sony.com/digitalcinema

SRX-R3204K Digital Cinema Projector

LMT-300Media Block

STM-100Theater Management System

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The Next Generation of 4K Digital Cinema

In 2007, Sony introduced an ultra-high-resolution projector system that incorporates an

SRX-R220 4K SXRD projector and an LMT-200 Media Block, and adopts a unique self-

contained enclosure design. Since its sensational debut, this projector system has rapidly

acquired a huge reputation from a range of exhibitors worldwide due to its advanced

features and functionalities specifically designed for digital cinema applications.

To respond to the evolving demands of digital cinema exhibitors, Sony is proud to

introduce another unique digital cinema projector system.

At the heart of this system are the SRX-R320 4K SXRD projector and LMT-300 Media Block.

Its secure enclosure design allows the LMT-300 server to be seamlessly integrated into the

chassis of the SRX-R320 projector, providing a high level of security that meets the SPB-2

anti-tamper regulation stipulated by the Digital Cinema Initiatives, LLC (DCI).

The SRX-R320 projector is equipped with three Silicon X-tal Reflective Display (SXRD™)

devices, delivering an amazing resolution of 4096 x 2160 pixels (H x V) – more than four

times the resolution of full HDTV (1920 x 1080), achieving a high contrast ratio of 2000:1.

Thanks to selectable 4.2 kW, 3.0 kW, and 2.0 kW Xenon projector lamps and various

optional lenses, the SRX-R320 allows for screen coverage of up to 22 meters (70 feet)* –

providing a SMPTE-standard brightness level of 14 ft-L* on a wide screen.

The LMT-300 Media Block is a digital cinema server that incorporates hard disk drives

(HDDs) with a large storage capacity of approximately 1TB and adopts a reliable RAID

(Redundant Array of Inexpensive Disks) system. It can play back DCI DCP (Digital Cinema

Package) files and allows the SRX-R320 projector to show digital cinema programs.

Another unique feature of the LMT-300 is its Screen Management System function, which

is equipped as standard and can provide a variety of screen-management operations

such as show scheduling, communication with other theater control systems like lighting

and curtains, and setup and maintenance of the projector.

Moreover, this projector system offers the optional STM-100 Theater Management System

software that allows theater staff to efficiently manage multiple auditoriums from a central

PC connected to the theater LAN.

With extremely high resolution,

outstanding security, and

operational versatility, Sony’s

digital cinema projector system

based on the SRX-R320 4K

projector is a perfect choice for

digital cinema applications.

* 14 ft-L is achieved on a 22-meter (70-foot) screen, when projecting CinemaScope® images by using the USHIO DXL-40SRXPRO 4.2 kW Xenon lamp and the LKRL-A001 Anamorphic Lens with Lens Changer Unit. The brightness level can be measured at the screen center with 100 IRE white and a screen gain of 1.8, when projecting the images through the projection booth window (portglass) with a transmittance of 93%. A ft-L (foot-lambert) is a unit of measurement for luminance. One foot-lambert equals 3.4262591 candelas per square meter.

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Astonishing “4K” Visuals Powered by Sony’s Advanced Screen and Theater Management System

Touch-panel display not included

System Advantages/Features

4K ResolutionHistorically, the movie theater experience has always

exceeded that achieved by home entertainment systems.

The advent of HDTV (1920 horizontal pixels) and technical

improvements in home theater equipment have stimulated

the movie industry to think further ahead into the future.

Meanwhile, the Hollywood movie studios have jointly

agreed on standardizing 4K (4096 horizontal pixels) and

2K (2048 horizontal pixels) as the next-generation digital

movie distribution and projection standards. Creating

movies in 4K protects the future value of the content, and

also provides a significant benefit to the theater audience.

In recent years, stadium-type seating is becoming

increasingly popular among modern cinema complexes.

By sitting closer to the screen, the audience can enjoy a

more immersive visual experience. However, those sitting

in the front rows may witness pixel artifacts when the

resolution provided by the projection system is not sufficient

to fill the screen size. The SRX-R320 provides true 4K output,

which reproduces the full detail of 4K content thanks to

the 4K SXRD panels, 4K internal signal processing, and

4K-compatible optical system. Besides, since the SRX-R320

provides four times the resolution of 2K projectors, the visual

quality of 2K and HD content is also improved over those

provided by native 2K and HD-resolution projectors.

Cineplex(Stadium seating)

Screen

Traditional theater

1

12

34

52

34

5

78

910

78

910

CineAlta 4K™ Experience the Difference

With True 4K Digital Cinema

In 1999, Sony introduced a totally new concept

for movie makers to provide a new higher level

of picture quality, efficiency, and flexibility

in production processes – digital cinema

production. Sony’s new approach was to

produce movies in a high-definition (HD)

progressive video format at 24 frames per second

using digital video tape media. This concept,

together with the Sony products that enabled

it, was named CineAlta™ – and it has been

embraced by an ever-broadening spectrum of

producers, directors, and cinematographers all

over the world. A large number of movies have

already been produced digitally using CineAlta

equipment, and this will continue into the future.

The recent acceleration of HD has heightened

the need for the best technologies at every point

in the professional production workflow. As a

result, Sony launched “CineAlta 4K” in 2006 – an

extension of the CineAlta brand that currently

comprises the SRX Series SXRD 4K projectors.

