shoujo manga techniques - writing stories.r
TRANSCRIPT
S#OUJO MANGA TfC#NIOUfS:
ltHROl7UCTION: CREATING A STORY IS SUPER EASY!
\-l{;Y YOU, TI-lt; 0~{; $TRUG6\..1~ TO WRffi; MMGA $TORI{;$! 170WT YOU 11-lmK YOU' I':{; 11-li~KI~ TOO I-IAR17?!
0 CAA'T FIGURE OUT HOW TO PUT YOUR 117{;A$ T(')G{;T\lt;R?
0 170WT K~OW WAAT !?kACT\.Y YOU $1-lOUUi' 170 81{;~ 11-lOUGH YOU'Vi: REA!7 TI-l{; /MNU.t>i.?
©> CAWT COM{; UP WITI-l A~Y 117{;A$ FOR $TORI{;$?
0 DO YOU ~A!7V 1-lA'VE ~AT 1U-USTRATit.IG SKILLS? WAAT TO Al717 MORE O~I~ITY I~ YOUR STORY?
f>.m;R REA!71~ TI-llS OOOK, YOU WIU- AA'Yi: M M$Wt;R$ TO 11-lt;St; PRO~I..{;MS.
TI-llS ~OOK WIU- GUI17{; YOU $Tt;P BY $Tt;P Tl-lROUGH TI-l{; ~ASICS OF STORY CREAT\0~ AU. 1\-l{; WAY TO TI-l{; A!7VMC{;17 ~~IQU{;$ TAAT PROFt;S$10~ MMGA f>RT\STS US{; T017AY. ~IFIC CA${;$ ARE t:m-AIM{;17 US1t~ ~SO IT'S {;A$Y TO F<llOW. JUST R{;Al7\~ TI-l{; MAAGA I~ TI-ll$ ~K WIUHE\..P YOU \.{;AR~ TI-lE KMOW-HOW OF WR\Tit.IG STORit;S. OUR PA$$WORD IS "WRITIMG $TORI{;$ IS $UPER EA$Y!" u:T'$ MA$Tt;R HOW TO WRffi; $TORI{;$ TOG8Ht;R!
TAIJL.f OF CONTfNT5
S#OUJO MA~A Tm/NIOUfS:
(i) W\1.&.1\S A STOR'i\..1111'? ••.•.••..••.••.•••••••••••••••••••••••••••••••.•••.••••••••••••••••••••••••••••••• 5 (KYQI(O'S 0111'-POIIIT ~) OOW TO ~Xm% ~0~ UUSW./>.11011 •• .. .•••• ••••••..•••..•.•.••.• . .••.• 19 (KYOKO'S 0111'-P0\111 ~) OOW TO ~W ~USING M 9'\SOt'I'S YOU ON& UP Willi (1) . . . . . . . . . . . . . . . 19
® ~V P0\111$ TO W\i:ITttlG A S10RV •...••.•.••••••••.•.••.•.•...••..•..•.•...•.••.•........•... . •... . . ... • .• 21 (KVOKO'S OIIG...P0\111 WV\CE) HOW TO ~W A ft.MGA USING lll~ GPISOI7~ YOU CMI~ UP Willi (2) . . . . . ..... ... . 29
® ltAKQG.Iol(t TECHII\OUG, lll~ ~t>StcS OF WRITING $TORI~ ...••.•.•...•...•... . .. •....•••. ••••••••.•••.•.• •.•... 31 (KVOKO'S OIIG-POtiiT WV\CE) C~ATING ~RS USING lliG ltAKOGt>J(I TECI-IIIIOUG ••.•.••••••••.••••.•.• 37
<D WRITIIIG S10RII=$ OUT OF A 11-lE;M{; •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• ••• '39
(KVOKO'S OIIG-P0\111 WV\CE) ~XmSStt-lGING lll~ lliGM~ lliROUG\-lllUSTRAT\011$ •.•.••..•••...•.•• ....... • .49 ® WR!TtNG STORI~S !'ROll\ t~ .•. .. ..•..•. ..•••.•.•••..•.. . .. . ••• .....•.. ..•••... . •.•••• ... ••. .......... .. 51
(KVOKO'S OIIG-POilH ~) 9mSSING t%AS USING UUSW./>.1101\S •...•....•.••••••••••..•..•••• •.••. • 63 @ WR!TtiiG STOI:~ ~V ~TmtSI!ING M '*11\IIG •••••••.••••...••. . . •....••.... •.••..•.••••...•••....••••• .• 65
(KV()l(O'S OIIG-POII\1 ~) ~A1111G ~S FROM lliS SST1111GS ••••••••••••••••••••• •• •..• ....•. 75 ® WltffiNG S10R~ ~V OlOOStNG A GSII~ •......••.••...•••........•.....•........... _ .............. ...... . 71
(KVOI'O'S OIIG-P0\111 ~) ~A1tiiG ~RS ~R COOOS!NG A~ •.•..•••..•.•.. . .•.•• .... •. 85 @ C011St%RtiiG lliG REW'a:S' FER\NG5 til S10RV-IMK\NG PROCESS • . • . ......... ••......•..••..•..•...•.••• .... 87
(KYOKO'S 011~-POtNT WV\CE) ~A1111G ~RS lli/>.T f>PP9L 10M REAflt;RS •...•••••..•.•...•• ....•. 95 @ WRITIIIG S10RI~ ~V ~A1tNG CllAR.6C~RS FlltST •••••••••••••••.••••••..•••••••••••.•.•••••..•••••••• •••• • 97
(KVOKO'S ONG-POINT WV\CG) HOW TO ~A~ A CllAR.6CTGit .•••••..••••••••••••••••••••••.••...••..•... 109 @> 1HG tN"flt017UC11011, 17~YaOPMGN1, TURN ~17 CONCL.US\011 MG1ll017 ....... •.• ..•. ..•.•....•..•. . •... .......... . ill
(KVOKO'S OIIG-POIN1 WVtCG) WHAT ISM "lll"flt017UCTtOII, 17EVELOPM8H, 1URN />.11117 CONCL.US\011" MGniOI?? .... 121 @ WI1A T ARE Tt-l~ 17E'JELOPMGNT ~17 M tiii7UCTt'IE MG1ll017? ..••...•.• .... •..•. . •.••.•••••..•••.•..•..•• - .••.• 123
(KVOKO'S 011~-POtNT ~) WH/>.1 ARE lll~ %va.orMGIIT ~171llt' 11117UC1l'IE MG1ll017? .•.•......•......••• 133 @ ~A11NG STORU;S ~V ~RII\\1111\G M P~ COUNT ••••••••••••••••••••••••••••••••.••.••••••••••. ....• •• 135
(KVOKO'S OIIG-POIIH ~) WPIO~tiiG 10M REWGRS Wffil A l.lMI1R' P~ COUN1 ..••.•••.. .....••.. .. . 143 @ 1li\JM&NA!lS . . • • . . . . . . . . . . . . . . • • . . • . . . • • • • • . • . . • . • . • . • • . - . . . . . • . • . . . • . . • . . . • • • . • . . . . • . . • • • • • • . • • • . . . . 145 ® 1KIQ.IIIG ~ ••...••..•••••.••.•.••.•••••..••.•.•.•. ... •. _ . .••••.••••••.••••••.•••••••••••• •• 153
WW'/ DON'T YOU
CREATE WrTU~!!
I'U. '3UONYOU
UON AHYOHE CAN CREATE
MAHGA IF TUEY I<HONTUE
RIGUT TECUHI~UE'3!
A KVOKO !W:ASA10, />LISA'S ~R WIIO'S SllOWI~ ~tt;R ~ 1ECII1110\J&S OF a&\.lll\6 ~
.A N..ISAMIZUKJ, TillS IS ~GR F1RS1 Am;w>"! A1 a&\.11~~
CDWHATISA STORYLINE!
RR$1"; YOU ~17 TO U:ARN Tilt: IJA5fe5 AIJOVT WRfTfNG ST0Rft:5. IT'$ flfiPORTANT TO R/U.Y VNf1f;R$T AJJIJ Tilt: IJASIC$ SVC/1 A5 Tilt: "5Wlll RV/..f;"'_ "TJ/t: IJASfC STRVCTVRt: OF A STORY'", "JIOW TO~ A SCRIPT"' AJJIJ SO ON.
Oil, 1(101<0-~AH!
AND TU!ON ~TART~D DAY·
DR!OAMING.
* * * * *
u~u u~u. I WM TRYING
TO I..~ARN UOW TO CRGAT~A~TORY
BYR~ADING MAHGA,
• • • • • • • •
WOOPL
• • •
Til!: MANAG!OR I~ GI..ARIHG
AT YOU.
