the complete reference cables guide (16 february 2011)

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Main Office Ref. Lab.

Motorway A14, exit Ancona SudStation FS Ancona,Marche Airport, Ancona

S. Ciriaco Cathedral, Ancona.

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FOR US IT MEANS● AN IN-HOUSE RESEARCH TEAM,

which has worked for years, studying and analysing signal line variables.

● AN INNOVATIVE DESIGN,as a result of specialisation and passion coupled with the intuition and style of the Reference Laboratory’s founderand President

● A PRODUCTI LINE GUARANTEED BY “ITALIAN” EXPERIENCE OF THE EXTRUSION PROCESS,considered by the Reference Laboratory to be an art in its own right

● A RIGOUROUS METHOD OF ASSEMBLY, AND TESTINGWe test every single finished product, entirely manufactured at the Reference Laboratory Osimo (An - Italy)

SINCE THE BEGINNING, IN 1992, REFERENCE CABLES HAVE BEEN 100% DESIGNED, MADE AND ASSEMBLED IN ITALY.

Osimo (Ancona) ITALY

THIS IS OUR FIRST ASSEMBLED CABLES GUIDE. WE HAVE CHOSEN TO ILLUSTRATE THEPRODUCTS, AT REAL SIZE 1:1 RATIO TO SHOW THE FOLLOWING:

● PHYSICAL FEATURES OF EACH CABLE TYPE ● CONSTRUCTION DETAILS OF THE XLR AND PHONE CONNECTORS ● WELDING DETAILS● CABLE CLAMPING SYSTEM FOR XLR AND JACK TYPE CONNECTORS ● TECHNICAL SPECIFICATIONS OF THE CABLE CONSTRUCTION● USAGE OF THE VARIOUS ASSEMBLED CABLES

WE HAVE INCLUDED TECHNICAL SPECIFICATIONS ANDUSAGE MODES, TO ASSIST MUSICIANS IN MAKING AN

ACCURATE AND FOCUSED CHOICE based on their style and instrumentTo demonstrate the quality of single cables, six DVDs have been produced with A/B

comparisons between the cable in question, and an ‘ordinary’ one, focusing on theirusage and highlighting their specific differences. This has been done to show and high-

light the importance of cables in the audio chain. Choosing the appropriate cable is asimportant as choosing the right instrument; cables should be listened to and tested before

being purchased. In order to facilitate the process of choosing an appropriate product, anaudio/video support is available, as part of this guide, to listen to cables, certifying the project

which inspired it.For Example:

1) We have produced the RIC01A model, for those wanting to create a “fuller” sound with an acousticguitar (or double bass). In DVD #1 #3 and #4 (for acoustic guitars) and DVD #2, you can listen com-

paring the differences between a generic cable and a specifically designed cable. Without the combina-tion of different modes of communication, we could have talked at length about it or produced the best

catalogues in the world, however we would never have been able to demonstrate the pure sound of anacoustic instrument. 2) The same goes for a rock guitar cable. What does a musician need? We thought about a strong, distor-ted, mid range sound, which can be obtained by the instrument itself (this is why guitars with high perform-ance pick-ups are chosen), as well as amplifiers which have a strong pre-amp and an innate distortion, andfinally a distortion pedal that supplies what the latter cannot otherwise achieve. We asked ourselves, what ifthe conductor itself could do better, with accentuated frequencies on 800Hz and a stronger signal: inresponse, we designed the RICS01R. Please refer to DVD #1 to listen to it.

These two examples demonstrate, firstly, the ideal cable combination with an acoustic instrument, and, se-condly, to a musical style. Reference Laboratory’s research aims to create cables to better transfer eitherthe physical features of an instrument, or the acoustic features for a musical style. However, had we notfound and tested this out, it would have remained a mere description in the catalogue. During the last fif-teen years, I have met customers, musicians, technicians and sound engineers worldwide, proudly pre-senting them with our products’ technical features. At the end of the presentation, the same inevitable

question would arise: “Can you show me why this cable sounds better than any other?”. They wereright to ask the question, which is why we committed to proving our intentions for each musical

instrument on an audio level, by comparing our cable to a generic one. Here in this exclusiveguide and with this innovative approach, you will find the answer to that question.

Conclusion: If a musician’s set up requires the use of three instruments equally necessary forhis repertoire, why not have three cables, different amongst them, targeted to specific tech-

nical/musical applications?Thank you for your attention,

Angelo TordiniFounder and President

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AUDIO / VIDEO GUIDE TO CHOOSE THE PERFECT CABLE

DVD ARCHIVE

The signal path used for the above DVDs recording, starting from the Reference cable is the following:

● Studio cabling (carried out in an expert professional manner), Neutrik XLR female connector panel

● The signal enters the Audient ASP8024 analogue console, apart from for the DVD #4, on a Tascam Dm4800 digitalconsole. No other preamp or processor was used on Insert when recording, precisely to avoid altering the signalin either direction

● The analogue signal is then fed to the studio’s Neutrik Bantam patchbay, connected to DigidesignProtools HD converters on 96kHz 24-bit sessions, apart from for the DVD #4, using Tascam converters)

It is advisable to carry on listening tests using headphones listed on www.referencelaboratory.com/videos/2

1

ARTISTS that are using Reference Laboratory cables in the world

During rehearsals for his Umbria Jazz Festival concert,James Taylor tested a new set of cable for his acousticguitars and relative effects setup. This interesting testwas carried out on stage, where the artist heard thesound directly in his monitor and the FOH sound engi-neer in the main PA. A live A/B test that convinced himto immediately change over to the set of Reference LabRIC01A cables for guitar and effects and RMC16TP forthe balanced signal fed to the stage box.

JAMES TAYLORwww.jamestaylor.com

“The blue cable RIC01 is working well, it sounds great and it’s very durable.”

JON HERINGTONSteely Danwww.jonherington.com

“The Reference RIC01 and RICS01Rcables connected to my wirelesssystem immediately improvedmy sound!”

RUDY SARZOwww.myspace.com/officialrudysarzosite

“I discovered the Reference cable for acousticguitar through my good friend and musicalcollaborator Roberto Dalla Vecchia. When plugging in my guitar I need a reliableconnection and a smooth signal in the moni-tor and out to the house. The Referencecable RIC01A is excellent for the touring professional as well as the hobbyist.A very good product!” MARK COSGROVEwww.markcosgrove.com

“Reference Laboratory cables arewhat I use in my studio recordingplayers like Steve Tavaglione onwoodwind for my movie scores. RL cables and accessoriesare of the highest quality. Thanks Reference Laboratory!”

JAMES RAYMONDwww.jamesraymond.com

“The cables are important. You can hearthe difference when you use high quality.I use Reference Labs cables andthey are fantastic. The best soundthat I have heard, and very well made.”

STEF BURNSwww.stefburns.com

“Sound is very important to meand I trust cables madeby REFERENCE Laboratory”

Harmonically Yours,

LEE OSKARwww.leeoskar.com

“I’ve been always comfortable at Umbria Jazz Festival thanks to the technical support of REFERENCELaboratory whose cable technology I appreciated both for my voice (RMC01cable) and for my guitar (RIC01A): REFERENCE Labs... To music, to hope and to joy!”

KJ DENHERTwww.kjdenhert.com

“We all, at Tambi Studios, were amazedat the difference a microphone cableby REFERENCE Laboratory (RMC-S01)could make to the quality of sound.The sound was fuller, warmer and clearerand I recommend that every professionalstudio explore and take advantageof the benefits of ReferenceMicrophone Cables.”

