Kennedy Center in Washington, DC.
He has toured t he f ar East, Australia, Europe, Scandinavia, the USA and Canada .
Since 1984 Julian Uoyd Webber has recorded for the Philips label. His performance of the Elgar CeUo Cooc.erto with the Royal Philharmonk Orchestra under
Sir Yehudi Menuhin won the 1987 BPI award for the Best British ClaSlkal Recording. Other releases include the concertos of Ovolak, Haydn, Honeqger and Saint-Saens and
the Britten and Shostakovkh sonatas amongst others.
Julian Lloyd Webber has made fir1t recordings of more than 25 wOOu, including Makolm Arnold's 'Fantasy', Frank Bridge's 'Oration' (Concerto efeg.JK:o), Britten's 'Suite No.)',
Hotst's ' ln'IOCation', Va ughan Williams' 'Fantasia on Sussex fofk Tunes', Andrew Uoyd Webber's 'Variations', Rodrigo's 'Conc•erto como un divertimento '
and Sir Arthur Sullivan's 'Concerto'.
Notes on the pieces:
ALLEGRO APPASSIONATO: SAINT-SAENS A composit ion which is in every cellist's repertoire, and rightly so for its e nthusiasm
drives on from fir1t note to last.
APRES UN REVE: FAURE This haunting me lody is so well suited to the ce llo that it is today probably heard
more often than in iu original song ver1ion,which wa s composed in 1865 to words by Bussine.
ARIOSO: BACH Although the Arioso is now famous as a cello soiD, it began life as a piece for oboe with string accompaniment in Bach's Cantata No.1 56. Its sinuous melodic: line is well suited to the ce llo.
ELEGIE: FAURE This masterpiece was composed in 1883. It is a beautiful won: which shows Faur~·s great gift for
writing miniatures. The broad sweep of the main theme exploits the cello's elegiac qualities.
KOL NIDREI: BRUCH Kol Niclrei ;s based on two Hebraic themes • one a M artfelt ~ment in the minor key, the other a
celmial melody in the major. Bnxh's lyrical writing for the ceUo is unsurpassed.
THE SWAN: SAINT-SAENS The Swan (le Cygne) from l e Camaval des Animaux is surety t he most famous pie<:t> of
musk ~ written for the cello. For many year1 it was the only piect> from the work which Saint-Satos woukt allow to be published separately.
SONG WITHOUT WORDS: MENDELSSOHN This was Mende/uohn's very last composition, a nd it is not an arrangement of
Ol"'e of the famous Songs Without won» for piano but an original piece for ceflo and piano. -., - oiMously drown to tho cello as he hod pt'OOOu>ly written :wo
fno ..,._, Ia< tho im1n1rn<nL I only he hod wnae> a mnano!
ALLEGRO APPASSIONATO Composed by Camille Saint-Saens. Arranged by julian Lloyd Webber.
Allegro .. ...-.. .. ....... .. .. ,_ ... Cello
I Allegro
~
l'" . I II rv 1 v . ·-!.!" • • ,! i ! i ! ~ ~~ ~ I • --...
dim.
'-' -I
I I ;t
8 ~ ~ ~He ~ ~ ~He ~ ~ ~Ht.o. ~· i---....._ ~ !<-
II
j· !? j q. ... q. ... y ... j -~- p ~ #I f ~ ~
~
16 ~ .. --:---. ~ ....--;=:; ~ ~ ~~---:. ,---.... _..---. .. ~ ~~
.~
l'. ' ' -....;_ i• ~ J J ~~ rc~ .,; I ~ --==: =-- --==: fp-/' ~ .~.
y ~ ... ~---~
n
41 ~ ~ : ~ 2 , ,____ 2,.- - ,....
47 I > ~---~n V -- ,.......,..- ..- ..- ~- ~ ~ ,. ~ .. .-----, ~
1il fu ·M~E t~ ~l: ~~ a~~
jr• I ~ ~
.fTT) p
• '* * :.t :.t
6/ I ~ .... ;. ~!~!= -- --- - -
I "'~-#! 1 i •::: ~· i ::: ~ · i :::: ~i i ~ ~~ti • = =--L
-.:: ~ --.-____..
