soviet montage, 1925-1933 lecture 17. dialectics of form: eisenstein: “the shot and montage are...
TRANSCRIPT
![Page 1: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/1.jpg)
Soviet Montage, 1925-1933
Lecture 17
![Page 2: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/2.jpg)
Dialectics of Form:
Eisenstein:“The shot and montage are the basic elements of
cinema”
“The shot appears as the cell of montage.” (organic metaphor)
“So, montage is conflict.”
THEN: There must be conflict in the shot as well.
![Page 3: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/3.jpg)
Conflict within the shot• 1) Shot (enframed image)—– Graphic conflict– Conflict of planes– Conflict of volume– Light conflict– Spatial conflict– Conflict between matter and viewpoint (ex: canted and other
camera angles)– Conflict between matter and its spatial nature (ex: optical
distortion)– Conflict between an event and its temporal nature (ex: slow
motion, fast motion, stop-motion)– Conflict between optical complex and different sphere (ex:
conflict between image and sound)
![Page 4: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/4.jpg)
GRAPHIC CONFLICT WITHIN THE SHOT
![Page 5: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/5.jpg)
CONFLICT OF VOLUME, LIGHT, PLANES, SPACE
![Page 6: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/6.jpg)
GRAPHIC CONFLICT/LIGHT CONFLICT
![Page 7: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/7.jpg)
CONFLICT OF VOLUMES
![Page 8: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/8.jpg)
SPATIAL CONFLICT (CONFLICT OF DEPTH)
![Page 9: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/9.jpg)
CONFLICT BETWEEN MATTER AND VIEWPOINT (ex: camera angles)
![Page 10: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/10.jpg)
CONFLICT BETWEEN MATTER AND ITS SPATIAL NATURE (ex: optical distortion)
From Man with a Movie Camera
![Page 11: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/11.jpg)
Conflict between an event and its temporal nature (ex: slow motion, fast motion, stop-motion)
![Page 12: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/12.jpg)
CONFLICT BETWEEN SHOTS (IN EDITING)
• 2) Montage (editing)—conflict between shots– Graphic conflict– Conflict of planes– Conflict of volume– Light conflict– Spatial conflict– Tempo conflict
– Association montage
– Intellectual montage
Physiological effects produced by optical
means
Emotional effects produced by psychological means
New Ideas and attitudes
![Page 13: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/13.jpg)
Conflict between shots (in editing)
![Page 14: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/14.jpg)
Tempo Conflict
![Page 15: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/15.jpg)
TEMPO CONFLICT
![Page 16: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/16.jpg)
Eisenstein: “Association Montage”
Produces emotional effects by psychological means
![Page 17: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/17.jpg)
Ex: “Association Montage”non-diegetic insert
From Strike (1925)
![Page 18: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/18.jpg)
Eisenstein: “Intellectual Montage”
Produces new ideas and attitudes
![Page 19: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/19.jpg)
Eisenstein: “Intellectual Montage”Each shot is like an ideogram
Ideogram—a written character symbolizing the idea of a thing without indicating the sounds used to say it
![Page 20: Soviet Montage, 1925-1933 Lecture 17. Dialectics of Form: Eisenstein: “The shot and montage are the basic elements of cinema” “The shot appears as the](https://reader036.vdocuments.site/reader036/viewer/2022062805/5697c01f1a28abf838cd1e87/html5/thumbnails/20.jpg)
Ex 1: “Intellectual Montage”non-diegetic insert
Overlapping editing
From October (1927)Kerensky, stairs, and the mechanical peacock