the biretracc's chapter 2 (part 1) final

7/29/2019 The Biretracc's Chapter 2 (Part 1) Final

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CHAPTER 2

THEORETICAL FRAMEWORK AND RELATED LITERATURE

2.1 Related Literatures and Studies

2.1.1 Local Literatures

2.1.1.1 Title: Eco Friend, saving the world one building at a time

Source: BluPrint Magazine Volume 5 2008

Author: Joseph Alex

The article highlights the design

competition launched by Hunter Douglas- a

private company producing window coverings

and other architectural products. The

competition entitled Eco art, Eco build and

Eco watch: a global awareness, aims to produce sustainable and creative designs using Hunter

Douglas products. The grand prize winner is the entry by Ar. Francisco L. Santoromana- the De La

Salle Santiago Zobel Sports Pavilion.

The existing De La Salle gymnasium was converted by Santoromana into an international

standard sports facility which follows design principles of sustainable architecture. Some of his

design strategies are the use of passive cooling through operable louvers which can channel cool

air in and hot air out; plus the application of Hunter Douglas ceiling panels that distribute sunlight

easily thus limiting the use of artificial light on the gyms interior spaces.


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Analysis: This article revealed that it is the responsibility of an architect to design

buildings which are in line with nature. Moreover, older structures can be refurbished and

converted into environment-friendly facilities thus avoiding total destruction or demolition.

Approach: Theres a unique feature on Santoromanas design: a 187 -meter practice

indoor track, surrounding the main courts of the gymnasium. I wish to apply this attraction in the

proposed BIRETRACCs gymnasium, in order to maximize the use of space even up to its borders.

2.1.1.2 Title: The Activists, five advocates of Filipino design speak up; and

Modernist Mix Masters, five modernist designers share their views

Compiled by: Chiquit M. Torrente and Rachelle F. Medina

Source: BluPrint Magazine 2004 Anniversary issue

The main theme of our thesis study is green, modern and vernacular design. In relation, I

have found two (2) articles regarding the advocates of Filipino design and modern architecture;

while both teams are all Filipino designers, they have different views and inspiration regarding their

chosen design adaptation.

The Filipino design advocates like Kenneth Cobonpue, Francisco Manosa, Rosario

Encarnacion-Tan, Budji Layug and Honrado Hernandez have their own opinions about Filipino

design. According to them, theres no such thing as Filipino design, its a combination of different

cultures, drawn from different countries that had colonized our country. There are two (2) forms of

Filipino design: (1) the physical and literal approach or the use of symbolic Philippine forms or

indigenous materials; and the (2) cultural or behavioral approach or the design of spaces

addressed towards the Filipino. Cobonpue, Manosa and Encarnacion-Tan have been adopting the

physical or literal approach to their designs. For instance, like Cobonpues croissant sofa which is

made of indigenous and modern materials; Manosas San Miguel Corporate Headquarters or the


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EDSA shrine-inspired by the Banaue rice terraces

and Encarnacion-Tans bamboo architecture-

combining bamboo with modern materials to form

structural and other building elements. On the

other hand, Layug and Hernandez are promoters

of the cultural or behavioral approach. According

to them, it is better to design interior spaces addressed to a Filipinos social tradition and values

rather than showing the exterior form of a building which depicts a particular Philippine iconic form.

Although they have different views regarding Philippine design, all of them wanted to not adopt the

styles of European, Mediterranean or French which do not fit in our local setting.

The second article are the modernist mix masters-Ed Calma, Jorge Yulo, Joey Yupangco,

Anna Sy, Jason Chai and Andy Locsin Jr. Filipino modernism is characterized by clean lines, use

of modern materials like the combination of stones, steel, glass and concrete or simply minimalist

in character. If Filipino design advocates have their own views regarding the vernacular, Filipino

modernists on the other hand, had succeeded in making a design formula: adapting foreign

influences in the Philippine setting but reinterpreting it to make it our own.