I ~r-1\ .. - s piU lenlo st~ ~
" J ~<M
--- - ~ pii'llento string.
I"' i ~ ~· ~ ~ i ~ !1 • • ? #I ~ 1'P
~
' ---:_ =----"
76 ~· ~
,.., ~ _..--, "' ~ "r- _..--, ~ ~ ~ ~ ·~ - -a tempo
- - -, .._ • A
a tempo
., • F F F -p colla pone
.....__ ·-· --· ~:::- .. .. -,. ' -_..
, .. p' • ' • ' ~ '? . ~ .. ~ .. "' .. • .. ~
" > ~ ~ .--o=- ~
-=
1., -~ !lot ~ #f • ' ' --- .. _ -- '---"" •3 I'""'T'""'T""' ~ I'""'T'""'T""' --= - ----- - - .,.
' '
109 n •-'"T'- ~~ -~ - v n v v r r.:l ~ ~ ~
CU!K. ..... ·._; , ... ./ J!
1., ; ~-; 'lr • ; r ; ~ • / ' >I '!* "' ~ ~
118 1 tft.U/ c!§ff@ uh ¥ f f f r--u;£ r l''·'•t I I I I I
uo 2 ------ ---- --- 2 ]~ ~
dmt. p - -"' - - -~I v - d;~ .... "!:/ '!*_../
'P .. I'* I""
1 . .:- ~ - I
v !If ~ "- _-.J --
i!: i ~~~ 1 IQ] ~ ~-1: 1 F 1 p!;ftft"f frld~IW f tstg
!~ :t 1:: : I : I : I : ~~~ f \.! f \.._ . ·~
1011 ~~~~ ....
"' ! . "'
-·--., .,
poco ~e,!lo.., mosso
.::r - J
poco meno mosso
pp ..
a tempo
., ... _,_
: . . '
• •
-.,.'IV' - -
I
' A
APRES UN REVE Composed by Gabriel Faure. Arranged by Julian lloyd Webber.
Andantino v n v 2 ~ ~
ll 1' d6kt ---==:: ' ' Andantino
!'· ...... i • ••••• JJJJJJ L111111 pp
r: f·
Piono
v n
1'='10 t Qt 1 r eO tn d. ' ' ~=
l::::: f1 jj j j I~ jj jj j 11111 HI~ j j ll11 /3 1 I
MowdbJCI992a-.Miriie~.llll~'ll'e~~~-....cl.
10
17 J J - ' ...... I J J -
I " I •••rr I
:
~· r: f: 21
' I - I . L-J___.J 1....-..j--' ~ 1..--!-
.. 11111 r· f r:~: r·
" I I
~ ~~ --...____, I
II crnc.po<o •poco
, .. JJ.J...J...J...J.. ~ ... .oi .oi 4 4 4444.1.
t· r· i f r ~ ' I - l
,. ~__.JL._j----J I -=-J-' J
, .. 'i' i T1 T ll ,--,~ . . - -f· ...
I
' J
1 ?f[[j I I ;
r 11
37 ' I
I ~ ~~~ t:U~.
~--i {
I"' l l J J J J I ~ , ·-- - -
I :
I I I I r I I r r r ,, r~
' ' 3
i f p II ~
)'·, .. . . pl ll ll J J J I • I r r r==
O:!
' r ~
pp ..___ ,~ ~J-' m*'
,, c ~' c
)· ~ 1!1 ll _l 1 :=r:=======:=j: 1t~ r 10
vaba.sso_ ... .................. J
12
ARlO SO Composed by Johann Sebastian Bach. Arranged by Julian Lloyd Webber.
Adagio ,.......,
., .__; Piano •/
I t\ I
-I t'l I
..
' - ~ l "' r
" ' . '-'-----"' - v
I . ___., _____., ,. ~ ~ . I
I I 1'1 I "
it II .. .,; -. - ..
8wr.J
trp············································· ··································································
A :
-.. I
; ""'· .... ....... ~ .. ~ ... ~
l -- ~
"" -
I " ==~-'PP
1\ I I
I " -I
F "' ~ "' "' 8WJbaSJo __
19 r
IV
r0-
I " t J E. L'T I tt
(~·~~~---··········-- ---·------- - - -- --························· -------J
, ELEGIE
Composed by Gabriel Faur~. Arra nged by Julian Lloyd Webber.
