swedish film new docs #3 2016
TRANSCRIPT
New Docs. Fall 2016/ Winter 2017
A Bastard ChildAfter InezBelongingThe Borneo CaseCitizen ScheinI Called Him MorganThe Inertia VariationsKikiLetters to a Serial KillerLoving LornaOuaga GirlsThe Pearl of AfricaPrison SistersReflectionsThe ReturnStronger than a Bullet
Welcome to the world of Swedish docs!
This special edition of Swedish Film presents new and upcoming documentaries ready to hit international festivals and markets. Please visit our website sfi.se for updated information on Swedish features, documentaries and shorts.
Swedish Film InstituteInternational DepartmentP.O. Box 27126SE-102 52 Stockholm, SwedenPhone +46 8 665 11 00Fax +46 8 661 18 20sfi.se twitter.com/swedishfilm instagram.com/swedishfilm
Publisher Pia LundbergISSN 1654-0050 Contributing Editor Josefina Mothander Art Director Markus EdinCover photo I Called Him Morgan, Ben van Meerendonk International Institute for Social History Courtesy of Kasper Collin Produktion Print Ineko, Stockholm
Festival Manager,documentariesSara Rüster
Acting Festival Manager, documentaries Josefina MothanderPhone +46 70 972 93 [email protected]
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Knutte Wester (b. 1977) is educated at the Academy of Fine Arts in Umeå and Johannesburg. He has exhibited internationally since 2003 and is represented by Gallery Andersson/Sandström. His debut film was the documentary Gzim Rewind (2012) followed by awarded short film Dawn in a City Without Name (2014). In 2015 he got a big grant from The Swedish Arts Grants Committee and was Artist in Residence at NARS in New York, working with A Bastard Child.
Original title Horungen Director/screenwriter Knutte Wester Participants Hervor Wester, Knutte Wester (narrated by Inga Landgré)Produced by Bautafilm/Therese Högberg, with support from the Swedish Film Institute/Cecilia LidinDuration 57 min National release TBA Sales Bautafilm
In 1909, in an undemocratic Sweden, a bastard child is born and given the name Hervor. Her mother is unmarried and driven away from home. Hervor grows up at orphanages, unwanted by society. As an adult she spends her life struggling for social justice. Through hand-painted animated images we get to witness someone being rejected in order to unite others.
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After Inez Denize and Filip have it all prepared: the crib, the pram, the tiny clothes, even the car seat is ready for the baby they’re expecting any day. But at a routine checkup, the midwife’s face suddenly freezes. There’s no heartbeat to be heard. After Inez is a film about how to survive grief. It explores individual differences in mourning, as well as gender patterns and taboos in our society. And finally, it leaves us with an unexpected smile.
Karin Ekberg (b.1979, Stockholm) has a BA in Fine Arts and Photography from the Netherlands, and a Master in Journalism from Stockholm University. She has also studied film and documentary. Her debut feature documentary A Separation, about the divorce process of her own parents, premiered at CPH:DOX in 2013 and was later nominated for Prix Europa. Ekberg is chair of Independent Filmmakers Association Sweden.
Original title Efter Inez Director/screenwriter Karin Ekberg Participants Denize Löfgren, Filip Nordin Produced by Karin Ekberg, with support from the Swedish Film Institute/Cecilia Lidin Duration 80 min National release January, 2017 Sales Karin Ekberg
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Stockholm 2013. Filmmaker Sophie Vuković runs into a long-lost friend at a demonstration against the growing racism in Sweden. The meeting stirs up memories and feelings that take her on an exploration of her own story of migration and what it means to belong in a globalized world. Told through personal and collective stories from former Yugoslavia via Australia to Sweden today, and blending intimate documentary footage and home videos with fiction, we follow the narrator in a cinematic essay on migration’s psychological mechanisms. A film about rootlessness and feeling nostalgic for something you never experienced. About friendship and how you build new forms of belonging that are not defined by national borders.
Original title Belonging Director/Screenwriter Sophie Vuković Produced by Story/Göran Hugo Olsson, Tobias Janson, with support from the Swedish Film Institute/Antonio Russo Merenda Duration 84 min National release Fall, 2017 Sales Story/TBA
Sophie Vuković (b. 1988 in Zagreb) has a degree in social anthropology from the University of Edinburgh. Her short film 09:55–11:05, Ingrid Ekman (2015) was nominated for and won several prizes at international festivals such as SXSW, Slamdance, Mezipatra Queer Film Festival, Mix Copenhagen LGBT Film Festival and Stockholm Film Festival. The film got theatrical distribution in Sweden.