Analysis: It is good to know the different opinions of famous Filipino designers regarding

modern and vernacular architecture. Whether physical or cultural approach, the safest way is to

combine the two; consider the values/behavior of the users and also adopt a well-known Philippine

form into our design.

Approach: I will apply both the physical and cultural methods in my proposed design

either on specific building elements or the interior spaces of the project.


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2.1.2 Foreign Literatures

2.1.2.1 Title: Joe Addo looks beyond Architecture for his native Ghana

Source: Architectural Record October 2008 issue

Author: Joan Gonchar, AIA

Joe Osae Addo is an African-born architect and hed started his practice at Los Angeles,

California. He then went in 2000 at his country Ghana and has decided that theres a need to

transform the Architecture of this African nation.

Addos design is characterized by the

combination of advanced techniques with traditional

materials and methods. One major example is his design

of a conference center in Tamale. This building had two

concrete-framed structures raised on pilotis that have

adobe infill and operable glass louvers. The buildings are wrapped in bamboo slats, providing

shade and evoking locally made baskets.

Analysis: This article shows one form of vernacular design-the physical and literal

approach. Architect Addo had combined both local materials and modern methods of construction

to create his architectural creations. Even more, the current development of Ghana is a noted proof

that Architecture can change and improve the quality of life. Although, Addos works concentrated

primarily with elite Ghanaians, hopefully with enough fund and help from their government, he can

venture into the slum areas of Ghana.

Approach: Finally, this writing revealed that architects must give back to their place of

birth. I was inspired especially in my study for a better BIRETRACC; hopefully I can produce a

good research and architectural design-my own way of serving my hometown Binangonan.


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2.1.2.2 Title: Design and Evolution of Recreational Architecture

Source: FUTURARC first edition 2nd quarter 2006 issue

Author: Liyang Sun

The author Liyang Sun conferred the importance of planning up to the proper management

of recreational facilities. According to Sun, when designing large-scale recreational architecture,

the architect must comprehensively evaluate the constructability of the project and analyze its

potential impact on the economy, ecology, the environment, the regional-cultural structure and

human cultural factors. For instance, applying a

building form which will have a problem from public

conception (the Esplanade in Singapore was

criticized as similar to the spiky-skinned and pungent

fruit durian, while others likened it to siopao). He also

talked about the relevance of considering the phases of a projects development plus considering

not just the present needs of the project but also the future. Even more, with a wide experience in

integrating architecture and environment, Sun list down the identities of good recreational facilities:

Recreational facilities must give the tourists continuous fun and excitement throughout theyear;

The architecture should also be in harmony with its surroundings; Complexes with several recreational buildings shall focus on the buildings individuality and

create a unique or innovative environment; and

A well designed recreational building must meet the users needs for both natural andartificial environments plus provide a pleasant, comfortable, easy and safe atmosphere.


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One major contributor in the article is Team Zoo, a group of unconventional Japanese

architects which balance both the human element and the environment in their works. Their design

techniques include the following:

Conform to the topology of the construction site. Take the user into serious consideration. Tolerate diversity. Create spaces that interact with the five senses (sight, hearing, smell, touch and taste). Harmonizing with the surroundings by using natural elements. Make visitors feel welcome and comfortable. Execute both the architectural design and the construction supervision oneself.Analysis: The author did not explain nor cite any example regarding the traditional forms of

recreational architecture. Although he provided the modern means of this type of architecture, it is

better to describe the past forms, in order to properly visualize the evolution of recreational spaces.

However, his addition of numerous design strategies in the field of recreational architecture is a

great help to any student engaging in this type of study.

Approach: I will incorporate in my proposed design the Trio of Environmentally Sensitive

Design. It is the triangulated relationship of users, architecture and environment. It is our

responsibility us future Filipino architects to plan and design buildings which are stable, functional

and beautiful (architecture), consider client demands (users) and which respect nature

(environment).

the biretracc's chapter 2 (part 1) final

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