socialist coventions notes grid

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SOCIAL REALISM TIMELINE ERA 1950s 1960s 1970s 1980s 1990s KEY FILMS Look Back In Anger Kes Quadraphenia Made In Britain Nil by Mouth BRITISH SOCIAL REALIST CONVENTION S In a flat, rainy day, dark room, dull lighting. Very basic room and cheap clothing. Mundane chat. Editing was quite slow cut and the camera work is very basic therefore it reflects the average life of these people. Gritty , rainy , miserable British school P.E lesson. The dull, grey eye sore weather. The regional working class northern accent. The dirty look of the environment reflects the unglamorous way of British school life. Teenage, rebellion and separation of youth from society and family. Grotty, dirty working class London house. Working class cockney accent and tacky clothing. Really long drawn out shots that replicate the tough extensive and real shift that people like him go through. Rough , punishing prison life. Racist side of Britain concerning skin head. Rude British words. Small claustrophobic bare room. Regional accents. Tough treatment of authority to lowers. Slow cuts which reflect the slow churn of the discipline experience to the lower. Domestic abuse from man to his partner in a working class, cockney environment. The environment is dark and dingy, and language is raw and unrestricted, therefore vicious and real. Handheld camerawork give it a low-level grit feel, like a documentary. APPEAL TO A NICHE Appeals to the struggle of women dealing with the Appeals to the people who dealt with the harsh, rough trials of It appeals to the disassociated youth who don’t Appeals to the bad but misguided youth of Britain who Appeals to people who have experienced the stress and pain

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Page 1: socialist coventions notes grid

SOCIAL REALISM TIMELINE

ERA 1950s 1960s 1970s 1980s 1990s

KEY FILMS

Look Back In Anger Kes Quadraphenia Made In Britain Nil by Mouth

BRITISH SOCIAL REALIST

CONVENTIONS

In a flat, rainy day, dark room, dull lighting. Very basic room and cheap clothing. Mundane chat. Editing was quite slow cut and the camera work is very basic therefore it reflects the average life of these people.

Gritty , rainy , miserable British school P.E lesson. The dull, grey eye sore weather. The regional working class northern accent. The dirty look of the environment reflects the unglamorous way of British school life.

Teenage, rebellion and separation of youth from society and family. Grotty, dirty working class London house. Working class cockney accent and tacky clothing. Really long drawn out shots that replicate the tough extensive and real shift that people like him go through.

Rough , punishing prison life. Racist side of Britain concerning skin head. Rude British words. Small claustrophobic bare room. Regional accents. Tough treatment of authority to lowers. Slow cuts which reflect the slow churn of the discipline experience to the lower.

Domestic abuse from man to his partner in a working class, cockney environment. The environment is dark and dingy, and language is raw and unrestricted, therefore vicious and real. Handheld camerawork give it a low-level grit feel, like a documentary.

APPEAL TO A NICHE

BRITISH AUDIENCE

Appeals to the struggle of women dealing with the domestic dominance of men.

Appeals to the people who dealt with the harsh, rough trials of British P.E lessons.

It appeals to the disassociated youth who don’t really have direction or hopes for the future.

Appeals to the bad but misguided youth of Britain who get in trouble but yet need help.

Appeals to people who have experienced the stress and pain of being in a relationship in tough circumstances.