Belonging
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Erik Pauser and Dylan Williams founded Amp film together, and the two have worked internationally with the BBC, Channel 4, PBS, VPRO, ZDF ARTE, Bertha BRITDOC, Discovery, Ford Foundation and many others. Productions include Men Who Swim (2010), The Face of the Enemy (2010), Maneuvers in the Dark (2012), Once There Was Love (2012), The Machine (2013), Infected (2012), Palme’s Secret Agent (2015) and Storyboard P – A Stranger in Sweden (2016).
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Original title The Borneo Case Directors Erik Pauser, Dylan Williams Participants Mutang Urud, Clare Rewcastle Brown, Peter John Jaban, Lukas Straumann Produced by Amp film/Erik Pauser, Dylan Williams, with support from the Swedish Film Institute/Cecilia LidinDuration 78 min National release TBA Sales TBA
The Borneo Case In The Borneo Case filmmakers Erik Pauser and Dylan Williams spend five years intimately following the trail of an unlikely group of activists made up of an exiled tribesman, a historian, an investigative journalist and a DJ who overcome death threats and intimidation in their efforts to unravel what has been dubbed “the greatest environmental crime in history” by former British Prime Minister Gordon Brown.
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Maud Nycander (b. 1960) has a long experience as a documentary filmmaker. She has made a number of historical documentaries and has acquired a deep understanding of using archive material to best advantage. Her film The Nun (2007) was awarded Prix Italia and the national film award Guldbaggen. Her latest film, co-directed with Kristina Lindström, was Palme (2012). The documentary about Swedish Prime Minister Olof Palme was seen by a spectacular 240 000 in cinemas around Sweden.
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Original title Citizen Schein Director Maud Nycander Participants Roy Andersson, Liv Ullmann, Daniel Bergman, Harriet Andersson among others Produced by Breidablick Film/Rebecka Hamberger, with support from the Swedish Film Institute/Antonio Russo Merenda Duration approx. 100 min National release March, 2017 Sales TBA
Harry Schein was a powerful and glamorous player, propelled to media celebrity by marrying Hollywood actress Ingrid Thulin, playing tennis with Prime Minister Olof Palme and inspiring his friend Ingmar Bergman to several characters in Bergman’s films. Harry Schein arrived in Sweden on his own, as a Jewish war refugee, at the age of 14. He became one of Sweden’s most influential cultural and media personalities.
Citizen Schein
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Kasper Collin is a Swedish filmmaker and producer. He has made films such as the feature documentary My Name is Albert Ayler, theatrically released in the UK and US during 2007 and 2008. Collin also works as a producer and consultant for other filmmakers, and gives lectures and master classes on filmmaking, producing and self-distribu-tion in the US and Europe.
Original title I Called Him Morgan Director/Screenwriter Kasper Collin Produced by Kasper Collin Produktion/Kasper Collin, with support from the Swedish Film Institute/Lars G Lindström Duration 92 min National release TBA Sales Submarine
I Called Him MorganOn a snowy night in February 1972, celebrated jazz musician Lee Morgan was shot dead by his wife Helen during a gig at a club in New York City. The murder sent shockwaves through the jazz community, and the memory of the event still haunts those who knew the Morgans. This music documentary is a love letter to two unique personalities and the music that brought them together. A film about love, jazz and America with cinematography by Bradford Young (DOP Selma).
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Johanna St Michaels studied at the School of Visual Art in New York City and has a Master’s degree in fine art photography from the University of Gothenburg. She directs and produces documentaries, experimental films and art installations with an emphasis on personal stories and mixed media art. The films focus on the political issues of our time and the eternal questions tied to the human condition. Resent films include Penthouse North (2014) and A Smorgasbord of Sin (2015).
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Original title The Inertia Variations Director Johanna St Michaels Screenwriters Johanna St Michaels, Matt Johnson Participants Matt Johnson, Tim Pope, Jackson Ewald Johnson, Johanna St Michaels, Eddie Johnson Produced by Saint Michaels Production/Johanna St Michaels, with support from the Swedish Film Institute/Cecilia Lidin Duration approx. 90 min National release TBA Sales Saint Michaels Production
Singer/songwriter Matt Johnson of the English band The The has remained silent for the last 15 years. Conflicted by creative inertia he has observed from the sidelines whilst what he sees as corporate state propaganda has swamped the airwaves. Now he will attempt to challenge the media consensus through his own radio broadcast. But a request to write a song soon reveals old demons of inertia and bereavement.
The Inertia Variations
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KikiThrough a strikingly intimate and visually daring lens, Kiki offers a riveting and complex insight into a safe space created and governed by LGBTQ youth of color, who are demanding happiness and political power. An exciting coming-of-age story about agency, resilience and the transformative art form that is voguing.
