summer's over (part 1)

72
Stefano Mirti Summer’s over No homework done and baby blue volume 1, on nothingness

Upload: stefano-mirti

Post on 29-May-2015

204 views

Category:

Design


0 download

DESCRIPTION

This is a cute present for all the people who took part to "Architecture between the Sea and the Sky" workshop. Here you have the first part.

TRANSCRIPT

Page 1: Summer's over (part 1)

Stefano MirtiSummer’s over

No homework done and baby blue

volume 1, on nothingness

Page 2: Summer's over (part 1)

L M N O P Q R

Page 3: Summer's over (part 1)

this is a special digital copy for architecture, between the sea and the sky

community

kisskiss / lovelove

Milan, September 2014

Page 4: Summer's over (part 1)

It’s a work about space and architecture.

How do we get space, how do we get architec-ture. Indeed, quite a complex journey. If we want to make space, in the first instance, it happens in our mind. In a different way: because of maps, we have the world (and not the other way around).

The same goes for space. Because of an idea, we have a “place”. This place is then perceived in terms of space.

Without an idea, we can’t have a place. Without a place, we cant’ have space. At the opposite, when a conceptual vision takes form in our minds, a place (with its own spatial features) is born.

To start our journey, we have to deal with the absence of space and place. Something we could define: “nothingness”.

Here we are, and on we go.

@

Page 5: Summer's over (part 1)

this is the first digital edition

Stefano MirtiSummer’s over

No homework done and baby blue

volume 1, on nothingness

Page 6: Summer's over (part 1)

This book is dedicated to the people who came up with Google Images.

this is a glitch

Page 7: Summer's over (part 1)

Here we should have the table of contents, but actually, there is not. There isn’t a linear order: read the whole thing in the way you prefer. Jump, skip, go backwards. However you like.

Page 8: Summer's over (part 1)

Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die know-ing something. You are not here long.

Walker Evans

Page 9: Summer's over (part 1)

1. On Nothingness

x yz w

Page 10: Summer's over (part 1)
Page 11: Summer's over (part 1)

Before we start, please watch “Power of 10”.It’s a short movie, less than 10 minutes.

Easy to find it on YouTube.A nice way to start our journey.

Page 12: Summer's over (part 1)

...some 50.000 years ago...

earth

moon

this, we explain it later

Page 13: Summer's over (part 1)

quite empty, isn’t it?

Page 14: Summer's over (part 1)

...almost empty

little man

things we don’t get

odd creatures

Page 15: Summer's over (part 1)

now, a crossroad: sci-fi or ancient times?

cosmic diagrams (quite cool)

an abducted gent

a planet (Saturn?)

UFO

Page 16: Summer's over (part 1)

..today, we go for ancient timesa

B.C.

prehistoric croc

a

aa

a

Page 17: Summer's over (part 1)

sci-fi, we do another time...star troopers

I like comics (once in a while)

gecko

Page 18: Summer's over (part 1)

here we are: ca. 50.000 years ago

a lot of things with no name

{

Page 19: Summer's over (part 1)

bthey had to invent civilization from scratch

let’s say, not an easy task

Page 20: Summer's over (part 1)

when things have no name, they don’t exist

x

Page 21: Summer's over (part 1)

it’s like watching TV without signal

Page 22: Summer's over (part 1)
Page 23: Summer's over (part 1)
Page 24: Summer's over (part 1)
Page 25: Summer's over (part 1)

John Milton Cage

a world where things have no namea piece of music without sound

a television without signalan empty page

4’33”

Page 26: Summer's over (part 1)
Page 27: Summer's over (part 1)
Page 28: Summer's over (part 1)
Page 29: Summer's over (part 1)

in Buddhism, they call it “anātman”, the “non-self ”

अनात्मन्

Page 30: Summer's over (part 1)
Page 31: Summer's over (part 1)

In Japan, they call it “ma” (間). Not to be confused with “mu” (無, as

visualized in the previous page).

Wikipedia explains:

“In Zen Buddhism, an ensō (円相, circle) is a circle that is hand-drawn in one or two unin-

hibited brushstrokes to express a moment when the mind is free to let the body create.

The ensō symbolizes absolute enlightenment, strength, elegance, the universe,

and mu (無, the void).”

I love Wikipedia!

Page 32: Summer's over (part 1)

in Japan, they know a lot about these things...

Page 33: Summer's over (part 1)
Page 34: Summer's over (part 1)
Page 35: Summer's over (part 1)
Page 36: Summer's over (part 1)

Kazuo Shinohara, House in Uehara (1975-1976).Daytime view.

Page 37: Summer's over (part 1)

Kazuo Shinohara, House in Uehara (1975-1976).Nighttime view..

Page 38: Summer's over (part 1)

Actually,to understand void and negative space,

you should play go game.

