soundcraft 2013

SOUNDCRAFT MIXING CONSOLES RANGE CATALOGUE 2013

Digital Live

Live

Multi-Purpose

#31833 - HPro Catalogue 2013_Layout 1 29/11/2012 16:41

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The Soundcraft RangeFrom analogue to digital live sound, Soundcraft mixingconsoles are built to perform. With professional features,intuitive operation and uncompromised sound quality,Soundcraft consoles are relied upon throughout theprofessional audio industry, delivering optimum performancetime after time.

Drawing on almost 40 years’ mixing console design and

manufacturing expertise, Soundcraft has developed a unique

insight into

professional audio

requirements. World-

class production

techniques, combined

with extensive testing

procedures, ensure that

every mixing console is

built to the same exacting standards.

A unique collaboration between Soundcraft and our sister company

Studer, with processing supplied by Lexicon and BSS Audio, the

remarkable Soundcraft Vi Series™ Digital Live consoles continue

to set the standard for intuitive operator control on tours and

installations.

Meanwhile,

Soundcraft® Si+ Series

Digital Live consoles

offer a ‘one box’ digital

mixing solution that

simply plugs in where

the analogue console

used to be, to deliver all the power and operational benefits of

digital mixing with minimal upheaval.

When it comes to compact Digital Live sound mixing,

Soundcraft’s Si Compact packs poweful features into a small

format console

with inuitive

operational control,

while the new Si

Performer extends

those audio

facilities yet further

and, for the first

time, integrates

DMX lighting

control. And for

bands and venues

on a budget, the

new Si Expression

sets new standards of affordability for versatile, professional

compact digital live sound mixing

From the highly-specified, value-for-money GB Series to the LX7ii,Soundcraft analogue Live consoles combine superb sonicperformance with uncompromising build quality, offering exceptionalreliability, great flexibility and unprecedented mixing control. In thiscatalogue, a comparison chart provides an at-a-glance guide to therange’s features, simplifying the choice of console for any liveapplication. Soundcraft’s Multi-Purpose console rangecombines professional facilities and sound quality withexceptional value. Suitable for stage and studio use, theseconsoles are ergonomically designed, achieving optimumperformance from compact frames. With a choice of 6, 8, 12and 20 mono input frame sizes – each with 2 stereo channels asstandard, the EPM, EFX, MPMi and MFXi Series mixers encompassa massive range of applications. The M Series offers a choice of4, 8 and 12 mono input frame sizes, each with 4 stereo inputs.

This catalogue contains features and specifications and onindividual Soundcraft consoles. For further information, pleasecontact Soundcraft for an individual product brochure, or visit theSoundcraft website at www.soundcraft.com

The inclusion of artists in this publication does not imply endorsement.

The new Si Performer digital live sound mixer is the first to includeDMX lighting control

Gert Sanner wraps up a successful Deep Purple tour withSoundcraft® Vi6

Camp Digital’s Journey HD Truck rolls on With Soundcraft® Vi4

Deep Purple keyboardist Don Airey tours with an Si Compactdigital mixer

Soundcraft has received ISO 9001:2000 certification, following a major investment in ourprocesses and manufacturing facilities


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Also available from SoundcraftAdditional information about the wide range of Soundcraft productscan be found by visiting our website at www.soundcraft.com or byrequesting an individual product brochure.

MIXING GUIDESTo help you get the most out of your Soundcraft console, we have produced a mixing guide - The Soundcraft Guide to Mixing - available in booklet, PDF and iPad App formats.The guide contains information on choosing and using your mixer and sound equipment, together with connection andsetup guides, mixing techniques, sample applications andtroubleshooting.

SOUNDCRAFT WEBSITEOur website www.soundcraft.com is updated regularly and providesa great source for all the latest news from Soundcraft. Here you can find useful information in the form of downloadablebrochures, user guides, technical data sheets, mark-up sheets,application guides, software updates, logos, images andadvertisements. The website also contains contact information for allsales, technical support and service enquiries.

For further information, please contact our MarketingDepartment on +44 (0)1707 665000 or via email at [email protected]


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Soundcraft Vi Series™

· Digital live sound consoles with highly intuitive operation· Vistonics™ II touchscreen interface relieves the burden of complex

mental mapping· FaderGlow™ illumination of fader tracks for at a glance status display· Vi6 offers simultaneous mixing of up to 96 inputs on 32 faders in 3 banksinto 35 outputs, with 24 insert send/return pairs assignable to any of theinput or output channels

· Vi4 offers simultaneous mixing of up to 96 inputs on 24 faders in 3 banksinto 35 outputs, with 24 insert send/return pairs assignable to any of the

input or output channels• Vi2 uses standard stagebox/local rack hardware to handle as many

inputs as Vi4 and Vi6 on compact control surface with 8 input faders· 32 Group/Aux/Matrix busses· 40-bit floating point digital audio processing· Cat5 or Cat7 connection to remote stagebox· Optional Fibre Optic interface· Lexicon / BSS Audio processing

TYPICAL SPECIFICATIONS

Frequency Response Stagebox Mic input to Line output . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz

AES/EBU In to AES/EBU Out . . . . . . . . . . . . . . .+0/-0.2dB, 20Hz-20kHz

T.H.D. & Noise Stagebox Mic In (min gain) to Local Line Out . . . . . . . . .<0.003% @ 1kHz

22Hz-22kHz Stagebox Mic In (max gain) to Local Line Out . . . . . . . .<0.020% @ 1kHz

Local Line In to Line Out (max gain) . . . . . . . . . . . . . . .<0.003% @ 1kHz

Mic Input E.I.N. 22Hz-22kHz bandwidth, unweighted . . . . . . . . .<-126dBu (150Ω source)

Residual Noise Stagebox line output; no inputs routed, Mix fader @0dB . . . . . . . . -95dBu

CMRR Stagebox Mic input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz

Sampling Frequency . . . . . . . . . . 44.1kHz, 48kHz (96kHz with DSP upgrade, when available)

Latency Stagebox Mic Input to Local Line output . . . . . . . . . . . . . . < 2ms @48kHz

AES/EBU Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–108kHz (with SRC enabled)

Sample Rate

DSP resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-bit floating point

Internal clock Accuracy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-50ppm

Jitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-5ns

External Sync . . . . . . . . . . . . . . . . . . . BNC Wordclock, AES/EBU sync in, Video sync in

Oscillator . . . . . . . . . . . . . . . . . . . 20Hz to 20kHz/Pink/White Noise, variable level

Stagebox HP Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz fixed, 12dB per octave

Channel HP filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-600Hz, 18dB per octave

Channel LP filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1kHz-20kHz, 18dB per octave

EQ (Inputs and HF: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB

bus Outputs) Hi-Mid: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB

Lo-Mid: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB

LF: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.3-8.7

DIMENSIONS & WEIGHT

Height Control Surface (Vi6/Vi4/Vi2 – uncased) . . . . . . . 326.4mm (12.9")

Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 780mm (30.7")

Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 780mm (30.7")

Width Control Surface (Vi6 - uncased) . . . . . . . . . . . . . . . 1757mm (69.2")

Control Surface (Vi4 - uncased) . . . . . . . . . . . . . . . 1447mm (57.0")

Control Surface (Vi2 - uncased) . . . . . . . . . . . . . . . . 846mm (33.3")

Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568mm (22.3")

Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 568mm (22.3")

Depth Control Surface (Vi6/Vi4/Vi2 - uncased) . . . . . . . 725.1mm (28.5")

Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 754mm (29.6")

Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 754mm (29.6")

Weight Control Surface (Vi6 - uncased) . . . . . . . . . . . . . . . . . 63kg (140lbs)

Control Surface (Vi4 - uncased) . . . . . . . . . . . . . . . . 52kg (115lbs)

Control Surface (Vi2 - uncased) . . . . . . . . . . . . . . . . 31.5kg (70lbs)

Local Rack* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50kg (110lbs)

Stagebox* . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50kg (110lbs)

* Standard Flightcase

Metering Internal 20-segment LED bargraphs plus 9-segment gain reduction

meters for all inputs and Outputs. Peak hold variable from 0-2s.

