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Page 1: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Taping

Page 2: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Principles of Taping

“The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential to good taping. Neatness is the trademark of a good taper. Be neat, and the respect of the athlete will be earned….The beginner should start slowly; the application of tape should be very deliberate and neat. After much practice and speed, efficiency will be the result.”

- Stephen Rice, MD

Page 3: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Selection considerations

• Diagnosis of injury

• Goals of taping

• Resource available

• Sport & position

• Athletes acceptance

• Research findings

• Personal preference

Page 4: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Diagnosis of injury

• Location

• Nature• Severity

Page 5: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Selection considerations

• Diagnosis of injury

• Goals of taping

• Resource available

• Sport & position

• Athletes acceptance

• Research findings

• Personal preference

Page 6: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Goals of taping

• Prophylactic

• Rehabilitative

• Functional

Page 7: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Selection considerations

• Diagnosis of injury

• Goals of taping

• Resource available

• Sport & position

• Athletes acceptance

• Research findings

• Personal preference

Page 8: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Resource available

• Human resource

• Financial resource

Page 9: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Selection considerations

• Diagnosis of injury

• Goals of taping

• Resource available

• Sport & position

• Athletes acceptance

• Research findings

• Personal preference

Page 10: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Sport and position

• A taping that is effective for an athlete in one sport may not be suitable for another athlete

• A taping that is effective for an athlete in one sport may not be suitable in another sport

• Requirements, Equipment, Environment & Rules

Page 11: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Selection considerations

• Diagnosis of injury

• Goals of taping

• Resource available

• Sport & position

• Athletes acceptance

• Research findings

• Personal preference

Page 12: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Athlete’s acceptance

• If the athlete feels that taping is uncomfortable or decreases performance the attempt to support will failed

Page 13: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Selection considerations

• Diagnosis of injury

• Goals of taping

• Resource available

• Sport & position

• Athletes acceptance

• Research findings

• Personal preference

Page 14: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Research findings

• With respect to new techniques or products, it is probably best to keep an open mind but to be critical

Page 15: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Selection considerations

• Diagnosis of injury

• Goals of taping

• Resource available

• Sport & position

• Athletes acceptance

• Research findings

• Personal preference

Page 16: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Personal preference

• After gaining clinical experience with various taping techniques, one usually begins to have with relying on experience when the athlete is looking for expert answers, as long as each case is viewed individually.

Page 17: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

TAPING MECHANISMS:

• MECHANICAL• PROPRIOCEPTIVE

(DIRECT REFLEX STIMULATION– LEARING PROCESS )

Page 18: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Re-establishing Neuromuscular Control, Proprioception, Kinesthesia and Joint

Position Sense

• Following injury, body forgets how to integrate information coming in from multiple biological sources

• Neuromuscular control is mind’s attempt to teach the body conscious control of a specific movement

• Re-establishing neuromuscular control requires repetition of same movement, step by step until it becomes automatic (progression from simple to difficult task

• Closed kinetic chain (CKC) exercises are essential for re-establishing control but can be difficult

Page 19: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Must regain established sensory pattern• CNS constantly compares intent and production of

specific movement w/ stored information, constantly modifying until discrepancy in movement is corrected

• Four key elements– Proprioception and kinesthetic awareness

– Dynamic stability

– Preparatory and reactive muscle characteristics

– Conscious and unconscious functional and motor patterns

• Must relearn normal functional movement and timing after injury - may require several months

• Critical throughout rehab - most critical early in process to avoid reinjury

Page 20: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Reestablishing proprioception and kinesthesia should be of primary concern– Proprioception is joint position sense (determine

position of joint in space)– Kinesthesia is the ability to detect movement

• Kinesthesia and proprioception are mediated by mechanoreceptors in muscle and joints, cutaneous, visual, and vestibular input

• Neuromuscular control relies on CNS to integrate all areas to produce coordinated movement

