the allure online auction: works by canadian · pdf fileworks by canadian contemporary...

The Allure Online Auction: Works by Canadian Contemporary Jewellery Artists

NOVEMBER 25 - 30, 2017

The Allure Auction: Works by Canadian Contemporary Jewellery Artists

NOVEMBER 25 - 30, 2017

on viewFriday, November 24from 12:00 pm to 5:00 pmSaturday, November 25from 11:00 am to 5:00 pmSunday, November 26from 11:00 am to 5:00 pmMonday November 27from 10:00 am to 12:00 pm

preview to be held at275 King Street East, 2nd FloorToronto, Ontario M5A 1K2

all lots can be viewed online atfinejewellery.waddingtons.ca

fine jewellery specialistDonald P. [email protected]

front coverLot 12Amir Sheikhvand Powder Coated Steel, Brass & Copper Brooch

front inside Lot 88Allyson Simmie Sterling Silver, 14K yellow and Rose Gold “Wavy Shoreline” Ring

back insideLot 82Simon MuscatSterling Silver “Medusa” Bracelet with Bronze Stand

back coverLot 75 Simon MuscatSterling Silver and Leather “Bud” Necklace

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

This catalogue and its contents © 2017 Waddington McLean & Company Ltd.

All Rights reserved.

The Allure Auction: Works by Canadian Contemporary Jewellery Artists

NOVEMBER 25 - 30, 2017

Claudio Pino is a jewelry designer and goldsmith world-renowned for his sculptural and kinetic rings. Since earning his Professional Jewelers’ Diploma from l’École des métiers du Sud-Ouest de Montréal, Canada in 1995, he has been exclusively dedicated to the hand fabrication of one-of-a-kind pieces of contemporary jewelry. In 2011, with the support of Canada Council for the Arts, he pursued a master’s degree in the study of platinum at Holt Academy Jewellery in London England, as well as received intensive individual training from Master Jurgen J. Maerz, former director of Technical Education for Platinum Guild International, USA. He was also trained in stone faceting at the Ashton Gemstones Studio in California. Pino’s unique pieces of art have received numerous international awards, are presented in museums around the world, and moreover, several of his kinetic pieces were choose to appear in “The Hunger Games: Catching Fire”.

Artist’s Statement Since 1995, I have been dedicated exclusively to the hand fabrication of fine art jewelry design, particularly one-of-a-kind sculptural rings. From the concept phase to the design, construction, stone cutting, and setting, I complete each step using an architectural approach, as if my miniature work was monumental sculpture. I strive to make my pieces interesting from all angles. In fact, my creative process is a never-ending search for a unique combination of sculptural portability, physical attributes, and conceptual research, as well as an extension of the wearer’s body. Sometimes, I add meticulous mechanisms to give the set of the gemstone the freedom to follow the owner’s movements, reflecting the wearer in many small, intricate ways. While creating these sculptural rings, I always keep in mind that they will belong to the hand. Therefore, it is extremely important to me that they are very comfortable. Making fine jewelry is a way to express emotions and narratives, and to share them with others. It is also a way to stimulate our senses. Each of my portable sculptures represents a different thematic system — a mirror of multiple metaphors. Whether exploring systems in motion, the metamorphoses of insects, or the pace of urban life, my passion is first awakened by the transformation of the raw materials.

Headshot : Randy Cole

LOTS 1 - 4

Claudio Pino

Following his immigration to Canada from Guatemala, Estrada searched for a new way to express his creativity. He experimented with jewellery making and discovered the potential that lay in the transformation of metals despite their cold, stiff and seemingly unyielding nature.

Fascinated by the possibility of deliverance through the process of creation; jewellery design permitted him to access a new world where tenacity and imagination leads to the creation of an object and the achievement of satisfaction and gratification.

Estrada’s work reflects the three fundamental elements of design: FORM, VOLUME and TEXTURE and their interpretation through the plasticity of metal and the exploration of techniques such as anticlastic and synclastic forming. Large or small, the object always gives witness to the rich creative process through which it was born.

Jewellery Photography: Anthony McLean

Gustavo EstradaLOTS 5 - 11

Amir Sheikhvand LOTS 12 - 16

Born in Tehran, Canadian artist Amir Sheikhvand currently lives and works in Toronto. Upon completion of academic studies in biology and graphic design he studied jewellery and graduated from Tehran’s Gold Institute in 1994. Sheikhvand apprenticed with some of the Iranian masters in the field of Malileh-kary, filigree work, and Minakary, miniature enameling. He is a pioneer in educating women in jewellery making in Iran.

