the center for language study resolving copyright issues for language faculty
TRANSCRIPT
THE CENTER FOR LANGUAGE STUDY
RESOLVING COPYRIGHT ISSUES FOR LANGUAGE FACULTY
The Answer to All Questions The Answer to All Questions Pertaining to Copyright and Pertaining to Copyright and the Scope of Protection ~the Scope of Protection ~
““IT DEPENDS”IT DEPENDS”
Role of the CLSRole of the CLS
Work with foreign language facultyWork with foreign language faculty
Assist them in preparing multimedia Assist them in preparing multimedia instructional materialsinstructional materials
Combine audio and video materials with Combine audio and video materials with photos and artwork photos and artwork
Some materials Some materials are original faculty are original faculty creationscreations
Most reproduce Most reproduce works created by works created by third partiesthird parties
CLS COPYRIGHT HANDBOOKCLS COPYRIGHT HANDBOOK
Obtaining copyright protection for Obtaining copyright protection for original faculty worksoriginal faculty works
Assisting faculty in using the Assisting faculty in using the materials of others in multimedia materials of others in multimedia presentationspresentations
WORKS CREATED BY WORKS CREATED BY LANGUAGE FACULTYLANGUAGE FACULTY
Copyright vests in Copyright vests in person who person who creates a work creates a work fixes it in a fixes it in a tangible mode of tangible mode of expressionexpression
Creator of a Work Does Not Always Creator of a Work Does Not Always Own the CopyrightOwn the Copyright
Work created during the ordinary Work created during the ordinary course of employmentcourse of employment
work made for hire owned by work made for hire owned by the employer, absent any the employer, absent any agreement to the contraryagreement to the contrary
Yale does not claim ownership of Yale does not claim ownership of scholarly worksscholarly works
Yale retains ownership of works:Yale retains ownership of works:
created as part of assigned created as part of assigned task; ortask; or
for which it has committed for which it has committed substantial university resourcessubstantial university resources
What if someone other than the What if someone other than the faculty member contributes faculty member contributes original material to the work?original material to the work?
that person owns copyright in this that person owns copyright in this contributioncontribution
faculty member must obtain faculty member must obtain assignment of copyright from assignment of copyright from creator of this contributioncreator of this contribution
ASSIGNMENT OF COPYRIGHT
FOR GOOD AND VALUABLE CONSIDERATION, receipt of which is hereby
acknowledged [INSERT NAME OF AUTHOR] ("Assignor"), located at [INSERT
ADDRESS OF AUTHOR], hereby irrevocably transfers and assigns to Yale
University, a Connecticut not-for-profit corporation (“Assignee”), located at 105 Wall
Street, New Haven, Connecticut 06520, its successors and assigns, in perpetuity,
all right, title, and interest, throughout the world, including any copyrights and
renewals or extensions thereto, in a work titled [INSERT TITLE AND/OR SHORT
DESCRIPTION OF WORK, TOGETHER WITH REGISTRATION NO. IF
REGISTERED IN THE U.S. COPYRIGHT OFFICE].