Page 21: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Joint Mechanoreceptors– Found in ligaments, capsules, menisci, labra, and

fat pads• Ruffini’s endings• Pacinian corpuscles• Free nerve endings

– Sensitive to changes in shape of structure and rate/direction of movement

– Most active at end of ranges of motion

• Muscle Mechanoreceptors– Muscle spindles - sensitive to changes in length of

muscle– Golgi tendon organs - sensitive to changes in

tissue tension

Page 22: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Regaining Balance• Involves complex integration of muscular forces, neurological

sensory information from mechanoreceptors and biomechanical information

• Entails positioning center of gravity (CoG) w/in the base of support

• If CoG extends beyond this base, the limits of stability have been exceeded and a corrective step or stumble will be necessary to prevent

• Even when “motionless” body is constantly undergoing constant postural sway w/ reflexive muscle contractions which correct and maintain dynamic equilibrium in an upright posture

Page 23: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• When balanced is challenged the response is reflexive and automatic

• The primary mechanism for controlling balance occurs in the joints of the lower extremity

• The ability to balance and maintain it is critical for athletes

• If an athlete lacks balance or postural stability following injury, they may also lack proprioceptive and kinesthetic information or muscular strength which may limit their ability to generate an adequate response to disequilibrium

• A rehabilitation plan must incorporate functional activities that incorporate balance and proprioceptive training

Page 24: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Principle of taping

• Tape selection

• Skin care

• Application

Page 25: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Tape selection

• Size

• Type• Quality

Page 26: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Principle of taping

• Tape selection

• Skin care

• Application

Page 27: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Skin care

• Skin surface should be clean of oil, perspiration and dirt

• Hair should be removed to prevent skin irritation with tape removal

• Tape adherent is optional

• Foam and skin lubricant should be used to minimize blisters

Page 28: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Principle of taping

• Tape selection

• Skin care

• Application

Page 29: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Rules for Tape Application

• Tape in the position in which joint must be stabilized

• Overlap the tape by half

• Avoid continuous taping

• Keep tape roll in hand whenever possible

• Smooth and mold tape as it is laid down on skin

• Allow tape to follow contours of the skin

Page 30: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Rules for Tape Application (cont.)

• Start taping with an anchor piece and finish by applying a locking strip

• Where maximum support is desired, tape directly to the skin

• Do not apply tape if skin is hot or cold from treatments

Page 31: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Type of tape

• Elastic

• Non- Elastic

Page 32: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Uses of elastic taping

• To compress & support soft tissue

• To provide anchors around muscle thus allowing for expansion

• To hold protective pads in place

Page 33: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Uses of non-elastic taping

• To support inert structures

• To limit joint movement

• To protect against re-injury

• To secure ends of elastic tape

• To reinforce elastic tape

• To enhance proprioception

Page 34: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Materials

• Bandaging materials

• Padding

• Underlying bandages

• Fixation bandages

• Elastic bandages

• Adhesive bandages

• Additional materials

Page 35: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Classification

• According to time of application

• According to type of bandage

• According to bandaging technique

• According to bandage materials

Page 36: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Time of application

• First bandage

• Second bandage

• Later bandage

• Prophylactic bandage

Page 37: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Type of bandage

• Open wound

• Compression bandage

• Immobilizing bandage

• Supportive bandage

Page 38: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Bandaging technique

• Circular bandage (dolabra asc. or desc.)

• Testudo rev. or inv.

• Spica asc. or desc.

• Head bandage (mitra rev. or inv.)

Page 39: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Bandaging material

• Elastic bandage

• Adhesive bandage

• cloth tape

• Self-sticking bandage

Page 40: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Materials

• Gauze- sterile pads for wounds, hold dressings in place (roller bandage) or padding for prevention of blisters

• Cotton cloth- ankle wraps, triangular and cravat bandages

• Elastic bandages- extensible and very useful with sports; active bandages allowing for movement; can provide support and compression for wound healing

• Cohesive elastic bandage- exerts constant even pressure; 2 layer bandage that is self adhering;