Mains Voltage . . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

operating range

Mains Power Control Surface: . . . . . . . . . . . . . . 155W (165W redundant option)

Consumption Local Rack: . . . . . . . . . . . . . . . . . . 140W (150W redundant option)

Stagebox*: . . . . . . . . . . . . . . . . . . . 140W (150W redundant option)

Pictured : Vi6

RemoteControl Appnow available


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Soundcraft Vi1™

• 64 inputs to mix• 32 mono mic inputs• 4 AES inputs and 2 S/PDIF inputs• 2 x D21m option slots for additional I/O formats• 4 dedicated FX returns• 24 Group/Aux/Matrix busses, plus LRC• 8 VCA Groups and 4 independent Mute Groups

• 4-band fully parametric EQ on every input and output, with HPF onevery input

• 27 full 30-band BSS Audio graphic equalisers• 4 independent stereo Lexicon FX processors• Compressor and gate on every input, compressor on every output• Delay adjustable on every input and output• Optional Redundant PSU


Height . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 394mm (15.5")

Width . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1034mm (40.7")

Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 711mm (28")

Weight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37kg (82lb)

Frequency Response Mic input to Line output . . . . . . . . . . . . . . . . . . . . .+0/-1dB, 20Hz-20kHz

AES/EBU In to AES/EBU Out . . . . . . . . . . . . . . .+0/-0.2dB, 20Hz-20kHz

T.H.D. & Noise Mic In (min gain) to Line Out . . . . . . . . . . . . . . . . . . . . .<0.003% @ 1kHz

22Hz-22kHz Mic In (max gain) to Line Out . . . . . . . . . . . . . . . . . . . .<0.020% @ 1kHz

Mic Input E.I.N. 22Hz-22kHz bandwidth, unweighted . . . . . . . . .<-126dBu (150Ω source)

Residual Noise Line output; no inputs routed, Mix fader @0dB . . . . . . . . . . . . . . . -91dBu

CMRR Mic input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz

Sampling Frequency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kHz

Latency Mic Input to Line output . . . . . . . . . . . . . . . . . . . . . . . . . < 2ms @48kHz



Jitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-5ns

External Sync . . . . . . . . . . . . . . . . . . . BNC Wordclock, AES/EBU sync in, Video sync in

Input & Output Levels Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +25dBu max

Line Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max

Line Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max

Nominal Operating Level . . . . . . . . . . . . . . . . . . . . . . . . 0dBu (-18dBFS)

Input & Output Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . >6 kOhms

Impedances Line Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <75 Ohms

AES/EBU Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 Ohms

Oscillator . . . . . . . . . . . . . . . . . . . 20Hz to 20kHz/Pink/White Noise, variable level

Channel HP filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20Hz-600Hz, 18dB per octave

Channel LP filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1kHz-20kHz, 18dB per octave

EQ (Inputs and HF: . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving

bus Outputs) Hi-Mid: . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7

Lo-Mid: . . . . . . . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7

LF: . . . . . . . . . . . . . . . . . 20Hz-20kHz, +/-18dB, Q= 0.3-8.7 or shelving

Metering Internal 11-segment LED bargraphs plus 4-segment gain reduction

meters for all Inputs and Outputs. Peak hold variable from 0-2s.

Mains Voltage . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90-264V, 47-63Hz, autoranging

operating range

Mains Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .100W

Consumption

Temperature/ Operating Temperature Range . . . . . . . 0ºC – 45ºC (32ºF – 113ºF)

Humidity Range Relative Humidity . . . 0% – 90%, non-condensing Ta=40ºC (104ºF)

Storage Temperature Range . . . . . . . -20ºC – 60ºC (-4ºF – 140ºF)

DIMENSIONS & WEIGHT



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Soundcraft® Si+ Series


Stereo input to master output . . . . . . . . . . . . . . .+0/-0.5dB, 20Hz-20kHz

T.H.D. & Noise Mic In (min gain) to Bus output . . . . . . . . . . . . . . . . . . . .0.006% @ 1kHz

10Hz-22kHz Mic In (max gain) to Bus output . . . . . . . . . . . . . . . . . . .0.008% @ 1kHz

Stereo input to master output . . . . . . . . . . . . . . . . . . . . .0.005% @ 1kHz

Mic Input E.I.N. 22Hz-22kHz bandwidth, unweighted . . . . .<-126dBu (150 Ohms source)

Residual Noise Master output; no inputs routed, Mix fader @0dB . . . . . . . . . . . <-88dBu

CMRR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80dB @ 1kHz Mic input


Convertor Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 bit

Latency Mic Input to Bus output . . . . . . . . . . . . . . . . . . . . . . . . . . < 1ms @48kHz

AES/EBU Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–108kHz (with SRC enabled)

Sample Rate



Jitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-5ns


Stereo Inputs / Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . +28dBu max

Bus Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . +22dBu max


Input & Output Mic Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6.8 kOhms

Impedances All other analogue Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . >10 kOhms

Line Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <75 Ohms

Oscillator . . . . . . . . . . . . . . . . . . . . 20Hz to 20kHz Sine/Pink Noise, variable level

Pictured : Si2+

• 80 inputs to mix (Si3+ and Si2+) /72 inputs to mix (Si1+)• 64 mono mic inputs (Si3+) /48 mono mic inputs (Si2+) /32 mono micinputs (Si1+)

• 4 stereo inputs and 4 dedicated FX returns, plus 8 assignableexternal inserts

• 24 Group/Aux/FX busses• 8 Matrix busses with sends from all Group, Aux, FX and Main L/R/C busses

• 12 VCA Groups and 8 independent Mute Groups• 4-band fully parametric EQ on every input and output, with HPF on every input• 35 full 30-band BSS Audio graphic equalisers• 4 independent stereo Lexicon FX processors• Compressor and gate on every input, compressor on every output• Delay adjustable on every input and output• Metering for every Group/Aux/FX, Masters and Monitors/Solo• Full DSP horsepower to handle all functions at any time.


