synectics bridge to metacognition lynne bruschetti

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Synectics Bridge to Metacognition Lynne Bruschetti

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Page 1: Synectics Bridge to Metacognition Lynne Bruschetti

SynecticsBridge to Metacognition

Lynne Bruschetti

Page 2: Synectics Bridge to Metacognition Lynne Bruschetti

Evolution of a Teacher

“THINK!”

Page 3: Synectics Bridge to Metacognition Lynne Bruschetti

Evolution of a Teacher

“I will give you time to think.”

Page 4: Synectics Bridge to Metacognition Lynne Bruschetti

Evolution of a Teacher

“You now have a graphic organizer to think.”

Page 5: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

Six Steps That Must Be Followed

Page 6: Synectics Bridge to Metacognition Lynne Bruschetti

Step One

Journal entry describing an abstract noun.

Page 7: Synectics Bridge to Metacognition Lynne Bruschetti

Step Two

Providing analogies.

Page 8: Synectics Bridge to Metacognition Lynne Bruschetti

Step Three

Make one of the analogies personal.

Page 9: Synectics Bridge to Metacognition Lynne Bruschetti

Step Four

Provide tension; conflict.

Page 10: Synectics Bridge to Metacognition Lynne Bruschetti

Step Five

• Students are finally ready to write an original metaphor.

Page 11: Synectics Bridge to Metacognition Lynne Bruschetti

Step Six

Students compare their step six writing with their original definition of an abstract noun.

Page 12: Synectics Bridge to Metacognition Lynne Bruschetti

Poetry

Students are now ready to look at professional poems and see the inventive comparisons of other writers.

Page 13: Synectics Bridge to Metacognition Lynne Bruschetti

Thematic Unit

Students can now confidently approach thematic units. Whether reading Fahrenheit451, Romeo and Juliet, or Lord of the Flies, they will notice an author’s viewpoint on theme.

Page 14: Synectics Bridge to Metacognition Lynne Bruschetti

Oliver Wendell Holmes, Sr.

“I would not give a fig for the simplicity on this side of complexity, but I would give my life for the simplicity on the other side of complexity.”

Page 15: Synectics Bridge to Metacognition Lynne Bruschetti

Design is highly personal, yet disciplined by a common purpose and a common language.

• “Teachers are taught to make rational selections among alternative activities rather than to create new alternatives. They are encouraged to use predetermined formats and structures rather than to think metaphorically, creatively, and reflectively about the work they are trying to get students to do” (Schlechty, 2011, p 50).

Page 16: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

• Creating something new.• Making the strange familiar.

Page 17: Synectics Bridge to Metacognition Lynne Bruschetti

Models of TeachingBruce Joyce, Marsha Weil, and Emily Calhoun

• “Synectics is designed to increase the creativity of both individuals and groups. Sharing the synectics experience can build a feeling of community among students” (Joyce, Weil, & Calhoun ,2004, p. 177).

Page 18: Synectics Bridge to Metacognition Lynne Bruschetti

Creative Writing

Page 19: Synectics Bridge to Metacognition Lynne Bruschetti

Exploring Social Problems

Page 20: Synectics Bridge to Metacognition Lynne Bruschetti

Problem Solving

Page 21: Synectics Bridge to Metacognition Lynne Bruschetti

Creating a Design or Product

Page 22: Synectics Bridge to Metacognition Lynne Bruschetti

Broadening Perspective of an Abstract Concept

Page 23: Synectics Bridge to Metacognition Lynne Bruschetti

Phase I: Description of the Present Condition• Teacher has students describe the situation or topic as they see it

now.• I Forgot My Phone - YouTube

Page 24: Synectics Bridge to Metacognition Lynne Bruschetti

Phase Two: Direct Analogy

• Students suggest direct analogies, select one, and explore (describe) it further.

How is a cell phone like a bathtub?How is it like a book?How is it like ballroom dancing?How is it like a pair of scissors?

Page 25: Synectics Bridge to Metacognition Lynne Bruschetti

Phase Three: Personal Analogy

• Students “become” the analogy they selected in phase two.Be the cell phone in the video. You’re at the attempted marriage proposal. You’re at the birthday party. You’re with your owner when he goes to bed. How do you feel?

Page 26: Synectics Bridge to Metacognition Lynne Bruschetti

Phase Four: Compressed Conflict

• Students take their descriptions from phases two and three, suggest several compressed conflicts (oxymorons), and choose one.

Page 27: Synectics Bridge to Metacognition Lynne Bruschetti

Phase Five: Direct Analogy

• Students generate and select another direct analogy, based on the compressed conflict (analogy).

Page 28: Synectics Bridge to Metacognition Lynne Bruschetti

Phase Six: Reexamination of the Original Task• Teacher has students move back to original task or problem and use

the last analogy and/or the entire synectics experience.• (Sanders & Sanders, 1984).

• Write a paragraph about the use of cell phones,

Page 29: Synectics Bridge to Metacognition Lynne Bruschetti

So what can we learn from Socrates?Socrates used synectics.

Page 30: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

• Socrates compared himself to a gadfly, the horsefly that stings the intellectually and morally sluggish citizens of Athens with his questioning.

Page 31: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

• “Good teaching traditionally makes ingenious use of analogies and metaphors to help students visualize content” (Gordon, 1961).

Page 32: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

• “My art of midwifery is in general like theirs [real midwives]; the only difference is that my patients are men, not women, and my concern is not with the body but with the soul that is in travail of birth.

Page 33: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

• And the highest point of my art is the power to prove by every test whether the offspring of a young man’s thought is a false phantom or instinct with life and truth.

Page 34: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

• Those who frequent my company at first appear, some of them, quite unintelligent, but, as we go further with our discussions, all who are favored by heaven make progress at a rate that seems surprising to others as well as themselves, although it is clear that they have never learned anything from me.

Page 35: Synectics Bridge to Metacognition Lynne Bruschetti

Synectics

• The many admirable truths they bring to birth have been discovered by themselves from within. And the delivery is heaven’s works and mine.”

Page 36: Synectics Bridge to Metacognition Lynne Bruschetti

So what can we learn from Socrates?

Page 37: Synectics Bridge to Metacognition Lynne Bruschetti

Barry Schwartz

• A wise person is made and not born.

Page 38: Synectics Bridge to Metacognition Lynne Bruschetti

Course Overview

• Autonomy• Mastery• Purpose

Page 39: Synectics Bridge to Metacognition Lynne Bruschetti

Works Cited

• de Botton, A. (2000). The consolations of philosophy. New York: Vintage.• Gladwell, M. (2010). Outliers: The story of success. New York: Back Bay

Books.• Gordan, W. J .J. (1961). Synectics: The development of creative capacity.

New York: Harper & Row Publishers, Inc.• Joyce B., Weil M., & Calhoun, E. (2004). Models of teaching. Boston:

Pearson.• Sanders, D. A., & J. A. (1984). Teaching creativity through metaphor. New

York: Longman.• Schlechty, Phillip C. (2011). Engaging students. San Francisco, Jossey-Bass.