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Melody Harmony Tonality Texture Form Style & Genre Rhythm & Metre Resources/Techniques Title: Shostakovich - String Quartet No. 8 Op.110: movement 1 Play through each example from the score Use any instrument or software Don’t forget to transpose! Always have your booklet ready for notes Find the examples & mark on your score for links and further understanding Dmitri SCHostakowitsch Bo.om open string: Opening Texture? (bars 1 4) Texture in viola bar 19? Texture bar 79? Can you find other examples of this? Bar 84: Describe this chord The rhythms of the quartet are very ______________ . How could you describe the rhythm in bars 24 25 How can the rhythm be described at bar 79 *Op compare to opening cello statement Are there modulaOons to related keys? What key is suggested at bar 95? How does link with melody/range? How does the composer “cloud” the tonality in the opening bars? How can we describe the violin II, viola and cello parts at bar 28? Texture in opening bars? How is the melody shared between the Violins at bar 55? Which other Shostakovich work is this statement taken from? (bar 64 Violin II)

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Page 1: SU ZEHJu peal -   · PDF fileMelody Harmony Tonality Texture Form Style & Genre Rhythm & Metre Resources/Techniques Title: Shostakovich - String Quartet No. 8 Op.110: movement 1

Melody

Harmony

Tonality

Texture Form

Style & Genre

Rhythm & Metre

Resources/Techniques

Title: Shostakovich - String Quartet No. 8 Op.110: movement 1

Play through each example from the scoreUse any instrument or software

Don’t forget to transpose!Always have your booklet ready for notes

Find the examples & mark on your score for links and further understanding

Dmitri  SCHostakowitsch

Bo.om  open  string:

Opening  Texture?  (bars  1  -­‐  4)Texture  in  

viola  bar  

19?

Texture  

bar  79?Can  you  find  

other  examples  

of  this?

Bar  84:  

Describe  

this  chord

The  rhythms  of  the  quartet  

are  very  ______________  .

How  could  you  describe  the  

rhythm  in  bars  24  -­‐  25  

How  can  the  rhythm  

be  described  at  bar  

79  -­‐  *Op  compare  to  

opening  cello  

statement

Are  there  modulaOons  to  related  keys?

What  key  is  

suggested  at  bar  95?

How  does  link  with  

melody/range?

How  does  the  composer  “cloud”                                                                    the  tonality  in  the  opening  bars?

How  can  we  describe  the  

violin  II,  viola  and  cello  parts  

at  bar  28?

Texture  in  

opening  bars?

How  is  the  melody  

shared  between  

the  Violins  at  bar  

55? Which  other  

Shostakovich  work  is  

this  statement  taken  

from?  (bar  64  -­‐  

Violin  II)