technische studien etudes techiques technical studies · 2020. 4. 26. · etudes techiques...

Technische Studien Etudes techiques Technical Studies

Tonleitern in zwei Oktaven Gammes dans l 'intervalle de deux octaves

Scales in two octaves

GB. C-Dur 0 t 3 14 0 11 3 14 0 11 2

?= ·~ I e Ut rnajeur e II e II C major e It U' -& 0 -6-

2 1 0 -& 0 4 2 0 4 3 1 0 4

?= e IJ e I '' e It e ,, e 0 f1 4 2 14 11 rq 0 .0.. a-Moll 1 3 0 2 0 -e

~: ~~ lie I#" 0 .La ntineur II e II El A minor '' e

0

~~ ~~ .D. 1 4 2 ~ 1 .D. -6- 0 0 4 2 1 0 ?= I

e II e a 2 i a I) '' e

r '4 0 F-Dur 14 0 11 2 4 0 1 2 0 ?= ~ ., I 0 '' e Fa nwjeur e IJ '' e '' F major 0 e 4 3 1 .D. 2 ~ .D. t 0 -e 4 2 1 0 4 2 0 e ?= ~ '' 0 II 0 '' e

I #t, r4

d-Moll 1 3 14 0

•• 2 0 1 2

?= ~ ·~ I I I qo I II Ren~ineur '' e e D minor 0 e ' u -& '* g~ bb .D. 0 4 2 1 0 4 2 1 0

?= ~ I I e '' e II 0 '' e '' 0

2 1' 2 1

B-Dur 2 14 0 tl 2 r{l 0 -6- .ll. -e 0 0

Si be11wl rnajeur ?= ~!, e II ·~ e II

0 '' B flat major

3 2 1 4 ~ .u 2 -e- .D. 1 2 :1. ~ .D. -& 0 4 2 1 0 0 ?= ~"

II 0 ''

2!135!1

Julius Klengel

1' 14 0 0 ' ' 0

3 0

II -e u :e:

1 #~ #:,. -& a I !!

4 3

II II 0 ,, 2 1 3

.D. -& -&

1 0 4

IJ I 0 0 II 0

1, ~~ ~0

I e

I I I 4 3

II 0 -6- U'

4 1 2

.0.. -& .D.

0 4 2

e '' 0 II

g-Moll Sol mineur

G minor

c-Moll Ut mineur C minor

4 .0.

f -Moll Fa mineur F minor

4 .0.

4 ll

3 .0.

:1. .0.

3 1

-e- ·* 0

0

0

4 ..0.

4 0

:1.

,,

3

2 -e-

2 0

2

0

2

2 .0.

0 0 li

4 0

2 0

2

''

:1. 0

14

II

••

0

1 0

1

0

1 0

0 0

2

' '

4 •• 0 (1

2 0

• :1.

' ' 0

0 ''

0 ti 3 14

0 lqn I ~0 I 0

4 0

2 0

:1.

' '

2 4 :1. 2

4 0

" I ~ 0 l1l" I 0

4 lj

:1. ,, 4 0

0 0

0

0

0

0

4 lj

2

0

2

' '

3

''

4 2 :1. 4 2 lj 0 I nfto I 0

2

0

II

:1.

2 -e-

2

0

0

q~

I

:1.

,,

'cl

0

0 II

2

J " I 0 :1. ,,

:1. 0

2 0

0

:1. 4 2 :1.

o I .. jj) I .. II

:1.

0

:1.

0

2 0

,,

0

I qb.

3 :1.

IJ 0 0

2 :1.

II

4 .D. r,, 0 ll 2 1

h-Moll 3 4 2 """' ~o, -a- u S .b' l · ~~·~!~~c~~~~~~go~~b~n~~ ~~e~~~o~~~~~~~~ t emo rnmeur 7 • ~'1 !i' t ~ e n e " """ : ~ : :

B flat mi11or ' ~

Fis-Dur ,: Ill#·~ Fa diese majeur F sharp major

4 3 .ll 1 -e- .ll

1

4 .ll

0

4 -e-

~: ~#~'~ 2£

es-Moll 1 J.Jii bthnol rnineur ?= ~s ~l, .,

E flat minor ' ~ -e-

4 ~~ -e- 4

1 4 .ll -e

2 4 1 2

I '' e li e

2 1 0 0

4

] II

3 4 1 2

I 0 lj 0 0 2 1 ~!. 44? 4 ~: ~h ~I I J 4140 ,, 0 hV

H-Dur Si majeur B major

3 ~

?3#~1¢

gis-Moll Sol diese mineu1'

G sharp minor

4 ~

l;l~( -

;~:

E-Dur 1lli majeur E major

4 -e-

t1= 11;~F-

I

?= #j(f(., 1 2

0 .,

2 1 .ll 4 ~ .D.

?= I#J¢•~ 1 3

£3 ,, q~~ q~ 4 0..

I

?= ~~~~., 1 2

-e- 0

3 1 4 .ll -e- 0

J

4 1 2

0 IJ 0

2 1 -e- .D.

4 -e-

I~

'* 1 2 r ~TE?R 2

-e- 4 0 0

4 1 2

I 0 I u2t9

2 1 4 0 ,,

0

3

2 0

4

0

2 0

I gt

2

II

4 II

2 ?

4

I~"

2 ,,

4

I ,,

2

''

1 4 3 4 3 e ,, e I II e ,, 1

o II

2 4 1 1 2 il 1 -e- .ll 0 0 flj 0

,,

i 4 2 4 2 1

II I II 0 lj 0 ,, 0 0 2 4 ~~ q~ 0 11 2 1 0

I qe I I ,, 0

11 0 I I

1 4 3 1 4 3 1

I ogp,, I I II 0 lj e 0 -e-4 1

2 1 2 .ll 2 4 .u ~ 1 ll -e-0 -e-

I : I 1 4 e 2 4 2 1 II e II II e '' 0

2 4 ~~ a

1 2 4 1 .D. ~.0. 0 -e-I ;=o I II

0

I

1 4 3 1 0 ,,

0 li

1 2 4 1 2

I olE lt_ESLI 0 II~

4 2 1 4 2 1

I A e •• 0 ,, e 0 ~

A-Dur La 'ntajeur A major

0 ll

D-Dur Remajeur D major

4 .0.

t

h-Moll Si mineur B minor

G-Dur Sol majeur

G major

3 -e-

3 .0.

2 ll

1 0

4 IJ

1

~

a

3 -e-

0 0

4 ll

2

0

2

lq,

41

2 0

1 0

4 IJ

''

0

0

0

1 II

3 -e-3)

0 0

0

0

0

3 e

:1. ll

0

,,

4

0

,.