FERNANDO TAMBIwww.tambistudios.com

“I wanted to thank you for letting meuse your cables for our show.They were fantastic - very well built,and I liked the extra emphasison the high-end that the cables gavemy guitar tone.”

ANDY DACOULISGuitar player with Nikki Yanofskiwww.andydacoulis.com

“A high quality amplifier and ReferenceLaboratory cable RIC01A allow our guitarsto maintain their natural voice.”

HOWARD R. PAUL President & Ceo Benedetto Guitarswww.benedettoguitars.com

“Thank you for the cable you gave me in Perugia(Umbria Jazz Festival 2010). I use Reference cableRIC01A all the time now and really hear a difference.Now that I am back in NYC and playing gigs with myown amps and other amps at clubs here that I know,I can hear that my sound is clearer and rounder andsmoother with your cable. If this sounds like anendorsement, it not even meant that way but just totell you that your cable is improving my sound!!”

PETER BERNSTEINwww.peterbernsteinmusic.com

“I must say that since we collaborated withAngelo, I’ve realized the absolute quality of hiscables. Sitting behind the set in Alatri, for exam-ple, I immediately heard the sound of the drums,particularly the toms equipped with the D2,coming out the PA with true acoustic precision.I didn’t think that the difference between evengood cables and Reference cables could beheard by just listening, but it’s true!”

MARCO MINNEMANNwww.marcominnemann.com

“The blue cable RIC01 is amazing! I use to playin several music styles and the cable bring tothe music my REAL sound. Thanks for havecreated and developed it because it improvemy feeling. When I go to the studio now I havemy cable RIC-S01. This cable give the best bal-anced sound I ever had in studio recording.”

THIAGO ESPIRITO SANTOwww.thiagoespiritosanto.com.br

“I really like the Reference UJAZZ cable.It’s able to reproduce accurately the naturalsound of my instrument in a way I was awarebefore, because I’ve been using the samecable for probably 30 years. Now I travel withthe Reference one and I use it wherever I play.I can’t imagine playing without it.It’s very brilliant!”

GARRISON FEWELLProfessor at at Berklee Collegeof Music – Boston, USAwww.garrisonfewell.com

“I did used the RICO1A cables live with hi-fispeakers and also my amp. I was very impressedby these cables sturdiness, their excellent signalreproduction, their quietness and the high qualitymaterials used to build them. The sound engi-neers that I've been working with recently, hadalso very favorable comments. My complimentsfor the superior level of your cables and for yourcreative approach.”

PEPPINO D’AGOSTINOwww.peppinodagostino.com

“There were variations among some of the vari-ous high-end cables, but none sounded moreaccurate than the REFERENCE cable (RMC01).We just could not find any sonic differencebetween the REFERENCE Laboratory cable andno cable. We have no doubt that your otherca-bles meet the same standards and we congratu-late you on creating such a great product. With respect,”

TUCK & PATTI ANDRESSwww.tuckandpatti.com

“As a guitar player, tone to me iseverything. I spent my career usingmany different products to sustain mysound. The Reference cords, RIC01Aand RIC-S01R, are ones of the best toolsI have in keeping a true and exact soundfrom my acoustic and electric guitars.”

ALLAN HARRISwww.allanharris.comwww.crossthatriver.com

“Yes, I really like your RIC01 cable.A very clean sound, no hum andexcellent response across thecomplete range of frequencies.I’m also very interested in usingyour other RIC-S01 and RMC-S01cables in my studio.”

HUSSAIN JIFFRYwww.myspace.com/hussainjiffry

“I just finished A/B ing your cords and my highquality ones and I am are very impressed withthe out come of your cable. I noticed that, goingthrough my pedal board, I didn't lose the highand midrange sound of my guitar, but I lost it inthe other hi-Q cable. Also I A/Bed your RMC-S01solid copper Mic XLR cable and I really excitedthat we didn't hear all of the midrange garbagefrom my other cable.”

GREG “G-MOE” MOOREwww.moesoulrecords.com

“Your cables add such a brilliantand smooth tone to my sounds. It is unparalleled to other supposed“High-end” cables. I’ve used many,many brands in the past, but they were certainly no comparable withREFERENCE cables RIC01and RIC-S01R.”

THE ALI BROTHERS www.myspace.com/jeromealiofthebrothersali

“I recorded a voiceover with REFERENCEcables RMC13PUR & RMC-S01 and com-pared to the cable which I was usingbefore. Your cables have more dynamicrange, tight lowend and richer sound.Specially the RMC-S01 sounded great!!! Iwas so impressed. Now, the RMCS01 hasreplaced the cable I was using previously inthe main vocal booth.”

KEIKO TAKEDASound Designer/Engineer

“The Reference Labs’ cable RMC-S01is the most incredible cable ever.I’m shocked and amazed at thetransparency and life it brings to myacoustic source! Why did I not findthese cables earlier…?! I think I needto rewire my whole facility!”

SHANTANU HUDLIKARSenior Engineer at YRF Studios Mumbai - Indiawww.yrfstudios.com

“Using Reference cables, gives methe impression that my guitar andamp are "one" instrument.There is no loss of tone,the sound is clear and balanced.”

JP CERVONIwww.jpcervoni.com

“During Sonny Rollins tour 2010, we have been record-ing every show, unfortunately for me we met in July afteralready recording several shows in the US using regularmicrophone cables. The dynamic range and clarity ofsignal is significant enough that I may have a problemtrying to use earlier recordings and match them with thenewer ones (using Reference Labs’ RMC-S01 cables that you gave me to try in Perugia, Italy). I never thoughta cable could make that much of a difference.How was I wrong!”

RICHARD CORSELLOFOH recording engineer with Sonny Rollinswww.sonnyrollins.com

“The cable is the most important link inthe audio chain and the most overlooked.Now, thanks to REFERENCE Laboratory I will always consider what cables I usefirst to obtain the best performance: cables RMC01 or RMC-S01.”

KEITH RICEFOH Earth Wind And Fire

“I started using Reference cables three years ago (at Umbria Jazz festival 2008) and they still work verywell with my Carvin 5-strings bass. You know, mostof time cables break up, and the sound breaks uptoo, when you least expect it… but with ReferenceLabs’ cables I never had a problem in so many liveperformances.They seem to last forever (just likeSonny Rollins)!...These cables are great!!”

MELBOURNE ROBERT“BOB” CRANSHAWBass player with Sonny Rollinswww.sonnyrollins.com

“Thanks very much for making wonderfulcables, this blue cable is terrific!It sounds wonderful...!!!AMEN…”

MARC COOPERwww.coopdevillerecords.com

“I ran comparison tests between the cables I already had in the studio with the REFER-ENCE RMC01 and RMLC03 for microphonesand the RIC01 and RIC-S01R for instruments. I really noticed that there are considerable differences, for the better. There seems to bemore high frequencies and the sound is morewell-defined and “pure”. Moreover the cablesare easy to handle and attractive.”

OSWALDO MALAGUTTIMosh Studios - www.mosh.com.br

“Your cable is fantastic and built very strong!I have used Reference cables for many yearswith no problem! Bravo Reference cables!!!”KIM PREVOST Vocalistwww.kimprevost.com“Your Reference guitar cables produce a very clearsound with no noise. Reference cables are extre-mely durable and last a very long time with noproblem. I love them!! I wont use anything else!!!”BILL SOLLEY Guitaristwww.billsolley.com

“We did an A/B comparison of cables fromReference Lab and the cables I regularly useon the field for my location recording. I wasamazed with the huge difference I heard withthe Reference Labs cable. It was clearer, better and unexplainable in human terms thedifference I heard. The sound just seemed tobe amazingly warmer and better - Just Perfect!”

