S E V E R A N C E H A L L

Family ConCerts

Pre-Concert Activities begin 1 hour prior to each performance.

Symphony Under the SeaFriday march 8 at 7 p.m.

haLLoWeen SpooKtaCULar IIISunday october 28 at 2 p.m.

T H E C L E V E L A N D O R C H E S T R AF R A N Z W E L S E R - M ö S T M U S I C D I R E C T O R

FaBLeS, FantaSy,and FoLKLoreSunday may 12 at 2 p.m.

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� The Cleveland Orchestra

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�Severance Hall 2012-13

T H E C l e v e l a n d O R C H E S T R A F R A N Z W E L S E R - M ö S T M U S I C D I R E C T O R

t a b l e o f C o n t e n t s

3 TheClevelandOrchestra      Table of Contents   . . . . . . . . . . . . . . . . . . . . 3 Welcome  . . . . . . . . . . . . . . . . . . . . . . . . . . . 5      The Cleveland Orchestra   . . . . . . . . . . . . 6-7    Roster of Musicians    . . . . . . . . . . . . . . . . 8-9    PNC Musical Rainbows   . . . . . . . . . . . . . . . 15    Musical Glossary   . . . . . . . . . . . . . . . . . . . . 19    Family of Instruments    . . . . . . . . . . . . . . . 22    Student Ticket Programs   . . . . . . . . . . . . . 23    Unscramble   . . . . . . . . . . . . . . . . . . . . . . . . 24    Education Programs   . . . . . . . . . . . . . . 25-27    Musical Arts Association    . . . . . . . . . . . . . 28    Performing Opportunities   . . . . . . . . . . . . 29    Severance Hall  . . . . . . . . . . . . . . . . . . . . . . 30

13 HalloweenSpooktacularIII

      October 28    . . . . . . . . . . . . . . . . . . . . . . . 13    Conductor:  Kelly Corcoran   . . . . . . . . . . . 12    Pre-Concert Activities  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . 11

17 SymphonyUndertheSea

      March 8   . . . . . . . . . . . . . . . . . . . . . . . . . . 17    Conductor:  Robert Franz    . . . . . . . . . . . . 16      The Singing Angels    . . . . . . . . . . . . . . . . . 18

21 Fables,Fantasy,andFolklore

      May 12   . . . . . . . . . . . . . . . . . . . . . . . . . . . 21    Conductor:  Michael Butterman .  .  .  .  .  .  .  . 20     

ClevelandOrchestraprogrambooksareprinted with EcoSmart certified inks, con-tainingtwicethevegetable-basedmaterialandone-tenththepetroleumoilcontentofstandard inks, and producing one-tenth of thevolatileorganiccompounds.

Table of Contents

Family ConCerts

Copyright©2012-13 by The Cleveland Orchestra and the Musical Arts Association

EricSellen, Program Book Editor      e-mail:  esellen@clevelandorchestra.com

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra’s home, Severance Hall, is located on the campus of Case Western Reserve University, with whom it has a long history of col-laboration and partnership.

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� The Cleveland Orchestra

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�Severance Hall 2012-13

W e l C o m e

Dear Families,

    Welcome to Severance Hall and the 42nd season of Cleveland Orchestra Family Concerts! Whether this is your first time or you are a return visitor, we know you’ll enjoy these entertaining and engaging orchestra concerts in awesome Severance Hall. The first Family Concerts were performed in 1970 and were originally called “Key Concerts” because they “opened the door” to classical music for young people and families.

Our season begins with Halloween Spooktacular III on October 28, a new Fam-ily Concert tradition. Our program of “Tales and Terrors” features some of the most deliciously spooky music ever composed — just right for little ghouls and goblins! The afternoon starts with Halloween-themed pre-concert activities including a Costume Contest, the Thriller Dancers, and Instrument Discovery (where kids can try out different instruments and discover their inner musician!). Best-costume prizes will be awarded onstage during the concert to audience members and orchestra musicians!

The Family Concert season continues on Friday evening, March 8, at 7 p.m., with Symphony Under the Sea. Submerge yourself in wet, watery, and wonderful music — including Disney’s beloved theme to The Little Mermaid, Handel’s Water Music, and more — as we go under the sea with The Cleveland Orchestra! Cleveland’s wonderful Singing Angels will join the Orchestra for a musical family night to remember. In addi-tion, young orchestra students from the El Sistema@Rainey program provide a pre-con-cert performance at 6:00 pm.

On Sunday afternoon, May 12, at 2 p.m., discover how composers use music to bring characters and plots to life in Fables, Fantasy, and Folklore and help us create a new musical story with your imagination and the help of The Cleveland Orchestra! This highly interactive concert includes such classics as Rimsky-Korsakov’s Scheherazade (based on Tales from the Arabian Nights) and Grieg’s “In the Hall of the Mountain King.” Bring your family and your imagination to this fun-filled musical afternoon.

After each concert this season, stop by the Cleveland Orchestra Store to check out the terrific collection of books and CDs, gift items, and logo-wear for kids and adults — and pick up a special souvenir courtesy of series sponsor, The Giant Eagle Foundation.

We are delighted to welcome your family to Severance Hall throughout this season as you create new traditions and enduring family memories. Remember to make mu-sic a part of your life every day!