IN WITNESS THEREOF,
Assignor has duly executed this Agreement. Dated: ___________________________________ Name: [Print Name of Assignor]
ASSIGNMENT OF COPYRIGHT
FOR GOOD AND VALUABLE CONSIDERATION, receipt of which is hereby
acknowledged [INSERT NAME OF AUTHOR] ("Assignor"), located at [INSERT
ADDRESS OF AUTHOR], hereby irrevocably transfers and assigns to Yale
University, a Connecticut not-for-profit corporation (“Assignee”), located at 105 Wall
Street, New Haven, Connecticut 06520, its successors and assigns, in perpetuity,
all right, title, and interest, throughout the world, including any copyrights and
renewals or extensions thereto, in a work titled [INSERT TITLE AND/OR SHORT
DESCRIPTION OF WORK, TOGETHER WITH REGISTRATION NO. IF
REGISTERED IN THE U.S. COPYRIGHT OFFICE]. IN WITNESS THEREOF,
Assignor has duly executed this Agreement. Dated: ___________________________________ Name: [Print Name of Assignor]
hereby irrevocably transfers and
assigns to Yale
all right, title, and interest, throughout the world, including any copyrights and renewals or extensions thereto
Using name or likeness of a person in Using name or likeness of a person in original work may require permissionoriginal work may require permission
Right of privacy – right to be left aloneRight of privacy – right to be left alone
Right of publicity- right to control Right of publicity- right to control commercial exploitation of name or commercial exploitation of name or likeness of celebritylikeness of celebrity
Obtain release prior to using name or Obtain release prior to using name or likeness of person in projectlikeness of person in project
Obtain releases from persons appearing Obtain releases from persons appearing and speaking in videosand speaking in videos
Spanish project using video tapes of Spanish project using video tapes of interviews of Paraguayans discussing interviews of Paraguayans discussing prisons and domestic violence prisons and domestic violence
Hindi project producing video tape of Hindi project producing video tape of shopping trips in New York Cityshopping trips in New York City
Incidental appearance does not require Incidental appearance does not require releaserelease
RELEASE FORM
I authorize Yale University and those acting pursuant to its authority to:
a. Record my participation and appearance on video tape, audio tape, film, photograph or any other medium.
b. Use my name, likeness, voice and biographical material in connection with these recordings.
c. Exhibit or distribute such recording in whole or in part without restrictions or limitation for any educational or promotional purpose which Yale University, and those acting pursuant to its authority, deem appropriate.
Name: _______________________________________________ Address:______________________________________________ Phone No.:____________________________________________ Signature:_____________________________________________ Witness Signature:______________________________________ Parent/Guardian Signature (if under 18):_____________________
RELEASE FORM
I authorize Yale University and those acting pursuant to its authority to:
a. Record my participation and appearance on video tape, audio tape, film, photograph or any other medium.
b. Use my name, likeness, voice and biographical material in connection with these recordings.
c. Exhibit or distribute such recording in whole or in part without restrictions or limitation for any educational or promotional purpose which Yale University, and those acting pursuant to its authority, deem appropriate.
Name: _______________________________________________ Address:______________________________________________ Phone No.:____________________________________________ Signature:_____________________________________________ Witness Signature:______________________________________ Parent/Guardian Signature (if under 18):_____________________
Record my participation and appearance
Use my name, likeness, voice and
biographical material
Exhibit or distribute such recording . . . for
any educational or promotional purpose
Copyright NoticeCopyright Notice © © or “Copyright”or “Copyright” Year of publicationYear of publication Name of copyright ownerName of copyright owner
Faculty name or Yale UniversityFaculty name or Yale University
Register in U.S. Copyright OfficeRegister in U.S. Copyright Office Prerequisite for filing infringement Prerequisite for filing infringement
action action
USING THIRD PARTY MATERIALS USING THIRD PARTY MATERIALS
Create inventory listing each Create inventory listing each element of the presentationelement of the presentation
Identify parts of the materials Identify parts of the materials reproduced from other sourcesreproduced from other sources
Gentle Creature Vision Project
Permission Spreadsheet
ID No. Photos/Location SourcePermission
NeededPermission
RequestedPermission
Granted
P1Building with Obilisk/Part I, Preface,
Page 2
P2 Slide 1/St. Petersburg Tour
P3 Slide 2/St. Petersburg Tour
P4 Slide 3/St. Petersburg Tour