Filters Channel HP Filter . . . . . . . . . . . . . . . . 22Hz-1kHz, 18dB per octave

Channel LP Filter . . . . . . . . . . . . . . 500Hz-20kHz, 18dB per octave

EQ (Inputs and HF . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 or Shelving

Bus Outputs) Hi-Mid . . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0

Lo-Mid . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0

LF . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 or Shelving

Metering . . . . . . . . . . . . . . . . . . . . . . . . Internal 14-segment LED bargraphs

12-section plus 9-section gain reduction OLED meters for all Inputs


operating range

Mains Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 400W

Consumption




DIMENSIONS & WEIGHT

Height Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340mm (13.4")

Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340mm (13.4")

Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340mm (13.4")

Width Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1202mm (47.3")

Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1414.8mm (55.7")

Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1684.6mm (66.3")

Depth Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 791mm (31.1")

Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 791mm (31.1")

Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 791mm (31.1")

Weight Si1+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38kg (84lb)

Si2+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48kg (106lb)

Si3+ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61kg (134lbs)


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Soundcraft® Si Performer

• 24 and 32 mono input frame sizes• Up to 80 inputs to mix (with external stagebox)• 8 stereo channels• 20 Aux busses to 14 mixes• User-assignable fader layers • 4 assignable insert loops• 4 FX busses• 4 mono or stereo Matrix mixes

• LR, Mono and LCR Pan modes• 4 stereo Lexicon effects engines· 8 VCA groups• 8 Mute groups• Option cards available for MADI, CobraNet®, AES/EBU, Aviom A-Net®,Riedel RockNet. BLU link, Dante and AVB planned for later 2013.

• Harman HiQnet integration• DMX lighting control















Jitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-5ns











EQ (Inputs and HF . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0 or Shelving


Lo-Mid . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0

LF . . . . . . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Shelving

Metering 7 x 8 segment meters for selected channel/bus, masters & monitors

. . . . . . . Each fader strip offers 4 segment level plus gain reduction

& Gate Closed status


operating range

Mains Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200W

Consumption




DIMENSIONS & WEIGHT

Height Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170mm (6.7")

Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170mm (6.7")

Width Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 730mm (28.75")

Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 940mm (37")

Depth Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 536mm (21.2")

Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 536mm (21.2")

Weight Si Performer 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17kg (37lb)

Si Performer 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21.5kg (47.5lb)

80 Inputs to Mix

t


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Soundcraft® Si Compact














Jitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-5ns









• 16, 24 and 32 mono input frame sizes• Up to 40 inputs (with external stagebox)• 4 stereo channels• 14 mono Aux busses• User-assignable fader layers • 4 external inserts (24,32 only)• 4 FX busses

• 4 Matrix busses• L/R and Mono busses• 4 stereo Lexicon effects engines• 4 Mute groups• Option cards available for MADI, CobraNet®, AES/EBU, Aviom A-Net®,Riedel RockNet. BLU link, Dante and AVB planned for later 2013.

• Harman HiQnet integration



EQ (Inputs and HF . . . . . . . . . . . . . . . . . . . . . . . . 800Hz-20kHz, +/-15dB, Shelving


Lo-Mid . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Hz-1kHz, +/-15dB, Shelving





operating range

Mains Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200W

Consumption




DIMENSIONS & WEIGHT

Height Si Compact 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Width Si Compact 16 . . . . . . 445mm (17.5") (482mm/19" with rack kit)

Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 716mm (28.2")

Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . 928mm (36.5")

Depth Si Compact 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Weight Si Compact 16 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.8kg (26lb)

Si Compact 24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.5kg (34lb)

Si Compact 32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19.2kg (42lbs)

RemoteControl Appnow available40 Inputs to Mix


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Soundcraft® Si Expression














Jitter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < +/-5ns









• 16, 24 and 32 mono input frame sizes• Up to 66 inputs (with external stagebox)• 6 stereo channels• 20 Aux busses to 14 mixes• User-assignable fader layers • 4 assignable input loops• 4 FX busses

• 4 mono or stereo matrix busses• L/R and Mono busses• 4 stereo Lexicon effects engines• 4 Mute groups• Option cards available for MADI, CobraNet®, AES/EBU, Aviom A-Net®,Riedel RockNet. BLU link, Dante and AVB planned for later 2013.

• Harman HiQnet integration



EQ (Inputs and HF . . . . . . . . . . . . . . . . . . . . . . . . 800Hz-20kHz, +/-15dB, Shelving


Lo-Mid . . . . . . . . . . . . . . . . . . . . 22Hz-20kHz, +/-15dB, Q=0.3-6.0

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . 22Hz-1kHz, +/-15dB, Shelving





operating range

Mains Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200W

Consumption




DIMENSIONS & WEIGHT

Height Si Expression 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168mm (6.6")

Width Si Expression 1 . . . . . . 445mm (17.5") (482mm/19" with rack kit)

Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 716mm (28.2")

Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 928mm (36.5")

Depth Si Expression 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 520mm (20.5")

Weight Si Expression 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11.8kg (26lb)

Si Expression 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15.5kg (34lb)

Si Expression 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19.2kg (42lbs)

RemoteControl Appnow available66 Inputs to Mix


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Soundcraft® ViSi Connect

A range of remote stageboxes and I/O card options enable Soundcraft Vi Series,Si+, Si Compact, Si Performer and Si Expression consoles to be configured for arange of live sound mixing applcations. Connecting over MADI via Cat5 or fibre, Vi,Compact and Mini stageboxes offer users a choice of I/O capacity.

StageboxesThe standard Vi stagebox houses 64 analogue mic/line inputs and 32 analogueline outputs, with 48V phantom power and a 100Hz HPF before the A-Dconverters. Optional AES/EBU inputs and outputs are available for the stagebox insections of 8.

Alongside the Vi stagebox, the Compact Stagebox adds a cost-effective expansionoption, offering a high density of I/O connections in only 4U of rack space. Themodular unit is fully configurable but is offered with a standard configuration of32 mic/line inputs, 8 line outputs, 8 channels of AES/EBU outputs and 2expansion slots for optional I/O cards.

It is possible to equip the Compact Stagebox with an additional 16 mic/line inputXLR module instead of the output module, providing 48 inputs. In this case,analogue or AES outputs could still be obtained on D-Type connectors via D21mcards fitted to the expansion slots.

The Mini Stagebox range provides a simple solution to stage connectivity offeringa lower-cost option for many systems where the modularity and configurability ofthe larger systems are not required. The Mini Stagebox 32 (3U) provides 32analogue inputs and 8 analogue line outputs, with 4 pairs of AES inputs andoutputs, providing a total I/O capacity of 32 inputs and 16 outputs, with the MiniStagebox 16 (2U) providing 16 analogue inputs and 8 line outputs, making a 16x 8 matrix. They connect to any of the Soundcraft Si Expression, Si Compact, SiPerformer, Si Series and Vi Series consoles via either a Cat5 or Optical MADI cardfitted to the option card slot.

The Mini Stagebox models contain an integral PSU so are completely self-contained and sit comfortably stage-side.

Vi Stagebox

Compact Stagebox

Mini Stagebox 32

Mini Stagebox 16

ViSi Remote control app· Optimise the front of house mix from anywhere in the room

• Adjust monitor levels while standing next to the artist

• Control input, aux and output levels and graphic EQ settings

• Use in standalone mode for familiarisation with console functions (includes ViSeries)

• Control a network of Soundcraft digital consoles from Vi Series and Si Series*from one iPad app (*excludes Si1, 2, and 3, and + versions of these). Requiresupdated console software.

• Use multiple iPads on the same console, so several artists can control their ownmonitor mixes

• Console and audio unaffected by wireless dropouts or interference

• Auto discovery of consoles on network - no manual address entry needed

• Connects to consoles via Harman’s HiQnet® network

#32097 - HPro Catalogue 2013 V2_Layout 1 14/12/2012 13:36

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Vi Series Optional I/O Cards

Si+ Series / Si Compact / Si Performer / Si Expression Optional I/O Cards

ut

g

ni

The DigigramEtherSound card allowsup to 128 channels ofaudio (64 inputs/64outputs) to be connectedto the rack via a singleCat5 connection.A second Cat5connection allows daisychaining or fullredundancy capability,ensuring the networkremains uninterruptedshould a cable bebroken.