Molto adagio
Cello
I Mollo adagio
I " ~~·~~~~~ "t.. ~~~~~~~ ......... .. PiatlO •/ dim. P
.~.~.
-==--
11 ~ . --.. ,..----_ ' I !1 7
~
I" ..... ~~::~~ "J
.,
r bf r ~ .. - u I r 'r -r.tltod11,0199~o--........,~.M-.........._-....,..,..Ccw+fPSK_.
16
Jj 2 ·~ ,...--.._ . •. ~
moi'OCUK. /1=- - ==--_,
lippp
c: !:> > > ~ ~
I " . ,;~ r-t-J v ,.!~ - 1"-I.....I....J -dolcUsinw
h . 'j 1\>1\l 1\ >1\ f-._ ~~ :
f ~tll-1 ~. r ~ t~ato Y . ..
19
. ;
11 0 (sempre multo adagio)
(sempre mol to adagio)
"
/" :-- ~. -,,. - ~\'l J .
, .. ~- .... ~ !Lt!'-~ . t • t. ),.. b.l;,e. • .... ,.. ,__..__,
I
r <"
...
- ~~~ · ~.
I "
- ---...
- .~~ ~ I " 1 3 3 J dolce -== ===-
., ~
~ ~ - .I<& •• .. _,..
--. "'
' 9 poco rit a tempo
4 ~- n .----, -
\~ ~lprtUII'O ' poco rit.
J J a tempo
I " ~ ·~ I 1* .• v.;"\ I•·· I* ' * ~v~
,.~ >,
~~:.'\-:. ,.. · ~~1!: . ,.i., -~ • • ~- .•. · . 1!: ~-~· lp I :
L r ltgaro
11 ---- .- '~ ~ ~
J ' ' ==---
I" I•. I"'., I•- I"' ·,; ..... I"' ..,
l_J I ' ' I
18
J2 ~
J ' . ..
{- 7
- ~
'
I "
,roo '
' >
-/HH O
lo 0
34--£
I
~· I
l
> >
.
a
.. -....
• I . • 1
..
- ... -' ' ' poto ~'''c
c 0 crtsc .
,.. . _........
' ' '
~
~
- ~
~· • ....
• ~ • ' ~ ----.,. I 0 I ~
a tempo _.,
IT <:;
~~ : :::e:-:~:-:~1 r ' r · ~ r > > . > >
' '
20
41
"
!
'--6---1 sim -<;~: -<;~: -<;~: ·- <;~: •<;~: -<;~: • " 4;1: ------ --- -------dim.
~ .. •'
---- ---.--___J!!
~ b~ ~ ~
~ ... ~
___ , . ,.
"0
:,-- fjl "tl("--~z:+;:;;~
dol" ~ b~ ~ ## ~ ~l~F=~.{
pp
/1'! " '
r ·~ .. ..... . .. "' T r .. -
l!l
c
.... I ---==
I" - - ~ .... ..... ...... .. - - - - - • • •
~~ ---=----- \ ~
" ------p:w-c r r I ... _ ....
~ " ·=-=-----= ~ ·----3-, __
, 1;' ~[:!!. ~ llE1 I " • · ?_· . . I
dolciu' ' S<mpr< ~ 1.....::: =
~· w I ~ r 22
KOL NIDREI Composed by Max Bruch. Arranged by Julian Lloyd Webber.
Adagio rna non troppo Cello
-! Adagio rna non troppo
II!!-:::--... I 11.:
., '-..__.; I* Ti . .,~ ~
1'1' --= pp --lil '* IJ"' i
. 2 > > . I • 2
"'""'- '""' ,llp#UJ.
"' ten. ten. rtn. ;;· ten.
"" ""' .,
1 I I I . "' ., . ~ ~ ~ ~ i ~~~-·
IJ 2 ~ I 2
> -~ -I t fl . tt n. ttll. :'"#!.II. ~: ttn. ten.
l . ,. ~ ~ • • ~
pp
J I _I I
. '-" , ,
....., ... ~a.-.·--..-.---.... -----a
-- .--.. -.i -. ~ . .. .. ------=---. . ~ - - : >
p
J /C:i J ten.