BAYLON FONSECASound Designer-Editor Film/TVwww.baylonfonseca.com

“I've been using nice cables for a long time but sinceI've changed for the REFERENCE cables my guitarsound really changed a lot. When I use just myguitar and amp I prefer to use just the Ujazz cable,because it really helps me to have a brighter soundwith lots of harmonics, but when I'm using pedalsI use both the UJAZZ and the RIC01.Well, I wouldadvise everybody to try the REFERENCE cablesand feel how your own sound can be improved!”

FLÁVIO SILVAwww.myspace.com/flaviosilvamusic

UJazz cableAPPLICATIONS: GUITAR AND BASS JAZZ

Where we consider it necessary we use a PVCsemi conductor, as it reduces over 95% of noise

generated by cable movement.

We accurately test all our cables

We can assemble, as requested,cables to specific lengths

Available as an option:Switchcraft jack 90°

226L model Silent Plug Neutrik

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For more thantwenty years we

have been collabora-ting with Umbria Jazz.

This experience providedus with a natural sensibility to

the sounds and melodies of itskey musical style: Jazz. Almost

spontaneously, the idea to deve-lop a new cable specifically for

Jazz musicians and their soundgrew at the Reference Lab.

Today that project has been com-pleted and the UJAZZ cable is itsexpression.UJAZZ joins the line of the previousseven models already produced bythe Reference Laboratory. Eachmodel has its unique identity andspecific applications, since the firstmodel was created in 1992, theRIC01, which represents to this daya sonic landmark for the market.Reference Lab states: “Whentaking into account the soundcoming from a semi-acoustic/electro-acoustic guitar, one mustconsider the absolute importan-ce of allowing both its souls tobe heard, in constant balance. We believe this is the secret toobtaining a unique and unmi-stakable sound mix." This is why we created the

UJazz cable.

Angelo TordiniFounder and Designer

Reference Laboratory

Strapper: Made in VELCRO®,an exclusive design with elec-tro-welded loop to be assem-bled with the cable. Waterresistant; high stability coupling(does not fear dust and mud).Available in different colours toidentify the different cablelengths.

Blue = 4,5 metresYellow = 6 metresBlack = 10 metres

Red = 15 metres plus

The packaging of the UmbriaJazz Cable is taken from theof f ic ia l Umbr ia Jazz 09poster by kind and exclusivepermission of the Umbria JazzAssociation

❹❷❶

PLEASE REMEMBER

If you use a RUJAZZ cable make sure to also use it to connect allthe effects (pedal or rack), it will improve your sound!

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours

Working Temperature °C

Minimum Bending Radius

Red Copper 42x015 AWG18

Foam PE diameter 3,0mm

PVC Semiconductor diameter 3.6mm

Braid -Tinned Copper <90%

PVC Superflex diameter 8 mm

Black

-30 +70°C

6xOverall diameter

www.referencelaboratory.com

JACK MOD. TM2PNJ-AU-RL

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❷

Single bodied stem-tip to allow for the maximum con-ductibility possible and to prevent the tip from becom-ing unscrewed, as a result of usage, typical of tipsattached to the stem; to avoid oxidation issues and sub-sequent reduction in conductibility, we use gold platedplugs

Diecast metal Shell housing in Satin Finish

Metal backshell with ergonomic grip

JAW

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Cable clamp Patented Amphenol JAW model - used asa secure and long-lasting anchorage even at hightemperatures

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❸

CONSTRUCTION

Ample solder areaLead free solder, to achievebetter conductibility whilerespecting the environment

RECOMMENDED FOR musi-cians using guitars with active

(Humbacker) pick-ups, specificallyfor Rock music. This cable is designed

especially for pick up acoustic impe-dance. The perfect pick up-cable coupling

impedance, makes the signal reflectionsirrelevant, and produces a more linear band-

width. The result is a louder, “more powerfulsound, particularly midrangey”. “The harmonic

frequencies found in a distorted sound are cer-tainly more than those found in a “clean” sound.

It is therefore essential to have a cable which willnot soften or, worse “strip away” fundamental har-monics, something which can very well occur withan “ordinary” cable.The RIC-S01R ensures that the power and tone ofyour Rock guitar are transferred to the amplifier in allits sonic range.The sheath is made of a special mix toensure maximum flexibility without compromising theelectrical features. As for all the ReferenceLaboratory guitar cable series, the RIC-S01 R alsohas a double screen in copper besides a PVC semi-conductor. This PVC solution is ideal for avoiding thecreation of noise caused by sharp and suddenmovements during a concert, typical of live per-formances (particularly Rock performances).

The RIC-01 rock electric guitar sound checkcan be found on DVD#1.The rock electric bass guitar sound checkcan be listened to on DVD#2

Watch and listen to our DVDs on our websitewww.referencelaboratory.com or ask M.I.

shops selling Reference cables to playyou the DVD.

RIC-S01 RAPPLICATIONS: ELECTRIC GUITAR AND BASS ROCK





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This is the cableI'm talking about

(RIC-S01 R). It's theonly thing I use in the

studio because it gives methe sound... that I MUST HAVE!

Rudy Sarzo

Watch the Rudy Sarzo interview onwww.referencelaboratory.com

JACK SILVER MOD. 226Available as an option Amphenol Mod. TM2P-AU-RL jackSilent Plug Neutrik

Ample solder areaLead free solder, to achieve better conductibility whilerespecting the environment

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CONSTRUCTION

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours



Solid Red Copper 0,5mmq AWG20


PVC Semiconductor diameter 3mm

Lap - Tinned Copper - total coverage 100%

Compound PVC diameter 7.0mm

Glossy Red

-40 +80°C

8xOverall diameter

It is VERY IMPORTANT in a cabling sequence instru-ment+effects+amplifier, that the connecting cables havethe same electrical capacity parameters to obtain- LOSS+SIGNAL TRANSPARENCY


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Ample Solder area - compact body

Diecast metal shell in nickel-plated finish

Single bodied stem-tip to allow for the maximum con-ductibility possible and to prevent the tip from becom-ing unscrewed, as a result of usage, typical of tipsattached to the stem. Standard telephone tip, to obtain a secure contact withevery female jack and also allow for a wider contactarea in comparison to other traditional tips.

REMEMBER THAT

If you use a RIC-S01 R cable make sure to also use it to connect all theeffects (pedal or rack), this will improve your sound! You can check outthe difference on DVD#1 or check the foot pedal on page 35

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JACK MOD. TM2P-AU-RL

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Single bodied stem-tip to allow for the maximum con-ductibility possible and to prevent the tip from becom-ing unscrewed, as a result of usage, typical of tipsattached to the stem; to avoid oxidation issues and sub-sequent reduction in conductibility, we use gold platedplugs

Diecast metal shell in satin finish with ergonomic grip


Backshell in thermoplastic and the Flexible grommetcable protection in soft PVC

❶ ❸ ❹

FOR USE WITH

Guitars and Bass guitars which have pick ups which guarantee a betterperformance for rock music


Blue = 4,5 metresRed = 6 and 20 metres

Black = 10 metresYellow = 15 metres

RIC 01APPLICATIONS: ELECTRIC GUITAR AND BASS LIVE

R E C O M M E N D E DFOR musicians that use

guitars with active and /orpassive pick up, who do not

want to loose any of the frequen-cies generated by their instrument.