Available in bothstagebox and local rackversions. This card is onlyavailable via Digigram'sdistribution network.

The Soundcraft A-NET® 16Vcard provides direct digitalconnection on a singleCat5e cable from the Aux orGroup outputs into anAviom® A-NET® Pro16™Series Personal Mixer(compatible with A-16II andA-16R).The Pro16 System enablesmusicians on stage to befed with up to 16 subgroupsof instruments or vocalswhich they can then mix totheir own taste using theirown on-stage controller. Thecard includes a switchabletest tone and stereo pairlinking via DIP switches.

Available in both stageboxand local rack versions.

The CobraNet™ cardallows up to 32 channelsof input or output signals(or a combination ofboth) to be received byor sent from consoleonto a CobraNet™network. The card mustbe used as theConductor for thenetwork. By default, thecard is configured for 32outputs.

Available in bothstagebox and local rackversions.

In addition to theoptional card choices,an optical MADIinterface is fitted asstandard, allowing directconnection to a ProTools HD™ recordingsystem via a third partyconverter box or anyMADI compatible device(eg SSL XLogic Delta-Link). Along with theADAT card, the MADIcard offers a simplerecording solution forthe Vi Series. AdditionalMADI cards may befitted by exchanging withother I/O cards, in orderto connect additionalstageboxes or otherMADI equipment.

MADI

The ADAT card provides twooptical eight-channel ADAT inputsand outputs, with selectable44.1/48/88.2/96 kHzoperation. Optical inputs andoutputs are provided on Toslinkconnectors and can be used torecord to, for example, an AlesisHD-24 hard disk recorder orother device with ADAT inputsand outputs, and receiveplayback audio.In 96kHz operation, the numberof channels is limited to eight,i.e. four per I/O.

ADAT

The Dolby E carddecodes the audiochannels from aDolby E or DolbyDigital stream andallows them to bepatched into separateinputs on the consolefor mixing. Each cardprovides two fulldecoder sections, andcan dramatically saveexternal hardwarecost, space andweight.

DOLBY E

The 3G SDI card cande-embed up to 16audio channels froman SDI (Serial DigitalInterface) stream,and re-embed themback on to thestream for onwardtransmission in abroadcastenvironment, savinghigh costs of externalunits and, of course,weight. Thesechannels may bepatched in to anyinput as usual.

3G SDI AES/EBU OUT

LOCK

LOCK

LOCK

LOCK

1/2

3/4

5/6

7/8

LOCK

PUSH

PUSH

PUSH

PUSH

Each stageboxanalogue input card (8inputs) can bereplaced by anoptional AES/EBUinput card which holds4 pairs of AES/EBUinputs, with built-inSample RateConvertors.

Similarly, eachanalogue output card(8 outputs) can bereplaced by anoptional AES/EBUoutput card whichholds 4 pairs ofAES/EBU outputs.

AES/EBU

The MADI I/O card can establisha 64-channel MADI input andoutput link to a remote devicesuch as stage rack, anotherconsole or Broadcast feed to anOB.

Optical inputs and outputs areprovided on SC connectorsavailable in multi-mode or singlemode, with the auxiliary interfaceavailable as a redundant link. ACat5 version of the card is alsoavailable.

The AES/EBU - Option 2 is anXLR-based card with 2 pairs ofAES/EBU inputs and outputs (4-in/4-out).

The AES/EBU - Option 1 is a D-Type connector based AES/EBUinput/output card with 4 pairs ofinputs outputs (8-in/8-out). Aseparate BNC connector forwordclock output is provided.

The AVIOM A-NET® 16 cardallows the desk to digitally feedan Aviom A-Net® Pro-16 chain.

With this standard, 16 monosignals can be fed to anynumber of Aviom personal mixers(such as the A-16 II), connectedin a daisy chain configuration.The A-Net® card will be the startof the chain and provide theaudio and synchronization datato the chain. DIP switches on thefront panel allow grouping twoadjacent channels to one stereochannel, and generating a testtone.

The CobraNet®card allowssending and receiving of up to32 audio channels to/from aCobraNet® network. DIPswitches on the card allowsetting the number of input oroutput channels seen by theconsole.

The card must be used as theConductor for the network. Bydefault, the card is configuredfor 32 outputs.

MADI AES/EBU Option 1 AES/EBU Option 2The Si RockNet card supports32 inputs and 32 outputs to theRockNet system. The cardenables the respectiveSoundcraft Si console tobecome a part of the RockNetdigital audio network andenables remote control of anyRockNet microphone pre-amplifier.

This card is only available viathe Riedel’s distribution network.

RockNet

Soundcraft® ViSi Connect

AVB, BLU link and Dante cards planned for mid 2013.

RockNet

The Vi RockNetcard supports 64inputs and 64outputs to theRockNet system,and enables a Viconsole to becomea part of a RockNetdigital audionetwork, providingremote control ofany RockNetmicrophonepreamplifier.

This card is onlyavailable via theRiedel’s distributionnetwork.

TDIF

This card provides twoeight-channel TDIF I/Ointerfaces with 48 kHzoperation withwordclock sync outputson BNC connectors.Inputs and outputs areprovided on standard25-pin D-typeconnectors (female).

AES/EBU IN

LOCK

LOCK

LOCK

LOCK

1/2

3/4

5/6

7/8

LOCK

PUSH

PUSH

PUSH

PUSH

s

n


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GB8 Live• 24, 32, 40 and 48 channel frame sizes• GB30 mic preamp and precision equalisation circuitry • 4 full feature stereo channels • 4 stereo returns • Direct outputs on every channel (pre/post selectable)• 4 segment input meters on every channel• 100mm faders • Switchable 48V phantom powering on every channel • 8 Aux sends • 18dB/octave high pass filter • 8 sub groups • 4 mute groups • 11x4 output matrix • 12-segment LED metering • Record output with limiter and alternate output• VU meterpod• Integral power supply, with an external power supply link option

DIMENSIONS & WEIGHT

Height All frame sizes . . . . . . . . . . . . . . . . .159mm (6.26")*

Width 24 channel . . . . . . . . . . . . . . . . . .1208mm (47.56")32 channel . . . . . . . . . . . . . . . . . 1442mm (56.77")40 channel . . . . . . . . . . . . . . . . . .1666mm (65.59")48 channel . . . . . . . . . . . . . . . . . .1889mm (74.37")

Depth All frame sizes . . . . . . . . . . . . . . . . .656mm (25.83")

Weight 24 channel . . . . . . . . . . . . . . . . . . . 30 kg (66.1 lbs)32 channel . . . . . . . . . . . . . . . . . . . .35 kg (77.2 lbs)40 channel . . . . . . . . . . . . . . . . . . . .40 kg (88.2 lbs)48 channel . . . . . . . . . . . . . . . . . . . .45 kg (99.2 lbs)

* Height with meterpod = 235mm (9.23")

TYPICAL SPECIFICATIONS INPUT / OUTPUT SPECIFICATIONS

Input & Output Mono & Stereo Mic Inputs . . . . . . . . . . . +15dBu max.Levels Mono & Stereo Line Inputs . . . . . . . . . . +30dBu max.