Sheikhvand resumed his practice in Canada in 1999 after several solo exhibits in Iranian galleries. He uses his academic knowledge, traditional skills and adopted modern techniques in his contemporary practice. His multidisciplinary approach with eclectic use of media within his conceptual art work make his works recognizable.

Sheikhvand’s work has been exhibited nationally and internationally in both juried and invitational exhibitions, in galleries such as: Varley Art Gallery, McMaster Museum of Art, Tom Thomson Art Gallery, Arta Gallery, Tehran Contemporary Museum of Art and Harbourfront Centre. He also mentors students at George Brown College and volunteers at Harbourfront Centre as an advisor in the Metal studios.

Paul McClure’s jewellery is represented in museum collections including the Montreal Museum of Fine Arts; Design Museum of Barcelona; and National Museums Scotland. He studied at NSCAD University, Canada (BFA, 1989); Escola Massana, Spain; and NCAD, Ireland (MA, 1999). In 2015, McClure received the Saidye Bronfman Prize, a Governor General of Canada Award - the highest distinction given to a Canadian visual artist. McClure is professor in the jewellery department at Toronto’s George Brown College.

Ornamentation and jewellery’s relationship to the body are central themes in McClure’s sculptural pieces. The scientific fields of biology, pathology and genetics inspire his work as well as anatomical, microscopic and digital imaging of the human body. His jewellery reflects our increasingly digital, biotechnological understanding of mortality. Paul McClure

LOTS 17 - 31

Martha Glenny has been active professionally since 1974. She holds an advanced diploma from George Brown and a BFA from Nova Scotia College of Art and Design University. She has worked as a goldsmith in Toronto, Norway and Halifax, and has taught jewellery and design at NSCAD University and at Nunavut Arctic College. Since 1996 Glenny has been a professor at George Brown College and was Coordinator of Jewellery Studies from 1997-2008. Glenny is currently working on demonstration videos for the Show GBC YouTube channel.

Glenny’s work is represented in the permanent collections of the Nova Scotia Art Bank and the Kunstindustrimuseum in Trondheim, Norway, and has been shown in group and solo exhibitions internationally. She has received awards for her work from the Nova Scotia Designer Crafts Council, the Metal Arts Guild of Canada, Harbourfront Craft Studios and from George Brown College for Excellence in Teaching and Learning. Recent publications that include her work are: True Nordic, Unity & Diversity, The Compendium Finale of Contemporary Jewellery Makers 2008, and Quintet.

Peter Lawrence is a native of Halifax, Nova Scotia. His first interest in jewellery came by accident when he went to sign up for continuing education classes at the Nova Scotia College of Art and Design in woodworking, and found they were full, so, switched to the jewellery class instead. What began as a hobby soon turned into serious study; and he decided to attend college full time and obtained his Bachelor of Fine Arts in 1984.

Since that time, Peter has been developing his style as a jeweller. He makes wearable art using jewellery techniques such as fusing, oxidizing, and fabrication to create a variety of jewellery pieces. Mixing together large pieces of silver in his pendants with small highlights of gold create interesting one of a kind pieces.

One of these techniques, fusing, is found in some of Peter’s rings. Fusing is the process of using a small flame and no solder to join the metals together; by allowing the two separate pieces to blend into one for a freer form style. The accent of gold highlights the stone, and the combination with the silver creates beautiful rings.

Martha GlennyLOTS 32 - 43

Peter Lawrence LOTS 44 - 46

Ken Vickerson graduated from the Alberta College of Art and Design 1982. In 1985, he established a goldsmithing practice in Toronto, producing commissioned work for the local market. Vickerson has exhibited widely, including exhibitions in Europe, Asia, America and Canada. His work has been featured on the cover of Metalsmith Magazine, a publication of the Society of American Goldsmiths, and his critical writing has been published in numerous journals and magazines. Vickerson was elected to the Royal Canadian Academy of the Arts in 2003. He holds the position of Associate Professor in the Faculty of Design at OCAD University where he has taught since 1985.

ARTIST’S STATEMENTRecurrent themes in my work include: our relationships to science, nature, technology and each other; scale relationships between jewellery and architecture; death, religion and symbolism. It is my intention to find humour, wonder and irony in these subjects. Design and technique are vital influences in my work. The exploration of process, utility, traditional materials and the language of decoration allow me to access the wide range of expressive potential of the medium, as well as recognize its rich history. I believe that processes and materials have metaphorical aspects, which complement the conceptual development of my work.