:1. 0

4 II

''

1 ,,

3 14 0

o I " I o 1

0 0 e

4

2

,,

2 0

0 0

2 0

2

0

0

2 0

,,

4 II

1

'4 it

4

''

1 ,,

''

.. ,

:1. 0

3 0

3 0

II

0 e

2 0

0

0

e

'4

2

0

4 .. ,

''

1 ,,

0

3 1

o I

1 ,,

3

3 -e-

0

0

0

1

''

''

0 0

3 e

1 0

" I 0

3 0

0

0

1 2 ll -e.

1

''

0

.. ,

2 -e-

4 3 1

2

,,

2 ll

II

1

" II

4 3 1

"' I e 0 II

0

0

0

3

0

0 0

11 0

2

3 -e-

1

4 2

II

.. I Q¥1 1

-e-3 .D.

1 0

.. I 0 II

e -MoJJ Ni mineur

E minor

4 -e-

2Q

1 2 to~-

1 2 '1 2 rq 0 2 4 0

~): # " I I I ~n llo I '' 0

'' 0 ,, 0

I g~

-e- 0 0

~~ 4 2 1 0 4 2 1 4 3 1 0 I I I

0

I II I I I I I 0 II 0 ,, 0 ., 0 Stricharten fiir die Tonleitern in zwei Oktaven

Coups d'arch,ets pour les gammes dans l'intervalle de deux octaves Bowings for scales of two octaves

#~ ~~ I I

4 2

I I 71 0 -e-

1 GB. ---, I ~ I

?= '~ J_i!) I ifl) I ffTW#-flfEft I { W I WJ]J =II ~ II

]

II

GB. Fr. ________________ _

:2= 11 [ fjiTJTI J u U FJ I ht£ E U1l ~ JJ Q UJ =II ~ II 6. MSp. Sp. SpM. M. ---- ~ - ~

.?E V 4 @ D J ~ 1 a a r r r 1 r r c; li J a l[OJ 4 g JJ 4 g 1 ~ i- ~

,, ;B2EfrJtrrrrrrrr 1£1QJJww;;=ll A ::..__/ ~ - - -e-

h=" f3 J gdiD I {fFi U f] I ~3 I (f!fl!!) l (V)

?= fJ_J_)_L_r_B I a r r j WutJU} J J 1 J =II ~ II 5

;, ~~~ffifiFIQtgiaql--g@t~~~ I• ?'' ifjiOIC~Eftacat;i114~jMliifi~rtltrbrrti5JJtlw ;>J:~~Ff~lifj~itd"~l#v

?' wkffiiftc@il[(Erlfa·l~fribrd~l~t

!J'OV -~~~-crfi1!ffft~l~k\

!}= 4~.~-~~~=~~rmcrPW-i~----~'#M# ?=Mb~~I•WJdii#tfi@il~jiMI Y'fn1~-~1fiT~I~~~~ l~fi !J' ~JI•jj5¢t>iilCi~IJJ]fJ»Q1fWF~-II# !J=#/Pc:fi~l~~~~e~~'# !J'~--~--~~tsriiiifl~~· ?= •~J#ttffiii$·1~Jii}$FhrucftiQ=II

0

II

6

DJ•E'ikliinge in zwei Oktaven Accords de trot"s sons dans l'intervalle de deux octaves

Triads through two octaves

7

t 4 t

Stricllart~n fiir die Dr~ikliinge in zwei Oktaven

Coups d'arcltets pour les accords de trols sons dans l'£ntervalle de deu:xJ octaves

Bowings for Triads through two octaves

l GB. ~ .,MSp. 3 MSp. . -n~ ,..,.,., . ~ ~ .,., ~ ...

,: i II=JJ56U I ~=II J IHp etf I 00 @1)=11 J ll=p @ I i.Q n11 J I • ~J . • . Sl \...: •

8

'1.2132214 2231

v nJ:-______________ IT!'--------~----- ~~-----n~ 'i2t422t3 2 2241 1

9

2241 2231 2241 1

v III~-------------- ~~~------------- ~~-------

2 2 31 1

2231 224 1 2231 1

v III~------------- II~---------------~~ 1"'12142213 2 2412231 z 241 2231 2241 1

ill~---------- ____ ~~~----- ----------- !':' _______ II~ v 3

1"'1 ~ ~ 3 2 4 ? 2 tlt 2 24 2 1 142

4102 ° • ~ 12t 4 2 1~ -,. f:. :t:1 ~2 4 t2130 ~4°2 ~ ?= mrt·~ J!Pt£tf 1 crrrarr1s1 tcUc~rr1 tt rrrr 1 crrrrrrr'=l crrrrrrr 1•fiW=II ,J 11

v ~ 2 1 4 2 2 1 3 2 2 1 3 2 2 1 3 2 2 1;. 2 2 1 4 2 2 ~ \! 2 2 ~ 4 1 2 2 4 1 2 2 3 1 2 2 4 1 ~ 2 2 r~ t 1

?' ~~-II JJJJJ31 DcErCI cCEHBrtrt ~cr tiPHr I Etrt):fEFrl rrcr-m I ;!JWJ:II g I VIII~---~-------- II';' ________________________ ~~------------------------- II':' ______________ III';' __________________ _

'14'2 o 4 11 o 2 1 4 ~ 3 ~ ~ J~~~o ~ t33::l

?' ~~~~unwJJJJ liiJJtur 1 crrrccrn cccctr 1 ccrroo l"mJJWJif.J±.I'II 4 11 0 4 2

v IT~---------------~~-----2 3 2

~3 ~ ro-o 2t4 2t:·~~241 2241 ~0 0 ?= '·~ ;wJJlJ§I 6rrrcrrfiBI r:rrrcrrf 1 ctrrrrEr 1 Ercr;)rrer 1 Frcrrtrr 1 0=11 J 11 v

0 0 4 2

v III':' _______________ II':'______________ !';' ________ _

10

Stricltal'ten fiir die Terzentonleitern in zwei Oktaven Coups d'archets pour les gammes en t£erces dans l t:ntervalle de deux octaves

Bowings for scales in thirds of two octaves

1. GB. ~ - ~ 9' II J~J} I tJ J J f£V I ru F r F r1 I r f L L L l E r I 9' F r E ; F fEfr I 4 i8J J ] ~J I t4flElJ IJJ J J J 8Jd9 I iJ J J E f rt I ~~~~ --

9= cFrUttr 1rurrrr; 1rre;JJoLJ 1~=11 ~ 1

?=.,jjojj I ]JJ3PJ3 I te:FrErf I cfirfrr;1 [LLfLfEFI 8JJJ]Jj I@JII ~ II 3.4.6.6. MSp. Sp~. ~ cv: 3 ~ - 1 i ~ ~----- ~ 9'., II=J J J J jj J Q I J_!) J gg ; I t] F f t±J f I j t K 7 2! 2 P I

. ..__./ =----r"''____..... MSp.