This cable has been designed toobtain the best acoustic signal in a live

context. Many guitar, bass and key-board players, prefer this cable for its

remarkable output, especially on the lowfrequencies. Designed and produced in

1992, this cable was the first to be conceivedby the Reference Laboratory, to meet musi-

cians’ needs. Today it still remains an electri-cal and mechanical landmark. Developed and made for its flexibility, its inter-nal conductor is made with capillary wires, soas not to take anything away from theelectric/acoustic output, and especially devoidof memory, it retains all the fundamental bene-fits for a perfect live usage. As with all theReference Laboratory cable series for guitars,the RIC01 has a double copper shield as wellas the PVC semiconductor which gives it itsflexibility. This PVC solution is ideal for avoid-ing the creation of noise caused by sharpand sudden movements during a concert,typical at a live performance (in particularRock).

The RIC01 sound check on guitar andelectrical bass can be found on DVD#1

e DVD #2. Watch and listen to ourDVDs on our website

www.referencelaboratory.comor ask M.I. shops selling

Reference cables to playyou the DVD.





Available as an option:Switchcraft jack 90° mod.226

Silent Plug Neutrik

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PLEASE REMEMBER

If you use a RIC 01 cable make sure to also use it to connect all theeffects (pedal or rack), this will improve your sound!



CONSTRUCTION

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours



Red Copper 42x015- 0,75mmq AWG18



Braid - red copper


Black – Blue

-30 +70°C

8xOverall diameter

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JACK MOD. TM2PB-AU-RL

❶

❷

Single bodied stem-tip to allow for the maximumconductibility possible and to prevent the tip frombecoming unscrewed, as a result of usage, typical oftips attached to the stem; to avoid oxidation issues andsubsequent reduction in conductibility, we use goldplated plugs.

Diecast metal shell housing in Matt black finish withergonomic grip

Backshell part in thermoplastic and the Flexible grom-met cable protection in soft PVC

JAW

❸

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Cable clamp Patented Amphenol JAW model - used asa safe and long-lasting anchorage even at hightemperatures


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RIC-S01APPLICATIONS: ELECTRIC GUITAR AND BASS IN STUDIO RECORDING

R E C O M M E N D E D F O Rrecording studio sessions, as

it guarantees a better perfor-mance signal, due to its internal

solid copper conductor. This speci-fic feature allows to reduce the cable

resistance in comparison to an ordi-nary conductor, providing the RIC-S01

with a better impedance, resulting in amore linear and better feedback on high

frequencies. The end result is a more trans-parent sound.

However its ideal application is in a recordingstudio environment, without the exclusion ofapplications in live orchestra performances.As with all the Reference Laboratory cableseries for guitars, the RICS01 has a doublecopper shield as well as the PVC semicon-ductor. This PVC solution is ideal for avoidingthe creation of noise caused by sharp and sud-den movements during a concert, typical of alive performance.

The RIC-S01 sound check on guitar andelectrical bass can be found on DVD#1and DVD#2

Watch and listen to our DVDs on our websitewww.referencelaboratory.com or ask

M.I. shops selling Reference cables toplay you the DVD.





Available as an option:Switchcraft jack 90° mod. 226

Silent Plug Neutrik

●

●

●

●

❹❷

REMEMBER THAT

If you use a RIC-S01 cable make sure to also use it to connect allthe effects (pedal or rack), this will improve your sound!

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours



Solid Red Copper 0,52mmq AWG20

FOAM PE diameter 2,6mm


Lap - Tinend copper - total coverage 100%


Black

-40 +80°C

8xOverall diameter



❸

JAW

❸ Cable clamp Patented Amphenol JAW model - used asa safe and long-lasting anchorage even at hightemperatures

CONSTRUCTION

❶


●●





❶

❷

Single bodied stem-tip to allow for the maximumconductibility possible and to prevent the tip frombecoming unscrewed, as a result of usage, typical oftips attached to the stem; to avoid oxidation issues andsubsequent reduction in conductibility, we use goldplated plugs

Diecast metal shell housing in Matt black withergonomic grip

Backshell part in thermoplastic and the Flexiblegrommet cable protection in soft PVC

❹

RIC01-AAPPLICATIONS: ACOUSTIC GUITAR AND DOUBLE BASS

At Reference, we believeit is key to use a cable whichis able to render the soundcoming from your instrument,just as if it were li-stened to by ear.Is it therefore acceptable to have alow quality cable in the audio chain?The answer is surely not! A musiciantests and compares an instrument oramplifier before making his/her choice,in our opinion this should also occurwhen choosing cables.The same musician would never choosean amplifier which has not been specifi-cally designed for his acoustic guitar,he/she should also make an informedcable choice. Reference Laboratory,being aware of this, has created cablesfor acoustic instruments, or rather forinstruments that use piezo pick-up.

With reference to the above, we havetested the RIC01-A, on 8 different elec-tric-acoustic guitars. All the tests canbe listened to on DVD#1, DVD#3 andDVD#4.

Watch and listen to our DVDson our websitewww.referencelaboratory.comor ask M.I. shops sellingReference cables to playyou the DVD.

RECOMMENDEDFOR all electrical-

acoustic instrumentswith piezo pick-up.

The making of thiscable is “innovative”, and

to achieve this the Refe-rence Laboratory leve-

rages certain fundamentalelements: experience, expe-rimentation and compe-tence spanning more thantwenty years and “symmetri-cal” conductor technology.By symmetrical conductor,we mean when both conduc-tors, mass and signal areidentical. This technique eliminates anyunbalance on the signalroute, the results is a fullrange linear “rich” sound.Why choose this cableinstead of a gener icone?Why lose the originalsound, produced by highquality acoustic instru-ments?

We use a PVC semiconductor, on all instrumentcables, as it reduces over 95% of sound created

by the movement of cables



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JACK 90° SILVER MODELLO 226Is also available as an option mod. TM2P-AU-RL jack or Silent Plug Neutrik


❶

❷

❸

❶ ❸ ❹

❶

❷

❸

❹

REMEMBER THAT

If you use a RIC01-A cable make sure to also use it to connect allthe effects (pedal or rack), this will improve your sound!

CONSTRUCTION

Inner Conductor 1

Inner Conductor 2

Insulation

Shield

Jacket

Available Colours



Silver Tinned Copper

Silver Tinned Copper

PVC double layer

Tinned Copper

Compound PVCdiameter 7mm

Black - Brown

-40 +80°C

8xOverall diameter



Diecast metal shell housing nickel satin finish withergonomic grip

Cable clamp Patented Amphenol JAW model - used asa safe and long-lasting anchorage even at hightemperatures

Backshell part in thermoplastic and the Flexible grom-met cable protection in soft PVC ❶

❸

❷

Ample solder area-compact body

Diecast metal shell in nickel-plated finish withergonomic grip

Single bodied Stem-Tip, to achieve maximum con-ductibility and to avoid loosening of the point duringusage, typical loosening of mounted tips (not singlebody tips). Standard telephone point, to obtain asecure contact on every female jack and also allowfor a wider contact area in comparison to othertraditional tips


In option is possible have on all intrument cables the Silent Plug jack(right angle o straight).

●●

RICV01 APPLICATION: VINTAGE INSTRUMENTS

RECOMMENDEDF O R m u s i c i a n ssearching for a vintagelook for their perfor-mance. Today we refer to“vintage” musical instru-ments which were fashionableduring the sixties and seventies.In those days, it was commonpractice to use spiral cables withguitars of that period which are stillvery much appreciated and played,however those cables have practicallydisappeared. The Reference Laboratoryin paying tribute to those historicalsounds, decided to bring back to life thetypical spiral cable, by using all its expe-rience and present day technology. As withall the Reference Laboratory cable series forguitars, the RICS01 has a double coppershield as well as the PVC semiconductor.This PVC solution is ideal for avoiding thecreation of noise caused by sharp and sud-den movements during a concert, typical ofa live performance.As comparison test please refer the RIC01sound check for electric guitar on DVD#1and electrical bass on DVD #2Watch and listen to our DVDs on ourwebsite www.referencelaboratory.comor ask M.I. shops selling Reference cables to play you the DVD.