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Sara Jordenö (b. 1974) is an NYC and Gothenburg based Swedish visual artist and documentary filmmaker whose stories often concern communities facing different types of marginalization and how they position themselves in the world. Her cinematic projects and commissions have been shown internationally at venues such as the Rotterdam International Film Festival, the Viennale, 5th Berlin Biennale, the Moderna Museet in Stockholm, GIBCA in Gothenburg, the Kitchen and MoMA PS1. Kiki is her feature documentary debut, premiered at Sundance in January 2016 and won a Teddy Award for best documentary at the Berlinale.
Original title Kiki Director Sara Jordenö Screenwriters Sara Jordenö, Twiggy Pucci Garçon Participants Twiggy Pucci Garçon, Chi Chi Mizrahi, Gia Marie Love, Divo Pink Lady, Izana “Zariya” Vidal, Christopher Waldorf, Kenneth “Symba McQueen” Soler-Rios Produced by Story/Annika Rogell, with support from the Swedish Film Institute/Antonio Russo Merenda Duration 95 min National release August 19, 2016 Sales Films Boutique
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Ten years ago, on a late November evening, Kamal cycled from his home to football practice. Twenty minutes later he was found bleeding by the side of the road, shot five times, the last bullet fired to the head from close range. The family is convinced that the shooter is the same man who for many years spread fear through Malmö, and whose attacks were racially motivated. Letters to a Serial Killer is a terrifying story about Kamal, the killer Peter Mangs, and Sweden. The film is directed by Kamal’s sister, Manal Masri.
Manal Masri is a Malmö-based director and producer for theatre, television and radio. Letters to a Serial Killer is her documentary feature debut.
Original title Brev till en seriemördare Director/screenwriter Manal Masri Participants Manal Masri, Kamal Masri, Mona Masri, Jamal Masri, Fayrouz Ramadan , Mohamad Skandarani, Göran Söderberg, Magnus Hermansson, Joakim Palmqvist, Mattias Gardell Produced by Mantaray Film/Stina Gardell, with support from the Swedish Film Institute/Klara Grunning Duration 58/90 min National release Spring, 2017 Sales TBA
Letters to a Serial Killer
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Annika and Jessica Karlsson (sisters b. 1984) directed and produced the short documentary Taxidancing (2012), screened at Tempo Film Festival 2013 and shown in Swedish cinemas the same year. Loving Lorna was selected as one of the Nordic film projects by the European Documentary Network and their programme Twelve for the Future in 2013/2014.
Original title Loving Lorna Directors/screenwriters Jessica Karlsson, Annika Karlsson Produced by Systerskaparna/Annika Karlsson, Jessica Karlsson, with support from the Swedish Film Institute/Klara Grunning, Cecilia Lidin Duration 62 min National release 2017 Sales Systerskaparna
There’s always been a strong horse culture in Ballymun, outside of Dublin. Lorna and her family are a part of it, and it has helped them through tough times. Lorna has a dream to become a farrier and she’s practising during her last summer holiday. However, things might not turn out as planned. This is a poetic coming-of-age film, a story of survival, relationships, horses and dreams.
Loving Lorna
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Theresa Traore Dahlberg grew up in Sweden and Burkina Faso. After a few years in New York assisting directors and photographers, she studied film directing, first at the New School in New York and then at the Stockholm Academy of Dramatic Arts. Her graduation film, Taxi Sister (2011), has been screened at festivals worldwide. She is now doing her Master’s degree in Art at the Royal Institute of Art in Stockholm. Ouaga Girls is her feature documentary debut as a director.
Original title Ouaga Girls Director/screenwriter Theresa Traore Dahlberg Produced by Momento Film/David Herdies, with support from the Swedish Film Institute/Antonio Russo Merenda Duration 82 min National release Winter, 2017 Sales TBA
A group of young women from the outskirts of Ouagadougou, the capital of Burkina Faso, meet at the feminist education centre to study to become car mechanics. Ouaga Girls is a coming-of-age story of sisterhood, life choices, and the strife of finding your own path.
Ouaga Girls
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Jonny von Wallström’s first feature Zero Silence premiered at Sheffield Doc/Fest 2011, and covered the generation of young people that brought on the Arab Spring by using the Internet to organize, mobilize and fight injustices. Born 1982 in Sandviken, Sweden, von Wallström studied digital post-production and graphic design before making documentaries. The Pearl of Africa is his first feature documentary, and premiered in competition at Hot Docs 2016.
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Original title The Pearl of Africa Director Jonny von Wallström Participants Cleopatra Kambugu, Nelson Kasaija Produced by Story4change/André Wallström, with support from the Swedish Film Institute/Klara Grunning Duration 74 min National release TBA Sales UR International
The Pearl of Africa captures an intimate struggle for the right to love. Following a Ugandantransgender girl, forced to leave her country, it’s an emotional journey of love, hate and being transgender in one of the world’s most transphobic places. It’s a first hand testament that love conquers all. A documentation of a couple going through their most difficult time.