Sony is also working to expand the “4K” concept

to other Sony professional equipment, with a

longer-term plan to establish a 4K production

workflow. With Sony CineAlta 4K technologies

and equipment, true 4K digital cinema is a reality.

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High 2000:1 Contrast RatioThe SRX-R320 offers a high contrast ratio of more than

2000:1 through the use of Sony’s unique SXRD device. The

SXRD device itself achieves a contrast ratio of over 4000:1.

This stunning picture quality makes the SRX-R320 ideal for

applications in which dynamic range is essential.

The high contrast ratio has been achieved through two key

technologies – the ‘normally black mode’ system and an

extremely thin liquid crystal cell gap.

Xenon Lamp Provides Highly Bright and Pure Light SourceThe SRX-R320 provides a high brightness of 14 ft-L* on a

wide screen using a Xenon lamp at full brightness. This

high brightness can be achieved for a 20-meter (65-foot)

wide screen when the SRX-R320 projects a full pixel size

(4096 x 2160) image with a 4.2 kW Xenon lamp (USHIO

DXL-40SRXPRO only) and the brightness level is measured

at the screen center with 100 IRE white and a screen gain

of 1.8. This brightness can also be achieved for a 17-meter

(55-foot) or 14-meter (45-foot) wide screen when the

SRX-R320 projects a full pixel size (4096 x 2160) image

with a 3.0 kW or 2.0 kW Xenon lamp, respectively, and the

brightness level is measured at the screen center with 100

IRE white and a screen gain of 1.2.

A Xenon lamp, standard in film projectors, provides pure,

superb color tonal reproduction essential to meeting the

stringent requirements of digital cinema. Xenon lamps,

which are designed for the SRX-R320 and available from

lamp manufacturers, satisfy the wide color range required

for digital cinema by dispersion at a very flat and wide light

spectrum.

* A ft-L (foot-lambert) is a unit of measurement for luminance. One foot-lambert equals 3.4262591 candelas per square meter.

** By lowering the brightness level of the projector lamp and attaching an appropriate ND filter to the projector lens, the SRX-R320 can be used for projection even on small screens. With this brightness adjustment, the SRX-R320 with a 2.0 kW lamp can be used for a 4.5-meter (15-foot) wide screen.

Variety of High-quality LensesSix optional zoom lenses are available for the SRX-R320.

All lenses utilize very large image circles that contribute

to minimizing the optical vignetting that typically occurs

on projector lenses, and to obtaining the highest possible

values of MTF (Modulation Transfer Function). With these

features, the optical systems of the SRX-R320 have the

capacity to reproduce resolutions higher than 4K, which is

necessary to project 4K content exactly at 4K resolution. In

addition, these lenses are designed to minimize chromatic

aberrations using Sony’s accumulated technical knowledge.

Variety of InterfacesThe SRX-R320 supports a wide variety of signal formats including

the 12-bit X’Y’Z’ signal that is stipulated in the DCI specification.

10-bit 4:4:4 RGB and 10-bit 4:2:2 YPbPr signal formats are also

supported for playback of other alternative content.

n Two channels of SRLV, which are used for connection to

the LMT-300 Media Block (for 4K projection: 4K DCP).

n A DVI (HDCP) interface that accepts DVI (HDCP) signals for

up to 2048 x 1080 at 60 Hz (for 2K projection).

n A dual-link HD-SDI/DC-SDI input* that accepts any of the

following signals:

•ForHDprojection:SMPTE372Mdual-linkHD-SDI(4:4:4),or

SMPTE 292M HD-SDI (4:2:2)

•For2Kprojection:Dual-linkDC-SDI(RGB4:4:4),DC-SDI

(YPbPr 4:2:2), or 12-bit X’Y’Z’ signals (4:4:4)

* To support this input, the optional LKRI-003 board is required.

LKRL-Z116CLKRL-Z114CLKRL-Z111C

LKRL-Z119 LKRL-Z122LKRL-Z117

Resolution Remarks1 1024 x 768 at 60 Hz (XGA) VESA2 1280 x 960 at 60 Hz (SXGA1) VESA3 1280 x 1024 at 60 Hz (SXGA2) VESA4 1400 x 1050 at 60 Hz (SXGA+) VESA5 1600 x 1200 at 60 Hz (UXGA) VESA6 2048 x 1080 at 60 Hz (DC) 7 1920 x 1080 at 24 Hz (HD) 8 2048 x 1080 at 24 Hz (DC) 9 1920 x 1200 at 59.95 Hz Reduced Blanking (WUXGA) VESA10 1920 x 1080 at 60 Hz (HD) EIA/CEA-861B11 2048 x 1080 at 48 Hz (DC)

Table of Available Xenon LampsSony-recommended Xenon lamps for the SRX-R320 are

available from the following lamp manufacturers:

Lamp Xenon LampManufacturer 4.2 kW 3.0 kW 2.0 kWUSHIO INC. DXL-40SRXPRO DXL-30SRX DXL-20SRXOSRAM GmbH XBO4200W/HRS OFR XBO3000W/HPS OFR XBO2000W/HPS OFRPHILIPS XDC-4200S XDC-3000S XDC-2000S

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Operational Features

3D Dual Lens AdaptorAttaching the 3D dual lens adaptor* to its lens mount, the

SXR-R320 can deliver crisp 3D images** to screens up to 15

meters (50 feet)*** in width at 4.5 ft-L brightness. It allows

full 2K resolution for the left and right eye simultaneously,

resulting in a high-brightness, high-quality stereoscopic

cinema presentation that offers more faithful reproduction

of motion in 3D.