Stereo Inputs & Insert Returns . . . . . . . . +20dBu max.All Outputs . . . . . . . . . . . . . . . . . . . . . . +20dBu max.Nominal operating level . . . . . . . . . . . . . . . 0dBu max.Headphone power . . . . . 2 x 250mW into 200Ω phones

Input & Output Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩImpedances Line Inputs and Stereo Returns . . . . . . . . . . . . . 10kΩ

Input Channel Insert Return . . . . . . . . 5k (with EQ in, otherwise worst case 3kΩ

Mix, Group, Aux, Matrix & Direct outputs . . . . . . . 150ΩInsert Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75ΩRecommended headphone impedance . . . . . 50-600Ω

Frequency Response Mic/Line Input to any output . . . . . . . . . . . . . . . . . 20Hz – 20kHz, < 1dB

T.H.D. Mic sens. -30dBu, +20dBu at all outputs . . . . . . . . . . < 0.006% @ 1kHz

Noise Measured RMS, 22Hz to 22kHz Bandwidth

Mic Input E.I.N. @ unity gain . . . . . . . . . . . . . < -128dBu (150Ω source)

Mix Output, 40 inputs routed to mix . . . . . . . . . . . . . . . . . . . . < -82dBu

Group Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -83dBu

Aux Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -80dBu

Matrix Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -89dBu

Crosstalk Input channel muting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -97dB

(@ 1kHz) Input fader cutoff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -95dB

Input pan pot isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -75dB

Mix routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -97dB

Group routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -97dB

Adjacent channel isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -99dB

Group-Mix crosstalk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB

Aux send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB

Matrix send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB

Typical CMRR at max gain @ 1kHz . . . . . . . . . . . . . . . . . . . . . . . . . 80dB

Filter HP (mono input) . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave

EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB

(Mono Input) Hi-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 550Hz – 13kHz, +/-15dB

Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz – 1.9kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Metering Input channels . . . . . . . . . . . . . . . . . . tri-colour 4-segment LED bargraph

Output channels . . . . . . . . . . . . . . . tri-colour 12-segment LED bargraphs

Power AC mains supply (internal PSU) 85V-270V AC, 50/60Hz universal input

Power consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . Less than 150W

Operating Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C

Conditions Humidity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0% to 80%


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GB4 Live• 16, 24, 32 and 40 channel frame sizes• GB30 mic preamp and precision equalisation circuitry • 2 full feature stereo channels • 2 stereo returns • Direct outputs on every channel (pre/post selectable)• 4 segment input meters on every channel• 100mm faders• Switchable 48V phantom powering on every channel • 8 Aux sends • 18dB/octave high pass filter • 4 sub groups • 4 mute groups • 7x4 output matrix • 12-segment LED metering • Record output with limiter• Integral power supply, with an external power supply link option













Aux Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -80dBu









Aux send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB




EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB


Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz – 1.9kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Metering Input channels . . . . . . . . . . . . . . . . . . tri-colour 4-segment LED bargraph

Output channels . . . . . . . . . . . . . . . tri-colour 12-segment LED bargraphs





DIMENSIONS & WEIGHT

Height All frame sizes . . . . . . . . . . . . . . . . . .159mm (6.26")

Width 16 channel . . . . . . . . . . . . . . . . . . .842mm (33.13")24 channel . . . . . . . . . . . . . . . . . .1065mm (41.93")32 channel . . . . . . . . . . . . . . . . . 1300mm (51.17")40 channel . . . . . . . . . . . . . . . . . .1523mm (59.96")


Weight 16 channel . . . . . . . . . . . . . . . . . . . .22 kg (48.5 lbs)24 channel . . . . . . . . . . . . . . . . . . . 27 kg (59.5 lbs)32 channel . . . . . . . . . . . . . . . . . . . .32 kg (70.5 lbs)40 channel . . . . . . . . . . . . . . . . . . . .37 kg (81.6 lbs)


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GB2 Live• 16, 24 and 32 channel frame sizes• Switchable 48V phantom powering on every channel • 6 Aux sends • 4 Sub groups (paired) • 6 x 2 Output matrix• GB30 mic preamps• 4-band GB30 EQ • Integral power supply, with an external power supply linkoption

• All metal TRS jacks and Neutrik XLRs • Direct outputs on all mono input channels













Aux Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -80dBu









Aux send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB




EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB


Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz – 1.9kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Metering Input channels . . . . . . . . . . . . . . . . . . . . . Signal present and peak LEDs

Left and right output channels . . . . tri-colour 12-segment LED bargraphs





DIMENSIONS & WEIGHT

Height All frame sizes . . . . . . . . . . . . . . . . . .159mm (6.26")

Width 16 channel . . . . . . . . . . . . . . . . . . .790mm (31.10")24 channel . . . . . . . . . . . . . . . . . .1013mm (39.88")32 channel . . . . . . . . . . . . . . . . . 1247mm (49.09")


Weight 16 channel . . . . . . . . . . . . . . . . . . . .22 kg (48.5 lbs)24 channel . . . . . . . . . . . . . . . . . . . 25 kg (55.1 lbs)32 channel . . . . . . . . . . . . . . . . . . . .30 kg (66.1 lbs)


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GB2R Live• Rotatable rear connector panel for rack or desktop use• 12/2 channel version with 12 mono inputs and 2 stereoinputs, stereo Sub Group Output, Mix and Mono Sum Outputs– total inputs to mix 26

• 16 channel version with 16 mono inputs, Stereo Mix andMono Sum outputs – total inputs to mix 22

• 8 (GB2R 16) or 10 (GB2R 12/2) busses• 2 stereo inputs (GB2R 12/2 only)• GB30 mic preamp and precision equalisation circuitry • 6 Aux Outputs• Direct Outputs on every mono channel • 100mm faders • Switchable +48V phantom power on every mic input • 100Hz high pass filter • Internal switched mode power supply • Record output



Stereo Returns & Insert Returns . . . . . . . +20dBu max.Any Output . . . . . . . . . . . . . . . . . . . . . . +20dBu max.Nominal operating level . . . . . . . . . . . . . . . 0dBu max.Headphone power . . . . 2 x 250mW into 200Ω phones



Mix, Group, Aux, & Direct outputs . . . . . . . . . . . . 150ΩInsert Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75ΩRecommended headphone impedance . . . . . 50-600Ω







Aux Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -86dBu








Aux send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dB



EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB, 2nd order shelving


Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz – 1.9kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB, 2nd order shelving

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB, 2nd order shelving

(Stereo Input) Hi-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kHz, +/-15dB

(GB2R 12/2 only) Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 450Hz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB, 2nd order shelving

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.8

Metering Input channels . . . . . . . . . . . . . . . . Single LEDs, Signal Present and Peak

Left and right output channels . . . . tri-colour 12-segment LED bargraphs





DIMENSIONS & WEIGHT

Depth (at deepest point)

Rearcon rotated to rack mount Both models . . . . . . . . . . . . . . .159mm (6.26") Rearcon rotated for desktop use Both models . . . . . . . . . . . . . . .190mm (7.48")

WidthWith rack ears Both models . . . . . . . . . . . . . . . .483mm (19")Without rack ears Both models . . . . . . . . . . . . . 440mm (17.32")

Height Both models . . . . . . . . . . . . . 445mm (17.52")

Weight GB2R 12/2 . . . . . . . . . . . . . . .12.2 kg (27 lbs)GB2R 16 . . . . . . . . . . . . . . . . 12.2 kg (27 lbs)

Pictured : GB2R 16


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LX7ii Live

• 16, 24 and 32 channel frame sizes• GB30 mic preamp and 4-band GB30 EQ• 48V phantom power• True 7-bus architecture• Channel direct outputs• Talkback facility• Full-size 100mm faders• Integral universal voltage, switched-mode PSU for light weight


Input & Output Mic Input . . . . . . . . . . . . . . . . . . . . . . . +15dBu max.Levels Line Input . . . . . . . . . . . . . . . . . . . . . . . +30dBu max.