●

●

●

CONSTRUCTION

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours

Lenght






Braid red copper - total coverage 100%


Glossy Black

min 0.8 - max 3.5mt.

-40/+80

6xOverall diameter


JAW



❶

❷

❹

❸

❹❷❶


●●


Diecast metal shell housing matt black with ergonomicgrip


PLEASE REMEMBER

If you use a RIC 01 cable make sure to also use it to connect all theeffects (pedal or rack), this will improve your sound!

RIC09-TAPPLICATION: NEW ENTRY & “MUSIC SCHOOL”

and understandable interestexpressed by teachers and stu-dents, we made the decision not toproduce a DVD for this cable. Unlikethe others, even if we have carried out allour comparative tests, we strongly recom-mend a direct and autonomous method totest out our RIC09-T.

1) Select any cable (your usual one or another)and connect your instrument to the amplifier

2) Choose your most personal and distinctivesound, and perform a brief chord arpeggio

3) Play it a few times until you have the sound ofthe chord clear in your mind and ears

4) Substitute the cable with our RIC09-T, makingsure that it is the same length as the first, andrepeat the same chord, with the same dynamicand obviously without modifying the amplifierparameters.

5) Play it one more time, so that you also havethis new sound clear in your mind and ears

At this stage, it is already possible to single outthe difference between an “ordinary cable”and RIC09T, however should you wish toidentify the specifics more precisely, youcan

6) Repeat all the above procedures,using the first cable and then the

RIC09-T,





●

●

●

RECOMMENDEDFOR those taking their

first steps in studying amusical instrument, who

wish to appreciate all theinnate tone qualities it pos-

sesses. The RIC09-T cabletakes full advantage of the

economical value of theinstrument used, as well as aday to day apprenticeship.Created for frequent use it isalso very flexible and solidlybuilt. The RIC09-T has a doubleshield: an exclusive braid in redand tinned copper and a secondin a PVC conductor, ideal foravoiding noises generated byenergetic cable movements.Thanks to our collaborations withimportant music schools asBerklee College of Music(Boston USA) and Saint LouisCollege of Music (Roma), wewere pleased to witness, thesurprise and sheer joy expres-sed by teachers and studentsalike, in discovering the

importance of “listening andchoosing” a cable which

best fits their instrument and musical taste. In

order to encouragethis remarkable

this timeconcentrate

on the responsefrom the entire acou-

stic spectrum

The result will be: sound transparency,an extension from the low to the high frequencies,

high harmonics definition. You will value these parame-ters according to your own personal sensibility.

This is Reference Laboratory’s method: Listen to thecable! Choosing the correct cable, is the best way tostart your didactic/technical experience, in discoveringyour own “sound” and developing a personal musicalcreativity.

Strapper: Made inVELCRO®, an exclu-sive design with elec-tro-welded loop to beassembled with thecable. Water resistant;high stability coupling(does not fear dust andmud). Available in dif-ferent colours to iden-tify the different ca-ble lengths.

Blue= 4,5 metresRed= 6 and 20 metres

Black=10 metresYellow=15 metres

REMEMBER THAT

If you use a RIC09-T cable make sure to also use it to connect allthe effects (pedal or rack), this will improve your sound!

CONSTRUCTION

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours




PVC diameter 1,8 mm

Semiconduttor PVC diameter 2.3mm

Braid red copper and braid tinned copper - total coverage 100%


Transparent

-30 +70°C

6xOverall diameter



JAW


JACK MOD. TM2P-RL

❶

❷

❹

Single bodied stem-tip to allow for the maximumconductibility possible and to prevent the tip frombecoming unscrewed, as a result of usage, typical oftips attached to the stem.

Zinc metal diecast shell in satin nickel or matt black withergonomic grip

Backshell part in thermoplastic and the Flexiblegrommet cable protection in soft PVC

As option is also available the jack Reference Rightangle mod. RPP-SSM206

❸

❹❷❶


●●

RICT 01APPLICATIONS: KEYBOARD

Developed to be veryflexible and sturdy, with-out taking away anythingfrom the electrical/acousticoutput, and above all lackingmemory, necessary benefit forlive use.

As with all the ReferenceLaboratory cable series for gui-tars, the RICT01 has a doublecopper shield as well as the PVCconductor.This is an ideal solution to avoidthe creation of noises generatedwhen moving the cable energeti-cally, and to achieve total scree-ning, including electromagneticdisturbances, without compromi-sing flexibility

An alternative for mono cablechannels is the RIC01 (refer topag. 10)





Available as an option:Switchcraft jack 90° mod. 226

●

●

●

●

RECOMMENDEDFOR for connecting

a keyboard to a mixer(or DI Box) thanks to its

means of signal tran-sportation in stereo.

The set up consists of atelescope system, twoadjacent cables for animmediate cabling, and aset up with two mono jacksat 1/4", respectively withsilver and black body, tobetter identify the left andright channels. A stereoset up is ideal.




❹❷

REMEMBER THAT

If you want to use single cables, use the RIC 01 cable.

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours



Red copper 7x020 - 0,22mmq AWG23

PES

PVC semiconductor

Lap - Red copper

total coverage 100%

Compound PVC

Black

-30 +70°C

10xOverall diameter


❸


❶

❷

JAW

❸

❹

Cable clamp Patented Amphenol JAW model - used asa safe and long-lasting anchorage even at hightemperatures.

CONSTRUCTION

❶


●●


Diecast metal shell housing with ergonomic grip


An option is to have the jack Reference Right anglemod. RPP-SSM206

RICT 01APPLICATIONS: DEEJAY

This cable is designedand assembled with goldplated connectors in order tominimize signal loss. As withall the Reference Laboratory’sunbalanced cable series, theRICT01 also has a doublescreen: in copper and PVC con-ductor. The PVC conductor is aperfect solution for total screening,including electromagnetic distur-bances, without compromising onflexibility.

We strongly advise supplying thewhole mixer/ source circuit withRICT01 or RIC01 for monosignal use (refer to pag. 10)




We can assemble, as rquested,cables to specific lengths

●

●

●

RECOMMENDEDFOR DJs that want to

connect CDJ players,record players and any

other musical recordingdevice to their work sta-tions, by using a superiorcable. The set up consistsof telescope system, twoadjacent cables for imme-diate cabling and an as-sembly with two goldenpin RCA jacks, one red,one black, in order toeasily identify the Leftand Right channels. Anideal stereo set-up.