YOU'Rl> PRmYGOOD
AT R!OADIHG MANGA IHTU~BOOI-:·
~TOR!:.
YOU~AR!:D M!O. I TUOUGUT YOU
W(;R!OTU(; ~TOR(; MAHAG~R.
6
7
l.OOK AT At.!.. TH~~L
IT'~ AI..MO~T IMPO~~flli..E
TO WRITE A llRAIIO IIEW ~TORY TUAT'~
COMPI.ETEI.Y OIFFEREIIT FROM
EVERYOIIE Et.~E'~!
llUT, TUEll I
REAl.IZEO •..
/
'
~TUOYIIIG UOWTOORAWA MAHGA? YOU'll~
OEOICATEO!
WITU~O MAllY MAIIGA !lOOK~ !.IKE TUE~L
/
\
YOU'll~ RIGUT. EVEII PROFE~~IONAI.. MAIIGA ARTI~T~ UAVE TROUlli..E WRITING A ~TORY
TIIAT I~ 10~ ORIGIIIAI.. AIIO f~N'T ~IMII.AR TO ANY OTIIER ~TORY
OUTTUERE.
0 0
OllfGfNA~fTY ... ,,, 0 0 Q Q
THAT Mr.AN'3, ADDING YOU~ OWN POINT OFVIr.w 0~ THOUGHT'3 INTO THr. t3TO~Y!
YOU'R!i RfGUTI TU!i BA'3fC '3TORYt.IN!i 1'3 TU!i '3AM!i, BUT UOW 1'3
TUAT P0'3'3fB~F
BUT A'3 WNG M YOUR ?TOllY
UA'3 OllfGrNA~lTY. YOUU B!i
FfN!il
!='OR !il!M\PI..!i, ROMANC!i MANGA 1'3 BA'3fCA~~y A • WV!i '3TOilY, • RfGUT? BUT fT '3~!iM? t.rft:!i !iACU ON!i UA'3 fT'3 OWN DIFF!iR!iNT fNDfVfDUA~ '3TORY,
OO!i'3N'T fT?
RIGUT! A~?O
ft:NOWNM CR!iATfVfTY.
ADDING MY TUOUGUT'3 INTO TU!i
'3TOilY ..• ?
8
9
WOW! THEY'RE At.t. TAJ(ING IT IN
DIFFEREIITt.Y!
f'I.ACTI.Y!YOU CAH MAV.£ A ~E OF THAT WUr;N WRITING
~TORIE5J!
r;vr;N TUOUGII IT'~ A COMMON
~TORY,IF YOU ADD YOUR OWN TUOUGUT~
AND gpr;ciAt. TOUCHE~, TilE 5TORY Wlt.t. REFI..ECT YOUR ORIGINAt.ITY.
rur;Rr; HA~ sr;EN
All INCR~A$fNG NUMBER OF CAR
ACCIDEIIT5. Wr;t.l. FOR f'/.AMPt.E, IF YOU ARE WATCIIIIIG
NEW5 •••
!5Wr;vEN THOUGH TilEY ARE
WATCIIING THE 5AME TiliNG, r;vERYBODY IIA5 A DIFFERENT
OPINION!!
wow. DEPENDING OH
WUICH PATH YOU TAJ(E YOU CAN MAV.E MANY
DIFFERr;NT TYPE5 OF5TORIE5.
WG'R~ ~ORRY!
001/'T WORRY!
TUGRG ARG MAllY WAY9 TO MA'I.G A
9TORY. FOR f'I.AMP!£ ...
F!R9T, I£T'91£ARH
TUG DIFFGRGNCE BETWGEH TUG
TURGG TUitiG9 TIIAT ARE NGEDGD TO WRITE A GRGAT
9TORY.
. •.
BUT, I'M A ll'GIIIHG'R
WUGtiiT COMG9 TO CR~ATIIIG A9TOH. CAN
I !NY.G A 9TORYWITU
OR!GitiA:.ITY ••• 't
11
Wf.IAT 15 AN "!~Au? A!llliiEA 1EU.5 A OWN OF m.Alt'l7 ~'16NTS m 17\J~ OR17i'R. IN MAll6/l, TillS ~~RS TO ~Til A STORY ANI71<P1SO!iES.
Wf.IAT 15 A ''5TO~? Till< IMNGA STOR'IIN ITS ~11RI<TY FROM ~GINNI~ TO 1% Et\17.
Wf.IAT 15 AN ''f;pfSO~? M\A.11PLE Sl-lO!a STOR\~S i~AT I'XIST IN Til&~
-IE-6P1SOI7ES ARE 1..1\CI;; •Bt.OCKs OF A Sl-lORT STORY• TAAT ~UIU7 M STORY.
-IE- IN SOM6 IMNGA WllH A UH\11&11 MIOUNT OF PAG&S, A Sl~ •~?ISO!iE" "1>. ~au; "STORY."
I '3F:E. <30 TUI'3 1'3
THE <:!TRUCTURE OF AMANGA <:!T~F
~PISO~ (~&GINNING - Til& tit-ll7)
A COU.F:CTION OF f:P1<3CJDE<:l MA.'I£'3 UP A
<:!T~Y-
AUMAIIGA CAll Bl> ~IMPI.Y DI>~IBI>D Ill Till~
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5W1U RUI.~1'!
''TU~ MAIN CUARACT~R 010 XXXX.''
I UNDI>R!ITAND TU!> !ITRUCTURI>
OF A !~TORY NOW, BUT I'M WORRIGD TUAT IT' !I GOING TOBG UARDGR
WRIT!> 0116 TUAII IT
1.001(9 ...
DON'T WOP.P.Y!! IT'~ A PI~C~ OF CAl<~ IF YOU FOt,t..OW TU~ 5W1U P.Ut,~!
WIIAF UMM •..
UOWWOUI..D YOU D"~IBI> Til"
COHT!>IIT~ OF A MAIIGA Ill Till> M~T ~IMP'-I>~T
OFWAY~1'
NOW, <W~~TIOII
TIM"!
TUAT MGAN'3, YOU MGRGl.Y UAVG
TO Gl.ABORATG ON "TUG MAIN CUARACTGR DID
Y.Y.'/.'1.. '' T 0 WR lTG YOUR '3TORY!
12
13
5WlJ/ RUI$ FOR WRITING A ~AS~ STORY
WJ/0?
WJI~?
flO WJIAT?
WJIY?
f.IOW Jl!Jl IT GO?
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ai'\.AIII WIIGii:G 1\IJ; SlORV IS TI>K~ 1'\.ACE. IS fT IIISII?E /1. ~\Jl.li\1~ 01: OUTSII?E? IS fT AI OO'N<, $0100.., PAlO' 01: Tr.Alll SlAilOII? 1701<$ 111/IKE PIXf; ~li:G 01: 0~? IS fT \IIlii£; li:G~ WOru:>, FAIITA$Y WOW 01: SCIGIICE F\CllOII WOW?
01<. HOW, WilY DON'T YOU MAV.~ A ~TORY BY Fai.OWINQ
Til~ RU~?'
Norm. YOU TIIINV.
ABOUT TIIO~~ AFTER YOU'll~ COMFORTAB~
MAlt: lNG ~TORI~~.
I~WI'M A~COH~~D B~CA~EITRY Tooo~
MANY TiliNG~ AT ONC~!!
YOUCAH WRIT~ ABA~~
~TORY BY ~IMP~Y FO~I.OWINQ Till~ RU~I
1~-1~ Till~ IT?' DON'T I IIAV€
TO WRIT€ A CUMAY.?' WIIAT ABOUT Til€ INTRODUCTION,
DEV~t.OPMm, TURN AND CONC~U~IOH
PART~ ... ?'
IF YOU'll~ HOTU~GOTO
MAJt:IHG ~TORI€~ m, YOU ~IIOU~D
FOCU~OH WORV.IHG
OH TUG BA~G ~TORY~IN€.
QUT, TUI<; I<; A QJTTOO <;UORTTO
DRAWAMANGA WIT!/.
IT I<;! TUI<; I<; AN
I'PI<;OD!: NOT A <;TORY.
At.t. ~I GUT!
COM!: UP WITU <;OM!: GOOD
I'PI<;OD!:<; AND WRIT!: DOWN A<; MANY
OF TUI'M A<; YOU CAN ...
+wt~o ~ wm=N Al-ISA MIZUKI =TJ.I~fS:::-A-:-:F7i=~=R,,.,..,.'NO-=-=a==w
ON Til~ ~~NCIIIN A PARK
~~CAUS~ Sll~ COU/...!1N'T WRIT~ A MANGA STORY
+!70 W\lA1
A5KW KYOKO NAKA.SATO 1/0W TO WRIT~ A STORY
+ HOW 17117 IT GO
TII~N Sll~ WAS .48/...~ TO WRIT~ A STORY.
