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What is What is Syntax? Syntax?

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Page 1: Syntax

What is What is

Syntax?Syntax?

Page 2: Syntax

Syntax is the way words and clauses are arranged to form

sentences.That arrangement contributes to and

enhances meaning and effect.

Page 3: Syntax

Or more simply:

It’s how authors put words and phrases together.

Syntax helps authors effectively make their points.

Page 4: Syntax

One thing Syntax does is control pacing.

But how does an author do that with words and sentences?

Page 5: Syntax

In order to quicken the pace, the author will use shorter, simpler sentences.

In order to slow down the pace, the author will use longer, more complex and convoluted

sentences.

Page 6: Syntax

When analyzing syntax, consider such questions as:

Are the sentences simple and direct, or complex and convoluted?

Does the author use repetition or parallel structure for emphasis?

(Note: Always say what is emphasized and why.)

Are there rhetorical questions in the passage?

Page 7: Syntax

Arrangement of Ideas – Are ideas set out in a special way for a purpose or effect?

Loose sentence: The main point is at the beginning ex. We reached Edmonton that morning after a turbulent flight and some exciting experiences.

Periodic sentence: The main point is at the end (near the period).

ex. That morning, after a turbulent flight and some exciting experiences, we reached Edmonton.

Page 8: Syntax

Parallel structure: Grammatical or structural similarity between sentences or parts of a sentence. It involves an arrangement of words, phrases, sentences, or paragraphs so that elements of equal importance are equally developed and similarly phrased.

Wrong: In the winter, I like skiing and to skate.Right: In the winter, I like skiing and skating.Right: In the winter, I like to ski and to skate.

Additional ex. He was the kind of man who knew what he wanted, who intended to get it, and who allowed nothing to stand in his way.

Page 9: Syntax

Natural order sentence: A sentence that follows the order: Subject – Verb - Object

ex. Oranges grow in California.

Inverted order sentence: a sentence where the predicate (main verb) comes before the subject.

ex. In California grow oranges.

Slightly inverted sentences may simply move the object in front of the subject and verb.

ex. In California oranges grow.

An author will vary word order for an effect. It is your job to decide what effect the author is trying to achieve

Page 10: Syntax

Sentence Classifications:Consider the following four basic types in

examining sentence structures

Declarative: Makes a statement

ex. The king is sick.

Imperative: Gives a command

ex. Bow to the king.

Interrogative: Asks a question

ex. What’s the matter with the king?

Exclamatory: Makes an exclamation

ex. The king is dead!

Page 11: Syntax

Four Basic StructuresSimple sentence: One independent clause*

ex. The singer bowed to her adoring audience.

Compound sentence: Two or more independent clauses (joined by a comma with a coordinating conjunction—and, but, for, or, nor, yet, so—or a semicolon)

ex. The singer bowed gratefully to the audience, but she sang no encores.

ex. The singer bowed gratefully to the audience; however, she sang no encores.

*An independent clause has a subject and a verb, and can stand alone because it has a complete thought

Page 12: Syntax

Complex sentence: One independent clause and one or more dependent (subordinate) clauses.*

ex. Although the singer bowed gratefully to the audience, she sang no encores.

Compound-complex sentence: Two or more independent clauses and at least one dependent (subordinate) clause.

ex. The singer bowed gratefully while the audience applauded, but she sang no encores.

* A dependent (subordinate) clause has a subject and a verb; however, it cannot stand alone because it does not have a complete thought.

Page 13: Syntax

Always look for the anomalies –that is, the things that are

different from regular writing.

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And remember – syntactically, you create emphasis by:

Position – Where you put something in the sentence

Isolation – Setting it off by itself (dash, quotation marks, parenthesis, etc.)

Repetition – The number of times something is repeated

Proportion – The size of the idea and how much of the piece the idea takes up

Page 15: Syntax

Authors do these things on purpose.

Do not assume sentences are composed without the rules of

syntax in mind.

Page 16: Syntax

So let’s look at a paragraph by Nancy Mairs-----

Page 17: Syntax

I am a cripple. I choose this word to name me. I choose from among several possibilities, the most common of which are “handicapped” and “disabled.” I made the choice a number of years ago, without thinking, unaware of my motives for doing so. Even now, I’m not sure what those motives are, but I recognize that they are complex and not entirely flattering. People – crippled or not – wince at the word “cripple,” as they do not at “handicapped” or disabled.” Perhaps I want them to wince. I want them to see me as a tough customer, one to whom the fates/gods/viruses have not been kind, but who can face the brutal truth of her existence squarely. As a cripple, I swagger.