,, @r@J; 1f1UWJ UJJo"iauJIJJJJfW 1FillruJ 1 . .....___..... . . ~ . r""1

. 1!:------ -!:_ t. ---- . . --- . ,, ur r t t r r 1 t c E t c n r 1t_a t J J u a 1 tJl J a 4 u J =II ~ 11 11

TonleitPJ•n in drei Ok.tuven Gammes dans l'-intervalle de trot"s octaves

Scales in three octaves

MSp. 0 0 o ~ ~ 1 2 ~ ~ ?= 11 5 J 4 J 1 w u w J 1 r r r r 1 r r r ? IS 1 r r !:: ~~~ 1 4 21 0

II = t 1 t F E f ?=If F E F I r r r J I J J ] J I J J 1 II 1

3 1 2 ~ 1

1 0 1 2 4 ° 1 2 4 1 #~ ltt: .fl. += ~ 2 1 2 t!! ?= ,, J w J r 1 r •r u r r IS 1 r r E r 1-v + r ? ; 1 r r E c 1

? 2 3 21 2 ~4 21 4 0

~ #r f qF qr I E t r r IS I t f F F I E E '"t r I E E r r I J J J II 1 2

1 2 t 3 4 1!:. ~ 1 2 1

?= ~ " j J J J 1 J r r r 1 E r t r 11 E r t r 1 = & r r r # •" 21 21 y 4 ~ 1 4 2 10 4 j ~ ~ r r r r 1 r r : J s 1 c r r r 1 r r '= r r 1 r r ~ w 1 J w J 11

4 1 2 ~ 1

1 0 q 1 ~ 3 r f 2 1 r ~r ?' ~ 11 J J J J I J qJ #J r I F r E r I F T IS I L t

#! iq! t: ? 4 2 1 4 2 1 0 4 II • t r t t I € f L r 9'1 t f F r I F r r r I J J J J I J J J II

2 1 2 1 0 t ~~ 2 4 t 2 31 21. ~

?= ~& ll J 0 r F I r r r L I L ? 6 J J I J J I" r I r E E 2 321 2 t 0

~1!:. 2121 .1214 2 t 1!:-,.!! ~ ~~•trrF IFFrr 1rJJJ IJJ''LF IE Err lr=~ I

1 2 4 £ r 1 3 4 1 2 1 2 t'~ ?= ~'· ·~ ] J w J 1 r gr •r r 1 r ~ 6 1 ~J 1tJ J J 1 r r r ,r

2 1 0 4 2 3 21 2121 4 214 1!:-,.~ J II

' ~· 1F F qr "E I r r r J I J J J J ''I r F L E I F r r " I J J

2 1 2 1

*U\"j j J j I J j r F 1 f f r f 1 t f ei t 1 t r ~ f i~~1 2121 4 3 f_

IS r~ t [ i= f I [ t f L '"I [ t f r I r E f r I r 0 j j I J j j II 0 f_ 2 4 1 2 4 ~~

0 1 0 f_ 0 f_ ~ g~ t: ~ ~ ~ ljt= ?= Vi. " 4 4 4 a 1 w qJ .w J 1 r r r r n c = = s 1 r r= :t:

qt: ! ~t: ~ 1 2 1 2· 4 2 f_ IIR ~~ t t t r I f L r F "I f L r f I r r r J I J J ] J I J I

re JJ 4 1 1 3 4 ~1

12 41 2 41 2 ~ 2 4 ~~ 2 f_ 2 1

?= 0',.~ ·~ w J J r 1 r r r r 1 ~ r 1s r r 1 r r r $1 r r r r 111~---------------------------- ~~~------------- I~

2 3 21 4 314 4

~ ~~~ L f F F I f i F ~ Ill t f L L I F r '=L r I F r r r I 0 J .l II 2 4

13 41 2 412 4 1 ,_ £ 13 4 f_ 2121 ?= ~-.~ 1' J w J J 1 ~ •r !r r 1 r r c 'lqJ qJ J J 1 ~ r r •r i_ I 2 a I 2 1 2 1 2 1 4 2 1 4 ~ 1 4 2 1. 4 s 1 4 a 1. ~ &V ec F 'F ~r I F r J J I J J J J ''I E F E E I F r ~ J I J J ~ I

1 3 2 1 2 ~

9' u-.~& " j J J j I J J J r I r t F L I [ f II f t I L f t t~~ 1 212 1

1B oPok, t E t f 1 t f F t I f f ,,L r I r r r r I J D J J I~ J II F J 1 4 ~ 1 1. 2 1

t t ~ 0 2 t : ~~ lof~ 3 1 2 1 2 ~~

?= ~",,~~ ., J J r r 1 r qrr r EJ 1 r r r r 1 r r 6 r r 1 r r r ~ ? 3 2 1 1 4 i , ai ~ b~ ~~ 2 1 2 1 3 2 ~ ~ 2 1 4 2 1 4 3 1 4

~ o'!,~. E L E F I r E E F I r JIBE F I E F h._f_~)_!_u§ __ f ___ C I k J J II ~ 1 1 1 1 ~£ 1 41 2121

?= ~rl'f~ ·~ J J J J I J r r c I F ~~ C $ I J J J J I 3 r r c i. ij~ 2 3 2 1 2 2 4 4 ~ 1 4 4 4 ~ lfitt# E r r r 1 r r 3 J 1 J J a 4 "1 c r r r 1 r r J J 1 J J ~ 1

I~

13

Sh•icbarten zu den TonleiteJ•n in d1•ei Oktaven Coups d'arckets pour les gammes dans l'intervalle de trois octaves

Bowings for scales of th1•ee octaves

15

2. GB. Sp ____________ GB. Fr·-----::-.:.-- '!!:. _ -i:~~ ~ j:~~-- ~ --

'?'i'J !G!iJJW I~ urrt1iHBCftJ!Fir Uci'fPV rrrrctl J wnu~1 ~ II ?'•';uraRfifrrtFfBrEffiltt?rmrr:r.rrFcfi&rt?&'ll ~ 11 3. ~t-~~~

?' tiJ£i5J5 JlEdfCI rt iij 5 r r CftHfFtH CJ:!'I Utr ct Iii Jj BJ55} 1 ?' W~ifr@sg~$~rcurra~cog:tr131~

?'; JijJJT1§~\jmg£Ut(riiJV(ffrtrrrcc@saa 1

?'; niJaw~wate@§rtiJ cc;rrm~ufrccaiisJsi•b ?' •'' tJfficft @~ cf?iiiJttrr r bf II «trcrrpt-Lr tr Ja}j I ?' •" ~ftrridfinJJirjcwr;;~ l~b