I'M DONI'!
I <;W <;ONOWI
CAN WORK ON TUI' PP.I'YIOU~
ANDNI'XT I'PI<;ODI:<;!
~IKI' I I'XP~AINI'D J;AP.~II'P., A COI.I.I'CTION OF I'PI<;ODJ;<; MA'I.J;<;
UP A <;TORY, <;O ...
14
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A ~CRIPT I~ l.ll(~ A M~MO
TIIAT CONTAIN~ Til~ ~YNOP~I~ TIIAT I~ DIVID~D
INTO ~~~RA!.IT~M~ A~ W~l.l. M !lOW MANY
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rr·~ 1.11<~ A Q!.U~
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WOW! I CAH'TQW~~
I U~~D TO UAV~ ~UCU A IWlD TIME
CR~ATIHG A t>TORY!!
OHC~YOU CR~AT~ A ~IPT. YOUR ~TORY FOR YOUR MAHGlA I~
DON~!
16
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TU'CR'C'R'C ?<?MANY
GPI~OD'C~ I DIDN'T U~'C ..•
OU W'CI..I.., WUATA WA~TL
WllAH
l£f'~ LEARN MOR~ ?0 TIIAT YOU CAN MAJ/.'C IT Qffi'CR
QY ADDING YOUR OWN ORIGINAUTY!
BUTTR~ ~RIPT DO'C~N'T
IIAV'C 'CHOOOU ORIGINA!.ITY
m.
Al.I~Al TU~'R~ NOT AWMT~!!
YOU UAV~ TO MAK~ A Fll.~ AND K~~p
TU~M!!
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19
• f./OW TO ~XPR~SS Tf.IROVGJ.IIU.VSTRATION • © J.IOW TO TRAN5/..AT£; TJ.I£; l?lfFWf;NT COMPON£;NT5 OF MANGA INTO IUU5TRATION
ll.LUST!i!A1101<11S CR\JCIAL FOR AIMNGA! BUT !lOW 1701'S 01<11" RI"F\.KT Till' \.ITI"m Ff>CTORS Ot-ITO Till' IU.US~110t-IS? 11<1 TillS SI"C110M, l'LL Tl"t>Cil YOU SOME TIPS Wll\01<1 YOU 17RAW Til!: IU.US TRA TIOt-lS 0~ IMNGA 17RAFT PAPER.
• f./OW TO I?RAW A MANGA USING TJ.I~ ~PISO~S YOV C.M1~ VP WITJ.I Cl)•
© aARITY 15 TJ.I(; FIRST 5TW FOR A GOO/? MANGA
t;W~ I~ VOU, AS T\1~ AUTIIOR, TllmK •TillS WISO~/STOR'ILIN~ WIU. ~ AIMSSI'It' \UTI" IF TilE REWERS 1701\'T Ut-l17ERSTAN17 TilE COI<!TI"NTS Cla.Rl.Y, YOUR~ Wll.L B\0 MISUN17ERST0017 OR &1<117 Ul' BIOING A BORING Ot-1&. Tlli'R!OFOR\0, IT IS IMPORTANT TO WORK ON Till' STRUCTUR\0 OF YOUR fMN.GA SO 1\lAT Till' R&WERS CAN Ut-l17ERSTAN17 Till' CONTI"NiS CLE~V.
A IT'S FUN TO WOR\1: ON TilE IU.USTRA110"1S WilEN 17RAWING IMNGA \lOWEVER, IF YOU CetWOSI" YOUR IMNGA SIORY WmtOUT CON$117ERING 1\lE R!OWERS' POINI OF VIEW, 1\lAT COUL17 IM¥.E TilE CONTI"Ni OF YOUR STORY UNCLEAR ANi17 llAR17 10 UK17ER$T.b.N17.
K~OKO'S ONE-POINT ADVItE
© !T"5 IMPORTANT TO 5JIOW WJIAT TJI~ MAIN CJI~ACT~R 170~5, ~AR/..Y.
lm>.WIMG MMGA eM ~~ 171FFIC\Jl.1 SIOC.~ 11-l~RE ARE rMMY FACTORS 10 COMSI(i'li;R, SUCI-1 AS PAMRIMG, 17\Al..OG, 11-l~ \..AYOU1 OF 11-l~ P~RS, ~17 S~CIAL ~FF~C1S. W\tb.1 eM YOU 170 10 Ml¥.~ 11-l~ REAVERS PRO~R\.. Y UM(i'li;RS1AMI711-l~ COM~M1S OF 11-l~ ~PIS017~S ~17 11-l~ S10RV\...IM~?
lET'S MJ¥.~ 11 SIMP\...~ ~y Sl-lOWIMG YOU 11-l~ K~ POIM1S! (i'li;SCRI~~ 11-l~ /lC!lOMS OF 11-l~ OIAR.bCTI::RS, ~S~IAI..l-Y 11-l~ rMIM CI-IARf>CTI;R'S ACTIOMS PR~CIS~t-Y! APP\..Y 11-l~ "SWl\-l RUt-~" 10 11-l~ P~RIMG, IU.US1RA110MS ~17 17\Al..OG!
---------------------------------------------------------------------------------
FROMP~
2910 30 FOR 11-l~ 178AII..~I7
(i'li;SCRIP110N OF \-lOW 10 M/¥.~11-l~ S10RY ~y FOU.OWIMG "SWl\-l RUt-~".
20
®KEY POINTS TO WRITING A STORY
EJY NAKROWING !10WN Tiff; STORY-NrAKING ltff;Tif0/15, YOIJ'/..1.. fJf; AIM$ TO CRf;ATf; A STORYl-IN£; f;ASI/..Y AN/7 f;FFICif;NTl.Y. RN/1 Tiff; £Jf;ST ltff;Tif0/1 FOR YOU FROtff Tiff; Tf;N "TIPS IN WRITING STORif;S"' TJ.IAT YOU'~ AEJOVT TO L.f;ARN.
21
I Q~AO A l.OT, BUT
I DON'T QUIT~Gn
IT.
ru~ sw1u RU~OOU TAUGUT M~ m OTU~R DAY WAt; V~RY ~MY TO
~~ UND~RSTAND.
~~RY PROF~~~ION'A!. MANGA ARTIST liAS UIS/U~R
POINTS?
WU~NYOU'RIO NOT USIOD TO IT m, Tll~ FIRST TiliNG YOU
SUOU!.O DO IS D~CID~ SOM,; POINTS IN Tll~ STORY AND ru,;N ADO
YOUR OWN STYl-E. TillS WAY, Tll~
STORY WI~ liAVIO ORIGINAUTY.
OWN WAY OF CR~ATING STORIIO~.
• IM.'<.EA
SYNOPSIS
BUT ~Ill:~ YOU SAID,
IT'S liARD TO COMIOUPWITll ASTORYWITll ORIGINA~ITY ...
fMl(E ~PISODt;S
.... ~y T FOU.OW\MG
SWlll ro..E
WOW ... YOU'V~GOT ~MANY MANUA~~L
YOU CAN'T R~A~YSAY
WHICH M5TUOD IS Tli!O RIGUT ONIO SINC~
mRIOARf'~ MANYMmiODS
FOR MAKING STORIIOS.
I GOT A GOOD GRASP OFTliiOFl.OW OF STORY
MAII:ING, TOO ...
22
'* Q..ASSIFICATION OF POINTS IN STORY-MAKING * u:va 8AS(; POINT IN P'BCRIPTION ~fTING A STO!rt
~J;GINN~ J.IAKOGAKI 01'\liltEl\lOV OF S10RY-fMKl~ 1S 10 COI'\1'\ECT T~J./Nf{)V~ IKI'IVIPV~ EPlSO~~ 1~1:. l'HIS IS 1'HE ,~\C
&ASIC Sl Oii:Y-~TO P.I6E 31 M61\1017 Ill STORY-IMKI~.