         

             Joan Katz Napoli, Director             Education & Community Programs             The Cleveland Orchestra     

Welcome

1213SEASON

U n d e r T H e l e a d e r S H I p of Music Di-rector Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blos-som Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement. The part-nership with Franz Welser-Möst, now in its eleventh season — and with a commit-ment to the Orchestra’s centennial in 2018

— has moved the ensemble forward with a series of new and ongoing initiatives, including:

the establishment of residencies around the world, fostering creative ar-tistic growth and an expanded financial base, including an ongoing residency at the Vienna Musik­verein (the first of its kind by an American orchestra);

expansion of education and commu-nity programs in Northeast Ohio to make music an integral and regular part of everyday life for more people; the

THeClevelandOrCHeSTra

�Severance Hall 2012-13 The Cleveland Orchestra

2012-13 season includes the launch of an annual Neighborhood Residency pro-gram that will bring The Cleveland Or-chestra to neighborhoods throughout the region for an intensive week of special activities and performances. First stop: the Gordon Square District in Cleveland’s Detroit/Shoreway neighborhood;

an ongoing residency in Florida, under the name Cleveland Orchestra Miami, involving an annual series of concerts and community activities, coupled with an expansive set of educational presenta-tions and collaborations (based on suc-cessful educational programs pioneered at home in Cleveland);

creative new artistic collaborations, in-cluding staged works and chamber mu-sic performances, with arts institutions in Northeast Ohio and in Miami;

an array of new concert offerings (in-cluding Fridays@7 and Celebrity Se-ries at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable;

a concentrated and ongoing effort to develop future generations of audienc-es for Cleveland Orchestra concerts in Northeast Ohio, through research, tar-geted discounts, social media offers and promotion, and student ticket programs;

concert tours from coast to coast in the United States, including annual appear-ances at Carnegie Hall;

regular concert tours to Europe (in-cluding residencies at the Lucerne Festi-val) and Asia;

ongoing recording activities, includ-ing new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD concert presentations of sympho-nies by Anton Bruckner;

continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and in the Miami-Dade community;

additional new residencies at Indiana University and at New York’s Lincoln Center Festival;

the return of ballet as a regular part of the Orchestra’s presentations, featuring performances by The Joffrey Ballet; the 2012-13 season includes the Orchestra’s first fully staged performances of Tchai-kovsky’s The Nutcracker.

The Cleveland Orchestra was found-ed in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major sympho-ny orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a spe-cial pride to the ensemble and its home-town, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a real-ity in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States.

T h E C l e v e l a n d O R C h E S T R a

� The Cleveland OrchestraThe Orchestra

FIRST VIOLINSWilliam PreucilCONCERTMASTER

Blossom-Lee ChairYoko MooreASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter ottoFIRST ASSOCIATE CONCERTMASTER

Jung-Min amy leeASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

takako MasamePaul and Lucille Jones Chair

Wei-fang GuDrs. Paul M. and Renate H. Duchesneau Chair

Kim GomezElizabeth and Leslie Kondorossy Chair

Chul-In ParkHarriet T. and David L.Simon Chair

Miho HashizumeTheodore Rautenberg Chair

Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair

alicia KoelzOswald and Phyllis Lerner Gilroy Chair

Yu YuanPatty and John Collinson Chair

Isabel trautweinTrevor and Jennie Jones Chair

Mark dummGladys B. Goetz Chair

alexandra PreucilKatherine bormannYing fu

SECOND VIOLINSstephen Rose*

Alfred M. and Clara T. Rankin Chair

emilio llinas 2

James and Donna Reid Chaireli Matthews 1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

elayna duitmanIoana MissitsCarolyn Gadiel Warnerstephen Warnersae shiragamivladimir deninzonsonja braaten Molloyscott WeberKathleen Collinsbeth Woodsideemma shookJeffrey Zehngut

VIOLASRobert vernon*

Chaillé H. and Richard B. Tullis Chair

lynne Ramsey1

Charles M. and Janet G. Kimball Chair

stanley Konopka 2

Mark JackobsJean Wall Bennett Chair

arthur KlimaRichard Waughlisa boykolembi veskimetseliesha nelsonJoanna Patterson ZakanyPatrick Connolly

CELLOSMark Kosower*

Louis D. Beaumont ChairRichard Weiss1

The GAR Foundation ChairCharles bernard2

Helen Weil Ross Chairbryan dumm

Muriel and Noah Butkin Chairtanya ellRalph Currybrian thorntondavid alan HarrellPaul KushiousMartha baldwinthomas Mansbacher

BASSESMaximilian dimoff *

Clarence T. Reinberger ChairKevin switalski 2

scott Haigh1

Mary E. and F. Joseph Callahan Chair

Mark athertonthomas sperlHenry Peyrebrune

Charles Barr Memorial ChairCharles Carletonscott dixonderek Zadinsky

HARPtrina struble*

Alice Chalifoux Chair

fRanZ WelseR-MÖst Music DirectorKelvin Smith Family Chair

JaMes feddeCK ASSISTANT CONDUCTOR Elizabeth Ring and William Gwinn Mather Chair

RobeRt PoRCo DIRECTOR OF CHORUSES Frances P. and Chester C. Bolton Chair

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�Severance Hall 2012-13 The Orchestra

FLUTESJoshua smith*

Elizabeth M. andWilliam C. Treuhaft Chair

saeran st. ChristopherMarisela sager 2

Austin B. and Ellen W. Chinn ChairMary Kay fink

PICCOLOMary Kay fink

Anne M. and M. Roger Clapp Chair

OBOESfrank Rosenwein*

Edith S. Taplin ChairMary lynchJeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters

