the fall of the house of usher edgar allan poe 1839

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“The Fall of the House of Usher” Edgar Allan Poe 1839

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Page 1: The Fall of the House of Usher Edgar Allan Poe 1839

“The Fall of the House of Usher”

Edgar Allan Poe1839

Page 2: The Fall of the House of Usher Edgar Allan Poe 1839

“The Fall of the House of Usher”

• The gothic context of the tale• The doubling motif of the tale• The function of setting in the tale• The structural unity of the tale

Page 3: The Fall of the House of Usher Edgar Allan Poe 1839

The Gothic literary tradition

• Begun in eighteenth century England• Novelists

– Horace Walpole– Ann Radcliffe– Matthew “Monk” Lewis

• Popular form in British literary journals• Imported into American short story - 19th

century• Key ingredient was sensationalism

Page 4: The Fall of the House of Usher Edgar Allan Poe 1839

Gothic Architecture in America

• Started in US about 1840

• Steeply pitched roofs

• Pointed arch windows

• Elaborate trim around roof edges

• High dormers• Lancet windows

Page 5: The Fall of the House of Usher Edgar Allan Poe 1839

• Poe’s “house of Usher” looks more like a medieval castle or English cathedral in Gothic style

Page 6: The Fall of the House of Usher Edgar Allan Poe 1839

• The house might look something like this (from a photograph by Simon Marsden in his Visions of Poe)

Page 7: The Fall of the House of Usher Edgar Allan Poe 1839

Elements of Gothic Writing

• Emphasis on setting– Exterior: landscape– Interior: houses

• Castle-like architecture• Characters are brooding, secretive• Buried family secrets• Long history of family tied to place

Page 8: The Fall of the House of Usher Edgar Allan Poe 1839

The Doubling Motif

• In literary criticism, this is called a “doppelganger,” from the German for “double-goer”

• Examples are:– Dr. Jekyll and Mr. Hyde (Robert Louis

Stevenson)– The Secret Sharer (Joseph Conrad)

Page 9: The Fall of the House of Usher Edgar Allan Poe 1839

What function does the doppelganger motif serve?• Represents the dual nature of man

– In Poe, one side of man is reason, or the mind

– The other is emotion, or the body

• Roderick and Madeleine are genetically twins, but psychologically they are also doubles.

Page 10: The Fall of the House of Usher Edgar Allan Poe 1839

Who Represents What?

• Roderick– An artist figure (509)– Nervous agitation (509)– Lives in dark upstairs apartment (511)– Cadaverous complexion (511)– “want of moral energy” (511)– “excessive nervous agitation” (511-

12)

Page 11: The Fall of the House of Usher Edgar Allan Poe 1839

• Roderick’s mental condition is affected by his environment

• “He was enchanted by certain superstitious impressions in regard to the dwelling which he tenanted . . . An effect which the physique of the gray walls and turrets, and of the dim tarn into which they all looked down, had, at length, brought about upon the morale of his existence.” (512)

Page 12: The Fall of the House of Usher Edgar Allan Poe 1839

• Here, “physique” refers to something physical

• And “morale” refers to something mental

• Roderick is all mind in a weak body• He represents in one way the life of the

isolated artist– Paintings– Reading– Guitar playing

Page 13: The Fall of the House of Usher Edgar Allan Poe 1839

• Madeleine– Illness has debilitated her

– All descriptions focus on the body– “gradual wasting away of the person” (513)– Roderick and the narrator screw down the lid of

her coffin (518)– She returns from the tomb to reclaim her twin

brother, her “double”– “the huge antique panels…threw back” (521)– She “fell heavily inward upon…her brother

and…bore him to the floor a corpse”

Page 14: The Fall of the House of Usher Edgar Allan Poe 1839

What is Poe’s point?

• Poe addresses the dual and conflicted nature of the Self

• Mind and body are at war with each other in each of us

• We try to repress one side and live without it

• But we cannot achieve a harmonious existence in this way

Page 15: The Fall of the House of Usher Edgar Allan Poe 1839

The Function of Setting - Exterior

• The “house of Usher” has two meanings

1. The physical dwelling2. The family line, or lineage

– “the entire family lay in the direct line of descent”

Page 16: The Fall of the House of Usher Edgar Allan Poe 1839

• The house is also a type of character in the story– Like the family, it is of “an excessive

antiquity” (510)– The landscape is overgrown and

ragged– On the front down the middle is “a

barely perceptible fissure” going in “a zigzag direction” (510)

Page 17: The Fall of the House of Usher Edgar Allan Poe 1839

Interior Setting

• Gothic architecture (511)– “windows were long, narrow and pointed”– “feeble gleams of encrimsoned light”– “dark draperies”– “atmosphere of sorrow”

• Roderick lives upstairs (mind)• Madeleine is entombed below ground

(body)

Page 18: The Fall of the House of Usher Edgar Allan Poe 1839

Structure and Unity

• Poe creates texts within texts1. “The Haunted Palace” (poem) reflects the

Usher family life in the house (515)2. “The Mad Trist” (story) parallels

Madeleine’s return from the grave3. The storm outside is analogous to the

turmoil inside the characters in the house4. The book titles in Roderick’s library are

symbolic of the themes of the story

Page 19: The Fall of the House of Usher Edgar Allan Poe 1839

Roderick’s Library

• “the Chiromancy of Robert Flud, of Jean D’Indagine”

• “the Directorium Inquisitorum”• “old African Satyrs, over which

Usher would sit dreaming for hours” (516-17)

Page 20: The Fall of the House of Usher Edgar Allan Poe 1839

Poe’s Theory of Literary Unity

• Poe earned his living as a “magazinist,” not a fiction writer.

• He was an editor and reviewer for many major magazines.

• Poe wrote a great deal of literary criticism, literary theory, and book reviews.

• His theory of literary unity was articulated in a review of Hawthorne’s collection of stories, Twice-Told Tales in 1842

Page 21: The Fall of the House of Usher Edgar Allan Poe 1839

• An author should “conceive, with deliberate care, a certain unique or single effect to be wrought out, [and] then invent such … events as may best aid him in establishing this preconceived effect.

• In the whole composition there should be no word written, of which the tendency, direct or indirect, is not to the one pre-established design.

Page 22: The Fall of the House of Usher Edgar Allan Poe 1839

Unity in “Fall of the House of Usher”

• First and last paragraphs are mirror images of each other, creating symmetry

• The texts-within-text reinforce the central theme

• The house itself symbolizes the split in the family

• The construction of the house reflects a “perfect adaptation of parts” (510)