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Nima Sarvestani started his career as a journalist in Iran and has been making documentaries since moving to Sweden in 1984. Focusing on social and political issues, he is inspired by those who fight passionately for their cause. Some of the films he has directed are Iranian Kidney Bargain Sale (2006), I Was Worth 50 Sheep (2010), No Burqas Behind Bars (2012) and Those Who Said No (2014).
Two young women after being released from prison in Afghanistan. Fearing for her life Sara escapes to Sweden, but Najibeh stays behind. While Sara struggles with her newfound freedom, her prison mate Najibeh disappears and soon Sara hears that she was stoned to death. Sara and the filmmaker want to find out the truth, only to encounter a maze of half-truths on the streets of Afghanistan.
Original title Prison Sisters Director/screenwriter Nima Sarvestani Produced by Nimafilm/Maryam Ebrahimi, Farima Karimi, with support from the Swedish Film Institute/Klara Grunning Duration 90 min National release January, 2017 Sales Deckert Distribution
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Reflections
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Sara Broos (b. 1977) is based in Sunne, Sweden and Berlin. She has directed and produced short films, video installations and the award winning feature length documentary For You Naked (2012). Her style is personal and experimental and she has received several awards as a filmmaker. Broos runs the independent production company Broos Film.
The director takes her mother Karin Broos, a famous Swedish painter, on a seaside trip to Latvia, hoping to close the silent gap between them. Out of this experience came an intimate and poetic film exploring the innermost recesses of the human mind and the complexities of the mother-daughter relationship.
Original title Speglingar Director/screenwriter Sara Broos Participants Karin Broos, Sara Broos, Marc Broos , Inga Ronka, Sissela Broos, Stella Broos Produced by Broos Film/Sara Broos, with support from the Swedish Film Institute/Cecilia Lidin Duration 77 min National release September 2, 2016 Sales First Hand Films
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Zahavi Sanjavi (b. 1967 in Arbil, Kurdistan, Iraq) sought asylum in Iran in 1975 as a result of the war in Iraqi Kurdistan. Since 1990 he lives in Sweden. Sanjavi pursued his studies in the field of scriptwriting and filmmaking at All-Russian State University of Cinematography in Moscow. He has worked for TV in Iraqi Kurdistan, and for the last two years Sanjavi has been working in Sweden with documentary and feature films as director, scriptwriter and producer. His filmography includes films like Finding My Father (2012), All My Mothers (2009) and The Border (2005).
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Original title The Return Director Zahavi Sanjavi Produced by AVB Production/Zahavi SanjaviDuration 54 min National release TBA Sales AVB Production
The ReturnA Yazidi refugee camp in Iraqi Kurdistan is a home for more than 20 000 refugees, many of whom are victims of terrorist attacks by ISIS. Shilan is a young Kurdish nurse who volunteered to take care of them. Every tent in the camp has a story, and Shilan takes the responsibility to hear the refugees out, empathizing with the pain they are suffering. One day Shilan hears about a tent where a woman is refusing to eat her food or have any sort of contact with the outside. She decides to take action.
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Maryam Ebrahimi (b. 1976 in Tehran, Iran) studied at the Art University of Tehran and continued her education in Stockholm, where she now lives and works. Ebrahimi has produced the feature documentaries I Was Worth 50 Sheep (2010), a tragic story about the selling of young girls in Afghanistan in the name of marriage, and No Burqas Behind Bars (2012), which showed how moral crimes are used to control women in post-Taliban Afghanistan. The film was shot under a long period of time inside a women’s prison.
Original title Stronger than a Bullet Director/screenwriter Maryam Ebrahimi Produced by Nimafilm/Nima Sarvestani, with support from the Swedish Film Institute/Cecilia Lidin, Antonio Russo Merenda Duration 80 min National release August, 2017 Sales TBA
Devoted to the Iranian Revolution, Saeid documented the Iran-Iraq War (1980–1988) from the eye of the event. His dream was to be a martyr, and many of his photos were used to create war propaganda for martyrdom. Today he views himself as being responsible for sending thousands of boys to their graves. A film about war propaganda, manipulation and control.
Stronger than a Bullet
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A Bastard Child (PAGE 4)
After Inez (PAGE 6)
Belonging (PAGE 8)
The Borneo Case (PAGE 10)
Citizen Schein (PAGE 12)
I Called Him Morgan (PAGE 14)
The Inertia Variations (PAGE 16)
Kiki (PAGE 18)
Letters to a Serial Killer (PAGE 20)
Loving Lorna (PAGE 22)
Ouaga Girls (PAGE 24)
The Pearl of Africa (PAGE 26)
Prison Sisters (PAGE 28)
Reflections (PAGE 30)
The Return (PAGE 32)
Stronger than a Bullet (PAGE 34)