Page 18: Syntax

What’s the first unusual thing that you notice?

The sentence: I am a cripple.

Page 19: Syntax

Why does the author use this short sentence in the first position?To draw attention to the politically incorrect word “cripple.”And why use that diction choice? To shock, and to show that even though people don’t call her this to her face, the word is always present.

Page 20: Syntax

So what do you notice next?

What else is different?

Page 21: Syntax

I am a cripple. I choose this word to name me. I choose from among several possibilities, the most common of which are “handicapped” and “disabled.” I made the choice a number of years ago, without thinking, unaware of my motives for doing so. Even now, I’m not sure what those motives are, but I recognize that they are complex and not entirely flattering. People – crippled or not – wince at the word “cripple,” as they do not at “handicapped” or disabled.” Perhaps I want them to wince. I want them to see me as a tough customer, one to whom the fates/gods/viruses have not been kind, but who can face the brutal truth of her existence squarely. As a cripple, I swagger.

Page 22: Syntax

Remember: Isolation and Repetition

The dashes isolate and bring extra attention to the words “crippled or not” more forcefully than commas would.

Also, notice the continued repetition of the word “crippled.”

Perhaps if you confront the word, you will eventually be able to look at her, the person, not just her, the cripple.

Page 23: Syntax

So what do you notice next?

What else is different?

Page 24: Syntax

I am a cripple. I choose this word to name me. I choose from among several possibilities, the most common of which are “handicapped” and “disabled.” I made the choice a number of years ago, without thinking, unaware of my motives for doing so. Even now, I’m not sure what those motives are, but I recognize that they are complex and not entirely flattering. People – crippled or not – wince at the word “cripple,” as they do not at “handicapped” or disabled.” Perhaps I want them to wince. I want them to see me as a tough customer, one to whom the fates/gods/viruses have not been kind, but who can face the brutal truth of her existence squarely. As a cripple, I swagger.

Page 25: Syntax

Repetition – harsh word – wince

Why?

Perhaps to show you that you aren’t the only one who is uncomfortable by someone who is crippled. She is still a person – look past the condition to the person.

Page 26: Syntax

So what do you notice next?

What else is different?

Page 27: Syntax

I am a cripple. I choose this word to name me. I choose from among several possibilities, the most common of which are “handicapped” and “disabled.” I made the choice a number of years ago, without thinking, unaware of my motives for doing so. Even now, I’m not sure what those motives are, but I recognize that they are complex and not entirely flattering. People – crippled or not – wince at the word “cripple,” as they do not at “handicapped” or disabled.” Perhaps I want them to wince. I want them to see me as a tough customer, one to whom the fates/gods/viruses have not been kind, but who can face the brutal truth of her existence squarely. As a cripple, I swagger.

Page 28: Syntax

Position: fates/gods/viruses

Note the use of slashes (/) to juxtapose and jam these words right up next to each other.The slashes allow the words to have equal emphasis while “hitting you all at once.”

Page 29: Syntax

So what do you notice next?

What else is different?

Page 30: Syntax

I am a cripple. I choose this word to name me. I choose from among several possibilities, the most common of which are “handicapped” and “disabled.” I made the choice a number of years ago, without thinking, unaware of my motives for doing so. Even now, I’m not sure what those motives are, but I recognize that they are complex and not entirely flattering. People – crippled or not – wince at the word “cripple,” as they do not at “handicapped” or disabled.” Perhaps I want them to wince. I want them to see me as a tough customer, one to whom the fates/gods/viruses have not been kind, but who can face the brutal truth of her existence squarely. As a cripple, I swagger.

Page 31: Syntax

What did the author do here?

Position – Last sentence gets more attention

Use of short declarative sentence adds power.

Repetition – “cripple”

Also notice the diction choice of “swagger”

Page 32: Syntax

Syntax often goes unnoticed by the reader, but contributes

strongly to the readers impression of the topic

presented.

Page 33: Syntax

Finally

Thanks a bunch for your attention