* For detailed information on the 3D dual lens adaptors, please contact your nearest Sony office.

** To produce 3D images on a screen, 3D filters available from a 3D system integrator are required. For detailed information on the 3D filters, please contact your nearest Sony office.

** Screens up to 15 meters (50 feet) wide are supported, when 3D images are presented in Side Masking mode. When they are presented in Top-bottom Masking mode, screens up to 12 meters (40 feet) wide are supported. For detailed information on supported screen sizes, please contact your nearest Sony office.

Anamorphic LensWhen projecting digital cinema content created in the

CinemaScope format (4096 x 1716 pixels), the SRX-R320

cannot use all of the 4096 x 2160 pixels available for the

4K SXRD device. To improve this inefficiency, the optional

LKRL-A001 Anamorphic Lens with Lens Changer Unit * was

developed. When CinemaScope images (4096 x 1716

pixels) are input, the SRX-R320 extends them in a longitudinal

direction via the projector’s image-processing function,

which effectively uses all the pixels of the SXRD device. The

LKRL-A001 attached** in front of the projector’s lens extends

the images in a transverse direction, so that the aspect ratio

of the images projected on a screen can be restored to its

original 2.39:1. This can increase the brightness level of the

images on the screen by approximately 20%, allowing for the

projector to provide a high brightness of 14 ft-L on screens up

to 22 meters (70 feet) wide***.

The LKRL-A001 includes a lens-changer function that can

set the anamorphic lens not to be in use manually. This

function allows for the SRX-R320 to accept digital cinema

content created in the Flat format (3996 x 2160 pixels),

without dismounting the LKRL-A001 unit from the projector.

* The LKRL-A001 supports the LKRL-Z114C, LKRL-Z116C, LKRL-Z117, LKRL-Z119, and LKRL-Z122 optional lenses (the LKRL-Z111C is not supported), and throw ratios ranging from 1.7 to 4.03.

** To attach the LKRL-A001 to the projector, the following lens support stays are required. For detailed information, please contact your nearest Sony office.

*** The brightness level may vary depending on portglass and screen conditions.

Lens Support Stays•A1675-703-AfortheLKRL-Z114C

•A1675-704-AfortheLKRL-Z116C

•A1675-705-AfortheLKRL-Z119

and LKRL-Z122

•A1675-706-AfortheLKRL-Z117

CinemaScope Image on Screen(aspect ratio of 2.39 :1 )

4K SXRD Device Digital Cinema Contentin CinemaScope Format

4096 Pixels 4096 Pixels

1716

Pix

els

2160

Pix

els

SRX-R320 Projector

LKRL-A001

SRX-R320 with 3D Dual Lens Adaptor attached

SRX-R320 with LKRL-A001 attached; Anamorphic lens not in use

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Anamorphic Mode FunctionThe SRX-R320 allows squeezed images (16:9 or 1.896:1) to be

changed to 2.39:1 un-squeezed images. This can be done

electrically without an anamorphic lens.

Color Space Conversion (CSC) FunctionThe SRX-R320 features a Color Space Conversion (CSC)

function, which helps users easily adjust the projector’s

color space to that which is defined in the DCDM (Minimum

D-Cinema Color Gamut) or ITU-R BT.709. The target color

gamut parameters required to meet the DCDM or ITU-R

BT.709 standards can also be applied to the projector

with this function. The internal test generator simplifies

adjustment and lets the operator align the projector in

minutes.

Gamma Curve SelectionThe SRX-R320 provides three preset gamma curve values.

Users can select an optimum value from 1.8, 2.2, and 2.6

according to the desired color tone.

Lens Shift FunctionThe SRX-R320 is equipped with a lens shift function that

allows projected images to be moved up and down or

from side to side. This lens shift function can be operated

manually via the finger screws incorporated on the

projector’s unit. Using this function, the position of the

projected images can be moved vertically by -50% to +50%

and horizontally by -5% to +5%.

Keystone MaskingTo compensate for keystone distortion, which typically

occurs when the projector is not installed directly in front of

the screen, the SRX-R320 has an image-masking function.

To determine the best position for the masking, this function

allows users to set further two points in addition to the four

corner points, which is particularly useful when projecting

onto a curved screen.

Zoom/Focus Memory FunctionThe SRX-R320 is equipped with zoom and focus memory

functions that make it easy to switch the projection

between two types of aspect ratios.

When used with an optional zoom lens – such as the

LKRL-Z111C, LKRL-Z114C, LKRL-Z116C, LKRL-Z117, LKRL-Z119,

or LKRL-Z122 – the zoom and focus positions for the 1.85:1

screen format and 2.39:1 CinemaScope can be stored in

the projector’s memory and then instantly recalled from

there. This allows for full-screen display regardless of the

aspect ratio. An electronic vertical alignment feature is

included in the same memory to compensate for vertical

changes in the image, should the projector be mounted at

a downwards angle.

Select four corner positions to mask the area outside the perimeter.

Masked area

For curved screens, select two positions at the apex of the curve, one at the top and one at the bottom of the screen.

Easy Maintenance of Luminance LevelDuring long periods of usage, users commonly have to

adjust the luminance level of their projector, as Xenon

lamps typically get darker over time. The SRX-R320 has a

convenient function to help users know when to make such

adjustments. It allows users to set a standard luminance

level, and displays an alert message on the LCD screen of

the projector when the value changes from the standard

level. With this feature, proper and timely maintenance of

the luminance level can be performed.

