the digital heritage landscape the netherlands and abroad ... · the den foundation (digital...
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The Digital Heritage Landscape
The Netherlands and abroadProgrammes and policy
Marco de Niet
The DEN Foundation
Digital Access to Cultural HeritageDen Haag, 7 February 2013
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The DEN Foundation (Digital Heritage Netherlands) is the Dutch knowledge centre for digital heritage.
DEN supports good digitisation practices at archives, museums and other cultural institutions.
DEN encourages the institutions to jointly create a future-proof national infrastructure for digital heritage.
DEN is sponsored by the Dutch Ministry of Education, Cultural DEN is sponsored by the Dutch Ministry of Education, Cultural Affairs and Science
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1.What is digital heritage?
2.Evolution of digitisation by cultural heritage institutions
3.The Dutch digital heritage landscape
4.European policy as a context
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1. What is digital heritage?1. What is digital heritage?
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This is not digitisation!
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This is digitisation!
DEN Quality Cycle for digitisation
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Three types of Digital Heritage
‘Born digital’ heritageDigital by origin (e.g. electronic art, electronic archives, digital photographs).
Digitised heritageCultural artefacts that (did) exist in the physical world Cultural artefacts that (did) exist in the physical world and have been reproduced with digital technology (e.g. scans of paper objects, photographs of paintings,encoded audio or video, reconstructions of monuments).
Digital information about cultural heritage objectsE.g. structured object descriptions, collection leveldescriptions, x-rays of paintings, knowledge organisationsystems like thesauri and ontologies, etc.
All three types have their own needs for preservation and access
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Heritage = ObjectsInformation
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Enriched data
Full content
Digital reproductions Information units with opportunities for
Information systems with search options forboth metadata and full content (e.g. EDBO) (index / search engine)
Information systems that enable semanticsearching for both metadata and full (structured) content (e.g. research data) (knowledge system)
Digital reproductions
Thumbnails
Relations
(hierarchic, related)
Basic
descriptions
Heritage
National Collection (collection)
Collection registration / cataloguing in institutions (registration)
Traditional bibliographies and unioncatalogues (e.g. STCN) (disclosure)
Indexes of metadata with links to externalobjects (e.g. Europeana) (aggregation)
Information units with opportunities forsearch and display of objects(e.g. Memoryof the Netherlands. (portal)
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2. Evolution of digitisationby cultural heritage institutionsby cultural heritage institutions
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Museum collection: ± 44 million objects
Archival collections: ± 845 km (= ± 6 billion pages)
The Dutch Heritage Collection
Academic libraries: ± 9 million items
Audio visual collections: 830.000 uur
Alles uit de kast: it takes 150.000 man-year to digitisethe entire Dutch heritage collection kept by institutions
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PLAN
Project planning
User studiesHighlights(1995-)
Evolution of digitisation
ACT DO
CHECK
Heavily usedCollections(2000- )
Mass Digitisation(2005- )
Evaluation
Information plans
Benchmarking
Business ModelInnovation
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How much has been digitised?
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“Libraries were never warehouses of books.
They have always been and always will be
centers of learning.” centers of learning.”
(Robert Darnton, The case for books)
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Digitisation has very much been a ‘push’ activity.
The heritage institutions decide what, when
Offer and demand
The heritage institutions decide what, whenand how their collections will be digitised.
But how do we anticipate on and learn fromthe digital behaviour of our (potential) users?
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Strategic information planning…
• Helps institutions to make ICT an integral part of their overall policy
• Supports standardisation by making it a choice, a strategy, not a burden
• Defines how to move from project driven digitisation to user-driven services
• Provides guidance for digital innovation: “always in beta”.
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Separate digitisation budgetsbudgets
Information plans available
Source: Numeric Final Report, July 2009
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3. The Dutch digital heritage landscape3. The Dutch digital heritage landscape
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Archives
MuseumsArchaeology
Information processesCollection descriptionsDigital preservationComplex objects
Creative front-endsExploitation / re-useLegal issues
Geographic systemsConcepts vs. Objects
Libraries
Monuments
Audiovisual archives
Legal issuesEducational tools
Object metadataIT-backoffice / RetrievalDigital preservationInternational standards
IT-scalabilityBusiness modelsMultimedia / AVExploitation
Concepts vs. ObjectsVisualisation
Geographic systemsLocal target groupsMobile media
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National context of DEN
Creative industries Education Government Science
Heritage wide topics
Copyright / Legal issues Policy develop. / funding Business model innov. Digital preservation
Werkgroep Auteursrechten Ministry OCW, Taalunie, Kennisland, TNO, Erfgoed2.0 CCDD
HNICLICKService suppliers
KennisnetSURF
Forum StandaardisatieNOiVNationaal ArchiefNCDD
CATCH / CATCH+CLARIN / DARIAHDANSNCDD
Standards & infrastruct.