Andrew Goss creates both jewellery and sculpture, working in metals, silver, bronze, brass – and concrete. He has been practicing his craft and his art since 1973 after graduating from the jewellery program at George Brown College and studying at Hornsey College of Art in London, England. He lived and worked in Owen Sound for 30 years before moving to Guelph two years ago, where he shares a studio with jewellery artist Sandra Noble Goss. His work consistently concerns itself with value and preciousness in materials and he often uses concrete and alternate materials to illustrate those ideas in simple forms.

Images of his work have appeared in numerous books including 500 Rings and 500 Brooches. His work is in the Departments of External Affairs (Canadian Embassy, Berlin), Foreign Affairs and International Trade, the Museum of Civilization, Tom Thomson Art Gallery and UBS Bank (Canada) as well as numerous private jewellery collections. He is the author of Concrete Handbook for Artists. Goss was inducted into the Royal Canadian Academy in 2005 (RCA), and has also been awarded grants from the Canada Council for the Arts and the Ontario Arts Council.

Ken Vickerson LOTS 47 - 51

Andrew GossLOTS 52, 53, 54

Sandra Noble Goss has been a full-time professional jewellery and metal artist since graduating from George Brown College’s jewellery program in Toronto in 1973. She began her jewellery studies at Hornsey College of Art in London, England and had previously received a BA from York University in Toronto. Since 1973 she has been a partner of Goss Design Studio with her husband and fellow metalsmith, Andrew Goss. They share studio located in their 100+ year old home in Guelph, Ontario. She has exhibited widely in jewellery and craft exhibitions and juried shows receiving numerous awards over the years. Teaching part-time in the Jewellery + Metals Program at Georgian College in Barrie, Ontario from 1991-2014 also allowed her to mentor young jewellers.

Sandra designs a range of jewellery made primarily from sterling silver, often combined with copper, brass, gold leaf and patina. She makes one-of-a-kind pieces as well as series and production work. Many of her production designs vary from piece to piece. Her jewellery is hand made using traditional techniques; her specialties are married metal and non-toxic etching. A special passion for etching techniques enables her to use both drawn and original photographic images in her work. Her cuff bracelets, with her unique “rolled edges”, often incorporate images from her digital photographs that have been manipulated on a computer. For several years, she explored the theme of memory using fossil images, maps, vintage photographs and words etched in silver, brass, bronze and copper.

A graduate of the Birmingham School of Jewellery and Silversmithing in England U.K., Jones has maintained a studio practice as a professional contemporary jeweller in Toronto since the 1980s. Her original work has been exhibited and sold by select galleries, juried and invitational exhibitions, as well as individual commissions.

Jones considers her formative years growing up in the natural beauty of Wales in the United Kingdom as an essential influence on the development of her work. She explores the qualities of her material through form, detail, texture and layering. Her work reflects aspects of nature while remaining innovative and contemporary. In 2003 Jones was elected to the Royal Canadian Academy of the Arts.

“I find jewellery an intriguing form of personal expression, both for the artist maker and for the individual who chooses to wear the piece. I imagine that the pieces I make will be worn and valued and will become meaningful objects in someone’s life. It is because of the personal attributes of jewelry that I enjoy working with a client to create a piece for them.”

Sandra Noble GossLOTS 55 - 60

Vivienne JonesLOTS 62, 63

Maryon KantaroffLOTS 64 - 70

Maryon Kantaroff, born to Bulgarian immigrant parents, grew up and was educated in Toronto, majoring in Piano at the Royal Conservatory of Music and in Art and Archaeology at the University of Toronto. She was assistant Curator at the Art Gallery of Ontario and a recipient of a Canada Council Grant, with post graduate studies in American Ethnology at the British Museum in London.

Kantaroff is a founding member of Toronto New Feminists and is a passionate public speaker, both as a feminist and an art historian. She established the Art Foundry, casting bronze sculptures for herself as well as other artists. She has exhibited extensively in England, Europe, Canada and the United States, including solo exhibitions in London, Milan and Munich. Kantaroff has completed many large corporate and environmental sculpture commissions, including the Canadian Embassy in Tokyo. Her sculptures range in size from monumental to very small and include limited edition jewellery. Her works are sensual, aesthetic, and her powerful forms evoke images of human origins.

His professional arts career began when he landed on the shores of Canada at the age of 18 during the storied Trudeau years. Dazzled by the opportunity to express himself, through his 20’s he explored all mediums, and attended Sheridan College School of Craft and Design, George Brown College for Jewellery, The Ontario College of Art in the Experimental Arts Department; to return in his late 20’s to the art of making jewellery. For several years, he produced prodigious works in hollow cast silver. By his late 30’s, the quest to incorporate colour into his work led him into collaboration with one of North America’s foremost gem carvers, Thomas McPhee. Today, mastery of this quintessential material, in combination with his command of sculpture and his sensual sensibility, brings a dominant and unique presence to his work that is both stunning and invincibly elegant in the making.