Automatic Lamp Power Calibration FunctionWhen switching the aspect ratio of projection from

CinemaScope to VistaVision and vice versa, the luminance

levels happen to change. To maintain a constant

luminance level even after making these changes, the

SRX-R320 can automatically calibrate the luminance level

by controlling the lamp output power.

Air-flow Sensor for Reliable CoolingThe SRX-R320 has a chimney on top of the unit that expels

warm air, thereby keeping the projector unit cool. The

chimney has an air-flow sensor that measures the amount

of discharged air. When the projector is powered on from

Standby mode, the air-flow sensor operates automatically.

If the value does not reach a normal level, an alert

message is displayed on the projector’s LCD screen.

Thanks to this function, the operator can immediately

take proactive maintenance action, allowing for reliable

projector cooling.

Power Supply and Control of External Ventilation FanTo efficiently discharge warm air from the unit, the chimney

of the SRX-R320 projector must be connected to an exhaust

duct with a ventilation fan. For optimum reliability and

effectiveness, the projector supports an Interlock interface,

which enables the SRX-R320 to operate this external

ventilation fan. The projector can supply power to the fan

and control its operation – the fan works when the projector

is in Lamp ON mode or Standby ON mode.

Key Lock SystemThe SRX-R320 is designed to be highly secure. It does not

have screw holes, and requires physical keys to open the

enclosure. This body structure meets the SPB-2 anti-tamper

requirement of the DCI. Even if the enclosure is opened

with the physical keys, anti-tamper sensors will trigger the

LMT-300 Media Block to immediately start recording logs for

further safety. In this case, the projector also deletes Key

Delivery Messages (KDM) automatically, so that DCP files

cannot be played back.

SRX Controller SoftwareThe SRX Controller software* is a convenient tool for system

integrators to set up and maintain the SRX-R320. This runs

on a PC** connected to the projector via the RS-232C

interface, and features intuitive GUIs that enable easy

setup and adjustment of the projector. A comprehensive

range of setup parameters including input configurations,

colorimetry controls, installation adjustments, and

maintenance settings can be controlled via this software.

For example, it allows operators to easily verify a lamp’s

operating time. Plus, the versatile projector functions

such as Squeeze Mode, Color Space Conversion (CSC),

and Zoom/Focus Memory can also be controlled via this

software.

* For detailed information on availability of the SRX Controller software, please contact your nearest Sony office.

** System requirements for the SRX Controller software: Microsoft® Windows® XP Professional. Supported OS languages are English and Japanese only.

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Maintenance and Security Features

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In addition to its extreme resolution and high contrast,

the SXRD device used in the SRX-R320 projector

has the following remarkable

technological features:

‘Normally Black Mode’ SystemIn every type of projector system, displaying absolute black

is a major issue – as this helps to achieve a high contrast

ratio. In other words, the contrast ratio of a projector

depends on how effectively the light from the source can

be blocked, so it does not leak through the display device.

All Liquid Crystal Display (LCD) devices control the amount

of light to be projected by applying an electric field to

the liquid crystal gap. In typical LCD devices, black is

produced when an electric field is applied across the liquid

crystal cell gap. However, molecules near the surface of

the glass substrate may not be accurately controlled due

to the influence of the alignment film. This is not an issue

for bright images but, when displaying dark images, light

may tend to leak from the LCD device, since the molecules

near the surface are less accurately controlled. This results

in a creamy black instead of a deep black.

The SXRD device does not exhibit these characteristics.

This is because the ‘normally black mode’ system displays

black when the electric field is not applied and, because

all molecules are in the correct alignment, the polarized

light alignment is also optimized. The direct result is a far

deeper black level, leading to a high contrast ratio.

Thin Liquid Crystal Cell GapAnother important factor allowing for the high contrast

of the SRX-R320 is the SXRD device’s ultra-thin cell gap

of less than 2 micrometers. With conventional ‘vertically

aligned liquid crystal’ systems, a thin cell gap could not be

achieved. Sony has overcome this difficulty through the

use of innovative planarization technology in the silicon

backplane structure and an advanced silicon wafer-based

assembly process.

The SXRD device also adopts a structure that does not

use ’spacers’. These are columns found in conventional

reflective liquid crystal devices to maintain a constant gap

between the liquid cell floor and the top of the device.

Spacers tend to both scatter and reflect light, which can

impair high-contrast pictures. In the spacer-less SXRD

device, these artifacts are no longer seen.

Short Response TimeThe thin cell gap structure in SXRD devices also contributes

to an ultra-fast response time of 2.5 milliseconds (for both

rise and fall). The SXRD device reacts promptly to an

instantaneous change of picture content, enabling SXRD-

based projectors to display smooth motion. Consequently,

the SRX-R320 virtually eliminates motion blur; a particularly

significant benefit when presenting content that includes

fast-moving objects.

Reliable Display DeviceThe SRX-R320 uses bright and highly powerful lamps. As

a result, special attention has been paid to the reliability

of the SXRD device. The inorganic materials utilized for

the alignment layer of the SXRD device are resistant to

deterioration or deformities that could occur due to the

intense heat and light generated by the powerful lamp

system.