REMEMBER THAT

If you want to use single cables, use RIC 01

❸❷❶


❷

❸

JACK RCA MOD. ACPR-RL

❶ RCA golden for better connection conductivity

Zinc diecast shell housing available in: black, red,yellow finish

Flexible grommet cable protection

Inner Conductor

Insulation

Shield N.1

Shield N.2

Jacket

Available Colours



Red copper 7x020 - 0,22mmq AWG23

PES

PVC semiconductor

Lap - Red copper

total coverage 100%

Compound PVC

Black

-30 +70°C

10xOverall diameter

CONSTRUCTION


●●

RMC 01APPLICATION: "LEADER SIGNALS " ON LIVE & STUDIO STAGE

RECOMMENDED FORtransporting, with conden-ser or dynamic microphones,"leader signals" such as: voice,piano, Bass Drum and snare. TheRMC 01 cable is made up of two con-ductors of 0,50 mm each, as well as adouble shield. These two features makefor an ideal solution for a signal “transfer”of the highest quality. As a result will havethe advantage of doing the sound checkmore accurately in less time. Other featuresinclude: flexibility, and “no memory”, thanksto the special compound that the externalsheath is made up of, while the double spiralshield makes it immune to external inter-ferences. The particular size of the conduc-tors and the RMC 01 screen, make for a veryversatile cable, ideal for minimizing naturalsignal loss on high frequencies, during livestage situations that require lengths over10 metres. Please listen to DVD #5, youcan evaluate the RMC01 performanceon speaker and snare drum, on DVD#6you can listen to Giovanni Tommaso’sideal microphone setup.

Watch and listen to our DVD on our web-site www.referencelaboratory.comor ask M.I. shops selling Reference cables to play you the DVD.

We use SUPERFLEX PVCfor an easier cable use



Available as an optionXLR Neutrik at 90°

●

●

●

●

There were varia-tions among some

of the various high-endcables, but none sounded

more accurate than theReference Laboratory cable. We

just could not find any sonic differencebetween Reference Laboratory cable and no

cable (reference sound track.). We have no doubtthat your other cables meet the same standards,and we congratulate you on creating such a greatproduct. With respect,

Tuck and Patti Andress

Get their full test report on the cable fromwww.referencelaboratory.com

XLR MALE MOD. AC3MMB-RL

❶

❷

❸

❹

❺

USE ON

“Leader” instruments that use both dynamic or condenser microphones toobtain a more accurate sound-check in less time

REMEMBER THAT

you can connect a right angled XLR to reduce the mechanicalstress on the cable, when using them for microphones directlyclipped onto the side of the drum kit

CONSTRUCTION

Red copper 2x(28x015) - 0,50mmq AWG20


Cotton

Double lap red copper - coverage >98%

Compound PVC diameter 6,5 mm

Black

90 Ohm

-25 +70°C

10xOverall diameter

We only use connectors that have precision machinedcontacts, which compared to stamped contacts, arevery precise to give a stable contact across a widersurface. Gold plated contacts are also an option

Zinc diecast metal shell housing in satin Nickel or blackfinish.


Backshell in thermoplastic and Flexible grommet cableprotection in soft PVC

Reference Logo identifying the components’ choiceand quality

❶ ❸

❹❺❷❶

Inner Conductor

Insulation

Fillers

Shield

Jacket

Available Colours

Impedance (Ohm)



FLMD pin contact (first to make contact, last one to exitcontact). Gold plated contacts are also an option

Zinc diecast metal shell housing with Satin nickel orblack finish.




XLR FEMALE MOD. AC3FB-RL

❶

❸

❹

❺

❷


●●

Strapper: Made in VELCRO®,an exclusive design with elec-tro-welded loop to be assem-bled with the cable. Waterresistant; high stability cou-pling (does not fear dust andmud). Available in differentcolours to identify the diffe-rent cable lengths.

Blue = 5 metresRed = 6 and 20 metres



The new connector XLR Amphenol SERIES AX is alsoavailable as an option. The new AX series, with its new and professional design,introduces new features such as: clamp system, latching,one piece ground/latch spring. Finger friendly latch.Entirely designed by Amphenol Australia.

RMC-S01APPLICATIONS: MICROPHONE IN STUDIO RECORDING

RECOMMENDED FOR extremely demanding studio work,where the high quality of microphones should be matched quality

wise by the quality of the cables connected to the mixer. Just as in per-forming they should not lose a single fraction, decibel or any frequency of

the sounds that are being recorded. At Reference Laboratory we know howimportant the cable is in the audio chain and it is unthinkable for us to compro-

mise on a performance using expensive studio microphones or any other out-board,by using generic cables to transmit sound to the console. For this reason after inten-

sive research studies, and consulting important international recording studios, we havedeveloped a technology using solid wires on

microphone cables. This has allowed us to lowerthe resistance of the conductor used (for exam-

ple in relation to a ordinary conductor),because of the way it is assembled, with two

conductors which have identical sectionsover all their length. The advantage is to

have a cable with a better impedance andconsequently a better signal and a more

linear response. Moreover, the idealapplications for the RMCS-01 are in

the recording studios but withoutexcluding the excellent results

which can be obtained from liveorchestral performances.

To achieve an acceptable fle-xibility, despite the two

solid internal conduc-tors, we have used an

external sheath ma-de with a special

mix of PVC.

D V D # 3 a n d # 4 s h o wRMCS01 performances, takenfrom various acoustic guitar andvoice microphone recordings.

Watch and Listen to our DVDs on ourwebsite www.referencelaboratory.comor ask M.I. shops selling Reference cables

to play you the DVD.

We use SUPERFLEX PVC foran easier cable use


Upon request we assemblecables on specific lengths

As an option the XLR Neutrikat 90° is available

●

●

●

●

❹❺❷❶

USE ON

Microphones either dynamic or condenser, on any out-board with balancedinput and output and sound cards

REMEMBER THAT

Even if the signal travels from external preamplifiers use theRMC-S01 cable to connect them to the mixer and your results willbe better!

Inner conductor

Insulation

Filler

Shield 1

Shield 2

Jacket

Available colours

Impedance (Ohm)



Solid bare copper 2x(080) - 0,50mmq AWG20


Cotton

Tinned copper braid

Semiconductor Tape

Superflex PVC diameter 6,8 mm

Black

<85 Ohm

-25 +70°C

10xOverall diameter

XLR MALE MOD. AC3MMB-AU-RL

❶

❷

❸

❹





Reference Logo identifying the components choice andquality

❺

❶ ❸

CONSTRUCTION

XLR FEMALE MOD. AC3FB-AU-RL

❶

❷

❸

❹






Golden contacts an option

❺


●●






RMC16TPAPPLICATIONS: LONG DISTANCE INSTALLATION

AND ON LIVE STAGE

RECOMMENDED FOR drum microphone cablingand live activities and events that require long stretches

of signal cables, and delay lines or microphone cableswhose lengths are over 15 and up to 100 metres. The RMC16TP

cable is very strong, specifically studied for usage in environmentsand situations that require long single stretch connections.

The set up is different compared to other standard microphone cables fortwo important parameters: the lay length and the specific set up of the filler

and screen. The Twist Pitch is 20 mm, almosthalf the length of a standard microphone

cable, and is protected more from interfe-rences that, as one knows, diminish as the

Twist Pitch reduces. Another importantaspect of a cable suitable for the above

usage is its mechanical set up, and ourRMC16TP has a cotton filling and a

very tight braid which besidesincreasing power and holding

together the conductors, offers amechanical resistance for heavy

duty applications.