Stereo Inputs & Insert Returns . . . . . . . . +20dBu max.All Outputs . . . . . . . . . . . . . . . . . . . . . . +20dBu max.Nominal operating level . . . . . . . . . . . . . . . 0dBu max.Headphone power . . . . . . 2 x 250mW into 200 phones

Input & Output Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩImpedances Line Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . > 10kΩ

Input Channel Insert Return . 5k (with EQ in, otherwise . . . . . . . . . . . . . . . . . . . . . . . . . . . .worst case 1.8kΩ

Mix, Group, Aux Outputs . . . . . . . . . . . . . . . . . . 150ΩInsert Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75ΩRecommended headphone impedance . . . . 50-600Ω

DIMENSIONS & WEIGHT

Height All frame sizes . . . . . . . . . . . . . . . . . . . 164mm (6.5")

Width 16 channel . . . . . . . . . . . . . . . . . . . . 653mm (25.7")24 channel . . . . . . . . . . . . . . . . . . . . 856mm (33.7")32 channel . . . . . . . . . . . . . . . . . . . 1059mm (41.7")

Depth All frame sizes . . . . . . . . . . . . . . . . . . 503mm (19.8")

Weight (packed) 16 channel . . . . . . . . . . . . . . . . . . 18.2 kg (40.0 lbs)24 channel . . . . . . . . . . . . . . . . . . 21.8 kg (48.0 lbs)32 channel . . . . . . . . . . . . . . . . . . 25.4 kg (56.0 lbs)

Frequency Response XLR input to any Output . . . . . . . . . . . . . . . . . . 20Hz – 20kHz, +0/-1dB

T.H.D. All measurements at +10dBu output, 30dB gain

XLR input to Direct output . . . . . . . . . . . . . . . . . . . . . < 0.007% @ 1kHz

XLR input to Mix output . . . . . . . . . . . . . . . . . . . . . . . < 0.008% @ 1kHz

Noise Mic Input E.I.N. (maximum gain) . . . . . . . . . . <-128dBu (150Ω source)

Mix (32 ch. routed to mix, faders down, 22Hz – 22kHz) . . . . . . < -85dBu

Group (32 ch. routed to mix, faders down, 22Hz – 22kHz) . . . . < -85dBu

Aux (32 ch. routed to mix, faders down, 22Hz – 22kHz) . . . . . . < -88dBu

Crosstalk Input channel muting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB

(@ 1kHz) Input fader cutoff . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB

Input pan pot isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 82dB

Mix routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB

Group routing isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 98dB

Adjacent channel isolation . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 100dB


Aux send off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . < -94dB



EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13kHz, +/-15dB


Lo-Mid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz – 1.9kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Metering Output channels . . . . . . . . . . . . . 6 tri-colour 12-segment LED bargraphs


Power consumption . . . . . . . . . . . . . . . . . . . . . . . . . . . . Less than 50W




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FX16ii Multi-Purpose• 26 inputs as standard• 16 mono channels with UltraMic™ preamps• 4 stereo returns• 4-bus architecture with sub-group routable to mix• 24-bit Lexicon effects processor• Direct ouputs individually switchable pre/post fade• 100mm faders• Inserts on all mono channels• Inserts on stereo mix bus• 3-band EQ with swept mid band on mono inputs• 100Hz high-pass filter• +48V phantom power• 2 sub-group outputs• Rack mountable with rotating rear panel


INPUT / OUTPUT SPECIFICATIONS


Stereo Input . . . . . . . . . . . . . . . . . . . . . +30dBu max.Mix Output . . . . . . . . . . . . . . . . . . . . . . +20dBu max.Headphones (@150Ω) . . . . . . . . . . . . . . . . . . 300mW

Input & Output Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2kΩImpedances Line Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10kΩ

Stereo Input . . . . . . . . 65kΩ (stereo), 35kΩ (mono)Outputs . . . . . 150Ω (balanced), 75Ω (unbalanced)

Frequency Response Mic / Line Input to any Output . . . . . . . . . . . . . . . . +/1dB, 20Hz – 20kHz

T.H.D. Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . < 0.009% @ 1kHz

Noise Mic Input E.I.N. (maximum gain) . . . . . . . . . . . -127dBu (150Ω source)

Aux, Mix and Masters (@ 0dB, faders down) . . . . . . . . . . . . . . < -84dBu

Crosstalk Channel Mute . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 96dB

(@ 1kHz) Fader Cut-off (rel +10 mark) . . . . . . . . . . . . . . . . . . . . . . . . . . . > 90dB

Aux Send Pots Offness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 86dB

EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB,

(Mono inputs) MF (swept) . . . . . . . . . . . . . . . . . . . . . . . . . . 150Hz – 3.5kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Power Consumption Less than 40W

Operating Conditions Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5°C to +30°C

DIMENSIONS & WEIGHT

Height 148mm (5.8")

Width Without rack brackets . . . . . . . . . . . . . 442mm (17.4")With rack brackets . . . . . . . . . . . . . . . 481mm (19.0")

Depth 442mm (17.4")

Weight 8.5kg (19lbs)

For more than 35 years, Lexicon has been synonymouswith the best reverb and processing in the business,continuously introducing ground-breaking technology tothe audio industry. Today, Lexicon processing is heard onover 80% of all recordings - broadcast and filmsoundtracks. Now Soundcraft empowers the FX16ii(along with the EFX/MFX – see pages 40 and 44) withstunning 24-bit digital effects processing using the sameAudioDNA® processor used in the highly-acclaimedLexicon MX500 processor.

A total of 32 preset effects including reverbs, delays andchoruses are available along with 3 effects parametercontrols and a tap tempo button.

The versatility of the effects section is further enhancedby the facility to store user-defined effects settingsallowing the user to return to their favourite settings timeafter time.

Effects can be switched on and off using a footswitch.

Note: FX section pictured here is from EFX. Functions andfeatures are the same for FX16ii, EFX and MFX.


