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BD+C accreditation. Her background includes serving in various capacities from intern architect to junior project manager, developing construction documents on a number of projects types including: residential, mixed-use, multifamily, adaptive reuse, site design, high rise and institutions. She would like to venture in the academic work again—at the collegiate level, only this time pertaining to A/E/C industry trends. Osato lives with her husband and primary editor, Kayode Adebiyi, in Hawthorne, California.

PORT f o I i o

by Osato J. Adebiyi

eflections

Osato Adebiyi is a LEED Green Associate and a design professional in architecture and urban planning with broad experience in residential, as-builts, and mixed-use, projects, as well as site planning in the architecture / engineering / construction industry(A/E/C). She also has direct experience teaching as a substitute teacher with ages 3 – 23 years, in various subjects from K-12, algebra, architectural design, and physics. Her interests include the green building industry (sustainability), acquiring the NCARB license and LEED AP

AcknowledgementsFirst I would like to thank the following: To the God of all Creation, from whom all blessings flow. To my husband for his love, support and guidance, as well as his photographic services. To the Osaseri family for their love and support.

To Lori Shreve Blake, Director of the University of Southern California (US-C)’s Alumni Career Services: for coaching, support, and for introducing me to NDH Search. To Nancy D. Horne, of NDH Search, for coaching, advice, and professional development.

To my friends and colleagues who provided feedback efrom a vast array of disciplines: Steve Lott, architect, Co-Founder RAW International; Jerome & Katherine Julian, of Julian and Julian Associates; Siah Howard, fashion designer, and Sister Fumni Makinde, fashion designer and makeup artist; Gail Kennard Madyun, owner of Kennard Design Group, and Jennifer Lew, architect.

Finally, I would like to thank five influential instructors: my USC Architecture Instructors Joe Addo, (Fall 2001), and Margaret Griffin (Fall 1999 and Spring 2003) for pushing me to outperform my limitations. showing me—through her example—how to put family first. Joe Gatto, LACHSA Visual Arts Chair (during my time there in 1996 – 1998) who taught me the art of figure drawing. Marta Van Patton and Robin Rudnick, my 8th grade art and humanities teachers who helped me with my admittance into the Los Angeles County High School for the Arts (LACHSA) – on the campus of California State University, Los Angeles. Apparently, not only can a teacher change the life of a student; they also make a lasting impact.

- Osato Joy Adebiyi, LEED Green Associate

Table of Contents

1 Kauai Commercial . . 4

2 Hillside . . . . 6

3 Beachfront . . . . 8

4 Skylofts . . . . 10

5 Sanrio . . . . 12

6 Montara . . . . 14

7 Urban Design . . . 16

8 Sketches . . . . 18

This conceptual project was built in Revit computer program, enabled me, as the designer, to work remotely with the client. The project sits on a hillside over-looking the ocean, in the northern most island of Hawaii, known as the Kauaii The Garden Island. The three-story commercial facil-ity is mirroers on either side of an arched glass atrium, complete

with ten private officess, an open workspace for 30 work stations, a kitchen, work room and an out-door pool. This brick and mortar building represents perminance that complements the garden island which surrounds it.

(Elevations, top) South, (middle) North, (bottom, l. to r.) West, Attrium, East.

(Opposite page, top right) Southwestern 3D-view; (top left) typical floor plan.

Kauai Commercial FacilityKauai, HAwwaii

Credits: Institution: O.J.O. Design LADesigner: Osato J. Adebiyi, LEED Green Associate; Consultant: Jim P. Lemmon, Architect, LEED AP BD+C

Level 10' - 0"

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www.autodesk.com/revit

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1/8" = 1'-0"4 North

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1/8" = 1'-0"1 Section 1 1/8" = 1'-0"2 Section 2

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1/8" = 1'-0"1 Level 1

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(Below, clockwise from the left) stair floor plan and 3D model; Section through the attrium; Cross Section, and Longitudinal Section.