ENgLISH HORNRobert Walters

Samuel C. and Bernette K. Jaffe Chair

CLARINETSfranklin Cohen*

Robert Marcellus ChairRobert Woolfreydaniel McKelway 2

Robert R. and Vilma L. Kohn Chairlinnea nereim

E-FLAT CLARINETdaniel McKelway

Stanley L. and Eloise M. Morgan Chair

BASS CLARINETlinnea nereim

BASSOONSJohn Clouser *

Louise Harkness Ingalls ChairWiliiam Hestand*barrick stees2

Sandra L. Haslinger ChairJonathan sherwin

CONTRABASSOONJonathan sherwin

HORNSRichard King *

George Szell Memorial ChairMichael Mayhew §

Knight Foundation ChairJesse McCormickHans ClebschRichard solisalan deMattia

TRUMPETSMichael sachs*

Robert and Eunice Podis Weiskopf Chair

Jack suttelyle steelman2

James P. and Dolores D. Storer Chair

Michael Miller

CORNETSMichael sachs*

Mary Elizabeth and G. Robert Klein Chair

Michael Miller

TROMBONESMassimo la Rosa*

Gilbert W. and Louise I. Humphrey Chair

Richard stoutAlexander andMarianna C. McAfee Chair

shachar Israel2

BASS TROMBONEthomas Klaber

EUPHONIUM AND BASS TRUMPETRichard stout

TUBAYasuhito sugiyama*

Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANIPaul Yancich*

Otto G. and Corinne T. Voss Chairtom freer 2

PERCUSSIONJacob nissly*

Margaret Allen Ireland Chairdonald Millertom freerMarc damoulakis

kEyBOARD INSTRUMENTSJoela Jones*

Rudolf Serkin ChairCarolyn Gadiel Warner

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANSRobert o’briendonald Miller

ORCHESTRA PERSONNELCarol lee IottDIRECTOR

Karyn GarvinMANAGER

*Principal § Associate Principal 1 First Assistant Principal 2 Assistant Principal

ENDOWED CHAIRS CURRENTLy UNOCCUPIEDASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brownand Dr. Glenn R. Brown Chair

ASSISTANT PRINCIPAl HARPSunshine Chair

*Mr. Hestand joins the Orchestra on November 19.

(440) 237-9400(877) RMC-1964Like us on Facebook!www.facebook.com/royaltonmusicwww.royaltonmusic.com | www.professionalsuitebyrmc.com

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11Severance Hall 2012-13

pre-ConcertSpooktacularIIIOctober28Pre-concert activities for the “Halloween Spooktacular!” concert include:

HalloweenSpooktacularIIICostumeContest (Reinberger Chamber Hall, ground floor)

To enter the contest, join the line at Reinberger Chamber Hall. Five prizes, including a Grand Prize, will be awarded, with con-sideration given to “most original” and “spookiest” costumes. Judging begins in Reinberger Chamber Hall at 1:00 p.m. Final-ists will be announced at 1:45 p.m. Contestants must be present to be eligible to win. Prizes will be awarded onstage during the “Halloween Spooktacular III” concert. Hosted by Dianne Palmer.

THrIllerdanCerSfromthedanceCentrebyHeidiGlynias (Bogomolny-Kozerefski Grand Foyer) Audiences are welcome to join in with these young spooky dancers as Michael Jackson’s Thriller Dance comes to Severance Hall for the first time!

InSTrUmenTdISCOverywithroyaltonmusicCenter (Smith Lobby, ground floor) Kids can discover their “inner musician” by trying out orchestral instruments with the assistance of Royalton Music Center staff.

TerenceCranendonkTerence Cranendonk is an actor, director, and playwright who has appeared at Severance Hall with The Cleveland Orchestra in several previous concert presentations. His Cleveland area per-formances include engagements at Cleveland Play House, Kenne-dy’s at PlayhouseSquare, Cleveland Public Theatre, and Theatre Ninjas. He was a member of the New World Performance Labo-

ratory (1992-99), with whom he toured and performed throughout the Midwest, Europe, and South America. Mr. Cranendonk has performed Off Broadway and regionally at venues including the Kennedy Center in Washington D.C., New York’s Public Theatre, Home for Contemporary Theatre, and Target Margin. He received a bachelor’s degree in theater from Yale University, and his master’s degree from the University of Akron. He also studied acting with the Polish Laboratory Theatre’s Ryszard Cieslak, as well as at the Michael Chekhov Studio, and is a graduate of the Dell’Arte School of Physical Theatre.

Halloween Spooktacular III

1� The Cleveland Orchestra

The 2012-13 season marks Kelly Corco-ran’s sixth season as associate conduc-tor with the Nashville Symphony. She is making her Cleveland Orchestra debut with this afternoon’s concert. During her time with the Nashville Symphony, Ms. Corcoran has conducted a variety of programs, including concerts on the Symphony’s Classical Series and Pops Series, and has served as the prima-ry conductor for the orchestra’s education and community engagement performanc-es. She also conducted the Nashville Symphony’s recording collaboration with Riders in the Sky, titled Lassoed Live, at the Schermerhorn Symphony Center. As a guest conductor, Ms. Corco-ran has led major orchestras throughout the United States, including perfor-mances with the orchestras of Atlanta, Colorado, Charlotte, Detroit, Hous-ton, Louisville, Memphis, Milwaukee, Naples, Utah, and Washington D.C. In 2009, she made her South American debut with the Orquesta Sinfónica UNCuyo in Mendoza, Argentina, and has subsequently returned to lead mul-tiple subscription programs. Awarded an honorable mention as part of the Taki Concordia Conducting Fellowship program, Kelly Corcoran studied with Marin Alsop and shared performances with her and the Colo-

rado Symphony and the Bournemouth Symphony in the United Kingdom. Prior to her position in Nashville, she completed three seasons as assistant conductor for the Canton Symphony Orchestra in Ohio and as music director of the Canton Youth Symphony and the Cleveland-area Heights Chamber Or-chestra. She has held additional posts as assistant music director of the Nashville Opera, and founder and music director of the Nashville Philharmonic Orches-tra. She was also a fellow with the New World Symphony, working with Michael Tilson Thomas. Originally from Massachusetts, Ms. Corcoran was a member of the Tan-glewood Festival Chorus for over a de-cade. She received a bachelor of music degree in vocal performance from the Boston Conservatory and a master of music in instrumental conducting from Indiana University. She currently serves as a member of the conducting faculty at the New York Summer Music Festival. For more information, please visit www.kellycorcoran.net.

