space, time & colour in visualisation space –cues: position, size, overlay, colour,...

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Space, Time & Colour in Visualisation Space Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence, stereoscopy. 3D on 2D. Semantic spaces Time Snapshot, vectors, time series (graphs), animation, multi-layered Colour Physics, colorants, illumination, perception, attention, motion, categorisation, emotion

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Page 1: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space, Time & Colour in Visualisation

Space– Cues: position, size, overlay, colour, perspective,

texture, lighting, focus, accommodation, convergence, stereoscopy. 3D on 2D. Semantic spaces

Time– Snapshot, vectors, time series (graphs), animation,

multi-layered Colour

– Physics, colorants, illumination, perception, attention, motion, categorisation, emotion

Page 2: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – overview

Real space (3D) Pictorial or illusory space Space perception active, supporting action

Visualisation of 3D space on 2D based on depth cues

(Why) is our perception of space three dimensional?

Page 3: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – position

Relative horizontal order

Relative height

Page 4: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – relative size

Relative size among objects

Relative size among areas (figure / ground)

When are smaller objects closer to the viewer?

Page 5: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – familiar size

Size perception based on familiarity

What happens when relative and familiar sizes conflict?

Page 6: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – shape

Skewed shaped according to linear perspective

How do we discern unknown shapes from their orientation?

Page 7: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – Interposition

Occlusion (overlap)

Translucency (< 100% transparency)

When are object edge lines needed when are they not?

Page 8: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – Edge interpretation

Orientation & depth

Illumination & reflectance

What happens when there is no physically possible interpretation?

Page 9: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – colour

Relative saturation (chroma contrast)

Relative lightness (luminosity contrast)

Does colour / luminosity constancy affect space perception?

Page 10: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – convergence of parallels Linear perspective projection

Brunelleschi, Santo Spirito church, 1436

Page 11: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – texture

Texture gradient

Gustave Caillebote, Paris Street: Rainy Day

Page 12: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – lighting (shadows)

Shadows

diffuse shading

cast shadows

Page 13: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – lighting (highlights)

Highlights

Page 14: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – lighting (reflections)

Reflections

Page 15: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – focus

Depth of focus

Why does video not look as 3D as film (look at DOF)?

Page 16: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – accommodation

Changing eye lens size in order to focus

Page 17: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – accommodation

Lens accommodation in the eye

Why does accommodation not destroy 3D on 2D illusion?

Page 18: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – convergence

Convergence of eyes

Are there problems of convergence with 2D computer displays?

Page 19: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space - stereopsis

Binocular disparity and fusion of images

What does fusion do to one’s depth perception?

Page 20: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Space – kinetic

Use of body enhanced depth perception

What happens to space perception if you don’t move at all?

Page 21: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Time - overview

Normative time (seconds, minutes, hours) Experienced time (psychological, real life) Implied or imaginary representation of time

(on a 2D surfaces) Visualisation concerned with implied time and

different representations of time Visualisation can offer insights into normative

time which can’t be experienced

Page 22: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Time – snapshot

A point in time with a history and future

Dust clouds near North African deserts

Page 23: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Time – diagrammatic

Vector map - movement, velocity, direction and path in time

Vector fields displaying fluid movement

Page 24: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Time – time series graphs

Time series (plotted X-Y graphs)

An image embedded into sound (sonogram)A flux of x-rays plotted against time

Page 25: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Time – sequence

Succession of snapshots

When does motion become fluid and flicker unnoticeable?

Hydrogen atom superposition of 6 eigenstates

Page 26: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Time – narrative & symbolic

Jerusalem 3000: Three Millennia of History

Page 27: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – overview

Light is electromagnetic radiation Colour is a perceptual property of light Light wavelengths do not map directly to colours Colour of an item is a combination of item, lighting and

viewer characteristics Human colour vision is corrective, can be fooled and has

strong emotive impact

Page 28: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – physics

Electromagnetic radiation

Why do we not see other frequencies of the EM spectrum?

Page 29: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – Colorants

Pigments and dyes absorb & reflect different frequencies

What is the real colour of an object (how to measure)?

Page 30: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – illumination

Illumination has a spectral distribution

What is ”daylight” and what is its colour temperature?

Page 31: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – illumination intensity

Light intensity affects colour vision!

How can you calibrate displays if intensity affects colour vision?

Page 32: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – perception

Perception = object properties + illumination properties (both global and local) + perceiver properties

Page 33: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour - deficiency

Deficiency in separating hues

Original Colour deficient simulation (orig)

Corrected Colour deficient simulation (corrected)

What is normal colour vision if everybody sees differently?

Page 34: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – attention

Colour guides visual attention (pre-attentive)

What other pre-attentive vision properties are there?

Page 35: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – motion Colour can cause apparent motion

Page 36: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,
Page 37: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour - categorisation

Various colour models for diff. purposes

Munsell NCS

Why don’t we define colours via their spectral distribution?

Page 38: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Colour – emotion

Colour’s emotive impact is relative– Culture

– Size in visual field

– Saturation

– Surrounding colours

– Personal differences

– Genre

– Etc.

Why does colour have such a potential emotional impact?

Page 39: Space, Time & Colour in Visualisation Space –Cues: position, size, overlay, colour, perspective, texture, lighting, focus, accommodation, convergence,

Summary

Space, time and colour are related: Visualization is about sensing, decoding and

representing with space, time & colour Many things in vision unknown Opportunities for research and experiments