H.loKIIIG 1038)
ill\$ IS WW.1 ~OU (rn~ AUiiiO~) WANTS 10 l?tPR~S !.lOT M!O Tf.l~~ It\ AIMNbA.IT COIJUI ~& A~SI>GE 10 1'111> Cl.A~~fFY Til"
(m:a:TOP~ 39 RG~~S 01: illS SCiiKES ~OU ~~IAU.Y W~T 10 POINT~ IN 1050) Vli:AW. YOU ST~ W'Ril~ A S10RY ~A$17 OK A 1\lEifE. WRITING A
~TORY.
f~AS \~AS ~17 '111:10($ 1'11AT YOU C<:JIU: UP W11\l ~OU ST~v.ltffi116A STORY ~.!1$17 OK YOU!: 1!76f61\IAT
~1Qf'j\Gl; 51 WU. AW SPICE TO YOU!i: IMli.GA. 10&4)
TO a\<.l.'fl; TilE MOO!I. YOU $1/llt'T Wli:ffill6 />. $100
smtNGs ~17 Oil, l) ~m~-m.AIEI7 ~~ S\JC\1 /IS m.A1100SII\I'S, I'ERSOW>LmES OR I'AS1
IMJ'fK!IifPIATf CRf'mt 10 P~ 6S G'ti'Eitlala; 2) WOM-m.A'fl;17 Sffil~ S\JC\1 AS
S10RY-IIIAK\116 T076) TI1G I!ACKG!:OUill7, ~. S1/>.'fl; OF SOCiffi OR US\1>\b l(l;VWO!RV$ SPEC~ 1'601t\\OUES.
aNR~ CUSSIFICA Tl<ltl$ OF IMN.bA STORIES. 1'H6RG 'Ji:l; SO IIAAY 66KI$S. YOU S1~ W'Ril1116 A S10RY ~/>.S617
<m'E!i:lOP~ 77 01'1 A STORY CUSSIF1CA110K SUOI AS LO~, LO~ £1 1080) C<::M:I7Y, SPO!nS OR FAIITASY.
Tf.l~ ~Af?f;R5 ; TilE W~IOI.'S 01: Faa.~ YOU IIA~ ~!:
~INGS YOU flt\ISil J:l;W\116 A/Mli.GA. YOU STAI:TW'Rmll6 A S10RY ~.!l$t7 UPOK TilE Fm..IN6S YOU W~11lU;:
(m:a: 10 P.I6E 67 Ji:l;~S TO IIA~, SUOI AS W>PPY, SAI7 01: 10\l016t7. 1096)
PliOPLI', ANI/I'.I>l.S OR l'H\116$ 111A111AY6 UKIOUI'l CJ.IAR/JCT~RS LOOKS 01: Plii:SOtlALI1Y. YOU $1~ v.ltllii>IG A
QCEFER 10 P.I6E 97 STORY &Y CI$A11N.G A~ Willi A UlliOUii TOllO) FI'JAIUI$.
INTR0/?1/CTION, llEYfUJPMENT_ TU~ b. SPECIAl. ~S lt8ll<ll' 10 ~ 111'0' S10RY
AN/7 CONQ.I/SION lf.(JG 1!\~Ji:l;Sl\116. YOU CANT~ AI7YAII1u:.G OF
~RTO P/>6!< lll l'HIS Alll7 ~A S10RY. TOln)
Jl[;VEWflflR{T
A!lVANC~/1 A1fTIIOflANJ7 A STORY-H.Il'IN.G M6111017 USING TilE •fLOW OF A S10RV...fMI(~
IN/?1/CT/Vf; H.fTIIOfl S10RY" WrTII SPECIAL QCEFER TOP~ 123 liff£CTS TO 134)
PAGf:COVNT Tl11'l 1'1\J/MlER OF P~S YOU PRGPAJ:l; FOR YOU!: ~Mll.GA WORK. YOU S1~ Y~TIN.G A S10RY &.!1$17
OCEFE!: 10 P~ l3S Oil 1'11~ LEN.G111 SUCI·I AS SIIO!n STORI~, MEI71UM-
10 144) LI'N.GTII STOI:l&S, LONG S101t1~ 01: FOUR..f'~a ~OOKS.
23
?OWift DIDYOUWAHT
TOORAW MANGA"!
OU, I GlU~~~ ~!
Tll~ll, WIIAT YOUWAHTTO ARGU~ ABOUT
!? Til~ BOY CIIARACT~R!
NOW, I'D W<ETO Ml<
YOU A 4>\l~?TIOH TO FIND OUT WIIAT
YOU WAHT~D TO ARGU~ IN YOUR
MAHGAJ
WIIAT'? 90 ?P~IAt. ABOUT TIIAT MANGA"!
I'U. GXPt.AIN MOR~
IN DGTAit. ABOUT Til~ 10 POINT 9
t.AT~R.
w~u.. w11r~ IWMRHDING MYFAVORIT~
MAIIGA, I TIIOUGIIT I WOUt.O t.OV~ TO
DRAW MAIIGA UK~ Till? •.•
... ... ....... ..
Til~ BOY mMAIN
CIIARACT~R IIA? A CRU~II OH !~ WCUT~AHD
coow
24
25
0~, T~ERE I~ A ~ECTION REGARDING C~ARACTER~I
.. · .... . . . . . . . .
• • • • • 0 • • • • • • • • • • • • • • • •
YOU CAN £A~I~Y WRIT£ A ~TORYWITII
ORIQINA~ITY IF YOU CREATE £PI~£~ BY FOU.OWINQ Til£ 5W111 RUl.E, Wll ll.E TRYINQ TO R£F~£CT WIIAT
YOUWANTTO ARGUE.
NOW, TAI<E AI.OOI< AT T~£ INTERMEDIATE ~ECT!ON IN TilE
•ci.A~IFICATIOH OF POIHT~ IN ~TORY
MAI<INQ•.
T~E REA~N WilY YOU WAHT TO
DRAW MANQA OR WIIAT YOU WAHT TO ARQUE IN
A MANQA MU~T BE BA~W ON ONE OF TIIO~E ~IX TOPIC~ IN TilE
IHT£RM£01AT£ ~£CTION.
.. , ..... . . . .. . . . . . . . . ' . ' . . ..
. . . . . . . . . . --: . . .
THAT'~ RIGHT! At.~O, TUI>
IMPORTANT TiliNG IN DRAWING t.'IANGA 1g TO WRIT!> A ~TORY
TUAT YOU f:NJOY WRITING!
U~Y, U~! TUAT'~ Pl.AGIA~I~M (•) IF
YOU JU~T COPY UIM!!
... WI(.(. MAV.f: HIM ORIGINAl.!
Rf:ARRANGIN'G 111M •..
BUT IF YOU'll!> Nf:W TO Till> PROC!>.;;~. THI>N vu.;;r Rf:ARRANQI>
YOUR FAVORITG CHARACTGR AND YOU Wil-t. Bf: AB!.f:
TO U~E: UIM!
I g~f:. I CAN TRbMURf: MY Di>gn::li> F"OR
MANGA AND Rf:F!.f:CT IT WUI>N I WRIT!>
HTORY.
wmrurN, (.fiT Mf: U~f: MY FAVOR!Tf: BOY
CHARACTI>R AND ..•
ACTUAt.I.Y, !T'g Bf:~T TO
CRI>ATI> A CHARACTGR FROM
gcRATCU ...
26
... /.08 .1:13~tl3d '100i:J V f>Nl&O .<t!Ol& V f>Nlllt!M NVHl
ti3H1Vtl
... .<Wl& f.lNJJ.:i&llV& -:n;& v 3.U!lM 01 aN3.L no.< '/.VM lYIIl Nl .Ln8 . J.OCN3 no.< f)NIH.l3WO& 3lJl:1A\ no.< lVIU
.LNVl!lOdWI &,lJ .lHf.lll:1
ii lNV l!lOdWI &11N3W3f.lNV!ll:1V 3Hl 0& ilHf.lll:l
11V / ~ ""' '\!'~"' ~t-' ~~~.,.(\\ }..{\., "
i&ti3QV3tl 3Hll008V >INJHl
'lX3N QNV
·wm W:i 113M .LnO ~WM O.L
&W33& f.lNIH.I.(l:13A3 QN3 3Hl Nl JOB • ~31Hi?&IW 0 l Nl.l.3f.l
ATIVNOI&VOOO O.L &W33& 311 .13.< '1000 &I !l3.10V!lVHO NIVW 3H.L !&IH.L 3)111 J.W.L& V O.LNI 3WW 38 a1noM
31d03d 3l:10W ~IIU no.< LNoa· ..
rl{ '-" ..1 14 d &l:1;~~;l:1 < 1:11 • 3H.L
lnOBV ~NIHl
L?.
... (~ WUAT MAJI.E~ A
lr\ANGA ARTI~T A PROFE~~IONAl!
... TU~ FIR~T ~T~PTO
B~COMING A PROF~~~IONAI..
MANGA ARTI~T!
y~~! PL.~A~~ T~ACH M~!!
e rHf;fiN/7•
COHVri!NG YOUR (TilE AUTIIOR'~)
IVEA~ OR TUOUGUT~ AHD TAKING YOUR AUDIEH~ (READER~) TA~TE~ AHD DE~IRE~ IHTO CON~ID~RATION ...
TO CON~!O~J:l
TU~ J:l~AD~J:l~ AND ~PR~~~
MY~~t.F 1~ ...