12-bit SXRD DriverThe SRX-R320 utilizes a 12-bit display panel driver for

reproducing extremely natural images.

High-Density Pixel Pitch 8.5 µm

Thin Cell Gap (2.0 µm) Spacer-less

LightInorganicAlignment Layer

Liquid Crystal

Glass Substrate

Silicon BackplaneNarrow Inter-PixelSpacing (0.35 µm)

Aluminium Pad

•Highfill factor•Highreflectivity

•Highreliability

•Short response time < 2.5 ms (for both rise and fall)•HighDevice Contrast ratio 4000 : 1

•4xFull-HDTV(4096Hx2160V pixels)

SXRD Cross-Section Diagram

SXRD Technologies

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Auditorium B

Auditorium A

Auditorium C

Firewall

The

ate

r LA

N

TMS Serverwith STM-100

TMS Controllerwith STM-100/SMS Controllerwith SNS-C software*

CenterStorage

Sound Processor

Automation System

SRX-R320

LMT-300

Light Controller

Curtain Controller

Secured Contents from Distributors

GPIO

USB

2.0

Projectionist Terminal(Touch-panel Display)

Pedestal

UPS

HDD, etc

HDD, etc

AES/EBU Digital Audio

* For detailed information on availability of the SMS-C software, please contact your nearest Sony office.

DCP

DCP

Control

Large Storage Capacity and Reliable RAID SystemThe LMT-300 incorporates HDDs with a large storage

capacity of approximately 1TB. It employs a RAID

(Redundant Array of Inexpensive Disks) system that allows

for highly reliable digital cinema presentation.

Decryption and Unwrapping of DCP FilesThe LMT-300 can decrypt DCP files that have been encrypted

using the AES (Advanced Encryption Standard PSP 197). It

can also unwrap individual picture, audio, and subtitle data

files for processing that are encoded within the MXF file.

Picture and SubtitleThe LMT-300 can decode JPEG 2000 picture data in real time

for playback, regardless of whether the file was encoded at

2K or 4K resolution. Subtitles in Timed-Text/XML or PNG/XML

format can be overlaid onto picture data before it is sent to

the projector.

AudioThe LMT-300 transcodes audio DCP files into AES/EBU digital

audio signals, and then outputs them from two audio output

connectors (D-sub 25-pin) to external audio processors such

as Dolby® sound processors. The audio output 1 and audio

output 2 can support up to 8 and 16 channels, respectively.

The timing of the audio output can be adjusted for

complete synchronization with the picture, and any channel

can be routed to any output to simplify installation.

Event Log CreationThe LMT-300 can generate event logs to record certain

information – such as the number of times a movie has

been played – which is a DCI requirement for secure

content control.

Ingest of DCP Files During PlaybackDCP files can be ingested to the LMT-300, even while

playing a movie.

The LMT-300 Media Block is a digital cinema server with a large storage capacity and high reliability. It can

be seamlessly integrated into the chassis of the SRX-R320 projector, allowing for a highly secure digital cinema

projector system. The LMT-300 can handle DCI DCP (Digital Cinema Package) files that consist of picture,

audio, and subtitle data files, and that are wrapped into an MXF (Material eXchange Format) file. It can

play back the DCP file by using advanced processing to decrypt

and decode the picture data, and then send it to the projector over

a secure multi-pin connection system.

Moreover, the LMT-300 incorporates the Screen Management System

(SMS) function, which lets operators manage all of the devices

necessary for digital cinema presentation from one location.

Digital Cinema Server – LMT-300 Media Block

System Configuration Example

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Screen Management System As standard, the LMT-300 incorporates the Screen

Management System (SMS), which is equivalent to the

LSM-100 software designed for the SRX-R220/LMT-200 digital

cinema projector system. Thanks to this SMS function, the

operator can perform a variety of functions required for

digital cinema presentation via the touch-panel screen

of a projectionist terminal attached to the projector. This

SMS function can also be operated remotely from a PC*

connected to the theater network. In addition, the SMS

can be seamlessly integrated with other theater systems

that have the optional STM-100 Theater Management

System software installed, as well as third-party auditorium

automation systems.

The SMS of the LMT-300 satisfies the requirements of the

DCI specifications version 1.2 for screen management and

security.

* To support the SMS controller functions, the SMS controller software must be installed on the PC. For detailed information on its availability, please contact your nearest Sony office.

Screen Management Functions Operated by a Projectionist Terminal:•DCPingest/registrationandDCPmanagement

•KeyDeliveryMessage(KDM)registrationandkey

management

•ShowPlayList(SPL)creationandmanagement

•Showscheduleviewing

•Playbackcontrol

•ExecutionofSPLs

•Deviceconfiguration

•Devicemonitoring

•Statusmonitoring:collectstatusinformationfrom

the projector and Media Block; report status at

pre-configured intervals

•MonitoringofcavitysecuritystatusfromMediaBlock

•Automationsysteminterface

•ProjectorPowerOn/Standbycontrol

•LampPowerOn/Offcontrol

•Adjustmentoflamppowervalues

•Adjustmentofthelambbulb’sz-axis

•Lampserialcodeinputfunctionwheninstallinganew

lamp bulb

•Adjustmentofaregistrationgap

•Displayoffilterinformationandresettimer

•InitializationofCavitySecuritySystem(CSS)