~tt. --?' ;"b ~j:fiia1£e@rtfiJ]:rrr'Fffttff«u,,1 fftnr 51 nffiJ"n 1 ?' .b,. JJj;JquJf.Wiijr.tiJbfffrfr1tFrfOi;jtt&crun»nii I•"#

- ~~------- -?' .~: ®JAUiCWJsefrilctf;j&rLFffQ-C[Efllcttrcrtr'Utt® I

?' ~\¥ ;oj5Wijfii!1UJ1iiic~fffttro:cEifilt IW14 ?• U\% nWJJ'? cfffr crq(cftfffU~ erir FE bF niJ&a I

16

~ ~~

;~: ~ $~ rtbrtf-il ~ji!rttrtrt CLgiBI ftbf~n:rt~h.Jj I MAt - H, ~ ~-6£ .- E[f=- ...,==: C:::-=---- ----- - --=-+ --=-lr -

?'~~II piJJWrr~mgri~ff~ 1~"•\k ;~: aw iJrEiM&rifC~jnJiiiWr(fiiPIF«rorr;¢issl'#~

-------- -,,Ill fJJ50~r~tf&iFLLtrqgslffrqqp>:ifuli:O 1 ;~:~I~ PWE~iffiirtrtt~~~~F1 ,, ~, gJfn@{~j;sww arfrr~'tirur;&iJmJ 1 ,, 1#11 J@JWttwu1CWir~it~ujqrutm«ercta#J5i®l~t# ,, Bf n®gillr~ErfiilfCFEfb!IBicfrrq ru'nu Jlfj I ,, ~~# ~(rifdfjujjiit~ffUo:wrEjJa) 11ft

,,, . W l@?~Eirt:tic{r{rfffEE~ftrcrcrliilffll - ~ JO===tJi ~ -==--- __ ........ . -------- - -----=-----,, ~ AJ1iif§fiirtfjnfiiii'q'~[Eft1BI EftfLr-rp>:LqpOfi I'

,,. ;Jff;rPfrriill!imiTQ]r#rrr;;;;rruerr;Li;Jin 1 ,, ' nJii~lfc@f~ljffiUWEf~fffrsrr-~~ '& 11

17

Dreikliinge in drei Otdaven Accords de tro'is sons dans l'~·ntervalle de tro~·s octaves

Triads through three octaves

y 2 3~~ "y 2 =~=· 1 ~

II~ I~ IT~-- I~

~~~-------- I~

11~---------- I~

y

v y

?= ~~~ II=~ I i]R& ~I J. II=~ I [f1illiJ 41 J. I 18

~h JJWrr1fidltrif.«ffl11 j5tr1Eif~Ftib!riii§a ~~·

~· wr~W&fPwgr):L®I #fflilli~~w; 1t1,

~h"• nJU1Jlnlicr;;bQI~{rfl@~ 1~.~ 4~~~~ 4~~~/t~~

•t ~·.~ ~forr£ts;rnltmJ¥lf&IJJSO j[[Fj6PI5£tr''E!i#M ~~·&~~

ft}: ~bb~~ wm~~~~Jlff§jmntriib" P#i& ?'~~1~ fjfrarjdlrijj;ffiiiJI~\~f!ti'WEirtfiiF--qi•H

~,~,- Yf~&ffi@JiE(&!~T;rtj~Ufrjj IY•

?''b )lWccblDffi'ar;;ffiJqiJJC-(rfiU~ ~~~

21

Terzentonleitern In d1·el Oktaven

Oammea en tierces dans l'intervalle tle trois octaves

Scales in thirds of three octaves

M Sp. ~ 4 -> 2 ~ 1!-_ ~ ~ e ")= ll J;JJ JH J 13 JJ J D N I c rr Err cr I rtr usf E tf u:tr [LHL I

sJtffrrrr 1rrrr rcc;t>·1trrrr c crr 1 ErEOF JJ JJ 1 J n HJJJ'" _ 1

2 322 t322 2

~= ~ I= ] J J J J 3 ] J I c r G c F r F I E E r fsc F iF I f E E f~ J J 3 J I fEci c F r F I 3 1 2 4

6 ~ cECiru; 1JJJhJJJ''Irrrterrr 1 ocr roo 1JJJJJJJJ =I 0 11 z 3 2 2

2 3 2 2 2 i 3 2 ~ t #t q E OJ=~ II= }JJJJJJ J iJ#JijJ J cE rF I cFrUbrf!fH ~6tfthrfft I rtr Et L I

11 /tfrt~rrtlrrrr[trr;'=ltrrrocrr IEE:rJfflDIJJJJJJJJ =I u ~* r"' 2 2 2 ') 2

")= ~& II= iJ J J cr r r 1 r f r r rtrf IBI H ff rrrr lrrr&rr rf 1 rr rF rrrr 1 ~ 2 ~ .fl. 2 :!: .. 3 t 2 I ~0

~ ~b ttir(rcF 1 r rcS®Bitftr H U I lHrPHCr I FeEt [ffJd .. II 22

Strieharten fiir die Terzentonleitern in drei Oktaven Cottps a'arcJiets pour les gammes en tierces dans l'intervalle de trois octaves

Bowings for scales In thirds of three oefayes 3.4. 5. 6. 7. 8. Fr

II

1.2. r"1 M Sp. 1"'1 G _..:. G B. =EEE V SpM. .-..--~ GB. 8 P..:. B. ~

?' 1' fi5JlgJI£JJJ§&"··IJ3j5]JE IQJ@hl?·•·IJ1J~fl-QJ liJW#h .... ll ~ _- ~- ~- - Sp.M.

r"1 M Sp. 1"'1 M. Sp. V SpM.

9. 10. 11.12. ,.., M Sp. 13. 14. 15.

VSp. . -----. ~ ns~ lj§ nsp. g ? JYJ HW I J w P:·•·IIJP JltN I JtP Z"··IIJ:tJ~PJ J I ;JgJ!J~±i·•· II

-......!:./. ~ . ~- • ,.,VMSp. V

Sp.

16. r"1 Sp. ~

?'JJJ4JV~ lgJJF·•·II .._____.. .

Tonleitei·n in vier Oktaven

26

r"1 i i t

2 32:14

V I!-

28

19. a.b.c. • • ------ folgt b. . . .

. .._, . .._,. ~-:-:._.~ . .._. ·~'- .'-' -e-- • .._ · '-" • .. _: .'-"------- folgt C.

~~~~lcrg#jlffij{ilrf®lii''lf!f@!l~folgtb.

