the experience of sitting to have my portrait painted; small autoethnography amia lieblich...
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![Page 1: The Experience of Sitting to have my Portrait Painted; Small Autoethnography Amia Lieblich Department of Psychology The Hebrew University of Jerusalem](https://reader035.vdocuments.site/reader035/viewer/2022070403/56649f2f5503460f94c4985f/html5/thumbnails/1.jpg)
The Experience of Sitting The Experience of Sitting to have my Portrait to have my Portrait
Painted;Painted;Small AutoethnographySmall Autoethnography
Amia LieblichDepartment of Psychology
The Hebrew University of Jerusalem and the Academic College of Tel Aviv-Yaffo
Israel
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The context, weather and locationThe context, weather and location
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The context, weather and locationThe context, weather and location
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The context, weather and locationThe context, weather and location
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The gaze, or narcissismThe gaze, or narcissism
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A trusting relationshipA trusting relationship
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Impermanence and agingImpermanence and aging
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And the outcomeAnd the outcome
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And the outcomeAnd the outcome
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ReferencesReferences
Gayford, Martin, (2010). Man with a blue scarf. On sitting for a portrait by Lucian Freud. New York: Thames and Hudson
Josselson, Ruthellen (1996). The space between us:
Exploring the dimensions of human relationships. Ca: Sage Ouellette, Suzanne, (2003). Painting Lessons. In: Ruthellen
Josselson, Amia Lieblich and Dan McAdams: Up close and personal: The teaching and learning of Narrative Research. Washington DC: APA Press. pp. 13-28
Wilde, Oscar (1981/2000). The Picture of Dorian Gray.
London: Penguin Classics