Says Simon: “Jewellery brings with it a sense of occasion and it is exciting to see it enhance if not transcend the moment. The clasp mechanisms are an integral part of my designs, I love the simple mechanics, a way of honouring how we are all connected. A piece is complete when it is worn, which is always a nice surprise to me, being the final stage of a process of creating something beautiful, where it then takes on a life of its own and becomes new to me.”

In his mid-50’s, while visiting friends on Saltspring Island, British Columbia, taking hammer and chisel to stone, he felt a surge of life through his body, where change was investable. Today carving stone is his source of passion, inspiration and a learning. How to allow the universe to partake of one’s creation.

LOTS 72 - 82Simon Muscat

Surrounded by sea, Simon Muscat was born on the island of Malta in 1955. On this spare land of limestone, and inspired by the lore and materials from the African, Arab and European shores it shares with these Mediterranean places, Simon began to re-imagine the world around him. These eclectic influences and his resourceful sensibility formed the foundation of his art. In the workshops of his father where wrought iron and boats were crafted, Simon was first encouraged to create.

Allyson grew up in Halifax and attended NSCAD University, graduating with a BFA (Jewellery) in 1989. Upon graduation, she worked as a goldsmith in Ottawa, further honing her metalworking and design skills. In 1994, she was offered an opportunity to teach jewellery at Nunavut Arctic College and her adventurous spirit jumped at the chance. By 1997 it was time to start her own business, but before leaving Iqaluit Allyson created her second solo show - Arctic Landscapes - featuring jewellery and sculpture combining precious metals with stone from Canada’s Arctic.

Since then Allyson has participated in three Northern group projects including the Northwest Territories Legislative Mace and the Official Symbols of Nunavut Project. She has provided work for the Offices of the Prime Minister and Governor General of Canada, and has exhibited in numerous shows across Canada and the USA. In 2016 Allyson was inducted as a member of the Royal Canadian Academy of Arts.

Allyson has travelled extensively in Canada and in the Arctic, giving workshops, establishing jewellery studios, teaching and encouraging others to pursue a career in the arts. In 2000 Allyson moved back to Nova Scotia and began work on Seal Rock Studios. She is currently living with her family on Nova Scotia’s scenic south shore, where she continues to work as a professional artist, still exploring and celebrating the theme of the Canadian and Arctic landscapes and sharing her experiences both North and South.

Allyson Simmie LOTS 83 - 97

Other artists in this sale:

David McAleeseLOT 61

Reeva PerkinsLOT 71

Leslie SheriffLOT 98

CLAUDIO PINO STERLING SILVER AND 14KYELLOW & ROSE GOLD“METAMORPHOSIS” THREE-FINGERKINETIC RING

set with moonstone, cultured pearls, turquoise,phrenite and amethyst., size 8 1/2, 29.9 grams

Literature:See website for literature

$7,300—10,000

1CLAUDIO PINO STERLING SILVER“MARQUISE” RING

set with a custom cut citrine, size 7, 7.4 grams

Literature:The Marquise shape is designed to givehomage to the magnificent beauty of thegemstone. This creation is filled with detailsand symbols that will only be revealed overtime.

$1,900—3,000

2CLAUDIO PINO STERLING SILVER AND 14KYELLOW GOLD “MARQUISE” RING

set with a custom cut agate, size 7, 6.5 grams

Literature:The Marquise shape is designed to givehomage to the magnificent beauty of thegemstone. This creation is filled with detailsand symbols that will only be revealed overtime.

$1,900—3,000

3

CLAUDIO PINO STERLING SILVER AND 14KYELLOW GOLD “INTERACTIVEMOONSTONE” KINETIC RING

set with moonstone and cultured pearls, size 81/2, 8.2 grams


$3,000—5,000

4GUSTAVO ESTRADA RUTHENIUM PLATEDSTERLING SILVER BRACELET

circa 2017; anticlastic and synclastic hammeredtechnique, 64.5 grams

$950—1,400

5GUSTAVO ESTRADA OXIDIZED FINESILVER “MAGDA” BROOCH

set with an agate slice and freshwater pearls;circa 2017, 55.7 grams

$1,100—1,600

6

GUSTAVO ESTRADA GOLD PLATED BRASSNECK PIECE

circa 2012; anticlastic and synclastichammered technique

$1,250—1,700

7GUSTAVO ESTRADA GOLD PLATEDSTERLING SILVER BRACELET

circa 2017, 56.6 grams

$800—1,200

8GUSTAVO ESTRADA STERLING SILVERAND ROUGH RUBY BEAD NECKLACE

circa 2017; anticlastic and synclastic hammeredtechnique

length 24 in — 61 cm

$1,500—2,000

9

GUSTAVO ESTRADA STERLING SILVERRING

circa 2017; anticlastic and synclastic hammeredtechnique, size 10 1/2, 25.7 grams

