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    IT M N T B O O K

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    T M N T B O O K

    FOR

    the AWESOME PeterLaird, without whom therewould be no Teenage

    Mutant Ninja Turtles!

    AND

    to our fans, who gave

    us the GREATEST jobon the planet, to writeand draw our own

    COMIC BOOK stories!

    ISBN: 978-1-61377-661-2

    16 15 14 13 1 2 3 4

    IDW founded by Ted Adams, Alex Garner,Kris Oprisko, and Robbie Robbins

    Ted Adams, CEO & PublisherGreg Goldstein, President & COORobbie Robbins, EVP/Sr. Graphic ArtistChris Ryall, Chief Creative Officer/Editor-in-ChiefMatthew Ruzicka, CPA, Chief Financial OfficerAlan Payne, VP of SalesDirk Wood, VP of MarketingLorelei Bunjes, VP of Digital Services

    TEENAGE MUTANT NINJA TURTLES:ARTOBIOGRAPHY. JUNE 2013. FIRST PRINTING. 2013 Kevin Eastman. 2013 Viacom InternationalInc. All Rights Reserved. TEENAGE MUTANT NINJATURTLES and all related titles, logos and characters aretrademarks of Viacom International Inc. CEREBUS andall related characters are & 2013 Dave Sim. AllRights Reserved. IDW Publishing, a division of Idea andDesign Works, LLC. Editorial offices: 5080 Santa Fe St.,San Diego, CA 92109. The IDW logo is registered inthe U.S. Patent and Trademark Office. Any similarities topersons living or dead are purely coincidental. With theexception of artwork used for review purposes, none ofthe contents of this publication may be reprinted without

    the permission of Idea and Design Works, LLC. Printedin Korea. IDW Publishing does not read or acceptunsolicited submissions of ideas, stories, or artwork.

    Originally published in 2002 by Heavy Metal.

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    IIIT M N T B O O K

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    4 T M N T B O O K

    I always felt my artistic interest

    and skill was inherited, but I never

    knew to what depth until recently.

    I had seen many of my

    grandmother Eastmans watercolor

    paintings, and had traced over many

    car and motorcycle drawings of

    my Dads when I was younger. Mymother was always doing something

    creative, and today paints better

    with oils and pastels than I ever will.

    It seems both sides of the family

    brought a piece to the table.

    It wasnt until George Eastman

    contacted me through the Ninja

    Turtles web site in the late 90s to

    confirm some facts for the Eastman

    family genealogy web site that

    he was building, did I get the full

    picture.

    It was there I first discovered

    Seth Eastman. Here are some of

    my favorite drawings, and the man

    himself.

    H I S T O R Y

    MISTERDARKANDMOODY

    ONEOFM

    YFIRSTCOVERSFORCLAYGEER

    DES

    P

    HOTO

    BYSYDNEY

    HIGHSCHOOLMURAL

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    5T M N T B O O K

    Arguably the foremost

    pictorialist of the American

    Indian, Seth Eastman was born

    in Brunswick, Maine on January

    24, 1808. Thomas Jefferson

    was finishing his second term as

    president of the United States

    there were seventeen states.The eldest of thirteen children of

    Robert and Sarah Lee Eastman, Seth

    Eastman descended directly from

    Roger Eastman, the first Eastman in

    the colonies. An adventurous young

    man from Wiltshire (the southern

    country of England wherein lies

    Stonehenge), Roger boarded the

    ship Confidencein Southampton

    harbor, bound for Massachusetts

    Bay Colony, in April 1638.

    Upon graduation from West

    Point, Second Lieutenant Seth

    Eastman was assigned to the First Infantry and sent halfway across the continent to the edge of civilization at Prairie

    du Chien, where Colonel Zachary Taylor was rebuilding old log Fort Crawford from native rock.

    Like many of his fellow officers, Eastman had taken an Indian wife in 1831. The third daughter of Chief

    Cloudman of the Lake Calhoun village, her name was Stands Like A Spirit.

    Largely unbeknownst to the outside world, besides keeping peace on the frontier, Captain Eastman was also

    amassing an amazing portfolio of paintings of Indian life. Consumed by an unquenchable passion to preserve forposterity the customs of a race he thought to be dying, Eastman was assembling a pictorial history of The Dakota

    that would be second to none.

    Seths mixed-blood daughter, Nancy, had grown to bewitching young womanhood. She was said to be the most

    beautiful of all Dakota maidens, and Indian tradition insists that she was as good and virtuous as she was comely

    of face and figure.

    Eastmans final commission in 1870, also for the government, specified seventeen paintings of American forts

    for the House Committee on Military Affairs. After completing nearly all of his paintings, on August 31, 1875, Seth

    slumped over at his easel and died. The Washington National Republican carried a brief obituary on Thursday,

    September 2nd.

    MY NEW HERO

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    6 T M N T B O O K

    THE FIRST

    EASTMAN

    AND LAIRD

    DRAWINGAs for me, I was born May 30, 1962 in Portland,Maine to parents Kim and Sandra Eastman. I grew up

    in the tiny country town of Groville, Maine with sisters

    Marlene, Judy, and Maryann. Did all that normal kid stuff,

    and I liked to draw.