• I . .
NOWTUAT YOU UNDER~TAND
TU~ FLOW OF WRITING A ~TORY, lET'~ TAl<~
ITTOTU~HM l~W
28
29
.• f./OW TO ~AW A MANGA USING TJ.I~ W/50~5 YOU CMf~ UP WITJ.I (2).
0 APPLYING Till? "5W111 ~Ul-1?"' IN PANfil-ING AN/71/.J..USTRAT/NG I~ ORDj;R TO IW~ TilE ~~RS U~t7ERSTANt7 TilE CO~TENTS OF TilE
STORY OR EF'ISQDj;S, 'iOU \.lA~ TO EXF'\..AI~ TI-lE CONTEXT B'{ FOU..O\V\NG TilE ~SWll-1 RUU:" ~RY TIM{; YOU f'ROCEEV I~TO A ~,.;w I<PISOV{; (~!<). ITS ~f:.SY IF YOU ~'t1'\.Aif4 TI-l~ CO~TE'tT USI~ S~~m F'AN8..S \..IKE IN HUS ~'tM\f'U'.
'W\10 ' WIIEII ! ~ A/..ISAMIZUKI 71115 ~N ON T~ 8t:NCJI IN A PAKK
i Wll'/ fJiiCAUSt: SJ/t: CO/JU7N'T WKITt: A MANGA STOKY
'170 WIIAT liiOW I?WIT GO AS/I$P KYOKO NAKASATO /lOW TO WKITt: A STOKY T~ Slit: COIA.P WKITt: A STOKY.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
IF YOU S~t« t70WN F'f>G~S 8 -16 BV Fa..l.OWI~ Tt-16 "SW ... l-1 RU\..6", IT SHOIJU7 TUR~ OUT 1.-IK~ Til~ ~XM\PI...61>$0~, RIGHT? THE FOU..OW\tiG IS A li8Ail£t7 Dj;SCRIPllO~ OF HOW TO t7RAW A MA~ABY FOU.OWING TI-l~ RU\..~.
e WJ/0 (WJIO?): ~RSTOTIIE Cw.RI>CTERS.
:<+-\\-01 ~WERS KMOW
-·· 4 W\10, AUSUJZ\IKI TillS IS TI1E PAAE\.. I~TI:Ot7\.ICIIIG TI1E ~RS OF TillS N<AAG/i. VO\J CAN 1ru.llY T~IR t..II-I!%S TllAT I'VOI'O IS GOIIIG TO TGAGI f>I..IS/i. Til~ R()U;S OF TWO C~RS ~ ~XP\.A\~6!1 I~ '!"IS PAAE\...
WI-IOTII~ Cw.RI>CTERS ARE BV \..OOKIKG AT Til~ IU.USTRAliOtt VOU M~~t7 TO IMK~ SC~M~S TAL-K\~ />$OUT TilE 178A\l£!7 !7ATA />$OUT TilE Cw.RI>CTERS (SUCI-I f:.S MM\~S OR PROFilES) SO~t.I~~AT TI-lE BE£.111~\NG.
~ Wll&t-~, nus ,1\Ffo;moo~t TilE PAt-lEt. 1$ SHOWI~1~ TIME OF fJI>.V TllROU~ TilE S(:{;tu:;~_ "TIIESE KltlfJS OF PAt-lEI.$ A!$ SOMETIMES USEfJ 10 SHOW IIOW MUCII TW.E HAS PAS$1'C7.
K~OK0'5 ONE-POINT ADVItE
• WII~N (WIIF:N?): REFERS WHATTIM~ IT IS lt-.111-1~ SIORV. YOU CAt-.1 SHOW 11-1~ llM~ ~y !i'RAWit-.IG A C.OCK lt-.1 TI-l~ BACKGROUt-.1!7, TI-lt;; POSITIOt-.1 OF 11-lt:; SUt-.1/MOOt-.1 OR TI-l~ COLOR OF 11-lt:; SKY. YOU CAM t>l-$0 SI-!OW THIS ~y 1-!f;..V\t-.IG 11-1~ CI-IARf>CTI%R LOOK AT HIS/1-1~ WATCH.
e WII~R~ (WII~RP.): REF~RS TO 11-lt:; PLACt;; TI-lt;; C~RS A.Rt;;. YOU CAt-.\ SI-!OW TI-lt;; R~W~RS WI-!~R~ TI-l~ C~RS ~BY !7RA.Wit-.IG A ~ACKGROUt-.1!7. YOU CAM t>l-$0 !7RA.W SOM~I-!It-.IG TW>.T SYM~OLIZt;;S TI-lt;; PLACt;; SUCH AS A SIGN~O.b.R!7 OR A STATU~.
WilER,;;, Ot.l T~ ~Et.\C\-1 111 A PARK. Till$ PAt-lEI. $\-lOWS TilE \.OCAllOil WilER!' 1111$ $lORY TAKES 1'\.KE. ~~~ YOU WORK Ot.l A !>lEW EPISOI?E, !T'$ Al-WAYS GOOf) TO CIRAW At-1 I?>TASI..ISIII~ SHOT (TilE LOCA110tV SC!'NERY WilER~' TilE STORY IAKE$1'\.KE) lt-1 TilE FIRSi PAt-lEI. ~ECA\JSE YOU CAN I'XPLA!t.l "WilER&• At-lfJ WilEN• TilE EPISOfJE TAKE$ 1'\.KE.
············· · · · · · ·····~------------~--------
• WIIAT(PO WI/AT?): 11-IIS R~FERS TO WW>.T 11-1~ ~R WAMTS TO !70. YOU CAM SI-IOW IT 11-IROUG\-1 11-lt:; C\-lARI>C~R'S !7\Al.OG OR AC110t-.IS.
e WilY (WilY?): TI-llS REFERS TO TI-l~ Rt;;A$0t-.1 WIW 11-1~ C\-lARI>C~R ACTS TI-lt;; WAY 1-!t:;/SI-It:; !70t;;S. YOU CAM ~'WR~SS IT TI-!ROUG\-1 TI-lt;; C~R'S !71t>l-OG OR ACTlOt-.IS. U.::l::l...:~~~~iL-....lri:~W~~
e /lOW (/lOW PIP IT GO?): TI-llS REFERS TO TI-lt;; Rt;;SUL TS OF 11-lt:; C\-lARI>C~R'S ACTIOt-.IS. 11-1~ C\-lARI>C~R'S !71t>l-OG OR ACT\Ot-.IS SI-!OUL!7 ~'l:PR~SS TI-llS POit-.IT. YOU CAt-.1 t>l-$0 us~ t-.IA.RRA TIO!Il
.& WHAT, AI-lSA ASKEt7 KYOKO IIOW TO WRITE A S10RY. lt.l A!7l7!TION TO Till$ PAt-lEI., TilE FOU.OWI~ PMEI.S Wl\.l. SIIOW WHAT AUSA !70ES 1\'l Till$ STORY.
4 IIOW !7\fJ IT G<J, AI.I$ACO\J\.f7 WRITE A STORY. THE PAt-lEI. SII0\'1$ litE RI'$\J\. 1$ TI!ROUGII TilE !7\ALOG At-1!7 TilE ~·s F.AC\I>l. EXPRI'$$\Oit
30
@ HAKOGAKI TECHNIQUE: THE BASICS OF WRITING STORIES
T~ J/AKOGAKI rr:cJINIOIJI: IS A SPf!CIAL Tf;CJINIOIJI: TJ/AT T~ PROF/:5SIONAL AIANGA ARTISTS ALSO IJ5f;f IT'S /..1/r$ CONNI:CTING E:PI50flf;S WfTJ/ G/..1/f;. TillS Tf;CJINIOIJI: 15 T~ fMSI5 FOR VARIOI/5 TYPI:5 OF 5TORY-IMKING, 50 YO I/ J/AVI: TO N.ASTTiR fT!
WIIOOP~~! WIIAT ~IIAU..
I EAT? I CANT MAVJUPMY
MIIID.
AND WE CAN FIIID
'301.\E TIP~ FOR WRITING MANGA
9TOfll~~ II ERE!
rr·~ MYT~~AT
TODAY.
DE~~~RT. FRUIT~. DRINK~ •.•
ANTIPMTO, '30UP, ~A !..AD, MAIN DI~U~~ ...
NOW TUATW~'V~
FINI<;UGO ~ATING, 9UAU. W~ t.EARN
MOR~ ABOUT MANGA"?
NO, •sox WRITING" OR •uAJ<:OGAKr• 19 Til~ BMI<; OF <;TORYMAI<:ING TIIAT ~~RYBOOY
CAN U<;~.
MANGA TIP~?' U~J:l~?'
TUAT WM GOOD, WMN'T
In'
•sox RIDING!"