Page 41: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Elastic Bandages

• Gauze, cotton cloth, elastic wrapping

• Length and width vary and are used according to body part and size

• Sizes ranges 2, 3, 4, 6 inch width and 6 or 10 yard lengths

• Should be stored rolled

• Bandage selected should be free from wrinkles, seams and imperfections that could cause irritation

Page 42: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Elastic Bandage Application

• Hold bandage in preferred hand with loose end extending from bottom of roll

• Back surface of loose end should lay on skin surface

• Pressure and tension should be standardized

• Anchor are created by overlapping wrap– Start anchor at smallest circumference of limb

Page 43: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Body part should be wrapped in position of maximum contraction

• More turns with moderate tension vs. fewer turns with maximum tension

• Each turn should overlap by half to prevent separation

• Circulation should be monitored when limbs are wrapped

Page 44: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Elastic bandages can be used to provide support for a variety scenarios:

• Ankle and foot spica• Spiral bandage (spica)• Groin support• Shoulder spica• Elbow figure-eight• Gauze hand and wrist

figure-eight• Cloth ankle wrap

Page 45: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Triangle and Cravat Bandages

• Cotton cloth that can be substituted if roller bandages not available

• First aid device, due to ease and speed of application

• Primarily used for arm slings – Cervical arm sling– Shoulder arm sling– Sling and swathe

Page 46: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Cervical Arm Sling

• Designed to support forearm, wrist and hand injuries

• Bandage placed around neck and under bent arm to be supported

Page 47: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Shoulder Arm Sling

• Forearm support when a shoulder girdle injury exists

• Also used when cervical sling is irritating

Page 48: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Sling and Swathe

• Combination utilized to stabilize arm

• Used in instances of shoulder dislocations and fractures

Page 49: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Non-elastic White Tape

• Great adaptability due to:– Uniform adhesive mass– Adhering qualities– Lightness– Relative strength

• Help to hold dressings and provide support and protection to injured areas

• Come in varied sizes (1”, 1 1/2” , 2”)• When purchasing the following should be considered:

Page 50: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Tape Grade– Graded according to longitudinal and vertical fibers per inch– More costly (heavier) contains 85 horizontal and 65 vertical

fibers

• Adhesive Mass– Should adhere regularly and maintain adhesion with

perspiration – Contain few skin irritants – Be easily removable without leaving adhesive residue and

removing superficial skin

Page 51: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Winding Tension– Critically important– If applied for protection tension must be even

Page 52: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Elastic Adhesive Tape

• Used in combination with non-elastic tape

• Good for small, angular parts due to elasticity.

• Comes in a variety of

widths (1”, 2”, 3”, 4”)

Page 53: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Preparation for Taping

• Skin surface should be clean of oil, perspiration and dirt

• Hair should be removed to prevent skin irritation with tape removal

• Tape adherent is optional

• Foam and skin lubricant should be used to minimize blisters

Page 54: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Tape directly to skin

• Prewrap (roll of thin foam) can be used to protect skin in cases where tape is used daily

• Prewrap should only be applied one layer thick when taping and should be anchored proximally and distally

Page 55: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Proper taping technique– Tape width used dependent on area– Acute angles = narrower tape

• Tearing tape– Various techniques can be used but should always allow

athlete to hold on to roll of tape– Do not bend, twist or wrinkle tape– Tearing should result in straight edge with no loose strands– Some tapes may require cutting agents

Page 56: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential
Page 57: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Taping Guidelines

• Place joint in position to be stabilized• Overlap tape ½ width• Avoid continuous taping• Keep roll in hands at all times• Smooth and mold time with free hand• Do not force tape• Start with an anchor and end with a lock strip• Do not tape after a cold / hot modality treatment

Page 58: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Rules for Tape Application

• Tape in the position in which joint must be stabilized

• Overlap the tape by half

• Avoid continuous taping

• Keep tape roll in hand whenever possible

• Smooth and mold tape as it is laid down on skin

• Allow tape to follow contours of the skin

Page 59: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Rules for Tape Application (cont.)