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1. Bedrooms2. Kitchen and Dining3. Living 4. Entry5. Balcony with 270 degree views

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This conceptual project was built in Revit, a BIM software program. The backdrop--later rendered in Adobe Photoshop-- shows a picturesque home, nestled amongst the trees in Torrance, Ca. Complete with ocean views, this inhabitance has an open floor plan, high ceilings, three-bedrooms, three-bathrooms

a kitchen and dining that’s perfect for entertaining. This modern two-story residence offers peace and tranquility amidst the busy metropolis of Los Angeles.

(Below) north elevation, showing the dense woods beyond; (below, left) east elevation and (bottom, right) west elevation. (Opposite page, top) south elevation; (opposite, middle) first floor; (opposite, bottom) second floor.

Hillside House Palos Verdes, California.Credits: Institution: El Camino Community College, Torrance, Ca Designer: Osato J. (Osaseri) Adebiyi, LEED Green Associate; Instructor: Jim P. Lemmon, Architect, LEED AP BD+C

Originally built in 2009, using a Building Information Modeling (BIM) computer program called Revit 2009, I wanted to pay tribute to my homeland, the country Nige-ria. This home in Victoria Island, a beach community in Lagos, Nige-ria, has an open floor plan with two bedrooms and a bath. Embedded in a sloping site, this property pro-vides immaculate views, a double height living space, and plenty of daylight.

(Below) second floor plan, the entry level; (bottom) first floor plan; (opposite, top) southwest view; (opposite, middle) west elevation; (opposite, bottom) north elevation.

Beachfront in Victoria Island Victoria Island, Logos, NigeriaCredits: Institution: El Camino Community College, Torrance, Ca Designer: Osato J. (Osaseri) Adebiyi; Instructor: Jim P. Lemmon, Architect, LEED AP BD+C

I had the pleasure of working on a number of mixed-use and adaptive re-use projects in Downtown Los Angeles, while working at Van Tilburg, Banvard & Soderbergh, AIA (VTBS). This 22-story commercial high-rise, known as Chase Plaza—originally built in

1986—towers over the southwest corner of Grand Avenue and 8th Street. The year 2006 marked its transformation from exclusively offices into 132 luxury condomini-ums on the top eleven floors, com-plete with a retail level and fitness center.

Sky Lofts at 801 Grand Credits: Client: CIM Group/Lee Homes; Firm: Van Tilburg, Banvard & Soderbergh, AIA; Offices 230,000 sf.; Loft Condominiums (2 Bedrooms From 1,285 - 1,848 Sq Ft, and 3 Bedrooms From 1,907 - 1,907 Sq Ft) = Total 231,894 sf.; Total Building 461,894 sf

The existing subterranean parking level and the first ten floors of commercial office space were in full operation during the construction of the upper floors; the ground floor lobby underwent a major remodel. A motor court was created on the west side of the building to serve as the private residential entrance. An organic motif was etched into the pavement and into the carpet pattern of the lobby, which gave

the impression of merging indoor and outdoor spaces together. I assisted the project architect with production and with the material board (below) constructed in CAD and Photoshop. Elements include (opposite, bottom left) Photo of motor court driveway; (opposite, top left) Residential Entry (West) Elevation; (opposite, right) Water Feature; (this page, top right) 8th Street Entry Elevation; (bottom right) Northeast Photo of the exterior; (bottom center) four images depicting the Residential Corridor Elevation; (opposite, bottom left) photo of the residential entrance from the motor court; (center) Paving and Carpet Pattern.

This tenant improvement project was developed by Opus Corpora-tion, a developer headquartered in Minnetonka, Minnesota. One of its five regional operating compa-nies, OPUS West, based in Irvine, California, served as the landlord throughout the entire process of this project. This new, multimillion dollar project consisted of three compo-nents: retail, civic and residential. The client's Sanrio boutique

required a tenant improvement within the commercial component. Located in Building #3 (the north-east quadrant of the site), the scope of work involved providing retail space, office space, an attic space, an ADA compliant restroom, as well as, mechanical, electrical and plumbing equipment. The client, Michelle Ogle, was first introduced to Loyd W. Martin (Left) front view of the shop, (below) site plan (the red square) on the commercial master plan.