UUU!"!
GO<;U. I'M Rl~t..
32
DON!:!
YOU CAN WRIT~ ONIO !OPI~OD!O P~ll PAG!O.
DON~!!
Flll~T, CRI'ATI' TWO
CIIARACT~Il~ YOU WANT TO U~!O. DON'T
FORGE"TTO MAK!O TII~IR PROFIL!O~ (•) A~ W!OI.L, OK?
Nm,cAm!: ~~~!:~ U~ING Til!:~(;
TWO CIIARACT(;R~! Wll~ DOWN M MANY !OPIWD!O~ M PO~~IBLE" BY FOLl-OWING
Til£ '5W111 RULE""!!
CAN Fll( TUG NOW, YOU EPI~ODE~ A
FIR~T AND TUG ~JE TRAN~ITION~ BIT, AND EDIT IN y FI..OW~ MORE ~ TUE ~TORY TUEH TUE ~TORY ~MOo;r:~OMP!.GTGD!
OU! 01( YOU DID A GREAT iJOQ!
HOW UNETUEM UP IN 'ruE ORDER
YOU I..II<E ...
A ROUGU ~TORYt.INE UM BEEN
E~TABI..I~UED!
34
'3&0 .LHOO no.<
&300Sid3 3111 d33l'l1&nw no.<
3&ti00\Jj0
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l?lll>IVW '.(W1& f'H01 V tiO /.tiOl&
1tiOH& V &,11 l:13Hl3tfM
'&3ao&ld3 j0l:1.30tl0
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lll3l:13:HIO V 3>1VW NVv no.<
li\tlt
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? lh£:::::1 ~ (/j no
))
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...... £ ·:;BJtl!lffi.
... •.·.·.·.~,. ....... ,·:·=~-< :I:fit~It~:
iilV3CfiO& HvV3 tiOj
&l'l0083lON 30VW ,(QV3t11V 3/1. I i3W
Olll 3AV31
;;~111Hv3l .I>!Vf'O)IVH.
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&WVl:!f'Ol:!.d Al tiOj &l:13!1l:!.M
Olt1VII3v&
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, ·to·· oo ...... "' .,. -·
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\ \ .. ' g\'1,1. • • ~
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0 '&30o&ld3
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01 ,(tiOl& tiOO,( :JO H!I?II313Hl l &ncav
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9£
il!:I3~~3Q l3f' ~.131
,, I 171Vf'O>IVH ~ l008V a3N!:IV31
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il3.:l.:.i08 v 37111 &,lJ ""!l3Qtl0 1VHM Nl lV3 00.< H&IQ H:iiHM
VNIQI:i3Q i33& I
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01 &I 30c9JNH:i31 .J71V!')O>Mf. 3111 ;o
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\
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"30c9JNJI:i31 .,J)'!Vf1071VH. 3111
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&V3£ll f1N11&3tl3.JHI 3WO& f1NIQQV
.<a .<ll1VNif1JtlO aav N3Hl
. \' I jl,;: .... -
• CR~ATING CJIAKKT~RS USING TJI~ JIAKOGAKI T~CJINIOU~·
0 TJI~ /Jf'P/..1~11 TliCJIN/OU~ OF JIAKOGAKI
FROft\ P.AGG 3 1. 10 36, W'Cz HAVE S IUI711017 I-lOW 10 USE II-IE I-IAKOGAKI 1t=OU~IQUE AS FOU.OWS; (l.) ~A-n;; C~RS FIRST; (2) ~Alt;; t:PISOPES USI~ C~RS; (3) COI-Itolli'CI EACH EPISOPE At-117 MAKE A STORY.
01\1 II-Ili' Oil-IER W>.t-117, Tl-l6R6 IS A WAY TO CR!i'AT!i' ~RS LA1t=R. TO 170 SO, (l.) FIRSI, ~Alt;; Alii EPISOPE Il-IA I lt-IC\..UPES TI-lE SCEI-IE YOU WAI-IT iO 17RAW; (2) ~Alt;; Oil-IER EPISOPES At-117 COt-11-\ECi II-IEM TO MAKE A SiORY. YOU CAA TAK!i' OIJI AN EPISOPE II-IA1170ESin HI. OR CI-IAI\IGE II-IE ORPER OF IOPISOPES Al\117 M017ULA IE 11-110 SiORY.
·----------------------------------------------------------------------
37
1\ll<NYOUCAN C~A~C~RS ANt7 SHTINGS I'AS6t7 ON Til& ~ISO~ A1W STORY TI!Al YOU'\fl; IM!7f:.
4 YOU CAN 170 W11A~VER YOU WANT SUCI11>S At7t711\G OR T~II\G OUl ~ISOC'{;S, OR CJ.IJ>.I\611\G Till' ORC'{;R Of ~PISO~. W11Al'S G00t7 A&OUliW'~I IS Till>. TillS A Fl,..l;ll&l,l; ~'OIJIO ANP n CAN eE wm.v APPU~t7.
© CJ.IARACT~RS SJ.IOU/..Jl J.IAV~ TJ.I~IR OWN INJl/V/JlUA/..ITI~S.
IF YOU \..IKE I+AAGA, ONC~ YOU WTAB\..ISH TH~ STORV\..It-l~, YOU SHOU\..17 HAV't: A ROUGI1117~A OF THt: CHARt>CffiRS YOU Nt:t:l7, RIGI-\1?
HOWEVt:R, IF YOU C~A~ C\1AR.6C~RS JUS I FROM ROUGH 117t:AS, THt:Y ~NI7 TO LACK INI71VI17UAI..IW
THIS IS Bt:cAUSt: YOU, AS TH~ AUTHOR, UNCONSCIOUS\.. Y INHIBIT TH& C~RS FROM TAKING .bCfiONS THAT MAK& TH& STORY GO SMOOTH\..Y. IN THIS CASt:, YOU CAN THINK "UNIQU~ .ACTIONS" AS "INI71VI17UAI..ITV".
SO, \..8 ME t:XPI..A\N HOW TO GlVt: INI71VII7UAI..ITI~S TO THt: C\1AR.6C~RS, t:Sf't:CIAI..\.. Y THt: MAIN CHAR.6Cft:R IF YOU'V't: AI..R~WY ~ST~\..ISH~I7 TH& STORV\..IN~. WEI..\.., YOU CAN 170 THAT BY 171STtNGUISHING TH~ MAIN C\1AR.6C~R FROM 11-1~ OTH&R C\1AR.6C~RS! MA'I.t: THt: WllN CHARI>C-r&R TH& MOST OUTST~I71~ ON& BY GIVING HIM/H~R 171FF~R5tH FASHIOtt HABIT~, OR &XTRAORI71NARY Ft:ATURt:S. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
e FASJ.IION: MAKt: THt: MAIN Cl-iAR.6Cft:R'S SCHOO\.. UNIFORM INTO A \..OU17, GAU17V ON&. IF TH& STORY IS TAKING P\.h:& AT A SCHOO\.. ANI? C~RS AR& WEARING SCHOO\.. UNIFORMS, CR&A~ SOM& .ACC&SSORI&S SP&CIF\C TO TH& MAIN C\1AR.6C~R. THE 171STINCTIV't: \..OOK BKOM&S H~R INI71VI17UAI..\TV. eJ.IAfNTS: GIV't: SOM& 171STINCT\V't: F&ATURW TO THE MAIN CHAR.AC~R, SUCH A5 A SP~CH PANRN OR 171Al-ECT, W~IRI7 \..IF& STY\..& OR TH& F.ACT THAT SH& HAS TO STRIKt: A POSE WH&M SHE 170ES SOMETHING. THE 171STINCT1V't: .ACTION BKOM~S HER IMI71VI17UAI..ITV. e HTRAOR!l!NARY ~A TURF:: Glvt: AM EXTRAORI71NARY F&ATUR~ TO 111& MAIN C\1AR.6C~R THAT SURPRIS&S TH& ~Wt:RS, SUCH AS HER Pt:RSO~ITV IS TOTAI..\..Y 171FF&~MT FROM HOW SHt: \..OOKS OR SH&'S ROUGH AROUNl7 TH& &17G&S, BUT SH& HAS SWEt:T TOOTH. THt: t:XTRAORI71NARY Ft:ATURE BKOM&S HER 1NI71VI17UAI..ITV.
38
39
®WRITING STORIES OUT OF A THEME
Til~ WOK/1 "TIIf;H,~" MAY SOUN11!11FFIC~T TO UNI/RSTANtl_ !JilT !10N'T TJIINK TOO 1/AK/1. YOU CANT~ "TI/f;H,~"' AS "WJIAT YOU WANT TO HP~S". TillS WAY-ITU f!J~ ~ASY TO WRIT~ A STORY; WON'T IT? FIRST, l£'S SP&CIFY WI/AT YOU WANT TO GXP!?fSS!