As an option the XLR Neutrikat 90° is available

●

●

●

●

XLR MALE MOD. AC3MMB-RL


USE ON

delay line cabling, mixer- power amp, mixer-speaker amplified acoustic andset up with 90° Angle XLR on microphones for drums

REMEMBER THAT

Its particular set up allows to minimize the signal loss during high fre-quencies and to maintain a remarkable flexibility coupled with strengthand reliability. We believe these to be essential elements to managelengths with or without cable drum

Inner conductor

Insulation

Filler

Shield

Jacket

Available colours

Impedance (Ohm)



Red copper da 2x 0,34mmq Twist Pitch 20mm


Cotton + Non Wovens Tape

Tinned copper coverage >98%

Compound PVC diameter6,8 mm

Black - Blue - Azure

<90 Ohm

-25 +70°C

10xOverall diameter

●●











XLR FEMALE MOD. AC3FB-RL

CONSTRUCTION

❶

❷

❸

❹

❺

❶

❸

❹

❺

❷

❶ ❸

❹❺❷❶






RMLC03APPLICATIONS: MULTIUSE ON LIVE STAGE

RECOMMENDED FOR cabling all microphonesfor bands, who as part of their live performance or

during rehearsals, are looking for a cable whoseflexibility is of prime importance, without compromi-sing on quality and maintaining unaltered its electricaland mechanical features.In fact, many bands, when performing live, have to dowithout the assistance, experience and equipment of pro-fessional service provider. They therefore need to rely on acable which is quick to set up, and to pack up at the end ofthe concert. This is why, with the RMLC03, particular focushas been given to assembly, by using the same connectorswhich are typical of the Reference Laboratory’s production. This innovative project is also aimed at supplying this productwith a superior reliability. The alternative is the RMLC02 model,which differs for its braid shield instead of a spiral one.

Please listen to the differences on our DVDs relating to micro-phone cables.These DVDs contain demonstrations on specific applicationsand comparison tests between specific Reference cables and

ordinary cables. Watch and listen to our DVDs on our websitewww.referencelaboratory.com or ask M.I.shops selling

Reference cables to play you the DVD.




●

●

●




XLR MALE MOD. AC3MM-RL


USE ON

ON STAGE microphone cabling for a music band whereby maximum relia-bility with set up and flexibility features is requested

REMEMBER THAT

a 22 mm section cable, manufactured in USA, Europe, Japan, etc., has anexcellent capacity up to a specific length. We suggest, for use of cablesover 10 meters, to look at a conductor with a 34/50 mm section. For exam-ple our RMC16TP or RMC01

CONSTRUCTION

Inner conductor

Insulation

Filler

Shield

Jacket

Available colours

Impedance (Ohm)



Red copper 2x 0,22mmq AWG24

Polyolephine diameter 1,70mm

Cotton + Non Wovens Tape

Lap tinned copper - coverage 96%

Superflex PVC diameter 6,2 mm

Black

<90

-20 +70°C

10xOverall diameter

●●

We only use connectors that have precision machinedcontacts, which compared to stamped contacts, arevery precise to give a stable contact across a widersurface





FLMD pin contact (first to make contact, last one to exitcontact)





XLR FEMALE MOD. AC3F-RL

❶

❷

❸

❹

❺

❶

❸

❹

❺

❷

❶ ❸

❹❺❷❶



RPCM01/ RPCM03APPLICATIONS: TO CONNECT A GUITAR OR BASS AMPLIFIER

TO A CABINET IN FULL RANGE MODE

●

●

●

●

We use a multistrand technology with 7 strands,with 0,10 wires, to give more flexibility at cable

All our cables are accurately tested

Upon request, we can assemblecables with specific lengths

As option it is possible to havethe Amphenol Jumbo Jack

RECOMMENDEDFOR connecting all gui-tar and bass amplifiermodels made up of amp headand speakers. This series wasdesigned to maximise and pro-vide the best signal transferbetween the head and the speakers.For this application, we specificallydesigned two models, which differ in thesize of the conductor’s sections, respe-ctively 3,3 mmq and 5,22 mmq, appropriatefor different power heads (heads up to 50and over 500 watt are available, connectingto a cabinet that can have two or up to eightloud spea-kers). Generally speaking connect-ing cables supplied for head and speaker aregeneric cables; instead, for our power cableswe have adopted an “esoteric”, multistrand setup for each conductor: 7 strands with red coppercapillary twisted wires. A cable built in ‘multi-strand’ has a minor signal loss compared to ageneric cable, moreover, we have created thetwo models with parallel conductors to have alower capacity. The cable sheath is in a trans-parent PVC Sunbust, which highlights the con-ductor threading. The increased 1/4 inch jackis necessary to support the different wattageof va-rious amplifiers. Please listen to ourDVD #1 e #2 relating to the heads andspeakers. These DVDs contain testscomparing Reference cables withgeneric power cables; please go toour website to listen:www.referencelaboratory.com

or ask your M.I.Shop selling Reference cables to play

you the DVD.

JACK SPEAKER MOD. RPPM/S500

Ample solder areaCan hold section cables up to 7mmqLead free solder, to achieve better conductibility whilerespecting the environment

❶

REMEMBER THAT

If you are using a specific Reference cable with your instrument tosuit your musical taste, you will have better results!

CONSTRUCTION RPCM01

Inner Conductor

Insulation

Dimension

Weight (Kgx100mt.)

Power Rating

Available Colour


Red Copper 2x(7x60x010) – 3,3 mmq AWG12

PVC transparent 1,5mm

4,3x9,50

8,9KG/100mt

23 Ampere

Trasparente Fumè

-20 +70°C

5www.referencelaboratory.com

●●●

We only use connectors specifically for this use, whichhave the stem-tip in a unique well-rounded body, toensure maximum conductibility and to avoid tiploosening, typical loosening of mounted tips (not singlebody tips)

Zinc diecast metal shell housing with Satin nickel

Jack with increased body and spring, to use on cablespeakers without any compromises

❷❸

CONSTRUCTION RPCM03

Inner Conductor

Insulation

Dimension

Weight (Kgx100mt.)

Power Rating

Available Colour


Red Copper 2x(7x95x010) – 5,22mmq AWG10

PVC transparent 1,5mm

5x10

13KG/100mt

31 Ampere

Trasparente Fumè

-20 +70°C

❸❷❶

As opt ion, a new connector is ava i lableJack 1/4” Amphenol MOD. JUMBO

- accepts cables 7,5 to 10,5 mm diameter- nickel or gold contacts- available in mono or stereo version- zinc diecast shell in satin nickel or matt black finish

Fully designed by Amphenol Australia.

RPC09APPLICATIONS: TO CONNECT A BASS OR ELECTRIC GUITAR AMP TO ITS CABINET

Recommended to link all amp models to the respective acoustic speakers mono amp or Bi amp

●

●

●

●

We use multistrand PVC-SUPERFLEXtechnology to make the cable

more easy to handle



We only use Speakon connectorsfrom Neutrik (NL4)

This series was designed to maximiseand provide the best signal transferbetween the power amp and its respectiveacoustic speaker. As this model is made up of4 conductors, it can be used on systems thatwork both in mono amp or in bi Amp.Generally speaker cables supplied with head andspeaker, are generic cables; instead for our cableswe have adopted the RPCM09 model an “esotericmultistrand” set up for each conductor: 7 strandswith red copper capillary twisted wires.A multistrand set up cable has a less signal loss com-pared to a generic cable (single Strand), furthermorewe built this power cable with 4 conductors of 2,5 mmqeach and we have assembled to this cable a speakonwith 4 contacts. The jacket is in PVC-SUPERFLEX.

In our DVD #2 you can evaluate the performance of theRPC09 power cable between head and cabinet: to listento this go to the website: www.referencelaboratory.comor ask M.I. shop selling Reference cables to play youthe DVD.

CONSTRUCTION

Inner conductor

Insulation

Jacket

Weight (Kgx100mt.)

Available Colour


Red copper 4x(7x20x015) – 2,5 mmq AWG13

PVC Superflex 1,5mm

Superflex PVC diameter 12mm

23,5KG/100mt

Black

-30 +70°C

USE ON

all speaker / Head amps and combo which adopt the 4 Speakon plugs as connectors,to link the amp to the speakers

REMEMBER THAT

in an audio chain it is important to have all cables with the same electri-cal and usage characteristics. Your results will be just better!