$500—700

10GUSTAVO ESTRADA HAMMERED FINESILVER BROOCH

set with citrine briole!es, fresh water pearlsand 2 golden Australian sea pearls; circa 2014

diameter 4.5 in — 11.4 cm, 83.0 grams

$1,500—2,000

11AMIR SHEIKHVAND POWDER COATEDSTEEL, BRASS & COPPER BROOCH

circa 2017; from the “Net-working” series

length 5 in — 12.7 cm

$750—1,100

12

AMIR SHEIKHVAND POWDER COATEDALUMINUM, BRASS & COPPER BROOCHWITH SILK CORD



$650—1,000

13AMIR SHEIKHVAND POWDER COATEDSTEEL, BRASS & COPPER BROOCH



$600—1,000

14AMIR SHEIKHVAND POWDER COATEDAND GOLD PLATED BRASS & COPPERBROOCH


length 4.5 in — 11.4 cm

$750—1,100

15

AMIR SHEIKHVAND POWDER COATEDAND GOLD PLATED SILVER, BRASS &COPPER BROOCH



$650—1,000

16PAUL MCCLURE STERLING SILVER“ANTIBODIES 1” RING

set with 4 round garnet cabochons; circa 2011,size 5, 6.3 grams

$450—700



$450—700

18

PAUL MCCLURE STERLING SILVER“ANTIBODIES 3” RING


$500—750



$500—750


circa 2010, size 6, 6.2 grams

$250—500

21



$250—500



$250—500



$250—500

24


set with 4 round sapphire cabochons; circa2011, size 6 1/2, 3.3 grams

$450—700


set with 8 round sapphire cabochons; circa2011, size 6 1.2, 5.1 grams

$500—750

26PAUL MCCLURE STERLING SILVER RINGWITH INTERCHANGEABLE STAINLESSSTEEL “ANTIBODIES 1, 2, 3 & 4” TOPS

circa 2016, size 6 1/2, 23.1 grams

$500—750

27

PAUL MCCLURE STERLING SILVER “VEINS3” RING

set with 4 round garnet cabochons; circa 2010,size 6 1/2, 9.7 grams

$500—750

28PAUL MCCLURE STERLING SILVER “VEINS1” RING

set with 4 round sapphire cabochons; circa2010, size 5 1/2, 7.4 grams

$450—700

29PAUL MCCLURE STERLING SILVER “STEMCELL STRAND” RING

set with a round sapphire cabochon; circa2012, size 8, 6.3 grams

$350—600

30

PAUL MCCLURE STERLING SILVER“BLOOD CELL STRAND” RING

set with a round ruby cabochon; circa 2012,size 9, 7.3 grams

$350—600

31MARTHA GLENNY 18K YELLOW & WHITEGOLD AND 14K WHITE GOLD“FIBONACCI/ COREOPSIS” BROOCH

circa 2010; from the Angle of Repose series;hand fabricated

length 3 in — 7.6 cm, 8.5 grams

$2,500—3,200

32MARTHA GLENNY 18K YELLOW & WHITEGOLD AND 14K WHITE GOLD“FIBONACCI/ BROAD-LEAVEDARROWHEAD” BROOCH

circa 2007; from the Angle of Repose series;hand fabricated

length 2.75 in — 7 cm, 7.0 grams

$2,100—2,800

33

MARTHA GLENNY STERLING SILVER AND18K YELLOW GOLD “COREOPSIS”BANGLE BRACELET

circa 2013; from the Angle of Repose series;hand fabricated, 33.2 grams

$2,100—2,800

34MARTHA GLENNY STERLING SILVER AND14K YELLOW GOLD ”HEARTS ANDFLOWERS” PENDANT WITH CHAIN

set with a pink Baffin marble cone and carvedcoral flower; circa 1997; from the Angle ofRepose series; hand fabricated


$3,300—4,200

35MARTHA GLENNY STERLING SILVER AND14K YELLOW GOLD “STILL WATERS”PENDANT WITH CHAIN

set with a ruby zoisite cone; circa 1997; fromthe Angle of Repose series; hand fabricated


$2,800—3,800

36

MARTHA GLENNY 18K YELLOW GOLD“FIBONACCI/ 8, 21, 34” NECKLACE

set with a Wobito custom cut aquamarine bi-cone 38.15ct.; circa 2011; from the Angle ofRepose series; hand fabricated