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ONC~ YOU UNID~R<STAND Til~ BA~IC-9, WRITING <ST ORI~-9 AR~NT <SCARY AT m, AR~T~m'
TIIANio(oS TO YOU, I r.lAV~ A Bffi~R
GRA<SP Of Til£ oSTORYMAio(ING PROC~-99!
WUAT!1
TIIAT WA9JU9T Till: TIP OF
TII!: ICEB!:RG ~ OF9TORY· .
h\AKIIIGI
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Oil, WA'!> TI!AT ENOUGil~
TilE ROUGil 9TORY~IN£: 19 DONE, RIGI!T~
ITOW YOU Tll09E WERE JU9T
BA91C9.
NOWI CAN FINAt.t.Y
OP.AW A MAN GAl
TIP OF TilE
ICEBERG ••.
DO YOU UAVE TilE '!>TORY
TIIAT YOU OOEO TilE UAKOGAKI TECIINI(\)l)E
TO MAKE TilE OTIIER DAH
40
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• • •
•• •
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(.f;T'5 ~TUDYA~ImE
FIJRTUE'R 50 TWAT YOU CAN ADD YOUR
ORIGINAI..ITY IN YOURWOR'I.!
WllAT* AlffiiOR Wt.!ITS ro·~s·
Ill * 1tloll6A. 11 CAA ' C A
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OR A SI'OGFIC
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• • • • • • •
• • • • • • •
TU~ ~UBJ~CT
FOR TODAY I~ "TU~M~"!
YE5! RIG liT H~R~!!
IF WE ADD~I~A
C~AN'5 ~PECIA~ TOUCUOF
ORIGIH~ITY T~l~ ~TORYCOUW SE 100TIME~
smER!
TAKE A 1.00'1. A TT~E
·c~M~IFICATION OF POINT~ IN
~TORY-MAKING• (" ) TUAT I TAUGUT YOU T~E OT~ER
DAY .
NOWTUAT WE'VE MA~TERED T~E BEGINNER '~ 1£VE~.mu~
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•rwAHTTO DRAWAFUNHY
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A GIRL WIIO F'AU..? IN!OVEAHO
B!.UIIDER? AU.. Til~ TIME•.
IT'I.I. BE ~A?IER TO COME U~ WITII Till' EPI~E? AI#J IDEA? IF'
TilE TIIEME IS ABOUT ~OMETIIIN~ YOU'RE
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SJIF TOU7 JIIM TJIAT SJIF JIAS A CRVSJI ON JIW. ~ I-lOW t11t11T GO?
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SJIF TRIPPW AN/7 SCXVEJFJ£;17 J.IAR/7 ~ \lOW t11t1 IT GO?
TJI£; IJO Y SJIF JIAS A CXIJSJI ON PASSFIJIJY AN/7 SAW Jl~ PANTif;S.
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46
47
YAU001 IGOT
MY ~TOllY OON~I
Pt.~, IF
M LONG A'S YOU UAV~ A TU~M~, YOU CAN COM~ UP
WITU A TON OF ~PI~~~~
YOU JAV~ A Ct.~AR T~ME, YOU DON'T Wfi!>TE YOUR TIM~ CREATING UNN~C~~~ARY ~PI~~~.
TII~N MAll£ A ~CRIPT!
RI<~~T ON. ilU~T I<~EP WRITING MOf1~ ~PIOOD~~~
AFmYOU UAV~ WRITT~N
A GOOD NUMil~R OF~P~~~~.
U~~ m llAKOGlAKI T~CUNtCM AND
MAV.~A ~TOf1Y!.IN~.
WUEN YOUCRQTE YOURTU~ME
ANDEPI~~~. YOUR ~TORY!.INE, CUARACTER~ AND TUE ~ffiiNCl Wit.!. AUTOMATICA!.t.Y
FA!.!. INTO Pt.AC~!
IWA~ I<~ADING JU~T
FOR FUN, BUT I'U. PAY AmNTION TO VAI<lOU~ POINT~
FI<OMNOW ON .•.
... MANY TIP~ FOR
DI<AWINGA MAN GAl
AND BY RHD!NG MANGA
I CAN t.~AI<N UOWTOOI<AW
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RIG UTI AL.~O TV, MOVI~~ • ANlM~, MU~IC AND NOVE!..~ !lAY~ •..
FOR NOW, DON'TTU!NI<:
TOOUARD AND YOUR TU~M~ WIU APP~AR lN FRONT
OF YOU!
48
Ao. WI 10 PVT Til& 1M&MG 11\TO Til& IM\ll ~'S11W..06.
• ~XPR~SSING TI/~TI/fM~ TI/ROVGI/
IUUSTRATIONS 0 HP/$55/NG T~ Tm:H.~
USING CJIAKKTf;R5
FROII\ P~S 3910 48, ~ ll'AR~~Il 1\IA 1 1>. 1J.IEMI' IS
' "WAAT 1J.It' />.IJT~OR YI~TS TO E:~P~SS." WAA1170 VOU 1J.II~K VOU CAIII70 TO AA~ VOUR ~~RS U~ll&RST/>.'4!7 YOUR 1\QP.
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49
m 11-IIS c.~>$ US& VOUR C~RS. £'~\AU. V, IF VOU E:~mss YOUR 1J.II'ME l~ROU~ Till< IMl~ C~R'S I>CTIO~S OR !7W..06, IT'LL~ E.b.SIE:R FOR 1~10 ~~RS TO U~ll&RST~!7 VOUR 11-1~10.
Ao. WI!EM Wlm\NG A STOi:V 01: WOOl: lNG 011 M P,&$1. COMPOSITIOll. l>lWAVS li$ME'Ht~&R ~ l"at,l; A!<l11i:V 10 MAK& Til& /Mill C~ 1.1¥.& Ali ACT\011 TIIA1 FOU.CWS Till< T"EME.
K~OKO'S ONE-POINT ADVIGE
© IU.U5TRATION5 WII/CII R~FL~CT Til~ Til~~ TII\:RE ~ NAAY WAYS 10 SllOW Till: TII6JM; I~ N\b.NGA..
Till: 1Ll.US1RA110~ TII6JM; SllOUU7 &\: ~17 I~ Till: IU.US1RA110~S, AMI7 Till: 1\:Xl Til~~ SllOU\..17 &~ ~PRESSW TIIROUGil Til& 171Al-OG OR w.RRA110~.
e tU.U5TRATION Til~{;; Till: SCI:~!: 11l& AUTIIOR WAM1S 10 VRAW. Al/17 YOUR 117\:AS 10 Ill& 1U.US1RA110~ SO TIIA111 ATIRACTS Till: R\:AI7\:RS. />l..SO, IF YOU COM& UP WITII A SCEM& TIIAI YOU'vt: ~&V&R S\:1:~ 1M AMY MA~, 1\.1AT CA~ &\: YOUR 117\:A.
A ll' YM l\9'G IS •1 w.llll TO fm.W 14 ii:QHMTIC ~~IS iiFI KISS",Im.W ~ UUSu:.AllOll lh1 1fA'li~\116 ~ ~-
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• THT Tf.lf;M~: 1\l\: STORY OR !71/>l..OG TilE AUTIIOR WANTS 10 WRIIE. AS FOR Till: S10RY, &XPRESS Til& 1116JM; TIIROUGilOUT Til& S10RY, ~01 JUST I~ O~E PAMB-. AS FOR Til& !71Al-0G, ID 10 COM&\~& 111\: !71Al-OG Wffil AM IMPRESSIV& IU.US1RA110~ SO TIIAT 11'U. MAK& A &IG IMPRESSIO~ OM Til& R\:AI7\:RS . • 130Tf.I !U.V5TRATION AN!l TFiXT Tf./Fi!ltfi:
- TilE CI-IARACIERS A~t7 111{; WORI.-t7 TI-lE AU1HOR WMTS TO t7RAW. TAJ({; TI-l{; "ll-l-USTRAT\0~ 11-t{;M{;'' A~!71'Hl~K ''APP{;ARA~C{;'' MD ''~XT
~ ~ :J.I't.< TI-IEM~'' AS ''Sffii~S" I A~V' 111{;~ ~XPR~SS rF.-.M· 111~M I~ TI-l~ STORY.
50
®WRITING STORIES FROM IDEAS
YOUR !~AS SYM~OLJZE: YOUR ORIGINAUTY! JUST ~y APf71NG SOMf' 5MAU TWISTS, YOUR STORY WIU ~f'COMf' nPONfmiAUY ~ffit:R.