Sanrio (Hello Kitty) BoutiqueThe Shoppes At Chino Hills, Building #3, Space #3070, Chino Hills, Ca.Credits: Owner: Michelle Ogle; General Contractor: Jen’s ConstructionEngineer & Building Designer: Loyd W. Martin Engineering+Design;

Engineering+Design, through the contrac-tor, Jen’s Construc-tion.While working with the principal engineer, Loyd W. Martin, I served as job captain through-out the initial permit process. I produced 75% of the shop drawings, using Archi-CAD, a Build-ing Information Mod-eling (BIM) computer program. In addition to work-ing with a developer in the midwest, we also worked with an out-of-state electrical

engineer. This only added to the complex-ity of coordinating with different consul-tants in different time zones; nevertheless, the boutique opened in 2008, along with the other retail facili-ties.

(Top, right) reflected ceiling plan, (below) front elevation, (bottom, right) floor plan; (bottom, left) transverse section.

Developer/General Contractor: OPUS West Construction Corporation; Electrical Engineering Consultant: Jim Douglas, E.E.;

This single family detached (SFD) residential project was designed for the development company, Fieldstone Communities, Inc., in Corona, Ca. Osato Adebiyi, then known as Osato Osaseri, was the intern architect who worked exten-sively on this project, under the guidance of project manager, Gina Paola. Most notably, this was the first built project that Osato worked on from schematic design phase through construction.

The client desired variations to the floor plan, such as additional rooms or a den. This particular project came in one- to two-story models and in three styles: Spanish Colonial, Tuscan, and Craftsman. (Below) elevations of Plan 1A, a 2,830 sf. one-story, three-bedroom house; (bottom) Street Scene showing (left to right) Plan 3A, a two-story Spanish Colonial style home; Plan 1C, a one-story Craftsman style; Plan 2B, a two-story Tuscan style; and Plan 4C, a Craftsman style two-story home.

“Montara” HomesCredits: Owner: Fieldstone Communities, Inc.; Architect: Bloodgood Sharp Buster Architects & Planners, Inc.; Structural Engineer: Borm Structural Engineer ; Title 24 Consultant: Heritage Energy Group; Civil Engineer: Fuscoe Engineering

The number of rooms lent itself from a one-story, three bedrooms home to a two-story, six bedrooms home. BSB Design made a name for itself as a service-oriented design firm, able to produce construction documents in as little as three weeks to three months.

(Clockwise from the top right) sections, the main floor plan and typical floor plan options such as patios and additional bedrooms of Plan 1A, a 2,830 sf. home.

Amongst the four possible blighted areas along the Vermont corridor, my team chose the intersection at Vermont Avenue and Manchester Avenue—the neighboring community of my childhood. The intent of this design studio was to first identify and understand the structural relationships between boulevards and adjacent neighborhood communities; then secondly, imagine and design new ways of connecting them. The focus was on configuring sequential public/pri-vate open spaces in urban L.A. in order to strengthen rather than destroy the residential fabric behind the bou-levards. My team of four designers chose a commercial library, an outdoor garden, solar powered bus shelters, diagonal crosswalks and welcoming street scape to accommodate a boulevard that boasts over a million daily commuters. The library’s undulating walls create private niches for library readers; yet combined with vertical brisolies, it provides shade in the hot summer months along the southwestern facade, while permitting sunlight during the winter months.

(Above) side view and top view bus shelter structural model.

(Opposite, top) library elevation showing bus shelter in front; (opposite, left) site plan - night scene;(opposite, right) wall section of library, showing brisolies.

Urban Design - Spaces in BetweenCredits: All designs hand-drawn or built by hand by Osato Adebiyi.

1. Proposed Library2. Proposed Bus Shelters3. Proposed Bus Station with curb set-back.4. Diagonal crosswalk5. Existing Commercial Building6. Library Garden Park7. Vermont Ave, running north to south8. Manchester Ave, running east to west

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(Top,left to right) The Getty Center - Interior Gallery sketch in pen and ink; USC’s Mudd Hall drawing in charcoal and graphite; Union Station - Exterior Promenade, Downtown Los Angeles in watercolor and graphite. (Below) Exposition Park mixed media drawing and collage in three panels.

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