$6,100—7,000

37MARTHA GLENNY STERLING SILVER AND14K YELLOW GOLD “TANGIER” PENDANTWITH CHAIN

set with a Wobito custom cut tourmaline; circa2001; from the Angle of Repose series; handfabricated


$1,900—2,600

38MARTHA GLENNY STERLING SILVER AND14K YELLOW GOLD “PUKASWA”PENDANT WITH CHAIN

set with a Wobito custom cut colourless topaz;circa 2001; from the Angle of Repose series;hand fabricated


$2,400—3,200

39

MARTHA GLENNY STERLING SILVER AND14K YELLOW GOLD “NIAGARA FALLS”PENDANT WITH CHAIN

set with a Wobito custom cut tourmaline; circa2001; from the Angle of Repose series; handfabricated


$1,900—2,600

40MARTHA GLENNY STERLING SILVER AND14K YELLOW GOLD “CAPE NORTH”PENDANT WITH CHAIN

set with a Wobito custom cut blue chalcedony;circa 2001; from the Angle of Repose series;hand fabricated


$2,400—3,200

41MARTHA GLENNY STERLING SILVER“FIBONACCI” RING

circa 2010; from the Angle of Repose series,size 9, 7.9 grams

$200—300

42

MARTHA GLENNY 18K YELLOW GOLD“FIBONACCI” RING

circa 2010; from the Angle of Repose series,size 6 1/4, 6.4 grams

$850—1,300

43PETER LAWRENCE STERLING SILVER AND14K YELLOW GOLD CROSSOVER BANGLE

bezel set with an oval labradorite cabochon;fused and hand fabricated, 34.6 grams

$200—300

44PETER LAWRENCE STERLING SILVERNECKLACE


$250—400

45

PETER LAWRENCE STERLING SILVER AND14K YELLOW GOLD RING

bezel set with trilliant cut citrine; fused andhand fabricated, size 9 1/2, 10.2 grams

$200—300

46KEN VICKERSON 900 GRADE GOLD ANDSILVER/COPPER MOKUMÉ GANÉ“SERPENTINE” RING

set with a round tourmaline cabochon; circa1991, size 6, 11.2 grams

$1,700—2,500

47KEN VICKERSON STERLING SILVER“ANDROMEDA” BROOCH/ NECKPIECE

set with 5 single cut diamonds (0.086ct.t.w.);black cord with sterling silver half dome accentand connector termination's; circa 1997; fromConstellation Series

diameter 2 in — 5.1 cm

$1,200—1,800

48

KEN VICKERSON MIXED METALS“BLOCKHEADS” BROOCH

comprised of fine & sterling silver, copper andnickel; set with a round brilliant cut yellowdiamond (0.04ct.); circa 2004


$800—1,200

49PAIR OF KEN VICKERSON 18K YELLOWGOLD “BEE FLY” EARRINGS

circa 1999; from Pollinator Series


$700—1,000

50PAIR OF KEN VICKERSON 18K YELLOWGOLD EARRINGS

with 900 grade gold bezels; each set with around moonstone cabochon and a nave!eshaped bone panel; circa 1995

diameter 2.5 in — 6.4 cm, 9.1 grams

$750—1,200

51

ANDREW GOSS CONCRETE & STERLINGSILVER BRACELET

circa 2002Material: Sterling silver, concrete, stainlesssteel wire, sterling silver filings.Technique: Silver band is constructed withhidden posts. Stainless wire (hidden) isthreaded through the posts as reinforcing forthe concrete. Coarse sterling silver filingsprovide some of the aggregate for theconcrete and it becomes exposed as thesurface is sanded


$950—1,400

52ANDREW GOSS “50;50” PAIR OFSTERLING SILVER, STAINLESS STEEL &CONCRETE NECKLACES

circa 1999Materials: Sterling, concrete, stainless steel,diamond. Small booklet of photographsdocumenting the process.Technique: Silver is constructed. Stainless steelcable is heat coloured. 15 pt diamond is buriedin the concrete in one of the pendants.


$2,400—3,600

53ANDREW GOSS STERLING SILVERNECKLACE

hand fabricated


$150—250

54

$850—1,250

55SANDRA NOBLE GOSS STERLING SILVER “SISTERS” ETCHED & PIERCED CUFF BRACELET

Exhibited:David Kaye Gallery, Toronto “Twice Told” a show of work by Sandra Noble Goss and Heather Murray. 2013

Literature:See website for literature.