• Start taping with an anchor piece and finish by applying a locking strip

• Where maximum support is desired, tape directly to the skin

• Do not apply tape if skin is hot or cold from treatments

Page 60: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Taping, Bandaging and Splinting Techniques

• Wrist / Hand / Finger– Wrist hyperextension / flexion taping

• Fan or spica

– Finger buddy taping

– Thumb hyperextension / abduction taping• Fan or spica

• Elbow– Hyperextension taping

• Fan or spica

Page 61: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Taping, Bandaging and Splinting Techniques

• Lower Leg– Achilles

• Fan or spica

• Ankle– Closed gibney basketweave– Open gibney basketweave

• Foot / Toes– Arch

• “X”• Teardrop• Spread / Fan

– Turf toe• Fan

Page 62: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Additional Taping Information

• Removing adhesive tape– Removable by hand

• Always pull tape in direct line with body (one hand pulls tape while other hand presses skin in opposite direction

– Aid of tape scissors and cutters may be required• Be sure not to aggravate injured area with cutting

device

– Also removable with chemical solvents

Page 63: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Taping Supplies

• Razor (hair removal)• Soap (skin cleaning)• Alcohol (oil removal)• Adhesive spray • Prewrap material• Heel and lace pads• White non-elastic tape

• Elastic adhesive tape• Felt and foam padding

material• Tape scissors• Tape cutters• Elastic bandages

Page 64: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Common Foot Taping Procedures

Page 65: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Arch Technique 1

(to strengthen weakened arches)

Page 66: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Arch Technique 2

(for longitudinal arch)

Page 67: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Arch Technique 3(X teardrop arch

and forefoot support)

Page 68: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Arch Technique 4(fan arch support)

Page 69: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

LowDye Technique(Management of fallen arch, pronation, arch

strains and plantar fascitis)(

Page 70: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Sprained Toes

Page 71: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Bunions

Page 72: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Turf Toe(prevents excessive hyperextension of

metatarsophalangeal joint)

Page 73: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Hammer or Clawed Toes

Page 74: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Fractured Toes

Page 75: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Common Ankle Taping Procedures

Page 76: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Routine Non-Injury Taping

Page 77: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

• Routine Non-injury taping

• Closed Basket Weave– Used for newly sprained or chronically weak ankles

• Open Basket Weave– Allows more dorsiflexion and plantar flexion,

provides medial and lateral stability and room for swelling

– Used in acute sprain situations in conjunction with elastic bandage and cold application

Page 78: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Closed Basket weave (Gibney) Technique

Page 79: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Open Basket Weave

Page 80: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Continuous-Stretch Tape Technique

Page 81: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Common Leg & Knee Taping Procedures

Page 82: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Achilles Tendon(prevent Achilles over-stretching)

Page 83: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Collateral Ligament

Page 84: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Rotary Taping for Knee Instability

Page 85: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Knee Hyperextension

(Prevent knee hyperextension,

provide support to injured hamstring or

slackened cruciate ligament)

Page 86: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Patellofemoral Taping (McConnell technique)

• Helps to manage glide, tilt, rotation and anteroposterior orientation of patella

• Accomplished by passively taping patella into biomechanically correct position

• Also provides prolonged stretch to soft-tissue structures associated with dysfunction

Page 87: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Patellofemoral Taping

(McConnell technique)

Page 88: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Patellofemoral Taping

(McConnell technique)

Page 89: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Patellofemoral Taping

(McConnell technique)

Page 90: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Patellofemoral Taping

(McConnell technique)

Page 91: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Patellofemoral Taping

(McConnell technique)

Page 92: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Common Upper Extremity Taping Procedures

Page 93: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Elbow Restriction

(Prevents elbow hyperextension)

Page 94: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Wrist Technique 1(Mild wrist sprains and strains)

Page 95: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Wrist Technique 2(Protects and stabilizes badly injured wrist)

Page 96: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Bruised Hand

Page 97: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Sprained Thumb(Provide

support to musculature

and joint)

Page 98: Taping. Principles of Taping “The application of tape is an art, and, in the hands of the inexperienced it may be very difficult. Practice is essential

Finger and Thumb Checkreins