1. 1. Storyboard Tom and Conor
2. 2. 1 - The BryAnton Ident will first come on the screen, then fading into black, with punching noises playing whilst black. - Will then go into a POV shot and close ups of two men punching the agent, who is tied to a chair. - There will be 3 punches and with every punch there is a question interrogating him. - The two men will be wearing ski masks and dark coats, agent in chair will be wearing shirt and tie or suit. - Will be very dim lighting and little camera movements, use of POV, close ups and mid shots used but not so you can see the agents face. - After the 3 punches there will be a black out an then the title screen.
3. 3. 2 -From the punch in the scene before, screen will go black then go into the title sequence where we see a car driving down a country road. -Will be a montage of shots showing car driving down the road, with a variety of different shots and camera movements. -Out door lighting and non diegetic fast pace music building.
4. 4. 3 -From the punch in the scene before, screen will go black then go into the title sequence where we see a car driving down a country road. -Will be a montage of shots showing car driving down the road, with a variety of different shots and camera movements. --Out door lighting and non diegetic fast pace music building.
5. 5. 4 -From the punch in the scene before, screen will go black then go into the title sequence where we see a car driving down a country road. The car then pulls up next to a field. -Will be a montage of shots showing car driving down the road, with a variety of different shots and camera movements. -Out door lighting and non diegetic fast pace music building.
6. 6. 5 -After the montage of the car and title sequence we see the car pull up at the side of a road and then 5 masked men with guns open the boot of the car which has a man tied up in there. -Out door lighting and non diegetic fast pace music building. -Close ups, extreme close ups, mid shots included here.
7. 7. 6 -Then masked men then drag the man in the suit out of the boot of the car and put him on his knees and hold a gun to his head. -Out door lighting and non diegetic fast pace music building. -Close ups, extreme close ups, mid shots included here.
8. 8. 7 One of the masked men pulls a gun out after the agent not talking and giving him answers. -Extreme close up and POV shot of the gun. -Out door lighting and non diegetic fast pace music building.
9. 9. 8 -One of the masked men shouts stop and calls over the man with the gun, leaving the agent on his own. The masked men all go over to the car apart from one. -Out door lighting and non diegetic fast pace music building. - Close ups, long shots, mid shots.
10. 10. 9 -All the masked men over by the car, but one of the men cuts the agents tied wrists, this is the undercover agent who does this. - Out door lighting and non diegetic fast pace music building. - Close ups, long shots, mid shots.
11. 11. 10 -After the masked men spoke about killing the agent, one with a gun stands over him pointing a gun at his head. -Over the shoulder shot from both sides. Close ups, long shots, mid shots. -Out door lighting and non diegetic fast pace music building.
12. 12. 11 - Just about when the masked man with the gun is about to pull the trigger, the agent stabs him in the leg with a knife that the undercover agent gave him. - Out door lighting and non diegetic fast pace music building. - Close ups, long shots, mid shots. - -
13. 13. 12 - After the agent has stabbed the man in the leg he grabs a gun dropped by the masked man and runs, with a case sequence begging with the other masked men chasing him, the undercover agent also. - Out door lighting and non diegetic fast pace music building. - Close ups, long shots, mid shots.
14. 14. 13 - The chase sequence goes on for a bit and in the end the agent loses the masked men, but ends up meeting the undercover agent, they meet and smile at each other and also laugh. - Out door lighting and non diegetic fast pace music building. - Close ups, long shots, mid shots.