~.!il5Jiltc~lji11rC6ffitrlrm!Jtr-1-l-~.:::·:.· c. _______

29

?=~:·J~·-~fril?ffii?:i®;;rurggifflz I 9'~~ iliWPfijf{f~1~tii¥ · =- .. h- --i!---i=-- = --~601J-===~·~ 1Cr•4J 1~ :2't -~rfriUi#§i?tmft#f{flli®c~~l ~~~~r~ff~~l~" ?=~· n¥~~1iMurt;--tm~ ~ ~-~- ~:-=---;.:=------- = ~-~~ .. -dlr 1-==tf·::;....;;:!~=j I ?=~~ JJ~~~~~ ?=~~.w~J~m~t!fuUriitl 9'~6·~~rtffil;iiirf~iaqiN ?=~·.~ ~r&jjjuiUi£rrr1fi¥fiWrrrr-.~1 ?=~k~ •1Wr~ciffi%rrmac~~~ ~~ ! ~ ~-h- - - - ~=m ?=~·b~~~~~trike~--1 ?=~b.~~ ~ij~;?§j~i!ifF~iijidJFND

32

?=•ti#lfip~rii1!ma~r·ff-rr;:iW~I® ~=~"'N4J~%~fifi£·ff~?=lultjj~tgiiirfdij~~~~ ?=t##IJJ~~~~# . ·t ·- h• ?=•#nt 41~;~m~m,.iii1w ?=lj#r~Aic~f~;,t(._l,##

?''#" rJiiiW\ii\f@ifr(riifiji1iffru~uuTi' ~ Q§Qrl- · ~-:;QI ~#~~pam@'~eiijiff(~rJi;--~

?''#d1JM&~~~---I ?'•##fi~wSnrtjjtr~f~~i'll• ?IJJ~~~~ . ·-jjl w~J~~r~w~~·-•

',

33

Dreikliinge in vieJ• OktaYen Accords de trois sons dans l'intervalle de quatre octaves

Triads through fom· octaves

----~-=~---- ~~ '~ 0 1 2

3~

~a~i..,~1 ~

34

Terzentonleitet•n in vier 0 ktaven Gammes en #erces dans l'intervalte de quatre octaves

Scales in f.hirds of four octaves

2 2 ~ M Sp. 2 2 2 2 2

~ ·~ ltJJJJJJ IPJJJll31urrrr 1rrrrmrrrr 1 ~JW1 mn:rrr 1 rrrrrrc 1 ~2 2 E2

~ 4 11Ur; I firrcfu piHJJ)Jj'=lflrFcrr I fEFrr:tfj lfflJJJJj IJJJJJ I 2 2 2 2 s· .......... 2" •••

?= ·~ dmtm 1 c~C'fccrrfs, cfrrc~fr#n#r£~ ricr 1 rfrkrr#r#ffj#r£rftfrflrkfrW+O

~ hFr·r·r;-r~=lurrcrrr I rfrrcW I fflJ rsr:crr IEErrfitr''l rrrrcw ~-~ II~ 2 2

?' ~ II ]JJJJJJO I tEfFt FeE I rELfiBrfrr I rfrrrfr~ I ciarErr I rfrtrfrr,rerutrf I ~2 2 4 ~EEffrtrlffrrcECrl ooMmlfftrcErr lfiD'=fEftiEtfto.MIUJJ]g I

2

?= ~ ,, Jw~JJ 1 liWtm 1 rrrrrirtB 1er~rrdcn «' ~f•rrlnrfrrrfrfl r~fr¥rfft1 ~ ~ fWEtrFtr lfffrcfrr I fflamrFFr I FFrrbt''IEFErEtErlfiJJJJIJJJjg II~

2 s· · · · · · · · · · · · · · · · .. 2 · • • · · · ~ 2 2 2 2 2 ~ E~E 2 ~ E

?=~· "DrrcrlrfrfmtCEEirfrErfr\fiDltWirFcfrtrn'==rErrlrrrtr='=l s· · · · · · · · · · · · · · · · · · · · · · · · ·: 2 2

~ ~b errrrr Fr I c Ecltr r I rt Er rr Frl u ma IBitirrrfr;''lfrrrrrrr I rtrrJ I 2 2 2 2 s· ....... .. . i .. .

?=~· ,paJ§Ic•orrrrrrlrtrrJBnr&lkd'tijPJlldtttr1fqrrl1cnf4rEirTtt~rrrn

~ ~k EfkfC@lftrrfcr 1 LFercicr 1 §lifEriCir1'rrtr1ErErEtfriG

Stricharten fiil• die TeJ•zentonleiteJ•n in vier Oktaven Coups d'arckets pour les gammes en tierces dans t'intervalle de quatre octaves

Bowings for scales in thirds of four octaves 1 2 a~~a

• GB. it ciB. ~ ~~: ~-- ii ,,.,J]EEQ? ljJJJf? ... II@JJJJJ IJ0?3-

Part 2

Dbungen fiir den rechten Arm und das Handgdenk Exercises for the right ann and wrist Exercices pour le bras droit et le poignet

r"l Abstrich. Down-b

M(V) G B 1""1 Sp M Q. H _ _ _ _ _ M U H ~ ~

,, l:ftfWlifW=I= CHWEHW=I= WWIDW=It- WWIDW=I ~ '--" '--" ~ -._: -....__; ....__: -._: V 0 H V 0 H r-r(l/) G B ~ H II G B r-'10/)G B liM ~0 .!1 _ _ _ _

,, I= WIDIDflf:l: fllWIDID=•= diWt&Eil WEEHif [d nll H '---" '---" '---" V o· H yO H

1""1 u H M G B M(\l) G.B r-1 M

,, 1: riHLHEHL?t= WID WID :1: wID w ID=II= Ed WEd ID=II V 0 H ;:;u H '---" -._.. ...__:.

Praktische Anwendung V 0 H Practical Application Application pratique _

t. liO_H _ _ _ _ _ _ _ _ _ _ _ _ - !: #! ~ #~ ~t: ~ ,, I: c [ r r r r 1l F I r nr F •r [ F r I C f r f C L r f I r f C t ~ L c E 4

Vo H

41

MM ~M

? E r rg E t E1 t t t t t E t•t ·-II t r t r e r e r r t t t•r t r t ·te-l MM V~

?' t t ( t t t t f t t t t t •t [ t ·'"·I t t r r r r r r r r r r •r r r r •te-l !:)Sp - - - - - - - - - - ~p - ~ - ~ - - ~ -

?= ~ c ~ r r r f r r c r r r lc r j e&.ll fi r ~ tl r f ~ [_J 'JJ tJ etc. II ..,__.. - ---

MVSp

45

Voriibungen Preparatory Exercises Exercices prepara.toires

Vs~ _ _ _ _ _ 0,.., H Sp _ _ 0 H M _ _ n U H . . . .