SANDRA NOBLE GOSS STERLING SILVER“AIDÉ-MÉMOIRE” ETCHED & PIERCEDCUFF BRACELET

circa 2014

$850—1,250

56SANDRA NOBLE GOSS STERLING SILVER “DESTINATION” ETCHED & PIERCED CUFF BRACELET

Exhibited:Harbinger Gallery, Waterloo, “Memoranda”. Feb. 2012

Literature:See website for literatures

$850—1,250

57

58SANDRA NOBLE GOSS STERLING SILVER“REMEMBER” ETCHED & PIERCED CUFFBRACELET

Exhibited:Harbinger Gallery, Waterloo, “Memoranda”.Feb. 2012

Literature:See website for Artist Statement

$850—1,250

59SANDRA NOBLE GOSS STERLING SILVER“MAISON HOME CASA” ETCHED &PIERCED CUFF BRACELET

circa 2014

$850—1,250

60SANDRA NOBLE GOSS STERLING SILVERNECKLACE

hand fabricated


$200—300

61DAVID MCALEESE STERLING SILVER ANDANODIZED ALUMINUM NECKLACE

electrochemically anodized and handfabricated

length 22.5 in — 57.2 cm, 56.5 grams

$300—500

62PAIR OF VIVIENNE JONES STERLINGSILVER EARRINGS

hand fabricated, 14.3 grams

$70—120

63PAIR OF VIVIENNE JONES STERLINGSILVER EARRINGS

hand fabricated, 9.6 grams

$70—120

MARYON KANTAROFF BRONZEABSTRACT RING

size 6 1/2, signed and dated 1978

$150—250

64 65MARYON KANTAROFF LIMITED EDITIONGILT STERLING SILVER ABSTRACTPENDANT

signed and numbered 13/100

$200—300

66MARYON KANTAROFF LIMITED EDITIONGILT STERLING SILVER ABSTRACTBROOCH

signed

$100—200

MARYON KANTAROFF STERLING SILVERRING

size 6 1/2, signed

$200—300

67MARYON KANTAROFF STERLING SILVERPIN

accompanied by larger scale unsigned brooch,signed

$150—200

68PAIR OF MARYON KANTAROFF STERLINGSILVER ABSTRACT EARRINGS

signed

$200—300

69

PAIR OF MIRROR IMAGE MARYONKANTAROFF GILT BRONZE PENDANTS

signed and dated 1978

$200—300

70 71REEVA PERKINS STERLING SILVER RING

hand fabricated hollow form, size 8 1/2, 22.2grams

$150—200

72SIMON MUSCAT STERLING SILVER ANDBRAIDED LEATHER “HAND” BRACELET

adjustable size, 25.2 grams

$250—400

73SIMON MUSCAT STERLING SILVER ANDLEATHER “BONES” NECKLACE

in custom fit box; created using hollow casttechnique


$3,900—6,000

SIMON MUSCAT STERLING SILVER“SHARK” BRACELET

created using hollow cast technique

length 6.25 in — 15.9 cm, 255.5 grams, numbered2, second production piece

$3,500—5,500

74 75SIMON MUSCAT STERLING SILVER ANDLEATHER “BUD” NECKLACE



$3,300—4,500

SIMON MUSCAT STERLING SILVER“ELEPHANT” BRACELET


length 5.5 in — 14 cm, 215.9 grams, numbered 1,first production piece

$4,000—6,000

76 77SIMON MUSCAT STERLING SILVER “TWOAND ONE” BRACELET


length 6.5 in — 16.5 cm, 197.9 grams, numbered4, fourth production piece

$2,900—5,000

78SIMON MUSCAT STERLING SILVER ANDWOOD “CRAB” BRACELET

hand fabricated

length 6 in — 15.2 cm, 109.6 grams, dated15/6/1994

$1,000—1,500

79SIMON MUSCAT CARVED BC NEPHRITEJADE AND LEATHER BRACELET

hand carved and fabricated


$3,800—5,000

80SIMON MUSCAT STERLING SILVER ANDLEATHER “UNDER THE HOUR”NECKPIECE


length 14 in — 35.6 cm, 145.6 grams, numbered 1,first production piece

$5,400—8,000

81SIMON MUSCAT STERLING SILVER ANDLEATHER “YAP” NECKLACE


length 15.5 in — 39.4 cm, 136.4 grams, numbered1, first production piece

$7,000—10,000

SIMON MUSCAT STERLING SILVER“MEDUSA” BRACELET WITH BRONZESTAND

in custom fit box; bracelet created using hollowcast technique

length 6.25 in — 15.9 cm, 192.6 grams, numbered2, second production piece

$9,500—15,000

82 83ALLYSON SIMMIE STERLING SILVER“ARCTIC SPRING” PENDANT

set with a round Kimmirut lapis lazulicabochon; limited edition piece (Edition of 20)



$600—900

84ALLYSON SIMMIE STERLING SILVER AND24K NWT GOLD “SUNBUST” PENDANT

set with an oval sodalite cabochon; from theSunburst series



$450—700

85ALLYSON SIMMIE STERLING SILVER AND24K NWT GOLD “SUNBURST” RING

from the Sunburst series, size 6, 8.2 grams

Literature:The texture on the NWT gold sun was createdby pressing dried tundra plants directly ontothe surface of the gold.