"' !'- ·-l ·----· J:--i r~ f[I
._/ ~
'fo •I 1' 1'
:
~ ~ ~- ~..._Y ur .. ~ i
,, > >;.-.. "·""' ~ ~ -(f'triC. I =--
t~n. r~n. It fl . ·~~: J
':!sc. ., *
~ q. • .. • • . • ... - ~ . pp ff =-
..-""-
i ~ i u ... ~ •· · ···~- ~ -d ~~
,
I " ~ . ...... ~· .. p ff
24
I " =-- --.c
I ...
· -·~ ~----.: =- I
-{J ~ .... ..,......._ ~-
:..------, I ---.:
p
~~ -..
......... ~....._ ___,~r-~ ,J~
)"':a-u r::::=:::: p
...-1
~
, .... It'll.
~
~ -.. LJI. trtm
, ~~ ·
I
;,
;
- -cusc. '~"·
v
"'-' '-J ....J t,._J..,:j -
[ID Un poco plil anlmato
6()
"
1::: :l9~rttYJ! . 1;.~:~1 'lll>. 'lll>. 'lll>.
,
26
66
f
f f
.,
I
79
.. v k .. <b I ' -- .. -~ .....
....--... ..-.,
!'• ppp
~-..............
I
~
1 ~2 1 '.....?.
J J -
~.
,._ rit. ~
-== ·--- -- ==-->~L
~ ..__
cr~sc. ===---~--............ ,..... ~ ~
1'PP
28
oo IQl a tempo n ,._ - _ ,
.. ,.,.
~ l~'l~1 ~1~ 1 ~d /OJ ~ !ill ~- ., ,--.., .;:;-:--.... 2
--= =-- "ff_..v~
--= ====---:~- •. .--- I~ > ---
! ~ i=• =~~ 'P
(J I I
~ ~ ~ ~ -~ r 101 I I
vn 2 n ~ A. n
~
~- ~- . :#,9
fl " I _..-...
!'• •' I II 'PP
•
T lF r ·r.-fr r= ~ .., ~
~ r r r-" I 3
~~ e n 2 I ft -. .----: -
1 '-' W411 .. iliD
~ I
~
'PP ;.. I ~
""""""' I • a
P'PP
"' -* .. •
SONG WITHOUT WORDS
Cello -
Piano
Composed by Felix Mendelssohn. Arranged by Julian l loyd Webber.
da ( . .
An nte con moto e ~ ·~ • ~ .:: h e------e.
' Andante (con moto) r:; r:; r:;
1'
..
r:;
.. .. ..
~.OII¥01,~0ew,.,..~.U..-........._.__......c...,..;ro:s..r.M.
lO
r:; ~
.. ..
16 -It~ ~ ~ f; ~ ~ ~ J;o.;;, &
• --== ==-- .. ~~..h r.;: ,. . ,. ,. . r-.o ~
! p ==-- v-r
~ .
~ ~ ~ .. ~ ~
_; ~~v • ----~ e ... -~ ,-----.._ e e· i.
• ~f/=--1 -=: ==- ==----(- (- ~. r~ ~ .... _!!_ !! • ~
! . 1' I-== =-- 1' ~
.. .. .. ~ ~ . ~ ~ ~ ...
I
! . . ............ ; ...
.'0
2
!rCJ]
0 I
I ';._3==~-- ' ~#.
>I . .. >I ... 1'\ p cresc.
~
,.
32
I"'
- ..
.,
=-- .,
" -4- ~ ,.---..._
~ 11, ,_,...,. . ,..
••• PP tranqulllo
"' : ,
I
... .
I <f
0 I ritard.
;--- -.~. .e: ---
=- P
" ) ~·~
I
.. .
I
'-..)" ·.:....::=Y· p_; ., r itard .
.,.,., • •• """" .. ~- .. ~ .. ,
r""::l!!