P5 Slide 4/St. Petersburg Tour
P6 Slide 5/St. Petersburg Tour
P7 Slide 6/St. Petersburg Tour
P8 Slide 7/St. Petersburg Tour
P9 Slide 8/St. Petersburg Tour
P10 Slide 9/St. Petersburg Tour
P11 Slide 10/St. Petersburg Tour
P12 Slide 11/St. Petersburg Tour
P13 Slide 12/St. Petersburg Tour
P14 Slide 13/St. Petersburg Tour
P15 Slide 14/St. Petersburg Tour
P16 Slide 15/St. Petersburg Tour
P17 Slide 16/St. Petersburg Tour
P18 Slide 17/St. Petersburg Tour
Gentle Creature Vision Project
Permission Spreadsheet
ID No. Photos/Location SourcePermission
NeededPermission
RequestedPermission
Granted
P1 Building with Obilisk/Part I, Preface, Page 2
P2 Slide 1/St. Petersburg Tour
P3 Slide 2/St. Petersburg Tour
P4 Slide 3/St. Petersburg Tour
P5 Slide 4/St. Petersburg Tour
P6 Slide 5/St. Petersburg Tour
P7 Slide 6/St. Petersburg Tour
P8 Slide 7/St. Petersburg Tour
P9 Slide 8/St. Petersburg Tour
P10 Slide 9/St. Petersburg Tour
P11 Slide 10/St. Petersburg Tour
P12 Slide 11/St. Petersburg Tour
P13 Slide 12/St. Petersburg Tour
P14 Slide 13/St. Petersburg Tour
P15 Slide 14/St. Petersburg Tour
P16 Slide 15/St. Petersburg Tour
P17 Slide 16/St. Petersburg Tour
P18 Slide 17/St. Petersburg Tour
Identify each element of Identify each element of the reproduced workthe reproduced work
Identify source
Determine whether Determine whether third party work is third party work is
copyrighted or in the copyrighted or in the public domainpublic domain
Determine whether permission is needed,
requested and obtained
If permission not obtained,consider risk incopying materials
Depends on whether copying of Depends on whether copying of materials is a “fair use”materials is a “fair use”
Good news – fair use offers Good news – fair use offers defense to claim of copyright defense to claim of copyright infringementinfringement
Bad news – defense is very Bad news – defense is very subjective in its applicationsubjective in its application
FACTORS FOR DETERMINING FAIR USEFACTORS FOR DETERMINING FAIR USE1. Purpose and character of the use1. Purpose and character of the use
whether commercial or for nonprofit educational whether commercial or for nonprofit educational purposes purposes
2. Nature of the copyrighted work 2. Nature of the copyrighted work 3. Amount of portion used in relation to copyrighted 3. Amount of portion used in relation to copyrighted
work as a whole work as a whole 4. Effect of use upon the potential market for or 4. Effect of use upon the potential market for or
value of the copyrighted work value of the copyrighted work
FACTORS FAVORING FAIR USEFACTORS FAVORING FAIR USE
purpose is for criticism, comment or purpose is for criticism, comment or teaching (including multiple copies for teaching (including multiple copies for classroom use) classroom use)
use for non-commercial purposes, use for non-commercial purposes, such as educational or nonprofit use such as educational or nonprofit use
not a substitute for purchasing copy not a substitute for purchasing copy of entire copyrighted work of entire copyrighted work
copied material identifies the author, copied material identifies the author, publisher, etc. publisher, etc.
copied work is out of print and copied work is out of print and otherwise unavailable otherwise unavailable
copyright owner could not be located copyright owner could not be located after a good faith search after a good faith search
PRACTICAL CONSIDERATIONS FOR PRACTICAL CONSIDERATIONS FOR USING WITHOUT PERMISISONUSING WITHOUT PERMISISON
Classroom materials often remain below Classroom materials often remain below radar screenradar screen
Materials may be so ephemeral as to be Materials may be so ephemeral as to be of less concernof less concern
Insufficient monetary interest in taking Insufficient monetary interest in taking action against copyingaction against copying
Different approach required when Different approach required when project is to be commercializedproject is to be commercialized
Permission becomes imperativePermission becomes imperative
Copyright owner has interest in Copyright owner has interest in sharing profits from sales of materials sharing profits from sales of materials
Example of Example of Jules et JimJules et Jim
Fair use is defined by courts in Fair use is defined by courts in infringement actionsinfringement actions
leads to conflicting resultsleads to conflicting results
Kinko’s Kinko’s Case (narrow application of fair Case (narrow application of fair use)use)
presumption that copying of works presumption that copying of works by copy shop for profit is by copy shop for profit is nevernever fair fair useuse
Pretty Woman Pretty Woman Case (broad application Case (broad application of fair use)of fair use)
Supreme Court expressly recognizes Supreme Court expressly recognizes educational copying as fair useeducational copying as fair use
rejected presumption against all rejected presumption against all commercial photocopyingcommercial photocopying
What to do in the face of conflicting What to do in the face of conflicting judicial decisionsjudicial decisions