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• 4, 8 or 12 mono inputs with 3-band EQ (swept mid)• 4 stereo inputs• Rugged chassis design, with integral rackmount capability• 4 dedicated level-controlled FX returns with master level control• 4 auxiliary sends – 2 pre-fade, 2 post-fade• Pre- /post-fade switchable direct output on every mono input channel

• Signal detect and peak LEDs on all input channels• S/PDIF digital output• Global 48V phantom power• 100mm faders throughout


Input & Output Microphone Input Maximum Level . . . . . . . . . +12dBuLevels Mono Channel Line Input Maximum Level . . . . +38dBu

Stereo Input Maximum Level . . . . . . . . . . . . . +21dBuHeadphones Output (into 200Ω) . . . . . . . . . . 150mWAll Other Audio Outputs . . . . . . . . . +21dBu into 10kΩ

Input & Output Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . ~ 2kΩImpedances Mono Channel Line Input . . . . . . . . . . . . . . . > 40kΩ

Stereo Input (Stereo Mode) . . . . . . . . . . . . . > 30kΩStereo Returns . . . . . . . . . . . . . . . . . . . . . . . . > 10kΩHeadphone Output . . . . . . . . . . . . . . . . . . . . . ~ 40ΩAll Other Audio Outputs . . . . . . . . . . . . . . . . . . . . 75Ω

DIMENSIONS & WEIGHT


Width 4 channel, with sides . . . . . . . . . . . . . 397mm (15.6")4 channel, without sides . . . . . . . . . . 373mm (14.7")8 / 12 channel, with sides . . . . . . . . . 506mm (19.9")8 / 12 channel, without sides (rackmount) . . . . . . . . . 483mm (19.0")

Depth All frame sizes, with sides . . . . . . . . . 523mm (20.6")All frame sizes, without sides (rackmount) . . . . . . . . . 490mm (19.3"), . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .fits into 11U

Weight (incl. 4 channel . . . . . . . . . . . . . . . . . . . 6.75 kg (14.8 lbs)power supply) 8 channel . . . . . . . . . . . . . . . . . . . 8.25 kg (18.1 lbs)

12 channel . . . . . . . . . . . . . . . . . . 8.55 kg (18.8 lbs)

Frequency Response Mic / Line Input to any Output . . . . . . . . . . . . . . +/-1dB, 20Hz – 20kHz

T.H.D. Mic Sensitivity -30dBu, +20dBu @ all outputs . . . . . . < 0.008% @ 1kHz

Noise Mic Input E.I.N. (max. gain, 22Hz – 22kHz, unweighted) . . . . . . -128dBu

Aux and Mix Outputs (8 ch. routed, faders down,

22Hz – 22kHz, unweighted) . . . . . . . . . . . . . . . . . . . . . . . . . . < -84dBu

Crosstalk Channel Mute . . . . . . . . < 90dB 20Hz – 10kHz, < 80dB 10kHz – 20kHzFader Cut-Off (ref. Fader 0dB) . < 90dB 20Hz – 10kHz, < 80dB 10kHz – 20kHzRouting Isolation . . . . . . < 90dB 20Hz – 10kHz, < 80dB 10kHz – 20kHz

Filter HP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100Hz, 18dB/octave

EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB

(Mono Input) MF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240Hz – 6kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60Hz, +/-15dB



Soundcraft M Series Multi-Purpose


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EPM Series Multi-Purpose• Frame sizes 6 mono + 2 stereo, 8 mono + 2 stereo and 12 mono + 2 stereo

• Precision GB30 mic preamps • +48V phantom power • 2 configurable auxiliary buses • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Aux send globally switchable pre or post fade • 3- band EQ with swept mid band (mono inputs) • 2- band EQ on stereo inputs • Inserts on all mono inputs • 10-segment LED output metering • Headphone output • Simple rack mounting options




Input & Output Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.4kΩImpedances Line Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11kΩ

Stereo Input . . . . . . . . . . . . . . . . . . . . . . . . . 100kΩOutputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Ω

Frequency Response Mic / Line Input to any Output . . . . . . . . . . . . . +/-0.5dB, 20Hz – 20kHz

T.H.D. Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . < 0.007% @ 1kHz


Aux, Mix and Masters (@ max, faders down) . . . . . . . . . . . . . . < -85dBu




EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB,

(Mono inputs) MF (swept) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140Hz – 3kHz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5


Operating Conditions Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . -10°C to +30°C

Pictured : EPM12

DIMENSIONS & WEIGHT

Height All frame sizes . . . . . . . . . . . . . . . . . . . . 91mm (3.6")

Width EPM6 . . . . . . . . . . . . . . . . . . . . . . . . . 280mm (11.0")EPM8 . . . . . . . . . . . . . . . . . . . . . . . . . 330mm (13.0")EPM12 . . . . . . . . . . . . . . . . . . . . . . . . 432mm (17.0")


Weight EPM6 . . . . . . . . . . . . . . . . . . . . . . . . . 4.0 kg (8.8 lbs)EPM8 . . . . . . . . . . . . . . . . . . . . . . . . 4.6 kg (10.1 lbs)EPM12 . . . . . . . . . . . . . . . . . . . . . . . 5.8 kg (12.8 lbs)

ol


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EFX Series Multi-Purpose• Frame sizes 8 mono + 2 stereo and 12 mono + 2 stereo • Built- in Lexicon 24-bit effects • Precision GB30 mic preamps • +48V phantom power• 1 configurable auxiliary bus • 1 dedicated FX send • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Aux send globally switchable pre or post fade • 3- band EQ with swept mid band (mono inputs) • 3- band EQ on stereo inputs • Inserts on all mono inputs • 10-segment LED output metering • Headphone output • Simple rack mounting options

See Soundcraft FX16ii for Lexicon Effects Information







T.H.D. Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . . < 0.02% @ 1kHz






EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB,


LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB,

(Stereo inputs) MF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 720Hz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB


Operating Conditions Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5°C to 40°C

DIMENSIONS & WEIGHT

Height All frame sizes . . . . . . . . . . . . . . . . . . . . 91mm (3.6")

Width EFX8 . . . . . . . . . . . . . . . . . . . . . . . . . . 330mm (13.0")EFX12 . . . . . . . . . . . . . . . . . . . . . . . . 432mm (17.0")


Weight EFX8 . . . . . . . . . . . . . . . . . . . . . . . . . 4.6 kg (10.1 lbs)EFX12 . . . . . . . . . . . . . . . . . . . . . . . . 5.8 kg (12.8 lbs)

Pictured : EFX8


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MPMi Series Multi-Purpose• Frame sizes 12 mono + 2 stereo and 20 mono + 2 stereo• Individual channel modules with nutted pots fixed to compact and rugged steel chassis for increased strength and rigidity

• Precision GB30 mic preamps • +48V phantom power • 2 group busses • 3 Aux sends, 2 switchable pre or post fade, 1 post fade • 3-band EQ with swept mid band on mono inputs • 3-band EQ on stereo inputs • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Stereo Mix, Monitor and Headphone outputs • Optional rack ears available for 20 channel, included with 12 channel




Input & Output Mic Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.4kΩImpedances Line Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11kΩ

Stereo Input . . . . . . . . . . . . . . . . . . . . . . . . . 100kΩOutputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75Ω


T.H.D. + Noise Mic gain 30dB, -20dBu input

Mix out, fader max @ 1kHz, i/p fader @ 0dB . . . . . . . . . . . . . . <0.004 %

Noise (22Hz-22kHz Mic Input E.I.N. (maximum gain) . . . . . . . . . . . -128dBu (150Ω source)measurement bandwidth) Aux, Mix and Masters (@ max, faders down) . . . . . . . . . . . . . . < -83dBu




EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8kHz, +/-15dB


LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

Power Consumption MPMi20/2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Watts

MPMi12/2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Watts

Operating Conditions Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0°C to +40°C

DIMENSIONS & WEIGHT


Width MPMi12 . . . . . . . . . . . . . . . . . . . . . . . 585mm (23.0")MPMi20 . . . . . . . . . . . . . . . . . . . . . . . 790mm (31.0")