... , ""
n
.. PP
... . o n .>=
I
(IDa tempo -19 .. ~ ~~ -
·~ --- 1
)::;; fl: ; n:a 1:~ A t ; n~ 1
llil, ..----:----... '
I " ..;• •..; ..; • •..; ~· . •:;t :;t • • :;t W~ •..; • ..; •..; •..; •..; • :;t .... / dim . ....._
., ~ !~ ;. r-e. I
~ -, .,. =--
... e. e. ...... --e. ... e. ft .-1&-. t;
!'" :: • • i ~ =--
1'
~ ~ ~ ~ ?J ?J ?I ?I
6J rit ----1 • = - - . 
THE SWAN Composed by Camille Saint·Saens. Arranged by Julian lloyd Webber.
Andantino gra.zioso •
Andantino grazioso
-~
- --------
-------
-----....
~ Although often marked 'Adagio' in 8JT1lllgements, th.is is the matk:ina in the full score.
-------Eo&.:lbJOI,a Oew"'""'*~o-.al .... .._..._ "--"'~s.c-.l
36
I
\*48 J 3 3 J J J 3 J J J J J 5 J J J J J J j . /-u j J J J J
I j ,J J J J J •
-~
- - - -------II
-~
_......._ __ .....,. __ ...,__ ., '!"' ' - * *' I* ' * * >I' >I >I '
>I >I
:a~ ::;::
!'·, "-..,. ..,. ..,. .., . .., . ~ ~ ~- - ~- ~- ~-
; ~ *
J1
_., __ tB;;; r r I c:pz- f 'F
l! ;a; '!ll': a; ':a; J:a; J:j; j lj3 i ZJ; J;j; az; J!j; J;j; j I 17 -
-
/9
~
. ---~ - --~----,., . - . . . - "-'--
1/ ..
., ______ ......... __ -., .,; .,;· .,;•
........._........._ ............ __ r r
38
2J -....
A -- -., .. .. .. •' .. -I .. ..
·~
rit. Lento a tempo ,.. ,...---:--...._
,. rit. Lento a tempo - ... .... ~~ . e .. .. .. ~ ..
., .. -pp pp
~ ,.. ,.. --.. w -17 .......
rlt. ,.. __ ..
.,
THE GREAT
CELLO SOLOS
SELECTED &: EDITED BY
JULIAN LLOYD WEBBER
The purpose of this collection is to bring the essential short pieces for the cetlo togt:thtr in one attrKtive ~ume.
Great are hal been taken to make use of the ~rs· original edittoos, and edit~ maricings have, ltnnt. ~ k~t to a Mlpful minimum.
I hope that Th~ Great C~/lo Solos wtllgiw: much pleasure to playen and listeners alike.· J.l.W.
ALLEGRO APPASSIONATO: SAINT-SAENS 3 APRES UN REVE: FAURE 6
ARIOSO: BACH 7 ELEGIE: FAURE 8
KOL NIDREI: BRUCH 1 0 SONG WITHOUT WORDS: MENDELSSOHN 12
THE SWAN: SAINT-SAENS 14
... ~ ........ , -W..~~..,.,..I¥)'kl--.s...l!o6#U lvt
Detq~Miltv~M~ ...__......."_..._. ~--------~tit' __ _....,..,_..,.,... .... .....,.._ .. ~
C I I I 0 I' A~ T
JULIAN LLOYD WEBBER
Since completing his studies in Gene va with Pierre Fournier, lulia"'l Uoyc \\ ebbt!! r.a5 performed throughout the world, partnerifl9 many of the grea: orchestras and ln.JSic:iar::s dOt. · :,:-,e.
Recent engagements include appeatatl(t$ .,..;th the Serlin Philharmonic c::>rcnes:n !.a"l!!e
Lorin Maazel, the Cnc.h Philharmoni<: Orchestra under Vadav '\.arl.a.;-4 the Royal Philharmonic Orchestra under Sir Yehudi Menuhin and oeria-.anc~ .at
the Sydney Opera House, the Konzerthaus in V~enna and the Kerul@dy Cen:er r .\"Ww"-9"..¥ X . He has toured the Far East. Australia, Europe, Sca ndinavia , the USA .nd Canada.
