`Techrtical `Flexibility'`For `FlutistS

A book oforganizeddaily practice routines

9~r,Geoffrey Gilbert

B-369$9.95

SOUTHERN MUSIC COMPANY

Publishing Division

SAN ANTONIO, TEXAS 78292

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Scale sequence

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B-369

MAJOR SCALESin fours

Nos. 6 and 12

Phrasings: Nos. 1 and 7 = =~•=

etc

Nos. 2 and 8=~•

oc.

Nos. 3 and 9

Nos. 4 and 10

etc.

Nos. 5 and 11=

(single)

~• (double)

The passages in brackets should he practicedFirst, before the complete scale .

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©Copyright 1988 by Southern Music Company, San Antonio, Texas 78292International copyright secured . Printed in U .S .A . All rights reserved .

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MINOR SCALES (Harmonic)

Phrasings : Nos. 1 and 7

=(double)

T~_ K

Nos. 2 and 8 ~• etc.

Nos . 3 and 9 etc .

et

Nos. 4 and 10

~ etc .

Nos. 5 and 11

Nos. 6 and 12=

(double)

*In Nos. 2 and 8, at fast tempi, it can be anadvantage to use double tonguing as

illustrated . Try this method and persevere.

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MINOR SCALES (Melodie)

Phrasings : Nos. 1 and 7

Nos. 2 and 8

Nos . 3 and 9

Nos. 4 and 10

Nos. 5 and 11 ~• (single)

Nos. 6 and 12 ~~ (single)

b

====etc .

1

etc.

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ARPEGGIOS (Major and Minor)

Phrasings : Nos. 1 and 7

Nos. 2 and 8

Nos. 3 and 9

Nos. 4 and 10

Nos. 5 and 11

Nos. 6 and 12

4

6

etc.

etc.

~~ (double)

(double)

etc.

NOTES:

1 . Omit the trill key on either top B flat or B natural where it is followed by top D .

2. Try using middle finger for top F sharp in descending where it follows top B natural .

3. Remove right hand little finger on top E in descending where it follows top A.

ss

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Minor

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DIMINISHED and DOMINANT CHORDS

f,

1

4 .

5 .

6 .

7 .

8 .

9 .

10.

11 .

12.

8

E~m~ a rmro-.

etc.

6

etc .

~~ (double)

etc.

etc .

etc.

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Mao

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ri

'r-rarr

r-rrrrrrrr

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-rr r -

rr--9

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rrrrr-rr---~rr-rrrr

!t

r-~~ -- - _

Lo M=

mmmo~H,ra-M

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12 AUGMENTED CHORDS, WHOLE TONE SCALES,and CHROMATIC SCALES

Phrasings : Augmented chords and whole tone scales, numbers 1 thru 12, on page 10.Chromatic scales, numbers 1 thru 12, on page 10 .

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B-369

Augmented

-3- -3-Also : 13 . iz7!r etc.

14 .

etc .

15 .

16 .=

.. :• . -• etc .

4

etc.

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B-369

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Whole Tone Scales

Chromatic Exercise

4 Limes twice

.• iAIP

b

once each

a

13

b.Ii. •b. . ti b. i

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r r

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r

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w~r

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48

Phrasings : 1 .

etc.

etc .

etc.

4 .~•

(single)

AUGMENTED CHORDSin sevens

5 . rrr~rrr • (double)

6 .~•

(double)

7 • rrr~rrr• (triple)

8 . r= (triple)

nr

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dodir A •

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9

19

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CHROMATIC INTERVALSPhrasings 1 thru 12 as in scales in fours .

b -0,

9 .~•

etc .

10 ..rrrrrr •

etc.

T K T T K T K

11 . rrrrrrI, (triple and double)

12 .T K T K T K T

•

(double and triple)

-~

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w---r COr:arMM

-~- -~ _~~

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~~~~~---~---

if..---v =Mo~~

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3) L.~

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B-369

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52

~) F major

MAJOR CHORDS (commencing on the third)

--r~~r~-rrrr~- -- _r ~•1«9-33

W-M.~ff

-: --rc--r AMIF ~r

t

r

'/

∎∎∎

--- !!_=

---

---

--_--•nri

r--

•M-r_-•-am

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r

-- •--r •-

0.r

-r-__-- •-

-- __r.aun

r

NOTE: Phrasings 1 thru 12, plus 13, 14, 15, 16, for the exercices above .(see page 11 for phrasings 13, 14, 15, and 16)

Phrasings 1 thru 12 plus 13, 14, 15, and 16 .2) A flat major

A major

MAJOR CHORDS (commencing on the fifth)

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B-369

Gb major G major

B flat major

(Continue raising by half-steps)

r

(Continue raising by half-steps)

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//

Exercise One (Version A)

Exercise Two (Version A)

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rM

Pa:r~~-v~

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Version AI

/,• / t -a--t-t ~It t t t s t t tVersion BI

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2

2

3 3

3

3

3

4

3

3

5

3

3

4

6

3

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~-tM/üf

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53

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