1. Conservative – “bright line” test1. Conservative – “bright line” test
publishers and educators adopt publishers and educators adopt minimums as to permissible copying minimums as to permissible copying
line is drawn to exclude copying that line is drawn to exclude copying that is arguably fair useis arguably fair use
chilling effect on creation of chilling effect on creation of instructional materialsinstructional materials
Copyright Clearance CenterCopyright Clearance Center
Works to expand types of copying that Works to expand types of copying that require payment of a feerequire payment of a fee
Recent efforts at providing users of Recent efforts at providing users of Blackboard to pay CCC for permission Blackboard to pay CCC for permission to copy licensed materialsto copy licensed materials
May compel faculty to pay for copying May compel faculty to pay for copying that could otherwise constitute fair usethat could otherwise constitute fair use
2. Institutions adopt rules of thumb for 2. Institutions adopt rules of thumb for fair use copyingfair use copying
one journal article or book chapterone journal article or book chapter
set number of charts, graphs, set number of charts, graphs, illustrationsillustrations
still can be overly restrictivestill can be overly restrictive
some copying still requires fair use some copying still requires fair use analysisanalysis
3. Yale CLS avoids adopting black and 3. Yale CLS avoids adopting black and white standardwhite standard
operating in a gray area of the lawoperating in a gray area of the law
take common sense approachtake common sense approach
advise faculty when permission is advise faculty when permission is necessarynecessary
Seeking permissionSeeking permission
Start process at early stage of projectStart process at early stage of project
Identify party authorized to give Identify party authorized to give permissionpermission
More difficult if copyright has been More difficult if copyright has been transferredtransferred
Letter requesting permissionLetter requesting permission
Precise as to scope of permission and Precise as to scope of permission and duration of useduration of use
Dear Sir or Madam: I am on the faculty at Yale University where I teach [Language] language and literature. As part of my language classes, I have been making available to my students [describe type of project that will incorporate the work for which you are requesting permission]. I recently came across the above-referenced work to which I believe you hold all rights, including copyright. I believe that this work would have significant educational value for my students, and I would like to make it available to them in a manner intended for use by students enrolled in my classes. I can assure you that your work will be used only for this limited purpose and will not otherwise be reproduced or commercially exploited. If you are not the entity that holds rights in the above referenced work, I would greatly appreciate any information (i.e., name, address, phone, fax, e-mail) that you might have as to the entity that would be in a position to provide the requested permission.
Assuming that you are the rights holder, I ask your consent to this limited use of the above-referenced work for students in my classes. I am willing to place any notice or credit that you may ask to be displayed in conjunction with your work. Your cooperation in this matter is greatly appreciated. Please contact me if you have any further questions either by phone [(Phone No.)] or e-mail [(Email Address)]. Otherwise, please acknowledge your willingness to grant the requested permission by signing the enclosed copy of this letter and returning it to me in the enclosed stamped, self-addressed envelope. Sincerely yours, Permission granted for the use of the material as described above: Name & Title: ____________________________________________ Company/Affiliation: ______________________________________ Date: __________________________________________________
Dear Sir or Madam: I am on the faculty at Yale University where I teach [Language] language and literature. As part of my language classes, I have been making available to my students [describe type of project that will incorporate the work for which you are requesting permission]. I recently came across the above-referenced work to which I believe you hold all rights, including copyright. I believe that this work would have significant educational value for my students, and I would like to make it available to them in a manner intended for use by students enrolled in my classes. I can assure you that your work will be used only for this limited purpose and will not otherwise be reproduced or commercially exploited. If you are not the entity that holds rights in the above referenced work, I would greatly appreciate any information (i.e., name, address, phone, fax, e-mail) that you might have as to the entity that would be in a position to provide the requested permission.