Since 1984fulian lloyd Webber has r@'(orded for the~ fab!l His performance of the Elgar Cello Concerto wit h the Royal Philhar-nc:ric: On::netra !.1'IOe'
Sir Yehudi Menuhin won the 1987 BPI award for thE Sest B~ C1.auiai A«:x3'1gOther releases include the concertos of Dvo f!k. Haydn, ~ anC s.irl;;-~ MlC
the Britten and ShostakcMc:h sonatas~~
julian lloyd Webber has made ~rst r«.on:fWlQ:S oi lnOI'!" than 25 W'Of'Xs, including Malcolm Amold 's 'Fantasy', Frank B~'s 'Oration' (Concerto ~i<:o), Britten's 'Suite No.3',
Holst's ' lnYO<ation', Vaughan \Wiams" ·Fantasia on Sussv. Folk Tunes', Andrew Uoyd Webber's 'Varioi!tions', Rodrigo's 'Cooci@rto como un d ivertimento'
and srr Arthur Sullivan's 'Concerto'.
Notes on the pieces:
ALLEGRO APPASSIONATO: SAINT-SAENS A composition which is in every cellist 's repertoire, and rtghtly so for its enthusiasm
drives on from first note to last.
APRES UN REVE: FAURE This haunting melody is so well suited to the <ello that it is today probably heard
more oftE>n than in its original song version,whi<h was composed in 1865 to words by Bussine.
ARIOSO: BACH Although the Arioso is now famous as a cello solo, it bE'gan life as a piece for oboe with string accompaniment in Bach's Cantata No.1 56. Its sinuous melodic line is well suited to the cello.
ELEGIE: FAURE Tt1is masterpiece was composed in 1883. It is a beautiful work which shows Faure's great g ift for
writing miniatures. The broad sweep of the main theme exploits the cello's elegiac qualities.
KOL NIDREI: BRUCH Kol Nidrei is based on two Hebraic themes - one a heartfelt lament in the m inor key, the other a
celestial melody in the major. Bruch's lyrical writing for the cello is unsurpassed .
THE SWAN: SAINT-SAENS Tt1e Swan (Le CY9ne) from Le Camaval des Animaux: is surely the most famous piece of
musk ever written for the cello. For many years it was the only pie<e from the work which Saint-Sa@m would allow to be publish~ separately.
SONG WITHOUT WORDS: MENDELSSOHN This was Mendelssohn's very last composition, and it is not an arrangement of
one of the famous Songs Without Words for piano but an original piece for cello and p iano. Mendelssohn w as obviously drawn to the cello as he had previously written two
fine sonatas for the instrument. If only he had wrine., ~ corce"to!
ALLEGRO APPASSIONATO Composed by Camille Saint-Saens. Arranged by Julian lloyd Webber.
> I
16 :;::::--€== ;:--.__ ~Eb'i ~ ~ g ,,. • Jc~~ I r I : r I r r L r I t'il Ill F : - E : I= E : --- ~ : -
semprep
9/ .~ l ~
m,, u rt¢11 r '( 1Pti l.: ''f3Ffillb ElF 1r ~r 1(0 99 ~ ~. ~ ~~ ,-..... ~~ ,-..... ~ II v' E nr E L IF If r l r Eft I CCI ctJ I (fl ctJI f r I
3 3 3 3
dim. /32 4 2
=Ehtf¥ l'r 4 v v v
I 1F I U !J Q I Y D ¥ 'Q I
APRES UN REVE Composed by Gabriel Faure. Arranged by Julian Lloyd Webber.
Andantin~ 1 r-.. v n ~
liy I J] F If EE!CE!I F II p -=:::
dolce
3 3
==--- p
3 3
v
J
v 4
j If Ml
2 I 3 3
41l F r ICWWI [~ J J
4
IJ J J!ljJ
==---I
If' F lr cresc. f
II
ARlO SO Composed by Johann Sebastian Bach. Arranged by Julian Lloyd Webber.
1 trt/ cantabile
0
.~ ·J=I~ g r;
19
•):$ n; r #f r ---
II
0 3 .-.__ n
r-~ =J s r I
" ___..._ ..------... rtF E r r r 1
II
20
ELEGIE Composed by Gabriel Faure. Arranged by Julian Lloyd Webber.