,, I= c [ c [ [ r r [ c [ [ F =II: f-t c [ [ F ff j [ r F l ED [ [ r ro [ [ r ~I ,.., M v'----"" ~ -

Praktische Anwendung Practical Application Application pratique

OH

• ,.., 0 3 61. 14~ 0 14 0 3 0 4~ 0 14.6 2 OH 3 l 2 1 I ,, l=&[•rfrrr[rfrr~ d rtrr ,[rffr 1 &fE£Ltc[•rfrrl &U rudE [ Fr~l

Vsp

0 H Sp- 0 H M- -- -- - - - -

,, l=fr•rHrf(rfrtllttiEHiCffFI atJiorfppfttl &[Ht&(CFN -- ........_., - ...._...,- - - - ......._,. - -nO H

nFr Vsp

:

46

r"'UH~ ~ ~~- • ~ -~- Q·~ . . ~~ b~

,, ll=tJrrtlftrtl artrra:rfftlift rrnnrtrt1W rrreu fft=• r:;-'u H~ ..._, ~ .___, ~ ..._, ~ .._. ~ ..._, ~ ...__, ~ .._. ~

~~P_oh~- ~-- /41~-- ~-- ~-- ~--~--?' II: te£t tnw (n twa ,r r&[F 1 wrrr ctttt(! 1 wxr u twt rrr=•

VSp 0 H M 0 H

r"'U H ~- ~- b .U. ~ • 11. . b ;;->. ~ ~ ·'""" ~----._, tt1: ~ ~----._, ft.~~ ~ ~~= ·" ~ t ~ ---. ~~ .---... ~ ~ ~

'= ll:tf'FUdrJ(ftl EU RUttrflJI df £[!tf¥f(ftltfr=NUif fRII ,., UH '-"" . . ....._,. . .___, . '---""' . ._,., . ~ Umbildungen der vorher gehenden Figur 2 Variations of the preceding Figure 2 Varia.ntes de la formule 2 qui precede

9,H --- --- r"' Q~- -t- -b~~~ - -i~ Q~i:- -t-'; ll:u[[[rrrbHr :II c•rrtrraf[frl d t±trg[ttrl sH fF'r'rft(r·tc·ll

Vo H V

r"'O H r"' - - - -

,, II: r E r 5 r r r r r r r r =II t•r r E L f L r 5 F L r I bj r 5 r rr r r E r ~ f I VO H V

~ - no H .., - -,, t L r L r f t•r r r r p~c.ll: L r r j F F L r L r E F =II r r Pt r F E f r F r F etc. II yo H V

MO H ,., - - r"'O H

,, II: r r j E r F r E j E r r =II r j' E f r r j r r f F etc. II= j j j r r F r r j r r F =II VO H V VO H ,.,

,, t j Pr [; t r r r Lr etc. II= tr HE r L r r r E r L r :II •r r r r r r F r r r r r•tc·ll V Vo H V

,., nOH - - MOH

,, II= L r c r j r 8 8 r r r r =II r rr r r r r E F r F r etc.ll= E L L j r F j 8 r c E F =I Vo H V vo H

-J=; r r•r [ r r f r r [ F·tc·ll= C7t 8 c r r j r r r r =II C•c r f r F j F r f r f.tc.ll V VO H V

47

MO H - - ,..,o H

tt= II= r [ [ E E f E [ [ E E f =111[ r f E C f C [ f r C r "*·I= E [ [ [ r f E [ [ [ ~ r =II Vo H V VO H - - - - r""!O H ,.., - -

': r r r [•r r r r [ [ r F·tc II= [ r j E r r [ E [ E [ F =II j •r r c r F E F r E [ F ete.l V Vo H V

Mit den Stricharten der vorher gehenden Figur 2 zu iiben. Practise with the bowings of the preceding Figure ,2. A travailler avec les memes coups d'archet que la formule 2 qui precede.

3· "~ ·!~ --f- ~~ .~~- ~-lift:- l~4,. i -~- ~ f 111:

tt=JI:c[~t(rc[ctftl [fCtfrtJf ttFi !Jt gwawrn cfcUr[fF (ft=ll Um¥ildungen der Figur 3 Variations of Figure 3 Variantes de la formule 3

2 2 ,.., ,.., -

,..,.!! ·e ,..,.! ·t:-- .! :e:- .!~ -?= c •r [ [ t r ek. I C r •r t r r e~e.ll r ~~ t r f r etc. II [ p•r [ ~ r de. II

v v v v ~ 2 1

'i~! _ ~-f:- Qo~ - ,..,o~t~-3J=fr t f f [ ~ ete.ll •r r t r f r ek. II [ c t'S r r ek. II •r c § r f [ etc. I

v v v v

2= •C [ r k F r etc. II•F j i r r F etc. I r £ lr t F ; etc. II r •r j r r r etc. I v v v v

~.! !. 2 t _ 0 Qtt Q .!.Q-O 4o- o . . .

48

D M0H0 • 0 ! --. -. .

49

U mbildungen der Figur 6 Variations of Figure G Variantes de la formule 6

?' r r r E r r j E L•c j r [, 6 r r r .to. I f r E c r r f juc j r r T j r j t r et..j v v M - - M - -

?' r E c r c r ~[ j £ j j 6 e r t E F .to. I r c E c E r f ['r j E [#f E r 6 r t et..l v v s 3

~ 1 3 4 - ~-

•• 1"1 .!! Q_ - - l! - - - !#- .!! ~ .!. ~ .!.t - -?' 1: r•r L r j r E b f b r f r r{ E j r I c•c £ [ j r E r £ b r r j L £ L r F I

v 4 3 ·t #~ .!! ,..!. 41 :1. - - - ! - - 1 - - - - - -#- - - !. - -9' d £ fr f d t L d d ~ Fe f I d E f d c rt r d r H b r f :g

50

Umbildungen der Figur 7 V a;riations of Figure 7 Variantes de la formule 7

!:j - - - - #- - - - - - - - #- -~ 1C r F c r r [ ( [ c [ f r ( r c E f .,..1 r•r r F [ f f [ s F [ F f r r r f F .,.. I

v ~- ~- -- - ~ - -- -~ ~

?= ·r t' E ( E r r t' L f r r F r A F r eto.l r•r r r r r [ r t' [ t' f s E j E j ; et.. II

51

Ubungen auf 3 Saiten Exercises on 3 Strings Exercices sur 3 cordes

Voriibungen Preparatory Exercises. Exercices preparatoires Ausfiihrung Execution Execution

r"1GB r"1GB .. ·n n,.........@

,, II: F F. =II: 1 ~ J ~

52

OH ~OH 'ilo H - - ~ - - YO - VO ~ ~ ~ -

?' II: R L f 0 [ f I f? r f a u I J J (j n u =1: tW 0 tf I tfu [ G r I _......_. ......_. ......_. -.._;;; ~ ~ ~ ...._......