•Contentinformationdisplay:title,aspectratio,

and KDM validity

Setup and Maintenance Functions by an SMS Control PC:•Auditoriumsetup

•Logretrieval:includinglogfilteringandsecondarylog

distribution

•Interface(XML/HTTPS)toexternalTheaterManagement

System (TMS)

•Automationsysteminterface

•Securityfunctions

Enclosure Status Light Management Functions:•Monitorsandaggregatesstatusofallsystem

components

•Sendsaggregatedstatusinformationtothestatuslightof

the enclosure

Menu window of projectionist terminal (touch-panel display)

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The STM-100 Theater Management System (TMS) is an

optional software application that can provide efficient

centralized management for cinema complexes featuring

multiple auditoriums. The STM-100 provides a variety of the

following functions:

Centralized Monitoring of Auditoriums Functions:•Monitoringofauditoriumandprojectorstatus

•Emergencyoperationofshow(Stop,Pause,Resume,

Resume with latency time)

•Displayofauditoriumdetails(Projectorstatus,DCPingest

schedule, Show details, Error/Warning)

•Indicationofstatusinformationsuchasfatalerror/

warning and creation/exporting of error logs

Schedule Management Functions:•Dailyandweeklyscheduleviewwithzoomfunction

•ImportofscheduledatafromPOS/Ticketsystem

•Easyschedulecreationbydrag-and-dropoperation

•AutomaticcreationofTo-doListwithpriority(unassigned

SPL, lack of DCP/KDM, etc) for schedule making

Theater Management System – STM-100

Creation of SPL Functions:•ShowPlayList(SPL)creationandmanagement

•CompositionPlayList(CPL)groupingfunctionsto

combine multiple compositions (content programs such

as trailers)

•CustomizedSPLtemplatewithCue(outputtrigger)

•BlanktimeinsertionintoSPL

•Automaticallyadjustablecuesetting

•ManualtransferofSPLtoauditoriumfortestscreening

DCP/KDM Management Functions:•CentralizedDCP/KDMmanagementandstatus

monitoring

•DisplayofhierarchicalDCP/KDMlistwithautomatic

linkage

•DisplayofurgentlevelfornecessaryDCP/KDMingestion

to local storage

•KDMvaliditystatusindication

•Displayofcapacityofcentralstorageandlocalstorage

•AutomaticandmanualingestofDCP/KDMtoauditorium

•AutomaticandmanualdeletionofDCP/KDM

Menu window of STM-100

13

8 7/8 (225)

6 1/8 (154)

28 5/8 (726) 3 1/2 (88)

49 1/4 (1250)

17 1/2 (443)

19 (482)

18 3/8 (465)17 1/2 (443)

3/4 (19)

24 (609)

27 5/8 (699)

8 3/4 (222) 23 1/4 (590)

27 5

/8 (6

99)

3/4

(19)

8 3/

8 (2

12) (

bary

cent

ric p

ositi

on)

6 7/8

(174)

1 1/4

(31)

2 5/

8 (6

4)

1 1/

4 (3

0.5)

21 5

/8 (5

47.3

)

22 7

/8 (5

80)

5 1/

4 (1

31)

5 1/

4 (1

31)

3 5/

8 (8

9)27

/32

(21)

17 1

/2 (4

42)

25 1

/4 (6

40)

29 1

/4 (7

40)

(bar

ycen

tric

posi

tion)

11/3

2 (8

)

ø7 7/8 (198)

(barycentric position)

Area necessary forcooling of LMT-300

(for LKRL-Z114C)

(barycentric position)

22 7/8 (580)

Dimensions

Unit: inches (mm)

SRX-R320

LMT-300

14

Specifications of SRX-R320

SXRD Device Main SpecificationsDisplay device SXRD (Silicon X-tal Reflective Display)Size 1.55-inch (diagonal)Resolution 4096 (H) X 2160 (V) PixelsReflectivity 77%Contrast More than 4000:1Pixel pitch 8.5 µmWidth (between pixels) 0.35 µmResponse speed 2.5 ms (for both rise and fall)Liquid crystal mode Normally Black ModeAlignment layer Inorganic Thin FilmBackplane process 0.35 µm MOS ProcessLiquid crystal cell gap Less than 2 µm

OpticalProjection system 3-SXRD panel, prism color integrated systemImaging device SXRD, 1.55-inch (diagonal), 4096 (H) x 2160 (V) pixels on each chipLamp 4.2 kW Xenon lamp (x1) or 3.0 kW Xenon lamp (x1) or 2.0 kW Xenon lamp (x1)Screen coverage 4.5-meter (15-foot) to 22-meter (70-foot) screen width (approx.) on Scope size (USHIO DXL-40SRXPRO 4.2 kW lamp and LKRL-A001 anamorphic lens) 4.5-meter (15-foot) to 17-meter (55-foot) screen width on Scope size (3.0 kW lamp) 4.5-meter (15-foot) to 14-meter (45-foot) screen width on Scope size (2.0 kW lamp)Light output 21000 lumens (average, USHIO DXL-40SRXPRO 4.2 kW lamp)Color light output 21000 lumens (average, USHIO DXL-40SRXPRO 4.2 kW lamp)