    MYROUG

    HSKETCHFORTHEFIRST

    GROUPDRAWING

    PETES

    TWEAK

    MY FIRST

    SKETCH

    BIRTH PLACE OF THE TURTLES

    THE FIRST TURTLE

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    7T M N T B O O K

    All my earliest submissions to publishers

    were Underground ones, like Last Gasp,

    Rip Off Press, and Kitchen Sink. One of my

    biggest supporters, high school art teacher

    Jane Hawkes, found my interest in the edgier

    content of these comics disheartening, but

    still encouraged me to practice drawing

    everything I see as I would need to if Iintended to draw comics for a living. She was

    pretty special.

    My mother says I drew

    all the time, especially when

    I was supposed to be doing

    homework.I still clearly remember the

    day I decided what my calling

    would be, it was right after

    I read the first issue of Jack

    Kirbys Kamandi I wanted

    to write and draw my own

    stories.

    This was pushed to the

    next level of intensity whenI discovered Heavy Metal

    magazine, and the artwork of

    Richard Corben.

    In pursuit of more Corben,

    I found underground comics

    and self-publishers. I loved the

    freedom of expression they

    had, while most mainstream

    comics were restricted by a

    ratings board.

    PRE-ISS

    UEONEGROUP

    SHOT

    CHARACTER

    SHEETS

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    8 T M N T B O O K

    H

    ISTO

    RY

    Although I was rejected by most of the Undergroundpublishers, one of the smallest took a chance. Clay Geerdes

    Comix Wavewas my first publisher, and it was an incredible

    feeling. I had tasted blood, and now needed more.

    After graduation from high school

    in 1980, and a

    brief visit to the

    Portland School

    of Art, I spent

    the summer

    cooking lobsters

    before moving

    to Amherst,

    Massachusetts with a friend. There I found a comic magazine called

    Scat and took the bus to their office in Northampton to sell them some

    of my work. They werent interested, but said I should meet this local

    artist with similar interests named Peter Laird. With a mutual love of

    comics and Jack Kirby, we became fast friends, and began working on

    short stories together right away.

    THE FIRST ISSUE

    THE FIRST CONVENTION

    THE FINAL SHREDDER

    CONCEPT

    THE FIRST CONVENTION AD

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    After another summer of cooking lobsters, Pete and I made a studio out of his living room and called it Mirage

    Studios. Our plan was to join forces and sell our skills.

    It was there in Dover, New Hampshire after some late night joking around, the first finished sketch of the

    Teenage Mutant Ninja Turtles evolved.

    Tired of rejection letters, and inspired by the newest self-publishing movement, especially Dave Sims Cerebus

    comic, we pooled our money and borrowed some more from my Uncle Quentin to come up with enough to print

    3,000 black and white comics we were sure would never sell.May 5, 1984

    we premiered the

    first issue at a local co-

    mic book convention. It

    was incredibly exciting,

    but I was back cooking

    lobsters in June.

    In early 1985, the

    sales for book twoexceeded 15,000

    copies, and by mid

    1986, Turtles book

    number eight shipped

    more than 125,000

    copies. I was drawing

    comics all day, and

    supporting myself the

    dream had come true.

    THEFIRSTPRESS

    RELEASE

    ONE

    OFTHEFIRSTADS

    HOME TOWN PRESS

    9T M N T B O O K

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    10 T M N T B O O K

    Throughout the eighties we traveled a lot

    for promotional events, and met lots of other

    creators, and began to expand our publishing.

    We also began to do some licensing deals like the

    Palladium Books Role Playing Game.

    Through its publication we met an agent named

    Mark Freedman, who had savvy, and a lot of the

    same kind of luck we had-- Good Luck.Mark worked the right deals with the right toy

    and animation studios, but would Mutant Turtles

    sell?

    Fortunately we were wearing our seat belts when

    we found out. By 1990, in addition to the number

    one toy and cartoon show status we had, New Line

    Cinema, Golden Harvest, Jim Henson, and director

    Steve Barron added a big screen smash hit to the list.

    We had now accomplished what no other

    comic industry individuals had, not only did we

    write, draw, and publish our own characters,

    we had reached a major level of success in the

    entertainment business by making specific decisions

    for characters we fully owned and fully controlled.

    Im very proud, but very respectful to all

    those who struggled before me who created

    an environment that allowed the turtles

    accomplishments to be possible.

    FIRSTSANDIEGOCON

    CHARACTERARTALSOT-

    SHIRTIRONONS

    THEART

    OFBEDDIVING

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    11T M N T B O O K

    TOY PROTOTYPES FROM 1988

    THE FIRST TOY FAIR WITH OUR AGENT

    The licensing program that launched in 1988, and dwindled to a trickle by 1998, was an amazing adventure.

    Although Peter and I nearly completely stopped drawing to handle the business of the turtles, we never stopped

    being creative.

    Together we worked on close to 300 of the cartoon shows, three live action films, a dozen video games, a live

    action TV series, a touring stage show, and over 3,000 other licenses worldwide.Every success story seems to come with a personal cost, and although Pete and I had, and still have a strong

    bond, there certainly were times it seemed we were married, and only staying together for the kids.

    Regardless of the bumps, we couldnt have done it without each other. Besides, the journey more than

    exceeded any of my wildest dreams, and

    allowed me to see and do things that could fill a

    couple of lifetimes.

    A TRUE MIRAGE STUDIO

    H

    ISTO

    RY