MOH MOH VO H VO H

~0 H ~0 H _ ------ ~ Y.o H _ _ ~ _ ~ _ _.......---.._ VO H

,, J~P Wt=tttJ ~' [Frr, [ta dJi, Lm ~J u :11: tt let, ~0 H ~0 H VOH VOH

~0 H ,.--...._ - ,..--...... VO H • - ,..--...... ,.--...._

'' Qfl L fff 1 Qc f W J :1: U'ff [ {ff 1 r lfr ti_fl I W J tic [:II _..__.....- v ..__....,- ~- -GB ~UH

10. ~ ~ ~ ~ ~ ~ ~ n V 0 H -8 - - - - ~ - -': 1:~ F if; I & ; IF 'F :1: u g I'~J·tll iPU I jJ•U =II

J'B VG B ,., v e v ,.., v ,..,G B ,-,u H nu H VO H - _ - - - - _ _ _ _ VO H - _ _ - _

? 11:8 u If] ~P ~ I w w I u •U :11: u w I•UU I nGB ,-,GB

nU H - _ _ Vo H _ _ _ _ - - _ _ ?mu 'u•w :1: u tr 1U•U 1Utf 1 o•tr ~ nG B

53

r-tOH - -

? I= r f r r f fD I F fft f tH I f H p F tt r I [ PIF r rr~ t !"tO H- - - - - - - - - - - - -

55

~M

v~ -----. ..--.... ,...--..,_ ..--.... ,...--..,_ --.. -----. ...-.,. -----. ..--.... -----. ..--.... -----.

?= It- OJ G}-Q3@1•tP hPQllif1 f£cf'@frjl ?JfJtPQI;@=• nG B

nM

"1t-tJliD1 ff9~1 &Tff!filf'@J~=I nG B

57

n~~~~~~ ~ 2 t~

,, I= m tf1 c ctffi I IE t!Ffn&J I J!3 tff&t m I w tf} r•&ffl t ,-,GB ~ ~~ ~------ ~~

,, tl=llifflf? sdiF•rrfflP tdlfe-dDM &FiCtifflE tff=ll

58

r~OH - - --,: s t#fff Er v f[ U·'"·l et f l Q c i £¥ fi n r ~ et¥1 r!OII ~ ~ _ ~ ~ J

