Syllable and Word Linkingin Taiwan English

Coarticulation in New Varieties of English

Karen Steffen ChungNational Taiwan University

August 16, 2011

One robust set of features in Taiwan English (TE), the variety of English widely taught and spoken as a foreign language in Taiwan, concerns how syllables and words are linked – or not linked – to each other in running speech.

Some characteristics of Taiwan English:

Syntactically: Frequent lack of inflection and tense markers, lack of distinction between masculine and feminine pronouns, incorrect number marking

Phonetically: inconsistent vowel values, dropped final consonants, incorrect word stress, lack of phrasing or appropriate pauses, incorrect sentence intonation

Limited view of what pronunciation involves

There is low awareness of aspects of English prosody, such as rules of phrasing, intonation and compound noun stress, and as a result they are little taught – so the cycle perpetuates itself.

Linking rules generally neglected in English

teachingSyllables and words need to have some kind of relation to each other; a “choice” of some kind must be made, whether it is overtly taught or not, whether it is conscious or not, and regardless of how consistent the choices are.

The main options are:

1. Pronounce each syllable and word separately, with no adjustments made for what comes before and/or after it.

Or: 2. Link final consonants to

initial vowels, as is typically done in standard US and British English, among other varieties.

Or: 3. Follow various other

linking and assimilation rules, usually unconsciously.

a. These rules are most often carried over from the speaker’s L1;

b. Or they may originate in the model given in a student’s earliest English classes, which is not necessarily based entirely on the L1, but is simply a prevailing fossilized pattern of linking;

c. Or they may be overgeneralized rules from the L2, such as the false tap, which will be discussed later.

Four types of intersyllabic and interword transitions

1. -stop C + C- junctures: TE tends to drop the final stop consonant, especially /-t/ (e.g. basketball [‘bæskəbɔl], at the [‘æðə] or [‘ælə]).

Examples: a. parrot story ['pɛɹʌ 'stoɹi]; (A) b. had a pet parrot [hæd ə 'pɛt 'pɛɹət]

(A) c. a betel nut stand [ə 'bitəl 'nʌ 'stænd] d. you couldn’t help but love this parrot

[ju 'kudə 'hɛlp bʌ 'lʌf 'ðɪs 'pɛɹət] (A) e. this very smart parrot ['ðɪs 'vɛɹi

'smɑɹː 'pɛɹəts] (A)

If the following consonant is, however, another homorganic stop, the following consonant may “save” the preceding one due to coarticulation, e.g. [‘hɛlp bʌ].

Final consonants may also sometimes be dropped when utterance final:

f. looking for the bird. She couldn’t sleep at night. [‘lʊkɪŋ ‘fɔɹ ðə ‘bɜɹ ʃi ‘kudən ‘slip æ ‘naɪ] (A)

Southern Min

‘ gnat’ [sat bu] > [sap bu] ‘stomach’

[bak tɔ] > [bat tɔ] (Bao 2000:97)

2. -C + V- junctures: TE tends to insert a glottal stop [ʔ] before the V- (e.g. dis[ʔ]able, is [ʔ] it).

Examples: a. group of students [gɹup ʔəf

'stu dəes] (A) b. would begin to jump around

wildly [wu bi'gɪn tu 'dʒʌm ʔə'ɹaʊn 'waɪdli] (A)

c. What are you doing? ['wʌ ɑɹ ju 'duɪŋ] (class example)

Resyllabification [iŋə] resyllabified to [ɪ nə]

3. -nasal C + C- and -nasal C + V- junctures: The vowel preceding the nasal consonant tends to be strongly nasalized and the final nasal consonant articulation is dropped; this is especially common when an approximant initial follows, but can happen before any consonant (e.g. one year ['wʌ 'jɪɹ], time to go ['taɪ tu 'goʊ]).

Alternatively, when the nasal is preserved, it often assimilates to the place of articulation of the following consonant, or has a default value. A -nasal C often assimilates to a different -nasal C, sometimes depending on the following vowel initial, [ŋ] being the default (e.g. on it ['ɑŋɪt], teenager ['tiŋeɪdʒɚ]).

Nasal finals /-m/ [an] [ɑŋ] [-ən] and [-əŋ]

Examples of final nasal deletion: a. sometimes crying even louder

than the child ['sʌmtaɪms 'kɹaɪɪŋ 'ive 'laʊdɚ ðæn ðə tʃaɪlt] (A)

b. every time she thought of the parrot ['ɛvɹi 'taɪ ʃi 'θɔɾəf ðə 'pæɹəts] (A)

But… A final nasal may, instead of being

deleted, be preserved, however, its place of articulation may assimilate to the following consonant, or it may take a default value

c. notice from the police ['noʊɾəs fɹən ðə pə'lɪs] (A)

d. I ride from…all day, uh, all day [aɪ ɹaɪd fɹəŋ...ʌ...ɔl 'deɪ əd...ɔl 'deɪ] (A)

e. pet shop in Taoyuan ['pɛ ʃɑp ɪŋ 'taʊ ɥyan] (A)

f. student came to visit him every day ['stjudən 'kɛn tu 'vɪsɪt hɪŋ 'ɛvɹi 'deɪ] (B)

Early anticipatory coarticulation g. the tears would stream

down her cheeks [ðə 'tɪɹs wʊt 'stɹɪŋ 'daʊŋ hɚ 'tʃɪks] (A)

4. -V + V- junctures: TE tends to insert a glottal stop [ʔ] rather than a transitional glide before the V-, or among certain speakers, an alveolar tap [ɾ] (e.g. he [ʔ] is, how[ɾ] about).

Examples a. before the gradu…uh…

graduation traveling begin [bi'fɔɹ ðə gɹædʒjuɘ...gɹædʒju'ʔeɪʃən 'tɹævəlɪŋ bi'gɪŋ] (A)

b. They brought the parrot to a petshop [ðeɪ 'bɹot ə 'pæɹət tu ʔə 'pætʃɑp] (C)

“ Misplaced tap” or “false tap” c. He would often call out “Mommy,” Daddy,” “Hello” and “Bye-bye.” [he w d ' o f n ko a 'm mi 'dæʊ ʔ ʊ ə ɾ ʊ ʌdi h 'lo æn 'ba ba ] (D)ə ʊ ɪ ɪ

Reading a written text vs.telling a story ad lib Tendency for less “Taiwan English”

style linking in some speakers when telling a story ad lib

Assimilation rules in TE TE most definitely does have its own

assimilation rules for running utterances in context; the kinds of linking seen in TE is not simply a reflection of faulty pronunciation of individual words. Something happens to change the citation form in the speaker’s or reader’s mind while processing words appearing in sequence.

Possible reasons Panic mode: Too busy with

meaning to attend to pronunciation, especially prosody

Established habit and fossilization Teacher attitudes Lack of confidence, brushing over

pronunciation “As long as I’m understood”

Failure to draw analogies to own native language

Listening skills and attention Quantity and frequency of good,

clear, understandable audio input Remembering the listener’s point

of view

Thank you!