KellyCorcoran

Conductor

1�Severance Hall 2012-13

Family Concert No. 1 HallOWeenSpOOKTaCUlarIII Sunday October 28 at 2:00 p.m.

TheClevelandOrchestraKellyCorcoran, conductorwith TerenceCranendonk, actor

1213SEASON

“Witch’sride”from Hansel and Gretel by engelbert humperdinck

ToccataandFuguein D minor, BWV565 by johann sebastian bach (orchestral arrangement by leopold stokowski) organ solo: JoelaJones

Babayaga, Opus 56 by anatoli liadov

dansemacabre, Opus 40 by camille saint-saËns

nightonBaldmountain by modest mussorgsky (arranged by nikolai rimsky-korsakov)

“InfernaldanceofKingKastcheï”from The Firebird by igor stravinsky

The Family Concert Series is sponsored by TheGianteagleFoundation.

The concert runs approximately one hour.

Family Concert: October ��

P R E S E N T S

Nov 29-30 and Dec 1-2

with The Joff rey Balletand The Cleveland Orchestra

conducted by Tito Muñoz

TICKETS playhousesquare.org | 216-241-6000 | 866-546-1353

at

PnC musical rainbowsT H E C L E V E L A N D O R C H E S T R A

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SEASON

These bite-sized, fun-filled concerts introduce children in preschool to grade 1 to the sights and sounds of the orchestra, one instrument at a time. During each 30-minute program, energetic host Maryann Nagel gets kids sing-ing, clapping and moving to the music while Cleveland Orchestra musicians perform kid-friendly tunes and short solo selections. With Laura Silverman, piano. Sponsored by PNC. Sponsored by PNC. Endowed by the Pysht Fund.

The Vivacious ViolaLisa Boyko, viola Friday November 30 at 10 a.m. Saturday December 1 at 10 a.m. and 11 a.m.

The Fabulous FluteMarisela Sager, flute Friday March 22 at 10 a.m. Saturday March 23 at 10 a.m. and 11 a.m.

The Virtuoso ViolinBeth Woodside, violin Friday April 26 at 10 a.m. Saturday April 27 at 10 a.m. and 11 a.m.

The Happy HornHans Clebsch, horn Friday May 24 at 10 a.m. Saturday May 25 at 10 a.m. and 11 a.m.

PN C H O LIDAY R AIN BOWS

The Music of Chanukah Friday December 7 at 10 a.m. at The Temple-Tifereth Israel Saturday December 9 at 12:30 p.m. at The Temple-Tifereth Israel

A Celebration of Kwanzaa Thursday December 13 at 10 a.m. at Karamu House

Christmas Brass Quintet Friday December 14 at 10 a.m. at Severance Hall Saturday December 15 at 11 a.m. at Severance Hall

Tickets are just $7 each. Availa’ble through the Severance Hall Ticket Office or online at clevelandorchestra.com.

PNC Musical RainbowsSeverance Hall 2012-13

16 The Cleveland Orchestra

Robert Franz is currently music director of the Boise Philharmonic and associate conductor of the Houston Symphony. He is making his Cleveland Orchestra debut this week. As music director of the Boise Philharmonic since 2008, Mr. Franz has increased community programming and collaborations, featuring both guest art-ists and a range of solo performances by the orchestra’s principal players and en-sembles. The Idaho Education Commit-tee recognized Franz’s passion for music education in March 2012 when they asked him to address the Idaho Legisla-ture on the importance of music in edu-cation. This season, the Philharmonic is celebrating its 50th anniversary, includ-ing Mr. Franz conducting world pre-mieres by composers Jake Heggie and David Earnest. A champion of new mu-sic, Mr. Franz has led world premieres and works by many living composers. During his tenure in Boise, Jennifer Higdon, Shulamit Ran, and Lawrence Dillon have served as composer-in-resi-dence with the Philharmonic. As associate conductor of the Hous-ton Symphony, Robert Franz leads the orchestra in a broad range of creative

educational and family concerts. ASCAP has recognized Mr. Franz on two occa-sions for his advocacy in arts education. As a guest conductor, Mr. Franz has led performances of many orches-tras across the United States, and, in addition to his current posts, he served as the music director of the Mansfield Symphony in Ohio (2003-10), resident conductor of the Buffalo Philharmonic (2005-09), and associate conductor of the Louisville Orchestra (1997-2006). He also continues to serve as mu-sic director emeritus of the Carolina Chamber Symphony, an orchestra that he founded, and provides educational programming workshops at the Na-tional Repertory Orchestra during the summer. During his tenure, both the Buffalo Philharmonic Orchestra in 2008 and the Louisville Orchestra in 2001 were awarded the Leonard Bernstein Award for Educational Programming. Robert Franz received bachelor’s and master’s degrees in music from the North Carolina School of the Arts. For more information, please visit www.robertfranz.com.

Conductor

robertFranz

1�Severance Hall 2012-13

Family Concert No. 2 SympHOnyUnderTHeSEA Friday March 8 at 7:00 p.m.