Quality assurance
Training / Man. develop.
User studies / socialmedia
Sectors
Archaeo-logy
Archi-ves
AV-ar-chives
Libra-ries
Monu-ments
Mu-seums
Werkgroep AuteursrechtenFOBID/JC
Ministry OCW, Taalunie, Provincia governments
Kennisland, TNO, Erfgoed2.0Waterwolf, HU Utrecht
CCDD
Digitale CollectieNL, PortalsOpenCultuurData
RCE, ‘Meten is weten’, funds
GO, Reinwardt, UL/BDMS
SCP, Boekman, CBS
RCECAA-NL
BRAINACDDSTAPNA / RHC’sArchief2.0
B&GAVA-netNIMk
KBSIOBBibliotheek.nlFOBIDUKB Bijzcol
RCELEU
NMVSIMINMuseum-registerLCMQmus
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National policy
There are two sides to Dutch government policy regardingdigitisation of cultural heritage:
Decentralised approach:
• Strengthening local activities and innovation• Strengthening local activities and innovation
• Promoting creation of institutional ICT policies
• Investing in staff training
• Funding on national, provincial and local level
Strengthening the national infrastructure in EU-context:
• “Digital Collection Netherlands”
• Infrastructure for preservation and access
• Legal framework / copyright
• Quality assurance based on self regulation
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StandardisationStandardisation
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Standardisation
Standardisation enables users to find and access digital heritage anywhere, anytime.
Standardisation is not a process that can be forced by the government entirely.
It can only last if the institutions support the decisions on standardisation and make them their policy.
Quality assurance by self regulation (‘Comply or explain’)
Support for both best practices and basic practices
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Minimal ICT-requirements
THE BASICS is a DEN project aimed at national agreement on a set
of standards:
– that is considered basic practice, so all institutions can applythem
– that support the entire cycle of digitisation
– that can be used for all digital heritage
– that assures quality, interoperability and efficiency
Basic practices are considered crucial to involve smaller
institutions in the national infrastructure for digital heritage.
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Basic requirements for findability of digital information(core set of 7 standards)
Basic requirements for the creation of digital data
DE BASIS / The Basics
Basic requirements for the creation of digital data
– Text
– Image
– AV-collections
– Geospatial data
Basic requirements for digital preservation
– Preservation policy
– Responsibilities within the institutions
– Participation in national repositories
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Aggregated access / EuropeanaAggregated access / Europeana
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Digital preservationDigital preservation
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Digital preservation in the Netherlands
Focus on public sector: government, science & culture (esp. media & cultural heritage)
Organisational structure: National Coalition
Ministry of Education, Culture and Science
Board
DANS Data Archive
(ScienceCoalition)
EYE Film Museum
CulturalCoalition
National Archives
ArchivalCoalition
National Library
Univ. Libraries
Sound & Vision
Prestocentre/ AVA-net
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Cultural Coalition Digital Preservation (est. 2010):
Structure
• Core group to set out strategies
• LinkedIn group (261 members from LAM’s)
• Representation on the board of The National Coalition
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Tool for DP self assessment: www.scoremodel.org
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Business Model InnovationBusiness Model Innovation
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Business Model Innovation:
Renewing the framework (or logic) used by an Renewing the framework (or logic) used by an organisation for creating or increasing social
and economic value
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Written and published by
Kennisland, DEN &
Ministry of Culture (NL),
December 2009
Online available at
www.den.nl
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Business Model Canvass
Sourc
e:
Ale
x O
sterw
ald
er
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1. Organisation 3. Copyright
Major obstacles for CH
2. ICT-infrastructure4. Revenue
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Roadmap for BMI
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Organisational changeOrganisational change
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Proven workflows
Strong identities
Standardisation
Factual services
Changing values
Acknowledge new trends
Collaborate
Diversify with new media
Stimulate creativity
-
-
-
-Factual services
Authoritative
Long term preservation
Authenticity
Free / Public domain
Enable full access
Be an expert
...