Mollo adagio 2 ,-. ;:-'\ 2 ,..... 3 1
th''!." 1f r tfE;1r r E[EJIF r et:elr r .J I III sempre I
UJP ill
>o ,...--;of IF r rrr 1
=!J= ~'·,, fr EfEf I F f J 0 (sempre molto adagio)
IF f J @) IJ2_1 t2J&l l 1P
4 4 poco rit. a tempo 28 2 3 4 ~ n
~ ~ '~ ,~~- ~ - ~ ~~r m !h''!. ~ r A I~ r u F ·rue ¥ f? I espresstvo 3
3 sempre pp
35 liD ';):&!' J
a tempo
..--._ I UP _....... I 2 2 ------nww,wmmwwl I
:ttl!' qafil i
II'·~& F f f F u 1 f r r r EJ 1 r r r r r; lfl r ,.I ff
43
li ; w 1«1 IIPP
3 ~ dim.
50
•): i!. II
KOL NIDREI Composed by Max Bruch. Arranged by Julian Lloyd Webber.
10
56 V v IIJ Un p7o piu animalo ~ 1
!h J fflm;J 1 .. 4 .. 19111,1 I I F If F
103 [ill
IB ,s F" t I " I
J. ~ I '--" .11
morendo rranqw o
11
II
SONG WITHOUT WORDS Composed by Felix M endelssohn. Arranged by Julian lloyd Webber.
Andante (con moto) 4 v 3 f: "' 1.-.... n '!---- ~ ~ '-" ~ . . 2 I
:>=•# ll w Ufirlar::m r 1r EiJt i{ 1tr f!r p
4
6'J= 'e m "PP I if dim.
cresc.
p --== if==- p
dim. mf cresc.
12
2 0
J.:, .. ~E 0 ~ ~ :;= ~ = drr c; ~ I
39
if ::=-- mf -=:::: if ::=-- ml I if
ritard.
Ql
P cresc. I
........_ 32 [g) 4 55 -. · ~ f"'\1 4 ~ ~ 4 "" 1,---;; ·~ 2~ I
~):#~~ ~ u~ cr ,~ u~ tr]tr u rWr r , n~u wtit1
if ::::::==- 'P cresc.
,--.... 3
59 - . ~~· ~p~ ~ u
I if
63
~:Iii f
,--.... 3
6r , ~ uj f I I dim.< ::> P dolce
dim. ~ U PP
"
THE SWAN Composed by Camille Saint-Saens. Arranged by Julian lloyd Webber.
Andantino grazloso •
~ --------- I 11 ,2 1rq r r J lfS& r ll
3 ..--.....
5 f' p IS , '
14
•· fJ?F r
18 ~-1, r~ r r J I(SEJt r r-'1 0 •
ll £ic;:rrer51
21 ••
I,
rit.. 25
II , f Lento a tempo
...--. ··-----E·----~ r'" r1 == == :: E E I I 'I' pp
• Although often marked 'Adagio' in arrangements, this is the marking in the full score.
PriJlted and bo\ind iA c~al Britain by CaJ..i&nYirla Limited Thelford. Norfolk
(411Mior01ttlO...-l.IMiiiM.AI~----.__.._,~s.c-.l. ,.
dim.
II
10106(801<<)
SELECTED & EDITED BY
JULIAN LLOYD WEBBER
THIS SUPERB COLLECTION OF ESSENTI AL REPERTOIRE IS A MUST FOR EVERY COMMITT ED CELLIST'S LIBRAR Y.
INTERNATIONAllY-RENOWNED CELLIST JULIAN llOYD WEBBER HAS CAREFUl lY EDITED SEVEN OF THE BEST-KNOWN WORKS FOR CELLO & PIANO,
WHICH ARE PRESENTED HERE IN NEW ENGRAVINGS.
ALLEGRO APPASSIONATO: SAINT-SAENS APRES UN REVE: FAURE
ARIOSO: BACH ELEGIE: FAURE
KOL NIDREI: BRUCH SONG WITHOUT WORDS: MENDELSSOHN
THE SWAN: SAINT-SAENS
--