Describe project that will incorporate the work for which you are requesting permission
Identify work to be copied
Use will be limited to students enrolled in classes
Assuming that you are the rights holder, I ask your consent to this limited use of the above-referenced work for students in my classes. I am willing to place any notice or credit that you may ask to be displayed in conjunction with your work. Your cooperation in this matter is greatly appreciated. Please contact me if you have any further questions either by phone [(Phone No.)] or e-mail [(Email Address)]. Otherwise, please acknowledge your willingness to grant the requested permission by signing the enclosed copy of this letter and returning it to me in the enclosed stamped, self-addressed envelope. Sincerely yours, Permission granted for the use of the material as described above: Name & Title: ____________________________________________ Company/Affiliation: ______________________________________ Date: __________________________________________________
request limited consent offer to display
credit with copy of workowner of copyrighted
work should give consent by signing letter and returning copy
Initial permission letter does not offer Initial permission letter does not offer compensationcompensation
Owner can request paymentOwner can request payment
Depending on amount of material Depending on amount of material reproducedreproduced
Whether educational (non-profit) or Whether educational (non-profit) or commercial (for profit)commercial (for profit)
What if owner cannot be located ~What if owner cannot be located ~
Or ignores permission requestOr ignores permission request
Work may be old or out of printWork may be old or out of print
No one with ongoing interest in workNo one with ongoing interest in work
Does not excuse copying of copyrighted Does not excuse copying of copyrighted work work
Weigh risk of proceeding without Weigh risk of proceeding without consentconsent
Consider other fair use factorsConsider other fair use factors
Copying without consent could Copying without consent could constitute copyright infringementconstitute copyright infringement
Liability for monetary and injunctive Liability for monetary and injunctive reliefrelief
Commercial product heightens Commercial product heightens visibility and likelihood of objection visibility and likelihood of objection
If you decide to reproduce work ~If you decide to reproduce work ~
Scope and duration of use may never Scope and duration of use may never come to attention of copyright ownercome to attention of copyright owner
Document all attempts to contact ownerDocument all attempts to contact owner
Always credit owner of copied workAlways credit owner of copied work
whether copied with or without whether copied with or without permissionpermission
EIGHT MYTHS ABOUT COPYRIGHTEIGHT MYTHS ABOUT COPYRIGHT1. It is difficult to get a copyright.1. It is difficult to get a copyright.
copyright is automaticcopyright is automatic
registration requires simple form and costs registration requires simple form and costs only $30only $30
2. Copyright does not concern me as an 2. Copyright does not concern me as an educator. educator.
fair use does not give fair use does not give carte blanchecarte blanche to copy to copy
at some point copying will go beyond at some point copying will go beyond permissible fair usepermissible fair use
3. I can always copy a work that does not 3. I can always copy a work that does not have a copyright notice. have a copyright notice.
copyrighted works do not have to bear copyrighted works do not have to bear copyright noticecopyright notice
4. I can never copy a work with a copyright 4. I can never copy a work with a copyright notice.notice.
copyright may have already expiredcopyright may have already expired
copying may occur as fair usecopying may occur as fair use
5. I can copy as long as I give credit to 5. I can copy as long as I give credit to the author or copyright owner.the author or copyright owner.
presence of credit may not be enough to presence of credit may not be enough to excuse what is otherwise an infringementexcuse what is otherwise an infringement
6. I can copy a copyrighted work as long 6. I can copy a copyrighted work as long as it is not for commercial purposes.as it is not for commercial purposes.
non-commercial nature of copying is only non-commercial nature of copying is only one factor in fair use analysisone factor in fair use analysis
7. I can make copies of copyrighted 7. I can make copies of copyrighted materials available to students as long as materials available to students as long as access is password protected. access is password protected.
shows educational purpose and reduces shows educational purpose and reduces access by unauthorized personsaccess by unauthorized persons
never excuse for otherwise impermissible never excuse for otherwise impermissible copyingcopying
8. Educators never get sued for copyright 8. Educators never get sued for copyright infringement infringement
let the copier bewarelet the copier beware