TheClevelandOrchestrarobertFranz, conductorwith special guests the Singingangels

1213SEASON

“Hornpipe”from Water Music by george Frideric handel

“russianSailor’sdance”from The Red Poppy by reinhold glière

Overtureto The Flying Dutchman by richard wagner

“row,row,rowyourBoat” (arranged by lucas richman)

“SeaStorm”from the opera Peter Grimes by benjamin britten

March: HandsacrosstheSea by john philip sousa

Selectionsfrom The Little Mermaid music by alan menken, lyrics by howard ashman 1. “Part of Your World” 2. “Under the Sea” 3. “Kiss the Girl” 4. “Happy Ending”

See the program insert for more about today’s performance and pre-concert activities.

Family Concert: March �

The Family Concert Series is sponsored by TheGianteagleFoundation.

The concert runs approximately one hour; musical selections subject to change.

1� The Cleveland Orchestra

The Singing Angels, founded in 1964, is dedicated to youth development through the highest level of achieve-ment in the performing arts. Since the group’s inception, the chorus has per-formed in over thirty countries, includ-ing five trips to the White House and three performances at the Vatican. In 2012, they performed by invitation in the St. Patrick’s Cathedral Guest Choir Series and received a Silver Diploma in the World Choir Games. They have performed with Celine Dion, Eartha Kitt, Kenny Rogers, Nancy Sinatra,

Peabo Bryson, Jim Brickman, the Five Browns, and the U.S. Army Band. The Singing Angels perform in over 100 programs annually. They pres-ent two self-produced concerts each season, the Spring Benefit and a Holiday Spectacular, at the historically-renovated theaters of PlayhouseSquare — featur-ing a repertoire of Broadway show tunes, patriotic songs, spirituals, contemporary pop, and barbershop harmony. For more information, please visit www.singingangels.org.

TheSingingangels WilliamC.Boehm, founding director

Symphony Under the Sea

1�Severance Hall 2012-13

We know that some musical terms may be new to you and your family. This glossary of words can help you talk about the music you hear at each Cleveland Orchestra Family Concert.

Can you locate each instrument family on stage? Brass — instruments whose sound is produced by blowing into a cup-shaped mouthpiece Percussion — instruments whose sound is produced by shaking, striking together, or hitting with hands or mallets Strings — instruments whose sound is produced by plucking or by pulling a bow

across stretched strings; this is the largest family in the orchestra Woodwinds — instruments whose sound is produced by a vibrating column of

air enclosed in a pipe or tube; except for the flute and piccolo, the vibration is produced by blowing against a single or double “reed”

Can you hear when these different dynamics occur during the performance? Dynamics — variations in how loud or soft the music is

Here are some Italian words commonly used to describe different dynamics: Crescendo — gradually louder Diminuendo — gradually softer Forte — loud Fortissimo — very loud Piano — soft Pianissimo — very soft

Can you pick out the following musical elements in each piece? Rhythm — a combination of notes of varying lengths Beat — the pulse in music (when you tap your foot to music, you are “feeling the beat”) Meter — the organization of beats into repeating patterns, such as double (ONE two ONE two) or triple (ONE two three ONE two three) groupings or “measures” Syncopation — a shift of accent from the first beat of a measure to a beat that is not normally accented; this rhythm technique gives energy and excitement to the music Tempo — indicates how fast (or slow) the music is going; the speed of the beat Accelerando — getting faster; the word “accelerate” comes from this Italian word Adagio — slow, relaxed in tempo Allegro — fast, brisk Ritardando — slowing down the music Staccato — detached, very short sounds

Musical Words: A Glossary

A Musical glossary

�0 The Cleveland Orchestra

Michael Butterman is music director of the Boulder Philharmonic Orchestra and the Shreveport Symphony Orchestra, and is also serving as resident conductor with the Jacksonville Symphony Orchestra. He is in his thirteenth season as principal conductor for education with the Rochester Philharmonic Orchestra (the first position of its kind in the United States). He first conducted The Cleveland Orchestra in May 2012. In addition, Mr. Butterman appears as a guest conductor throughout the United States, including recent engagements with the orchestras of Detroit, Houston, Colorado, Oregon, Kansas City, Louisiana, and Hartford, and with Pensacola Opera. His summer appearances have included concerts at Tanglewood, Bravo! Vail Valley Festival, and the Wintergreen Music Festival. Michael Butterman gained international attention as a diploma laureate in the Prokofiev International Conducting Competition and as a finalist in the prestigious Besançon International Conducting Competition. As the 1999 recipient of the Seiji Ozawa Fellowship, he studied at Tanglewood with Ozawa, Robert Spano, and Jorma Panula, and shared the podium with Ozawa to lead the season’s opening concert.

Mr. Butterman was associate conductor with the Jacksonville Symphony 2000-07 and for six seasons was music director of Opera Southwest in Albuquer-que. He had previously served as director of orchestral studies at the Louisiana State University School of Music and principal conductor of the LSU Opera Theater. For two seasons, he was associate music director of Ohio Light Opera, conducting over thirty-five performances each summer. Mr. Butterman also served as served as music director of the Chamber Opera, Studio Opera, and Opera Workshop at the Indiana University School of Music. While there, he conducted an acclaimed production of Leonard Bernstein’s little-known musical 1600 Pennsylvania Avenue in a series of performances at the Kennedy Center in Washington D.C. He was subsequently invited to New York at the request of the Bernstein estate to prepare a performance of a revised version of the work. For more information, please visit www. michaelbutterman.com.

michaelButterman

Conductor

�1Severance Hall 2012-13

Family Concert No. 3 FaBleS,FanTaSy,andFOlKlOre Sunday May 12 at 2:00 p.m.