r!OH

~~~ ~ ji MFr 4o tf . . i< . . i< ~~~·. ~ ?bE£bdf0fA[ill·te·1tthtttElfif:Pte·l$ijfWJlfttutfet··l r!UH r!UH UH~ ~

0 H VO H - - U H · · · ·

:;: itd&c@(&·te·IWJWJ(@[tfte·llt£ftd&iftte·ll M U1f ____.- r'1 lfH ____.- rl. Fr

? [if[!!f(!ffOfte·ll!fftii·t·-l iWJtwWfcte·l r'1 U H M Fr r'1 Fr

GB ~ UH

': ({F!f} 5r @ f} ( r ffet··l fUT t; t &frJ f t ffi f·te·l MGB GB riM

61

Sp - - - - r"1 0 H - - - -

,, !frfrJ,[rhrJrOw!rfrr•l FrEccrFrfc[tfrj?r[JCrfr[J·t.·l 9 g·~ ~ · · · L 4 ~ · ~ ~

''I= tfJ tV dJ rEf I dJ tff ~fu §fu I tf! ~w 8J tiJI V U H ,___, "-' .._. . . ..__, '-'"' .__ ....__... ·----· . ·.___,· • .'-". . ·__./

nrH VCH . . . . . . UH . . . . • r"1UH . . . .

? w ·w &JtJe~e·l wm tEJ'fit141 m 2ft w m··• VUH'-' '-' '-' - VUH YUH

65

.. Ubungen auf 4 Saiten

Exercises on 4 Strings Exercices sur 4 cordes

Voriibungen. Preparatory Exercises. Exercices preparatoires Ausfiihrung Execution

n G B n Execution ,., G B ~ ~ ,., n VGB ,.. ~ ~ ~

_,, j j IF ff l=jJj]tpj ckf1Lcfd 31JiJWJI nGBVGB,., v ~ GB ~

GB V GB nGB VG B VGB

.f!'l:=tiliJjJj c(ffl&-frJJjJ@,I:r~RJ @1ff?fiTl1 ~$ - ----- ----- - ~ ~ ~ WJ- '--:-J: nulf - - nM

!iU H vo I! - - - - -

MJJ U 1JJ u 14J la 13J u 13J La 1'1J u =• !iG B

liU H VoH _ _

Jl'l=(j iJ 1 ~lJ jJ 1 t!J gJ 1l3 Jj 1 l3 JJ 1 f3 JJ =II nG B

gJ~ V~ Vr- ~~ ,, r~ r '= rt r~ r-= '? l=j P'~i0#'! ~ 'l~i~j P'lj P'j1'1j P'j P'l~>j P'fP,:II

~-zn v"' ~'}, v "' *' i---.._ ~ "" f' f' ' _,:I= Zf'r Jl'l lJ'fll~l f 4'f 1'12 ,.,, a1~1 F l't l'h'J1'f l)':g

? I= ft q, 1lff, J;f Inti~ tj\ I if J$1 £j\£j\l&~f,ij&t

, jijj J j J j r BfJL.·I JoiJJ fJ B ffcforo.l iutJ J ~ j t j t [tbJ VOH \lOH MOH

67

?: l:iijfij[ij{ij lffjtQ{ij{ij 1Jij{ij{:ijfij I VUH:____: ~ ~ ~ ~ ~ ~ ~ ......__: .__,.. :_; '--

?: tij tij{ij Jij I fij [ij fij fij 1,tij {ij fij Pi =II .._,· ~ ~ ~ '-.__-/ ~ .____,. ..,__. ~ ~ ~ ~ .. '-"

?: ~ip.JjlfJJk-1 fiitpiij ijl¥1 U H. . . . . . . . \;u H. . . . .

?:fij J'J ~ J ~ Pi·k·R= iiJJ ~ J 1"~ J I J ~ J;j ~ iJ~i I u H . . . . . . Vu H ·------· ·......_.,· .:____;. .'--'. .'"-". ·......_.,

?: ~ 1 J j ~ 3 i ~ ] I J i J ,:J 1 J J ~ J =II fJ j ~ j ~ J ~; J I ,_..· . ........._...,.. ·..__......· ~- ·...___..,· -~ ·......_.... - . . . .

72

• • Part 3

Ubungen im DaumenaufSatz Exercises in thumb positions Les positions du pouce

a Y ,.,

r'1 Abs~rich. Down-lJow. Tir6. V Aufstrich. Up-lJow. Pousse.

f Ganze Bogenliinge, von der Spitze bis zum Frosch und umgekehrt.

G B With the whole of the lJow1 from tlte point to the nut and vice versa. De toute la longueur de l'archet, de la pointe au talon et vice versa.

! Obere Hiilfte des Bogens von der Spitze bis zur Mitte und umgekehrt. 0 H Upper half of the f;ow1 from the point to the middle and vice versa. Moitie superieure de rarchet, de la pointe au milieu et vice versa. 1Untere Halfte des Bogens von der Mitte bis zum Frosch und umgekehrt.

U H Lower half of the !Jow1 from the 1niddle to the nut and vice versa. MoiUe inferieure de l'archet, du milieu au talon et vice versa.

Sp An der Spitze des Bogens. At the point ofthe bow. A la. pointe de l'archet. M In der Mitte. In the 'middle of the bow. Au milieu de l'archet. Fr Am Frosch. At the nut of the bow. Au talon. rcr- Daumen liegen lassen. Leave tl~e thumb down. N'Otez pas le pouce. Il!- A Saite. A string. Corde de la. II~ D Saite. D string. Oorde de re. III~ G Saite. G string. Oorde de liol. IV~ 0 Saite. a string. Oorde d'ut.

~~ ~ f 23 4 =I

& d> II= ~~ r nr r 1 r r #r r =I:J r qr r 1 r r r r =II:J r ijr •r 1 E •nr r =I ~ H r #r •r 1 E'Pr r =I:J ~r ~r •r 1 r r r ~r t J ~r #r r 1 r Pr ~r t

' I= J •r T r 1 •c r r r =f:J ~r r r 1 •r r r ~r :1: J ~r r ~r 1 1-t'r r ~r =II .. 1 73

,, II= r r qr t 1 n ttJr r =II= r ~r T ~r 1 t r ~r ~r =•= r ~r qr r 1 t r qr ~r ~~ b ~~ b ~ b ~ ~"'-:t:b ~ ~ b ~ ""'"~~b ~

?= II= F ~r r E I E r r ~r =II: F r r L I E L r r =II= F r r + I L L r r =I n II c y ,..,

y Y. 1 2 3 4 :=! :=!

,, 1Fl II= ~ r r r 1 r r r r =II= ~ r ~r r 1 r r kr r =I=~ r kr •r 1 r •r "r r =II ?= II= J r 1~r 1[ I F 1[ §F r =II= J ~r ''F b[ I F r "r ~r =II= J ~r qF r I F r ijF ~r =II

,, II= J gr &r r 1 "r r kr r t J ~r •r r 1 "r r"r ~r =1= J ~r ~r ~r 1 ~r ~r kr ~r =II .. 1 GB

2. ~ 2 1 a ~s y r;;;---.. ~ ~ ~ r;;;---..

11 11=rlfr=rtrf:11= &rrtrf!l, rf?frtrr11= rrrrEfrh= ffitrtrh II~

liB ll=effd=rtrr., errtrlrr11= WCrclrt•= t1¥tc1rr~ .. 1 a 9ztsz41s 9

~ •= rm ern =II= em oo ~~= em em =II= s rm=•= e EID=• I~

~ II= rJ!Ffr E1R =I= Afil fi: ~I= iffl ffFr =II= 6 fPE tf8 =I " II

74

& r;'vs .. ~2st 2

-f t3WJ mr=t §E£0 o =•= ~Mr em:~: 't?fr ® =•= qr err ®=• I~

6 tHt£N®=•:§riEDfbrtrr:~= rrrrtrT;=•= EF¥rbrrrr=ll .. 1 GB

4 ';; zstz~s y --

Iff II= dfrrefff:1= rftreffi=l= ftc®:~: dfrrffi:~: rtt~refft=ll II~

11 •l?fffr7t•= ~(CtlTJ?r=11= ~=•= CriftTr11 "A a ';lvts~2ta z 6 II=Dt ff F f r ff t ~r fi F [ F rl =II= qf rf'r tfir =II= #f§1F ti1f =I= gf Efr F [ r ~F =II

I~

' ll=~r ?-r r [ r a =1='1[@ rt r a =II= t?r pT F F,E :1: r FFPr br r ij =II II II Die Ubungen 2 bis 5~ sind auch auf III~ zu iibertragen. The exercises 2 - 5£! are also to be pla_yed on the G string (III?) Les exercices 2 a 5~ seront aussi appliques a Ill'!-

GB 4

11i-.= kfterrrrt?f.a= rrfien:rtrffia= @firtrrtrffi•= ofietrrtFEtn II~

75

1 I= OOrrrEJtdt~l= Mr:rtrttritl Mrcrr?tr!t.t Mrmrrlr=rCt1 -----.-- 7. ~~ ----~ --~

II= MrTcriift11 .. ll=~ffifrrLYD'±=•=~tn-rrrtmtr=•=~tttrrrttrrcn liB ~~~t~~=I=#~C:il=~~:l ~ .c-r=:-&~ 8-~~ ~

••= &&r ro-fE5•, rnh:rrJrrrrq .. II= Erftrrt'fft=l= ifir::r@ru,a II= ~iii1= ~rtffr=•= @ire rrrrffr,•= @ire r rrtfft=ll Ill= Mfurrlffu:~: eifrrrtfrfit= &Rrrif@,l .. ~~#Erurfi&!:a

-- ~ - ~ -- #.fl. -- ~ IIR ll=qctr f rfm· C rE11: qtl! C C Q4! C Cf:ll= #t E! c r Fcf! [ tF.11: gj~jJ c rfrtr r Cf:ll

13. ~ 14. 15. ----::---

lfc c rr r r r r r Fl.,. I Nrrrtrrrtrrrfft'"-1 #frrcncrrrcrriFLI 16 17. 18. ----

II"?FttrrkrrJ1rdPh.l#frrrrrrrftrffr~'"-l ff!ttrrnrrrrw-.. 1 19.~~ 2~~

I r [ rt E f E f E ( r Fe r r r.u.l [ r#E t F r t r f r F r r r r t .... 1 .. i Die Ubungen 6 bis 20 sind auch auf I~ und III~ zu iibertragen. The exercises G- 20 are also to be played on the A string (I'?) and G string (III'!) Les exercices 6 a 20 seront aussi appliques a r:; et III':

76

II. Ubungen auf zwei Saiten

Exercises on two strings Exercices sur deux cordes GB

1. ~ 1 2 3 4 ? j 2 3 4 ? 4

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Volume 1Volume 2

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