Stimulate creativity
Service oriented
Short term flexibility
User generated content
New business models
Respect copyright
Be media literate
...
-
-
-
-
-
-
-
-
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Audience
cultural heritage
Professions & Traditions
Technology
Quality Efficiency
Digitisation
Comfort zone
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New media bring “a culture of mass self-communication in which people increasingly communicate to and through one another, rather than through formal media organisations like broadcasters and publishers”.
Unesco Culture Cycle (2009)
“All research is becoming more interconnected, collaborative and networked. Science is increasingly driven by the analysis of large overlapping clouds of data.“
Charles Leadbeater, Cloud culture.
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Creation of metadata is shifting
The Social Web (Web 2.0): the creation of metadata and subject descriptions is shifting metadata and subject descriptions is shifting from professionals to the users
The Semantic Web (Web 3.0): the creation of metadata and subject descriptions is shifting from professionals to computers
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4. European policy as a context4. European policy as a context
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“Digital versions of old works will notonly guarantee survival through the ages, but reach a much wider audience withoutcausing any risk to the original copy.
1. Preservation
2. Access / causing any risk to the original copy.
Through digital libraries people will be ableto visit the past virtually to find, understand and experienceEurope's cultural wealth and history.”
(European Commission, Augustus 2008)
2. Access / Accessibility
3. Value through services
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www.europeana.eu
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Portal
Europeana: service or infrastructure?
API-clusteror
”Powered by Europeana”
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EUROPEANA - ONLINE VISITOR SURVEY- 2011
Navigation around the site
Search functions
Chart 6 - Europeana - Rating against main competitor
0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100%
Trustworthiness of content
Usefulness of content
General look and feel of site
Presentation of results
Ease of access to content
Better
Similar
Worse
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Biodiversity Heritage
Libraries Europe
EuropeanaLocal
Musical Inst.
Judaica
Europeana
Europeana v.1.0
ArrowPrestoPrime
Athena
APEnet
EUScreen
EuropeanFilmGateway
EuropeanaTravel
Musical Inst.
Museums Online
The European Library
EuropeanaConnect
Europeana
Europeanaecosysteem
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“The majority of the network has declared itself in favour of data being offered to Europeanaunder the Creative Commons Universal Public Domain Dedication”
“A Cultural Commons for Europe could provide a new way to work together to enhance access to Europe’s cultural heritage in sustainable ways by balancing the needs and the expectations of cultural institutions with those of users and the creative industries.”
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ENUMERATE is the European Thematic Network
on Statistics for Digitisation, Digital Preservation
and Online Access to Digital Cultural Heritage.
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Why should we collect statistics on digitisation of cultural heritage?
1. Accountability: did we spend the (extra) money well?
2. Policy planning: how much time and money do we need for future digitisation projects? How much digital heritage will become (potentially) available for Europeana?
3. Benchmarking: are our investments and quality criteria comparable to what others are doing?
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Key topics in ENUMERATE
Size and growth (supply):#analogue; #metadata; #digital reproductions; #planned; #born digital
Access and impact (demand):Access and impact (demand):access policies; usage statistics; methodologies
Costs (economics):production; management; preservation; inhouse vs. external
Preservation (sustainability):preservation plans; budgets; tools; partnerships
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ENUMERATE Core Survey (2012)
49%
31%
22%
14%
15%
2%
3%
61%
47%
37%
24%
31%
4%
Offline
Institutional website
National aggregator
Thematic aggregator
Europeana
Memory of the World
3%
12%
6%
16%
7%
23%
13%
28%
0% 20% 40% 60% 80% 100%
Wikipedia
Institutional API
3rd party API
Other
currently 2 years from now
Which percentage of the digital collections is accessible through which options? (n=774)
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ENUMERATE Core Survey (2012)
78%
64%
56%
56%
46%
35%
27%
Higher education library
National library
Special or other type of library
Audio-visual, broadcasting or film institute
Archives/records office
Museum of anthropology and ethnology
Museum of art
Does your organisation measure the number of times digital metadata and/or digital objects are being accessed by your users? (n=1495)
27%
27%
27%
25%
19%
42%
0% 20% 40% 60% 80% 100%
Museum of art
Museum of archaeology, history
Museum of science, technology
Other type of museum
Institution for Monument Care
Total
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ENUMERATE Core Survey (2012)
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ENUMERATE Core Survey (2012)
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Share your knowledge on digitisation!
www.den.nl