TheClevelandOrchestramichaelButterman, conductor

1213SEASON

“IntheHallofthemountainKing”from Peer Gynt by edvard grieg

“TheSeaandSinbad’sShip”from Scheherazade by nikolai rimsky-korsakov

Overtureto William Tell by gioacchino rossini

“mambo”from West Side Story by leonard bernstein

“aragonaise”from the opera Carmen by georges bizet

“Themoldau,”a tale about a river, from Má Vlast [My Country] by bedr

v

ich smetana

“dreamofaWitches’Sabbath”from Symphonie fantastique by hector berlioz

See the program insert for more about today’s performance and pre-concert activities.

Family Concert: May 1�

The Family Concert Series is sponsored by TheGianteagleFoundation.

The concert runs approximately one hour; musical selections subject to change.

STRINGS

WOOdWINdS

bRASS

peRCuSSION

�� The Cleveland OrchestraFamilies of the Orchestra

StudentTicketprograms“Under 18s Free,” Student Advantage membership, and Student Frequent FanCard offer affordable access to Cleveland Orchestra concerts all season long

��Severance Hall 2012-13

The Cleveland Orchestra is committed to developing one of the youngest audiences of any orchestra in the country. With the help of generous contributors, the Orchestra has expanded its discounted ticket offerings through several new programs.

STUdenTadvanTaGeprOGram The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend Orchestra concerts at Severance Hall through discounted ticket offers. Membership in the Student Advantage Program is free. A new Student Frequent FanCard was introduced this season. Priced at $50, the FanCard offers students unlimited single tickets (one per FanCard holder) to weekly Classical Subscription Concerts all season long.

“Under18sFree ” Introduced for Blossom Festival concerts two summers ago, the “Under 18s Free” program now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regular-priced adult paid ad-mission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 concerts. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences and the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. In the opening two months of the current Severance Hall season, nearly 20% of the audience was students attend-ing Cleveland Orchestra concerts through these various programs and offers.

Student Ticket Programs

�� The Cleveland Orchestra

IGRSNTS _______________________________________________ OLIVA _______________________________________________ IVINLO _______________________________________________ ASBS _______________________________________________ PAHR _______________________________________________ ELLOC _______________________________________________

SIPCSUOREN _____________________________________________BLMCASY ________________________________________________RTBNEAIMOU _____________________________________________IIPTNAM _________________________________________________SCHMIE __________________________________________________EELTCAS _________________________________________________NOGG ___________________________________________________EGIALTNR ________________________________________________ACRMSAA ________________________________________________NPHLYXOOE ______________________________________________NAPIO ___________________________________________________ASNRE MRDU _____________________________________________SSTTCNAAE ______________________________________________SABS MURD ______________________________________________

SaRbS __________________________________________ CHFNER RONH __________________________________________ BTUA __________________________________________ MUTRETP __________________________________________ MOTORBEN __________________________________________

SODDWWINO ____________________________________________TRANCLIE ________________________________________________LUTFE ___________________________________________________GHEISNL RNHO ___________________________________________SOSABON ________________________________________________OHOXNPAES _____________________________________________BOOE ___________________________________________________ARNTCOSSBONOA ________________________________________COOCPIL ________________________________________________

All in the Families!Unscramble the letters to name the four families of instruments, then unscramble each instrument in the family.

Unscramble the Words

STRINGSviolaviolinbassharpcello

PERCUSSIONcymbalstambourinetimpanichimescelestagongtriangle

maracasxylophonepianosnare drumcastanetsbass drum

BRASSFrench horntubatrumpettrombone

WOODWINDSclarinetfluteenglish hornbassoonsaxophoneoboecontrabassoonpiccolo

Education & Community

TheClevelandOrchestra:educatingtheFuture The Cleveland Orchestra draws together traditional and new programs to deepen connections with young audiences across Northeast Ohio

FamIlyCOnCerT S are just one part of a broad array of educational programs presented by The Cleveland Orchestra to nurture a love of music for a lifetime! Other programs include PNC Musical Rainbows, introducing the in-struments of the orchestra to preschoolers; the PNC Grow Up Great program, using music to support school readiness skills in inner-city preschools; Cleveland Orchestra Education Concerts, which bring more than 17,000 school children to historic Severance Hall each year; Cleveland Orchestra In-School Performances annually in area high schools, Music Mentors and Music Masters, supporting area school music programs through coachings, clinics, and masterclasses; the Learn-ing Through Music school partnership program, integrating music across the curriculum; and performance ensembles to nurture aspiring young musicians. For more information, please call the Orchestra’s Department of Education and Community Programs at 216-231-7355, or visit clevelandorchestra.com.

Franz Welser-Möst leads a concert at John Hay High School. Through such In-School Perfor-mances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades.

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��Severance Hall 2012-13

Education & Community

T h E C L E V E L A N D O R C h E S T R a

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning.

El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the official providers of instruments for the El Sistema@Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

�6 The Cleveland Orchestra

T h E C L E V E L A N D O R C h E S T R a

Education & Community

More than 1,200 talented young musicians have performed as members of the Cleve- land Orchestra Youth Orchestra in the quarter century since its founding in 1986.

T H A N K Y O UThe Cleveland Orchestra’s Education programs are made possible

by many generous individuals, foundations, and corporations, including:

PROGRAM FUNDERSThe Abington Foundation

The Eva L. and Joseph M. Bruening FoundationCleveland Clinic

The Cleveland FoundationConn-Selmer, Inc.

