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The Early Christian Ivories of the Eastern EmpireCharles Rufus MoreyDumbarton Oaks Papers, Vol. 1, Dumbarton Oaks Inaugural Lectures, November 2nd and 3rd,1940. (1941), pp. 41+43-55+57-60.Stable URL:http://links.jstor.org/sici?sici=0070-7546%281941%291%3C41%3ATECIOT%3E2.0.CO%3B2-7

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[Footnotes]

8The Style of the Consular DiptychsEdward Capps Jr.The Art Bulletin, Vol. 10, No. 1, Studies in the Late Antique Undertaken in the School of ClassicalStudies of the American Academy in Rome, 1925-1926. (Sep., 1927), pp. 60-101.Stable URL:http://links.jstor.org/sici?sici=0004-3079%28192709%2910%3A1%3C60%3ATSOTCD%3E2.0.CO%3B2-P

9 The Italo-Gallic School of Early Christian ArtAlexander Coburn SoperThe Art Bulletin, Vol. 20, No. 2. (Jun., 1938), pp. 145-192.Stable URL:http://links.jstor.org/sici?sici=0004-3079%28193806%2920%3A2%3C145%3ATISOEC%3E2.0.CO%3B2-G

13An Ivory Pyxis in the Museo Cristiano and a Plaque from the Sancta SanctorumEdward Capps Jr.The Art Bulletin, Vol. 9, No. 4. (Jun., 1927), pp. 330-340.Stable URL:http://links.jstor.org/sici?sici=0004-3079%28192706%299%3A4%3C330%3AAIPITM%3E2.0.CO%3B2-T

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34An Early Christian Ivory Plaque in Cyprus and Notes on the Asiatic AmpullaeRobert P. Griffing Jr.The Art Bulletin, Vol. 20, No. 3. (Sep., 1938), pp. 266-279.Stable URL:http://links.jstor.org/sici?sici=0004-3079%28193809%2920%3A3%3C266%3AAECIPI%3E2.0.CO%3B2-Y

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