GeneralColorimetry Xenon color primaries Encoding primaries X Y R 0.6800 0.3200 G 0.2650 0.6900 B 0.1500 0.0600 White reference Xenon white reference X Y White reference 0.3140 0.3510 Contrast Over 2000:1Input signal Media Block input (x2): 4096 x 2160 pixels HD-SDI/Dual-link HD-SDI*: 1920 x 1080 pixels (SMPTE-372M/SMPTE-292M/ITU-R.BT709/BTA-S004) DC-SDI/Dual-link DC-SDI*: 2048 x 1080 pixels 12 bit/X’Y’Z’ (with Dual-link HD/DC-SDI Input Board) DVI-D: XGA (1024 x 768), SXGA1 (1280 x 960), SXGA2 (1280 x 1024), SXGA+ (1400 x 1050), UXGA (1600 x 1200), WUXGA (1920 x 1200), HD (1920 x 1080), DC (2048 x 1080)Power consumption Max. 5.4 kW (USHIO DXL-40SRXPRO 4.2 kW lamp) Max. 4.2 kW (3.0 kW lamp) Max. 3.0 kW (2.0 kW lamp)Power requirements AC 200 V to 240 V, 50/60 Hz, single-phase, 27 A to 22.5 AOperating temperature 41 °F to 95 °F (5 °C to 35 °C)Operating humidity 35% to 85% (no condensation)Storage temperature 12 °F to 140 °F (-20 °C to +160 °C)Dimensions 27 5/8 x 25 1/4 x 49 1/4 inches (700 x 640 x 1250 mm)(W x H x D) (excluding a touch-panel display and projecting parts of the unit such as a status light and a chimny)Weight 429 lb (195 kg) (excluding an optional lamp and a lens)

Input/OutputInput A DVI-D (HDCP)Input B Open (option slot for the LKRI-003 or LKRI-005 board)Input C A channel MDR- 68-pin (x1) (for projector output A of Media Block, SRLV connection) B channel MDR- 68-pin (x1) (for projector output B of Media Block, SRLV connection)Remote interface D-sub 15-pin (female) (x1), RS-232C RJ-45 (x1), 10BASE-T/100BASE-TX Ethernet DCP ingest port (x1)Interlock D-sub 15-pin (female) (x1), RS-232C For supply of power to an external ventilation fan and control of its operation

OthersSafety regulations [UL60950 listed], [cUL60950], [FCC Class A], [IC Class A], [VCCI Class A], [EN60950], [CE Class A], [C-tick], [CISPR22], [CISPR24]Supplied accessories Lens cover (1 set), Keys for removing panels (2), Keys for lamp replacement panel (2), Lens attachment screws (M8) (4), Status indicator lamp (1), TPC adaptor (1 set), One-touch bush (1), Attachment screws for status indicator lamp and TPC adaptor (1 set), Duct for LMT-300 (A) (1), Duct for LMT-300 (B) (1), LVDS cables (2), CSS cable (1), Ethernet cable (1), Operating instructions (1)

* To support the HD-SDI/Dual-link HD-SDI or DC-SDI/Dual-link DC-SDI interfaces, the LKRI-003 Dual-link HD/DC-SDI Input Board is required. For information on using this board, please contact your nearest Sony office.

15

Specifications of LMT-300

GeneralPower consumption 3.9A is needed for AC100VPower requirements 1.7A is needed for AC240VOperating temperature 5 °C to 35 °C (41 °F to 95 °F)Operating humidity 35% to 85% (no condensation)Storage temperature -4 °F to 140 °F (-20 °C to +60 °C)Dimensions 17 1/2 x 5 1/4 x 22 7/8 inches (443 x 131 x 580 mm)(W x H x D) (excluding projection parts)Weight 55 lb (25 kg)HDDArray composition Data drive: 4 Parity drive: 2 Spare drive: 1Record capacity 1 TB*, RAID 6VideoProjector output A MDR 68-pin (x1) (for projector A channel, SRLV connection)Projector output B MDR 68-pin (x1) (for projector B channel, SRLV connection)Compression format (decode) JPEG 2000Bit rate (J2K) Max. 250 MbpsResolution 4096 (H) x 2160 (V), 2048 (H) x 1080 (V) pixelsAudioAudio output 1 D-sub 25-pin (female) (x2), unbalanced, 8 channelsAudio output 2 D-sub 25-pin (female) (x2), AES/EBU, 16 channels (Pin assignment for Dolby option board 790)Digital audio format 24 bits, 48/96 kHz, Linear PCMInterfaceNetwork RJ-45 (x2), 1000BASE-T Ethernet (for data input) RJ-45 (x2), 1000BASE-T Ethernet (for control and spare)CSS HD D-sub 15-pin (female) (x1)VGA HD D-sub 15-pin (female) (x1) (for touch-panel controller)UPS control D-sub 9-pin (female) (x1)Audio control D-sub 9-pin (male) (x1)GPIO GPIO board (x3) (GPI: 1 to 8, GPO: 1 to 16)Status light Special 8-pin connector (x1) (for signals), special 10-pin connector (x1) (for power supply)

LKRL-Z111C Zoom Ratio 1.6x Throw ratio* 1.07:1 to 1.71:1 F-number 2.8 to 2.9 Wide Tele 6,730 mm 7,099 mm 11,466 mm 8,000 mm 8,465 mm 13,657 mm 9,000 mm 9,541 mm 15,381 mm 10,000 mm 10,617 mm 17,106 mm 11,000 mm 11,694 mm 18,831 mm 12,000 mm 12,770 mm 20,555 mm 13,000 mm 13,846 mm 22,280 mm 14,000 mm 14,922 mm 24,005 mm 15,000 mm 15,998 mm 25,729 mm 16,000 mm 17,074 mm 27,454 mm