Cuyahoga Arts & CultureDominion Foundation

The Giant Eagle FoundationMuna & Basem Hishmeh Foundation

Invacare CorporationMartha Holden Jennings Foundation

The Laub FoundationThe Lincoln Electric Foundation

The Lubrizol CorporationThe Nord Family Foundation

Ohio Arts CouncilPNC

The Reinberger FoundationAlbert G. & Olive H. Schlink Foundation

The Sherwin-Williams FoundationThe South Waite Foundation

Surdna FoundationThomas H. White Foundation, a KeyBank Trust

The Edward & Ruth Wilkof Foundation

ENDOWMENT FUNDS AND FUNDERSHope and Stanley I. Adelstein

AnonymousKathleen L. BarberMr. Roger G. Berk

In memory of Anna B. BodyIsabelle and Ronald Brown

Dr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRoberta R. Calderwood

Alice B. Cull Memorial FundMr. and Mrs. Charles B. Emrick, Jr.

Charles and Marguerite C. GalanieMr. David J. Golden

The George Gund FoundationDorothy Humel Hovorka

Mr. James J. HummerFrank and Margaret Hyncik

Walter and Jean Kalberer FoundationAlfred Lerner In-School Performance Fund

Mr. and Mrs. Stanley A. MeiselChristine Gitlin Miles

Mr. and Mrs. David T. MorganthalerMorley Fund for Pre-school Education

Pysht FundThe Ratner, Miller, and Shafran Families

and Forest City Enterprises, Inc.In memory of Georg Solti

The William N. Skirball EndowmentJules and Ruth Vinney Youth Orchestra Touring Fund

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

��Severance Hall 2012-13

Musical Arts Association

ThE MusICal aRts aSSOCIaTIOn as of September 2012

operating The Cleveland Orchestra, Severance Hall, and Blossom Festival

ThE Cleveland ORChESTRaFranzWelser-Möst, Music Director GaryHanson, Executive Director

nOn-reSIdenTTrUSTeeS  Virginia Nord Barbato (NY)  Wolfgang C . Berndt (Austria)  laurel Blossom (SC)

  Richard C . Gridley (SC)  George Gund III (CA)  loren W . Hershey (DC)

Herbert Kloiber (Germany)ludwig Scharinger (Austria)

TrUSTeeSex-OFFICIO  Faye A . Heston, President, Volunteer Council of The Cleveland Orchestra  Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra  Ruth Ann Krutz, State Chair, Blossom Women’s Committee

  Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee  Dr . lester lefton, President, Kent State University  Barbara R . Snyder, President, Case Western Reserve University

paSTpreSIdenTS  D . Z . Norton 1915-21  John l . Severance 1921-36  Dudley S . Blossom 1936-38  Thomas l . Sidlo 1939-53

  Percy W . Brown 1953-55  Frank E . Taplin, Jr . 1955-57  Frank E . Joseph 1957-68  Alfred M . Rankin 1968-83

Ward Smith 1983-95Richard J . Bogomolny   1995-2002, 2008-09James D . Ireland III 2002-08

HOnOraryTrUSTeeSFOrlIFe   Gay Cull Addicott  Francis J . Callahan  Mrs . Webb Chamberlain  Oliver F . Emerson

Allen H . FordRobert W . GillespieDorothy Humel HovorkaRobert F . Meyerson

TrUSTeeSemerITI  Clifford J . Isroff   Samuel H . Miller   David l . Simon

reSIdenTTrUSTeeS  George N . Aronoff  Dr . Ronald H . Bell  Richard J . Bogomolny  Charles P . Bolton  Jeanette Grasselli Brown  Helen Rankin Butler  Scott Chaikin   Paul G . Clark  Owen M . Colligan  Robert D . Conrad  Matthew V . Crawford  Alexander M . Cutler  Terrance C . Z . Egger  Hiroyuki Fujita  Paul G . Greig  Robert K . Gudbranson  Iris Harvie  Jeffrey A . Healy  Stephen H . Hoffman  David J . Hooker  Michael J . Horvitz  Marguerite B . Humphrey   David P . Hunt

  Christopher Hyland  James D . Ireland III   Trevor O . Jones  Betsy Juliano  Jean C . Kalberer  Nancy F . Keithley  Douglas A . Kern  John D . Koch  S . lee Kohrman  Charlotte R . Kramer   Dennis W . laBarre  Norma lerner  Virginia M . lindseth  Alex Machaskee  Robert P . Madison  Nancy W . McCann   Thomas F . McKee  Beth E . Mooney  John C . Morley  Donald W . Morrison  Meg Fulton Mueller  Gary A . Oatey  Katherine T . O’Neill

 The Honorable John D . Onglarry Pollock Alfred M . Rankin, Jr . Clara T . RankinAudrey Gilbert Ratner Charles A . RatnerJames S . Reid, Jr .Barbara S . Robinson Paul RoseSteven M . RossRaymond T . Sawyerluci ScheyNeil SethiHewitt B . Shaw, Jr . Richard K . SmuckerR . Thomas StantonThomas A . WaltermireGeraldine B . WarnerPaul E . Westlake Jr .David A . Wolfort

OFFICerSandexeCUTIveCOmmITTee  Dennis W . laBarre, President  Richard J . Bogomolny, Chairman   The Honorable John D . Ong, Vice President

  Norma lerner, Honorary Chair  Raymond T . Sawyer, Secretary  Beth E . Mooney, Treasurer

  Jeanette Grasselli Brown  Alexander M . Cutler  Matthew V . Crawford  Michael J . Horvitz  Douglas A . Kern

  Virginia M . lindseth  Alex Machaskee  Nancy W . McCann  John C . Morley  larry Pollock

Alfred M . Rankin, Jr .Audrey Gilbert RatnerBarbara S . Robinson

�� The Cleveland Orchestra

THeClevel andOrCHe STrabelieves in the power of music to transform lives. The Orchestra sponsors several ensembles for student singers or instrumentalists look-ing to pursue their interest in music. Students selected through auditions have the unparalleled opportunity to work closely week in and week out with professional musi-cians and conductors, who immerse them in the high standards and traditions of ar-tistic excellence of a world-class orchestra. In addition to significant skill-building and beautiful music-making — and the academic and developmental benefits that come with rigorous music study — participants forge lifelong friendships and come to regard Severance Hall as their musical home.

