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A S S E E N I N S P R I N G 2 0 1 2
PATTERNS + TEMPLATES
pattern
pinterest.com/SewDailyfacebook.com/StitchMagazine
creatingwithfabric+thread
w
i l .
m
i r
sewdaily.com winter2013
PAGE 59
30+INCLUDES patterns BONUS PATTERN INSERT
ARCTICDUVETCOVER
ANIMALSILHOUETTES
OWLROOMDIVIDER
NATUREINSPIRED
create DESIGNS
36 sweet PROJECTS TO SEW
make this prettyBUTTON TOTE !
pC1 ront Co er.indd 1 /1 /1 : M
A S S E E N I N W I N T E R 2 0 1 3
1 MULTI-USE MAT TOTE
byTINA LEWIS Project photo on page 70 ;instructions on page 130 .
PATTERNS + TEMPLATES
pattern
4 CRESCENT CITY NECKLACEby KAELIN TELSCHOW Project photo onpage 65 ; instructions on page 124 .
2 TWEED FLOWER HANDBAG by LINDSAY CONNER Project photo on page51 ; instructions on page 102 .
3 FROSTED HEXAGON CUPCUFF by EMILY BRECLAW Project photoon page 74 ; instructions on page 135 .
5 ICE CRYSTAL POTHOLDER byKEVIN KOSBAB Project photo on page 46 ;instructions on page 95 .
8 NATURE SILHOUETTESQUILT by MICHELLE FREEDMAN Projectphoto on page 60 ; instructions on page 116 .
6 GRAPHIC ANIMAL THROWPILLOWS by HEIDI BOYD Project photoon page 61 ; instructions on page 120 .
7 BUTTON TREE TOTE bySARAH MINSHALL Project photo on page59 ; instructions on page 115 .
9 GODDESS HEADPIECE byELIANE PINTO Project photo on page 66 ;instructions on page 125 .
0 TREE RING FOOTSTOOL byMADELEINE ROBERG Project photo onpage 63 ; instructions on page 121 .
- NORDIC TRAIL QUILT byTINA LEWIS Project photo on page 42 ;instructions on page 89 .
F+W MEDIA, INC.
All rights reserved.F+W Media grants permission for any or all pages inthis issue to be copied for personal use. sewdaily.com PAGE 1 OF 21
= TEA TIME COASTERS byCHARISE RANDELL Project photo on page45 ; instructions on page 93 .
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sewdaily.com
GETTING STARTED Basic techniques and termsyoull need to know for the pattern you have downloaded.
pattern
BUTTON + BUTTONHOLEPLACEMENT MARKS Solid lines indi-cate buttonholes. A large open circle isthe button symbol and shows placement.
CUTTING LINES Multisizepatterns have different cuttinglines for each size.
PLACE ON FOLD BRACKET This isa grainline marking with arrows pointingto the edge of the pattern. Place on thefold of the fabric so that your finishedpiece will be twice the size of the patternpiece, without adding a seam.
GRAINLINE The double-ended arrowshould be parallel to the lengthwisegrain or fold unless specifically markedas crosswise. Bias grainlines will bediagonal.
NOTCHES Notches are triangle-shaped symbols used for accurately
matching seams. Pieces to be joined willhave corresponding notches.
DARTS Dashed lines and dots markdarts. The dashed lines show where thestitching will be, and the dot shows theposition of the dart point (signaling thepoint, at the end of the dart, where yourstitching should end).
PATTERN DOTS Filled circles indicatethat a mark needs to be made (often onthe right side of the fabric) for placement
of elements such as a pocket or a dartpoint. Mark by punching through the pat-tern paper only, then mark on the fabricthrough the hole.
SLASH MARKS A dashed line (some-times appearing with pattern dots)indicates an area to be slashed. Furtherinstructions for making the slash will beincluded in the pattern instructions.
PATTERN SYMBOLS & MARKINGSASSEMBLING FULL-SIZE PATTERN PRINTOUT
1 | When prepar-ing to print the PDF,make sure that you areprinting it at 100% andthat there is no scaling.Check the settings forpage scaling (should beNone) and check thepreview to make surethat you will be printingat full size. Make surethat the box labeled Au-to-Rotate and Centeris unchecked (instruc-tions apply specifically to Adobe Reader; if using another PDFreader, check for similar settings).2 | To ensure that the pattern has printed at the correct scale,check the size of the TEST SQUARE. The Test Squareshould be 2" 2 (5 5 cm).3 | To begin assembling the pattern, cut off or fold the dottedmargin around each page.4 | The pages are numbered in rows, so the first row of pagesis numbered 1a, 1b, 1c, etc. Line up the rows and match thedotted lines together so they overlap. Tape the pages together.Use the illustrated guide to match each piece. Once the patternis complete, find your size, pin the pattern to the fabric, and fol-low the coordinating line to cut out or trace the pattern.
LAYOUT, MARKING & CUTTING GUIDELINES
1 | Find the lines that correspond to your size and tracethe pattern pieces, either on tissue paper or directly ontothe fabric, using tracing paper and a tracing wheel.2 | If you are cutting pattern pieces on the fold or cuttingtwo of the same pattern piece, fold the fabric in half,selvedge to selvedge, with right sides together. Note that thistechnique is not appropriate for some fabrics so check theproject instructions if you are unsure.3 | Lay the pattern pieces on the fabric as close togetheras possible. Double-check that all pattern pieces to becut on the fold are placed on the fold.4 | Make sure all pattern pieces are placed on the fabricwith the grainline running parallel to the lengthwise grain unlessa crosswise or bias grainline is present.5 | Copy all pattern markings onto the wrong side of the fabricunless otherwise noted.6 | Read through all cutting instructions listed in the projectinstructions for directions on how many pattern pieces tocut out of your fabric and interfacing.7 | Use weights to hold the pattern pieces down and usepins to secure the corners as needed.8 | Cut the pieces slowly and carefully.
Test Square2" 2"
XLLMSXS
F+W MEDIA, INC.
All rights reserved.F+W Media grants permission for any or all pages inthis issue to be copied for personal use.
PAGE 2 OF 21
WINTER 2013
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5 ICE CRYSTALPOTHOLDER
HEXAGON (A)
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l a c e e
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n p l
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O D D E S S H E A D P I E C E
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1 M
U L T I - U S E M A T T O T E
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e i g h t h s
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6 GRAPHIC ANIMALTHROW PILLOWS
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0 TREE RING FOOTSTOOL
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2 TWEED FLOWERHANDBAG
OUTER PETALS (A)cut 5
2 TWEED FLOWERHANDBAG
INNER PETALS (B)cut 4
3 FROSTED HEXAGONCUP CUFF
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A
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4 C
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A4
A1 A2A3
B1B4 B5
trim completed coasteron dotted line before
applying binding
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