Table of Available Lenses

LKRL-Z114C LKRL-Z116C LKRL-Z117 LKRL-Z119 LKRL-Z122 Zoom Ratio 1.5x 1.5x 1.4x 1.6x 1.8x Throw ratio* 1.35:1 to 1.98:1 1.50:1 to 2.29:1 1.72:1to 2.39:1 1.81:1 to 2.94:1 2.23:1 to 4.03:1 F-number 2.8 2.8 2.8 2.8 2.8 Wide Tele Wide Tele Wide Tele Wide Tele Wide Tele 4,500 mm 5,988 mm 8,865 mm 6,690 mm 10,289 mm 7,730 mm 10,862 mm 8,127 mm 13,365 mm 9,997 mm 18,150 mm 5,000 mm 6,668 mm 9,864 mm 7,449 mm 11,448 mm 8,559 mm 12,041 mm 8,999 mm 14,823 mm 11,074 mm 20,137 mm 6,000 mm 8,029 mm 11,863 mm 8,968 mm 13,765 mm 10,215 mm 14,400 mm 10,743 mm 17,738 mm 13,228 mm 24,109 mm 7,000 mm 9,389 mm 13,862 mm 10,486 mm 16,082 mm 11,872 mm 16,759 mm 12,487 mm 20,654 mm 15,383 mm 28,081 mm 8,000 mm 10,749 mm 15,861 mm 12,004 mm 18,399 mm 13,529 mm 19,118 mm 14,232 mm 23,570 mm 17,537 mm 32,054 mm 9,000 mm 12,109 mm 17,859 mm 13,522 mm 20,716 mm 15,186 mm 21,477 mm 15,976 mm 26,486 mm 19,691 mm 36,026 mm 10,000 mm 13,470 mm 19,858 mm 15,040 mm 23,033 mm 16,843 mm 23,836 mm 17,720 mm 29,402 mm 21,846 mm 39,998 mm 12,000 mm 16,190 mm 23,856 mm 18,077 mm 27,667 mm 20,157 mm 28,553 mm 21,208 mm 35,233 mm 26,154 mm 47,943 mm 14,000 mm 18,910 mm 27,853 mm 21,113 mm 32,301 mm 23,471 mm 33,271 mm 24,697 mm 41,065 mm 30,463 mm 55,888 mm 16,000 mm 21,631 mm 31,851 mm 24,149 mm 36,935 mm 26,784 mm 37,989 mm 28,185 mm 46,896 mm 34,772 mm 63,833 mm* Distance between the center of the projector lens and the screen, divided by the screen width.

Throwing DistanceScreen width

Throwing DistanceScreen width

SubtitleFormat Timed-text/XML or PNG/XMLSecurityDecryption format RSA 2048 bit, AESOthersSafety regulations [UL60950 -1, CSA C22.2 No.60950.1], [FCC/IC EMC Class A Digital Device], [VCCI Class A], [EN60950-1], [EN50371], [EN55022/Class A], [EN55024 (ITE)], [EN61000-3-2], [61000-3-3], [IEC60950-1], [AS/NZS CISPR22 (EN55022) Class A], [JIS C 61000-3-2]Supplied accessories Plug holder (1), Screw (4), Terminal board (socket) 10-pin (1), Operating instructions (1), Installation manual (1)

Front panel

Front view without front panel

Rear panel

* 1TB includes a capacity used for a system area where system information is recorded. The actual capacity available for recording data is 1 TB minus the capacity for the system area.

©2009 Sony Electronics Inc. All rights reserved.Reproduction in whole or in part without permission is prohibited.

Features and specifications are subject to change without notice.The values for mass and dimension are approximate.

Sony, SXRD and their respective logos are trademarks of Sony.Microsoft and Windows are registered trademarks of Microsoft Corporation.

VistaVision is a registered trademark of Paramount Pictures Corporation.CinemaScope is a registered trademark of

20th Century Fox Film Corporation.Dolby is a registered trademark of Dolby Laboratories.

All other trademarks are property of their respective owners.

LKRL-Z111C Zoom LensThrow ratio*: 1.07:1 to 1.71:1

LKRL-Z116C Zoom LensThrow ratio: 1.50:1 to 2.29:1

LKRL-Z117 Zoom LensThrow ratio: 1.72:1 to 2.39:1

LKRL-A001 Anamorphic Lens with Lens Changer Unit

LKRL-Z119 Zoom LensThrow ratio: 1.81:1 to 2.94:1

LKRI-003Dual-link HD/DC-SDI Input Board* For information on using the LKRI-003 board,

please contact your nearest Sony office.

LKRL-Z122 Zoom LensThrow ratio: 2.23:1 to 4.03:1

LKRI-005DVI (HDCP) Input Board* For information on using the LKRI-005 board,

please contact your nearest Sony office.

LKRL-Z114C Zoom LensThrow ratio: 1.35:1 to 1.98:1

Optional Accessories

* The throw ratio denotes the ratio that the projection distance is divided by the screen width.

The SRX-R320 and LMT-300 are produced at Sony EMCS Corporation Kosai Tec, which has received ISO14001 the Environmental Management System certification.

Sony Electronics Inc.1 Sony DrivePark Ridge, NJ 07656sony.com/digitalcinema

DI-0189 (MK10626V1) Printed in USA (10/09)