Page 39: Summer's over (part 1)

go, it’s very easy to learn, very difficult to master

Page 40: Summer's over (part 1)
Page 41: Summer's over (part 1)
Page 42: Summer's over (part 1)

Check out this “Polyfauna” application.It goes deep into nothingness

Page 43: Summer's over (part 1)

so they were: a big chaos in front of them

a world where things have no name

prehistoric couple

Page 44: Summer's over (part 1)

a big chaos and a lot of funny animals

Page 45: Summer's over (part 1)

tools

ideas

Page 46: Summer's over (part 1)

the world was in his mind, not outside

now, he is thinking hard...

Page 47: Summer's over (part 1)

a lot of ideas to do a lot of things...

Page 48: Summer's over (part 1)

they coulda hunt

they could grow stuff

Page 49: Summer's over (part 1)

they could breed animals

prehistoric turtle, a very big one

Page 50: Summer's over (part 1)

they could (try to) domesticate wild animals

Page 51: Summer's over (part 1)

...they could make clothes and jewelry

they made nice LBDs

prehistoric clothes, quite cuterious

Page 52: Summer's over (part 1)

btw, by then, they knew how to dress...

Page 53: Summer's over (part 1)

since those happy times, fashion became a tricky business.alas, that’s the way out there...

but we shouldn’t get lost in other things.let’s move back to our prehistoric friendss & their lives...

Page 54: Summer's over (part 1)

they improved their skills

here, a glamourous necklace

Page 55: Summer's over (part 1)

also,since they didn’t have steady jobs,

they could play a lot. the y loved to play all kind of games...

awele board

Page 56: Summer's over (part 1)

bottom line.they would play,they would eat,they would walk around.

in a different way:niente di meglio del lavoro di michelasss!mangià, bev e andà a spass!

Page 57: Summer's over (part 1)

now, they could even fall in love!

a prehistoric beauty from Brazil

c

b

Page 58: Summer's over (part 1)

they could make art

Page 59: Summer's over (part 1)
Page 60: Summer's over (part 1)

Asger Jorn, he was another cool chap.Quite useful to know his works...

Page 61: Summer's over (part 1)

of course, they also discovered sex.of course, they always knew about sex.but now, they were consciously liking it.

they weren’t married yet, but they were already cheating on their husbands & wives.

Betty wanted to show Fred a few tricks she’d read about.

Page 62: Summer's over (part 1)

PS I don’t believe in being politically correct.

Life is not politically correct.

Page 63: Summer's over (part 1)

An important thing!

I like to make digressions, let’s say I like to get lost while I explain various things.

I apologize. This happens because I like very much Laurence Sterne’s Tristram Shandy”. A novel in which you constantly get lost in endless other stories. A tale working like a Russian matrioska. “he Life and Opinions of Tristram Shandy, Gentleman. A work in nine volumes, 1759 / 1767. Mr Sterne loved diversions so much that Tristram’s birth is not reached until the third volume.

Getting lost over and over, digressions and amplifications. That’s the way.

Not to mention the graphic concept of the whole thing!

Page 64: Summer's over (part 1)

Digressions, incontestably, are the sunshine; —& they are the life, the soul of reading; — take them out of this book for instance, — you might as well take the book along with them.

Page 65: Summer's over (part 1)

Writing, when properly managed, (as you may be sure I think mine is) is but a different name for conversation.

Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman

Page 66: Summer's over (part 1)

Now, our little prehistoric people could do all kinds of different things. They even discovered “time”. Altogether, quite impressive. Hail to our faraway ancestors!

Page 67: Summer's over (part 1)

sun

moon

(moving) dinner

here I am, now

all kinds of different “places” where I could be

Page 68: Summer's over (part 1)

finally, they could do a lot of things.from “nothingness” they were ready to discover

places and to live a new life...

Page 69: Summer's over (part 1)

PS

Readers like to have a caption next to each image. I am not so sure about it. It’s more interesting to keep the image open and vague. Let’s say, I can give you some hints.

Most of the pictograms are Gerd Arntz’s mesmerizing visuals for the Isotype collection. There is one subway portrait by Walker Evans and one Crystal Palace Dinosaur. One portrait of Ludwig Wittgenstein and one of John Cage.

Kazuo Shinhara has two houses, while Joseph Beuys has one portrait with wolf. One sketch by Oscar Niemeyer, one image of Barbarella’s (aka Jane Fonda). Burda provides one sheet of sewing patterns, another image refers to Cueva de las Manos (Cave of the Hands) somewhere in Patagonia.

Going on, with have some drawings by Lau-rence Sterne and we pay homage to Robert Fludd as well as to Yukio Mishima.

What else? We can’t forget the Venus of Willen-dorf and the Easter Island statues.

The rest, dear reader, is for you to discover.

Page 70: Summer's over (part 1)

Volume 1 is over.Now, let’s move to volume 2...

Page 71: Summer's over (part 1)

This is the first digital version of this book.

Milan, fall 2014.

Page 72: Summer's over (part 1)

It’s a series about nothingness, space, place and other various interesting (and odd) things.