$400—650

86PAIR OF ALLYSON SIMMIE STERLINGSILVER AND 24K NWT GOLD “SUNBURST”EARRINGS

from the Sunburst series, 3.9 grams

Literature:The texture on the NWT gold sun was createdby pressing dried tundra plants directly ontothe surface of the gold.

$400—650

87ALLYSON SIMMIE STERLING SILVER AND20K NUNAVUT GOLD “TREE LINE”PENDANT


Literature:This piece was inspired by observing the sunrising and se!ing on the treeline of the borealforest. The texture on the Nunavut gold wascreated by pressing tundra plants directly ontothe surface of the gold.

$400—650

ALLYSON SIMMIE STERLING SILVER, 14KYELLOW AND ROSE GOLD “WAVYSHORELINE” RING

size 9, 12.2 grams

Literature:My Shoreline collection of rings and pendantsare inspired by the beautiful coastlines ofNova Scotia's Mahone Bay.

$1,500—2,000

88 89ALLYSON SIMMIE STERLING SILVER, 14KYELLOW AND ROSE GOLD “CANADIANLANDSCAPE” RING

size 12, 11.1 grams

Literature:This ring features the Canadian Landscapefrom coast to coast. Turning this ring aroundon your finger is like travelling across thecountry. Starting in the west with VancouverIsland, then moving along through the RockyMountains, foothills outside of Calgary,prairies, forests of Central Canada, the inletsand islands of the east coast... and you're backin the west!

$750—1,000

90ALLYSON SIMMIE STERLING SILVER, 14KROSE AND YELLOW GOLD “SHORELINE”PENDANT


Literature:My Shoreline collection of rings and pendantsis inspired by the beautiful coastlines of NovaScotia's Mahone Bay.

$950—1,300

ALLYSON SIMMIE STERLING SILVER “FULLMOON” NECKLACE

from Full Moon Series


Literature:The texture was created by taking animpression directly from a piece of Arcticgranite.

$1,500—1,900

91ALLYSON SIMMIE STERLING SILVER“QIKIQTARJUAQ” BANGLE


Literature:The design in this bangle is the panoramic viewof the landscape surrounding the communityof Qikiqtarjuaq, on the northeast coast ofBaffin Island.

$450—700

92ALLYSON SIMMIE STERLING SILVER AND24K NWT GOLD “MOUNTAIN RANGE”CUFFLINKS

17.6 grams

Literature:Years ago I drove from Edmonton to Alaska,following the Rocky Mountains northward.These cufflinks were inspired by my experienceof that extraordinary landscape.

$550—900

93

ALLYSON SIMMIE STERLING SILVER“NORTHERN LIGHTS” RING

size 7, 5.9 grams

Literature:Each ring is hand carved and finished torepresent the shimmery dance of light thatbless our Northern skies.

$250—400

94ALLYSON SIMMIE STERLING SILVER“NORTHERN LIGHTS” RING

size 9, 7.9 grams

Literature:Each ring is hand carved and finished torepresent the shimmery dance of light thatbless our Northern skies.

$250—400

95ALLYSON SIMMIE STERLING SILVER“ORIGINS” PENDANT

set with a round Nova Scotia porcelain agatecabochon; limited edition piece, signed 2/20



$550—800

96

ALLYSON SIMMIE STERLING SILVER AND20K NUNUVUT GOLD “ARCTIC SEASONSREVISITED #1” ONE OF A KIND BROOCH/WALLPIECE

set with Baffin Island green serpentine stone


Literature:I created this piece in 2016 to mark theoccasion of being inducted into the RoyalCanadian Academy of Arts. I was reflecting onmy time spent in the North, thinking of how inthe time I spent there I had come of age as anartist in the company of Inuit artists - and howmuch I valued and appreciated what had beenshared with me.

$2,300—3,000

97LESLIE SHERIFF STERLING SILVER AND14K YELLOW GOLD EARRINGS

hand fabricated


$150—200

98

Fine Jewellery AuctionDECEMBER 5 AT 7:00 PM

Asian Art AuctionDECEMBER 4 AT 7:00 PM

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