Founded in 1986, the Cleveland Orchestra Youth Orchestra provides a unique pre-professional experience for musicians in grades 7-12. Players rehearse weekly and perform in Severance Hall, are directed by a member of The Cleveland Orchestra’s conducting staff, and receive coaching from Cleveland Orchestra musicians. Membership is by competitive auditions held in May. For information, please call the Cleveland Orchestra Youth Orchestra at 216-231-7352 or visit www.ClevelandOrchestraYouthOrchestra.com.

The Cleveland Orchestra Youth Chorus was founded in 1991 to help raise awareness of choral music-making in the schools of Northeast Ohio and to encourage more students to continue their choral activities through college and into adulthood. Members of the Youth Chorus have the oppor-tunity to perform concerts in the greater Cleveland community as well as onstage at Severance Hall alongside their colleagues in the Youth Orchestra. Members of the Youth Chorus are chosen through auditions. For more information, please call the Chorus Office at 216-231-7374 or email chorus@clevelandorchestra.com.

The Cleveland Orchestra Children’s Cho-rus was founded in 1967 and is comprised of students in grades 6-9. The group per-forms regularly with The Cleveland Orchestra and Cleveland Orchestra Chorus. The Children’s Preparatory Chorus is comprised of students in grades 5-8 and collabo-rates with the Children’s Chorus in two concerts each season. Participation in each ensemble helps students develop their leadership skills through music and works to strengthen their abilities for future musical experiences. For more information, please call the Chorus Office at 216-231-7374 or email chorus@clevelandorchestra.com.

Opportunitiestoperform

C L E V E L A N D O R C h E S T R a

Youth Orchestra J a M e s f e d d e C K . M U S I C D I R E C T O R

C L E V E L A N D O R C h E S T R a

Youth ChorusL i s a W O N G . D I R E C T O R

C L E V E L A N D O R C h E S T R a

CH I LDREN’S CHORUSa N N u s h e r . D I R E C T O R

Student Performance Ensembles ��Severance Hall 2012-13

�0 The Cleveland Orchestra

H a I l e d a S O n e of the world’s most beau-tiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper edito-rial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Associa-tion, 1921-1936) and his wife, Elisabeth, donated the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant Georgian exterior was constructed to harmonize with the classi-cal architecture of other prominent build-ings in the University Circle area. The interior of the building reflects a combina-tion of design styles, including Art Deco, Egyptian Revival, Classicism, and Mod-ernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000.

laTeSeaTInGAs a courtesy to the audience members and musicians in the hall, late-arriving patrons are asked to wait quietly until the first convenient break in the program, when ushers will help you to your seats. These seating breaks are at the discretion of the House Manager in consultation with the performing artists.

paGerS,CellpHOneS,andWrISTWaTCHalarmSAll electronic and mechanical devices — including pagers, cellular telephones, and wristwatch alarms — must be turned off while in the concert hall.

pHOTOGrapHy,vIdeOGrapHy,andreCOrdInGAt all times, cameras and tape recorders must be kept outside the concert hall. For the safety of guests and performers, photography and videography are strictly prohibited.

InTHeevenTOFanemerGenCyContact an usher or a member of house staff if you require medical assistance. Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency.

aGereSTrICTIOnSRegardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of 8. However, there are several age-appropriate series designed specifically for children and youth, including: Musical Rainbows, (recommended for children 3 to 6 years old), and Family Concerts (for ages 7 and older).

CryInGCHIld?We understand that sometimes young children cannot sit quietly through a one-hour concert and need to get up and move or talk freely. For the

listening enjoyment of those around you, we respectfully ask that you and your active child step out of the concert hall to stretch your legs (and baby’s lungs). An usher will gladly help you return to your seat at an appropriate break.

Severance Hall

11001 euclid Avenuecleveland, ohio 44106C l e v e l a n d o R C H e s t R a . C o M

I cannot write in verse, for I am no poet. I cannot arrange the parts of speech with such art as to produce effects of light and shade, for I am no painter. Even by signs and gestures I cannot express my thoughts and feelings, for I am no dancer. But I can do so by means of sound, for I am a musician.

—W. A. Mozart, November 1777

‘‘

‘‘

a portrait of Wolfgang amadè Mozart, painted in 1819 by barbara Kraft, based on paintings created during the composer’s lifetime

 

11001 Euclid Avenue, Cleveland, Ohio 44106AdministrativeOffices: (216) 231-7300

TicketOffice: (216) 231-1111 or 800-686-1141

C L E v E L A N d O R C H E S T R A . C O M

THE CLEVELAND ORCHESTRA franz Welser-Möst,MusicDirector James feddeck,AssistantConductor Gary Hanson,ExecutiveDirector

DEpARTmENT Of EDUCATION AND COmmUNITY pROgRAmS Joan Katz napoli,Director sandra Jones,Manager,EducationandFamilyConcerts Meaghan Heinrich,Manager,LearningProgramsandCommunityEngagement ashley smith,Manager,ClevelandOrchestraYouthOrchestra erika Richter,EducationandCommunityProgramsCoordinator