PEDAL CABLESAPPLICATIONS: WIRING FOOT PEDALS

IDEAL CABLINGExample of a cabled pedal for a typical Rock set up

We suggest cabling your foot pedal with similar cables used for your instrument, so that you canhave a line with the same parameters and the result will be a reduction in signal degradation.

Example of Reference cables with - Amphenol - Reference - Switchcraft jacks. Also available with straight jacks or combined (Right angle / straight).

INPUTPedal

RIC-S01 RMt.4,5

OUT PUTPedalRIC-S01 RMt. 4,5

RIC-S01 R RIC 01 RIC-S01 RIC09-T

Examples withjack Switchcraft MOD. 226

Examples withjack Reference MOD. 206

Examples with jackAmphenol MOD. ACPM-RB-AU-RL

A vital element supporting thecirculation of our Reference

cables, is the active role played byspecialized M.I.retailers who work with

us, and who we, in turn refer to as‘Ambassadors’. Reference Laboratory is acti-

ve in engaging with our M.I.retailers team, updatingthem with our cables’ latest news, as we believe this product has notyet had the proper chance it deserves.

From this perspective, to completelyfulfil the vision and philosophy in pro-ducing the Reference cable series, thecompany founder’s inspiration since1992, we are looking at a worldwidedevelopment plan: from New York to

Paris, Moscow, Singapore, Peking,Doha, San Paulo, Mumbai, Port ofSpain (Trinidad and Tobago) etc.This is why, we participate inInternational Trade Fairs, to presentour METHOD in choosing cables, aperfect solution for all those intere-sted, whether it be M.I.retailers, dea-lers or musicians. The METHOD is aformat, rigorously applied by both M.I.retailers and dealers.

We believe that to train a M.I. retailer,means to include him/her in the plan-ning process of our cables, listening toand comparing other cables; all this soas to create a pool of knowledge, topass on to clients, professional musi-cians and passionate amateurs. Wehave planned a so called cable cornerfor our Reference Ambassadors,formed by: a plasma monitor for theviewing and listening of our six DVDscomparing our main purpose-madecables, an updated display of ourwhole cable range, an amplifier forguitar and base used for immediatetesting on any the chosen cable.We created this space based on itsideal prototype, which we then setup during all the International

Trade Shows we attend. Visitors werealways curious about pricing and business conditions, HOWEVER,once we explained that our intent was to listen to the difference bet-ween cables….they were so shocked that they attended the presen-tation until the end, to fully understand what our objectives and mes-sage were. After all, it is normal practice for musicians to be pleasan-tly surprised by our demos and explanations, as we are the first todeal with instrument cable products in such an innovative and clearway. Our slogan is "STOP and listen to the Reference cable", transla-ted into many languages, it has always intrigued and captivated manyfuture clients!

Another step, in spreading the culture of personal instrument set ups,are music schools, which for many are the first point of call beforeentering a musical instrument shop. We have seen how important andpositive it is for a musician, at his/her first grips or perfecting his/herskills, to be able to evaluate if the sound listened to from the amplifieris indeed the original sound coming from the instrument, also basedon the choice of a CABLE specifically studied for a type of instrument,style of music and live or studio usage. It is with this spirit that we fullysupport Berklee College of Music, during Umbria Jazz, and their gui-tar and bass teachers, and Saint Louis College of Music in Roma andtheir courses. The ideal link between the schools and the shop, arethe touring clinics that Reference Laboratory with the ReferenceAmbassadors, set up at various selling points, teaching how to listento the differences and how to apply the METHOD.

Continuing on our journey, we asked ourselves: is it right to assumethat in a recording studio there can be a better signal on microphoneand instrument output, by adding to the existing wiring, a specificcable? We have done it.: to the amazement of both a sound engineerand owner of a couple of important studios. They listened to the diffe-rence between our RIC-S01(for instruments) and RMC-S01 (formicrophone) and other similar cables already available in the studio.The result was astounding! Its true: and incredible to test out, fivemetres of cable can make a considerable difference in the quality of asignal to record. We can mention Mosh Studio in San Paolo(www.mosh.com.br), its owner was one of the most importantrock musicians in San Paolo, also Tambi Studio in Dubai (www.tam-bistudios.com).

LOOKING TOWARDS THE FUTURE

since 1992

PENGUIN 58x59x176cm, kg 26

Reference Point atUmbria Jazz 09

Last but not least: the stage of a live concert. Reference Laboratory isfully convinced that in meeting with the direct beneficiaries of thesespaces, even the most refined professionals subscribing to a philoso-phy of making the right cable choice, can be educated. And so herewe are at Umbria Jazz or La Lunga Notte della Batteria or at otherimportant gatherings of musicians and technicians. We feel obliged tothank all the International and National musicians, who with greatregard expressed interest in what we were offering, listening to usand…. lending us their ear. We also thank the non professional musi-cian, who following a cable clinic in Rome, bought a couple of models(RIC09T), tested them at home, and wrote to us the next day telling ushow his amp and guitar (400 Euro total value) now “had a differentsound, larger signal, and better frequency feedback”. We were grea-tly helped by live sound engineers, met across a seventeen yearspan; be it veterans on the Umbria Jazz stage, or younger engineerstouring Italy; Using their ears to evaluate LIVE situations, and if therewas indeed a sensitive perception in the difference of sound, becau-se of the cable it is certainly thanks to them. They know very well, thatif certain sound frequencies are lost along the cabling, and also con-sidering the number of channels at stake, it is not possible to re-inventthem from the mixer. We all know that if you do not have a real pas-sion, you cannot survive playing or being a technician or producer.This is why we are making cables thinking about them with the samepassion of a musician towards his/her music. Each moment spentduring these last seventeen years, has provided elements and confir-mation about positive and negative projects, our RIC01 for examplehas survived seventeen years with the same motivations since the firsttime we presented it.

Finally we would like to acknowledge all the magazines and all othermedia who believed and still believe in Reference’s philosophy andresearch, who have written about our projects/experiences with com-petence and objectivity, and who recently have accepted the invitationto touch by hand our cables and test their qualities, just like ZioMusic,who followed us on all the Umbria Jazz stages and Berklee clinics,and most of all, at the Reference Point, where with a free test for everyinterested person, we launched the new and innovative UJAZZ Cable.You will find the reportage in its entirety on the ZioMusic.it website:

Part 1: http://www.ziomusic.it/news/viewnews.php?id=22996



The entire report could be downloaded on:

http://tinyurl.com/ziomusic-uj

The full audio set up of Umbria Jazz open stage is on: http://www.referencelaboratory.com/umbriajazz/

The CABLE GUIDE is the history of the journey that ReferenceLaboratory has dedicated, step by step, to its research on cables andits concepts here exposed, also thanks to the support given by pas-sionate amateurs, professionals, dealers and technicians. We feelextremely motivated to continue.

Looking ahead, towards the Future!

Stage P.zza IV Novembre

FOH P.zza IV Novembre

UJAZZ cable and Palazzo dei Priori – PerugiaStage Giardini Carducci

Arena S. Giuliana B.B. King July 19 2009

S.S. 16 Km 309,530 • 60027 OSIMO (AN) • ITALYPhone + 39 071 7202120 r.a. • Fax + 39 071 [email protected] • www.referencelaboratory.com

Cable guideWe reserve the right to alter the designs, specifications, colours or condition of supply of any items without notice.

www.studioideazione.it

®

the complete reference cables guide (16 february 2011)

Documents

designed cable

appropriate cable

generic cable

reference cables

cable construction usage

rock guitar cable

assembled cables guide

right instrument cables