Weight MPMi12 . . . . . . . . . . . . . . . . . . . . . . 8.6 kg (18.9 lbs)MPMi20 . . . . . . . . . . . . . . . . . . . . . 11.5 kg (25.3 lbs)

Pictured : MPMi20


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MFXi Series Multi-Purpose• Frame sizes 8 mono + 2 stereo, 12 mono + 2 stereoand 20 mono + 2 stereo

• Individual channel modules with nutted pots fixed to compact andrugged steel chassis for increased strength and rigidity

• Built- in Lexicon 24-bit effects • Precision GB30 mic preamps • +48V phantom power• 2 group busses• 2 Aux sends, globally switchable pre or post fade • Dedicated FX send • 3-band EQ with swept mid band on mono inputs • 3-band EQ on stereo inputs • XLR-type and 1/4" metal jack connector sockets • 2-track playback inputs and record outputs • Stereo Mix, Monitor and Headphone outputs • Optional rack ears available for 8 and 20 channel, included with12 channel

See Soundcraft FX16ii for Lexicon Effects Information

Pictured : MFXi12/2







T.H.D. Mic Sensitivity -30dBu, +14dBu @ Mix output . . . . . . . < 0.02% @ 1kHz






EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB,


LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB

Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.5

EQ HF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12kHz, +/-15dB,

(Stereo inputs) MF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 720Hz, +/-15dB

LF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80Hz, +/-15dB


Operating Conditions Temperature Range . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5°C to 40°C

DIMENSIONS & WEIGHT


Width MFXi8 . . . . . . . . . . . . . . . . . . . . . . . . . 487mm (19.2")MFXi12 . . . . . . . . . . . . . . . . . . . . . . . . 585mm (23.0")MFXi20 . . . . . . . . . . . . . . . . . . . . . . . . 790mm (31.1")


Weight MFXi8 . . . . . . . . . . . . . . . . . . . . . . . . 7.4 kg (16.3 lbs)MFXi12 . . . . . . . . . . . . . . . . . . . . . . . 8.6 kg (18.9 lbs)MFXi20 . . . . . . . . . . . . . . . . . . . . . . 11.5 kg (25.3 lbs)


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Multi-Purpose Comparison Chart FX16ii M Series EPM EFX MPMi MFXi

Rack Mount Rack ears supplied 4,8 & 12 Integral Optional Optional Optional for 20 ch Optional for 8/20 ch( 4 uses rack Standard on 12 ch Standard on 12 ch

extender )

Frame Sizes 16 4, 8, 12 6, 8, 12 8, 12 12, 20 8, 12, 20

Mono Channels 16 4, 8, 12 6, 8, 12 8, 12 12, 20 8, 12, 20(mic or line)

Integral FX 32 Lexicon FX 32 Lexicon FX 100+ FX

Inserts Mono inputs, Mono inputs, Mono inputs, Mono inputs Mono inputs Mono inputsSub-mix, Mix Mix Mix

Stereo Channels 4 stereo 4 stereo 2 stereo 2 stereo 2 stereo 2 stereoreturns inputs inputs inputs inputs inputs

Groups 2 - - - 2 2

Direct Outs All mono All mono - - - -channels channels

EQ Bands 3 (swept 3 (swept 3 (swept 3 (swept 3 (swept 3 (swept(mono inputs) mid) mid) mid) mid) mid) mid)

EQ Bands - 2 band 2 band 3 band 3 band 3 band(stereo inputs) fixed on fixed on fixed on fixed on fixed on

stereo inputs stereo inputs stereo inputs stereo inputs stereo inputs

Filters 100Hz HPF 100Hz HPF - - 100Hz HPF 100Hz HPFmono inputs mono inputs mono inputs mono inputs

Auxiliary Sends 3 + Lexicon FX 4 ( 2 pre, 2 post) 2 1 + Lexicon FX 3 2 + Lexicon FX

Returns 5 stereo 4 stereo 1 stereo 2 stereo 1 stereo 2 stereoreturns returns return returns return returns

Phantom Power Switchable 1-8, 9-16 Global Global Global Global Global

Typical Applications:

Band/PA Setups

Small Venues,

Conferences

Installed Sound

Schools, Houses

of Worship

Studio Recording

Video Pre/

Post-Production

Sub/Location

Mixing

Multimedia

(Stereo returns include2-track input)


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Front of House GB8 GB4 GB2 GB2R 16 - GB2R 12/2 LX7ii

Mono Inputs 24-48ch 16-40ch 16-32ch 16ch / 12ch 16-32ch

Sub Groups 4 4 8 - / 2 4(paired (paired (paired (pairedsends) sends) sends) sends)

Master Outputs L/R L/R L/R L/R L/R+ Mono + Mono + mono + Mono + Mono

Matrix 11 x 4 7 x 4 6 x 2 - -standard standard standard

VCA Groups - - - - -

Stereo Inputs 4 standard 2 standard 2 standard - / 2 2more optional

EQ 2 fixed, 2 fixed, 2 fixed, 2 fixed, 2 fixed2 swept 2 swept 2 swept 2 swept 2 swept

Filters 100Hz HPF 100Hz HPF 100Hz HPF 100Hz HPF 100Hz HPF

Aux Sends 8 8 6 6 6 (4 Pre/Post)

Mute Groups 4 4 - - -

FX Returns 4 2 2 3 stereo returns (GB2R 16) 2+ 2 stereo inputs stereo inputs stereo inputs Up to 5 stereo returns + 2 stereo inputs

(GB2R 12/2)

Linking - - - - -

Other Features Integral PSU Integral PSU, Integral PSU Integral PSU Integral PSU12-segment output 12-segment output 12 segment output 12-segment output metering meterbridge

metering metering meteringStereo modules available

Live Comparison Chart COMPARISON CHARTS


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S Small Format Digital Live Comparison Chart

Si Compact Si Expression Si Performer

Mono Inputs 16, 24, 32 16, 24, 32 24, 32

Line Inputs 4 mono (2 stereo) 4 mono (2 stereo) 8 mono (4 stereo)

AES/EBU Inputs 1 pair 1 pair 1 pair

Max Inputs to Mix 40 66 80

Stereo Returns 4 6 8

Inserts 4 Send/Return Jacks 4 assignable insert loops 4 assignable insert loops

Input EQ 4 bands, 2 parametric, 2 sweep shelving 4 bands, 2 parametric, 2 sweep shelving 4 full parametric bands

Input Dynamics Gate / Compressor Gate / Compressor Gate / Compressor

Input Delays Yes Yes Yes

Pan Modes LR LR LR, LCR

Channel Name Display No No Yes

Assignable Fader Layers Yes Yes Yes

VCA Groups 0 0 8

Mute Groups 4 4 8

Total Mix Busses 25 35 35

Bus Output Connectors 16 16 16

AES/EBU Outputs 2 2 2

Matrix Outputs 4 mono 4 mono or stereo 4 mono or stereo

Lexicon FX Engines 4 4 4

Graphic EQs (Bus) 21 31 31

Output EQ 4 bands, 2 parametric, 2 sweep shelving 4 bands, 2 parametric, 2 sweep shelving 4 full parametric bands

Output Dynamics Compressor Compressor Compressor

Output Delays Yes Yes Yes

Option card Slots 1 1 2

COMPARISON CHARTS


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NOTES:

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soundcraft 2013

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