Tilt: POINT OF COMING UP WITJII~AS IS TO "CONNt:CT A ~W WORI15 (I$Y WORI15) AN/7 TO CRf'ATf' A WOR/7 TJIAT INSPIRS YOUR IMAGINATION."'
I'l..l.. TRY
wow, mRYT!IING
1..001-:'S GR~AT!
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TUE:N,I'L.I.. TRY Til~ '3Q!UID INK MOU'3'3E!
r--~HAD£ . ~TOR£
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"* U5/NG GOOJ1/~A5 WIU !3RJWTT YOU GR~ATI-Y! * ,flA.I$$ Tf.lli STORY ANfJ WIS0/11iS fJ!iTTE:R
Ml$5 Tf.lli /U.V5TRATION fJ!iTTE:R
Ml$5 IT liASI/iR TO WRIT/i A STORY
Ml$5 IT F:ASIE:R TO CRiiATii Cf.IARACTF:R5
Ml$5 IT F:ASIE:R TO A/1T1 ORIGINA/..ITY
GfV/i5 INSPIRATION
YOU~ IO~A~ AR~ ~~~~NTIAl. FOR YOUR O~IGINAUTY!
'PY A!71711.16 lt.IT&RI'S"Tit.\6 1171'AS, REWERS WIU. "TAKE II>I"TI'RES"TIN WIJA"T WIU. rW'f'Et-1 t.IEX"T.
YOU CAN GXPRI'SS "T~E W?tcr OR ilt'AGES ~ROUGII IU.U$TRA110ll I'FFICII't\1\.Y IF YOU S"TRUCTURE ~E SCENES 10 RER.EC"T"T~E IVI'AS.
IF YOU m 10 WRITE t>. STORY 111A1 RGMCTS ~G IVI'AS, YOU WIU. W>.VE AA EASIER llh\1' VI'VE\..OPit-16 ~&STORY.
YOU CAN CREAl& CIW:.6CT6RS EASI\. Y AS \.Ot.\6 AS YOU KEEP YOUR IVI'AS ltl Mllll7 ~1\.E YOU CRGAT& ~TRY 10 MAK61J.IE C~T&RS' PERSOtw..ffi6S, AP!"E.AR.AOCr; AAI7 ~6 PROFiu;S R~:Fu;ei ~E IVI'AS.
'PRAAI7 tl;;\Y IVI'AS lW>."T tlO'POI7Y ~ TOOIJ6\IT OF WU ~aP TO CREAl& A UI>IIOU6 S"TORY.
GOOI71~AS M01lVAT& ~E A~OR 10 COtl"Titl\JS 10 WORl'..
A~ ~!/OWN IN Till: DIAGRM\
ABOV~, 091N~ GOOD IDEA~ !IEL.P~ 1ft
VARIOU~ A~PECT~ WUEN YOU ~A\V
A MAt/GA.
.. .I'M AFRAID I WON'T B~ ABl~
TO COM~ UP WITU GOOD ID~M '.lO
~Aglt.Y ...
TU~N WUY DOYOUTIIINI<: Til~~~ CAK~g AR~ ll~ING
got.Dr
TIIAT'g RIGIIL 0/~N IF I DID, I
WOU!.DN'T f.<NOW uow TO ugr; Tuogr; INGR[;Dir;f{Tg FOR
MAf.<rNG TU~ CAr.<r;~.
I UND~'RgTAND TIIAT IDEM AR~
IMPORTANT, BUT...
YOU DON'T uguAt.!.Y Til INK
OF ugiNG NAITO OR 9QUID INK A~ INGR[;Dif>lfTg FOR MA!t:ING CAK[;~,
DO YOU?
... u~. W!IAT'g ~ONG, A!.I~Af
'$T\CKY
eP '1. ~ ~
'
Tfpg FOR ID[;M
CAN Ill> FOUND U~R~!
IN TilL M[;NU ...?
54
55
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TIIAT'~ RfGIIT! NOW
TIIAT YOU IIAVE '30ME IDEA~. 1£T'~ WORI( ON TilE ~PI~ODE~.
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I'V~ GOT ~0 MAllY ID~A~ POPPING UP IN
MY UI:AO!
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YOU ADD YOU~ OWN ID~A~!
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63
Cll.WCTEI::S Willi I!IEAS !?RAW ill!< Ai1t<lli10N FROM RE~It. SO, "WI< h\Oitl< IVj;A$ YOU US6 Wlf6ll Clt6Allt-IG 11!6 h\AIM C~R. "WI< h\Oitl< llE/SI\6 IS 6GIIlG 10 STAI\17 OUT.
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64
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@WRITING STORIES BY ESTABLISHING THE smiNG
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\..ET ME SI-IOW YOU I-lOW TO 170 TAAT. YOU CM W!i SOM~1NG TAAT SVM~0\..1ZI::S TI-lE TEXT SETTI~ TO A C~R'S APPE'ARAOC.E'. 1N O"rnER WORt'S, YOU Wl7 SOHE1\l1~ lAAT SYMrKll\ZES 11-lE \..\Mllt>.-110N 1N "mE \1...l.USTRA110N. FOR ~. Tt>.KE' t>. \..OOK t>.T T\-11:: PAAa ON TI-lE U:FT •
0 Rm.J;CT Til~ WOI?W-Kfl-ATW Sffi/NG5 ON T~ 1/.WSTKATION
MO~O~~. wt:'~ 1..~~~17 -mAT FOR WORI..t7-Rru~l7 Srni!IIGS, YOU ~~~~~17 TO "S~ I..IMITATI0\1\S 0\11 WI\AT TI-l~ C~RS CA\11 t70 I \II TI-l~ WO~I7". SO I-lOW [70 YOU 11-1\Nl' YOU CA\11 ~~CT 11\AT n.!ROU~ TI-l~ PICT\JR!:S? IT'S I-\ARI7 FO~ ~~~S TO U~TAAI7 YOUR MAAGA IF YOU !?RAW AA \U..USmTIOK Will-I~ 11\AT ONl-Y YOU ~ F.AMI\.IAR W\TiliF YOU 11-1\Nl' YOU~ 1701Mb JUST TI-llS, 1 ~~!7 11\AT YOU ~W YOUR IMNGA FROM TI-l~ V\I:OW\'01\IIT OF TI-I~~~R.
K'w'OI£0'5 ONE .. POINT ADVIGE
• YOU CAll !1Ef\.£CT ~ WOR\.P-mA'TEP Sffi\llG$ 01' lllG lf.O~DI ~!:A ~y tm.w\llG llll~ YOU SEE IK E'/a:VP~Y LIFI'. ~K IF YOUR STORY t; A&OliT A.'\01\la: COUIITRV -mAT YOU ~'T TOO !=MLLIR 'llffil, II="~ $10~ i~f. rua; IN m; lf.O~DI ERA. A!IOtliS M UU:OQ/.110111$ mAllVaY a$Y. FOI: WOR\.17-m.&.'TEP srnl~ 1\I.I.T TAICES f'I.ACE 17\JRIIIG * SNWieAI I<I:A (01: Til& PAST), YOU $00\UI ~~ ~ I!II'C111tAT10M 1lQ mw llll< ACCORI71N6l. v.
---------------------------------------------------------------------------------
• YOU~ 60017 UU$ru1\0M ~$10 ~~'IE WOR\.17-m.&.'TEP srnlllGS lliAT ON.\..V YOU CAll ~Ill<, SUC\ll6 f~l16V 01: SC!EOCE f1CilCil
~~RS A&SOR& A I..OT OF 1\1\FORIMTI0\11 FROM TWE IU.US-n:ATI0\1\S Wli~N TI-l~ ~W ~ FOR ~XM\P\..E, TlFf ~ CONSTAAT\.Y TI-IINI(I~ TO TI-IEH68...~, .. WliO IS 1ll'i: /MIN~· OR •WI\AT I(IN17 01= WORI..t7 ~TI-l~ IN?•, TI-l~ ANSWERS COM~ FROM TI-l~ C~~R'S OUT!=IT OR TI-l~ &.bCI(GROUt.\17. TI-l~ WORI..t7-Rru~l7 srn1NGS CAA &~ EXP\..Ait-1~17 11>1 11-1~ ART. SO IF TI-l~ C~RS ARfi wt:t.Rit.IG ~~~ 11\AT'S POP\Jl.AR NOW, TI-l~ TI-l~ STORY IS T~lt.IG 1'\..t>a! IN TI-l~ MO~ ~~ IF Tl-\'i:~ IS ACASM IN TI-l~ &~GROU\1117, IT'S IN TI-l~ SM\URAI OR ~171~Vt>l. ~~
76
®WRITING STORIES BY CHOOSING A GENRE
~~--AKF T~ a.ASSIRCATION5 OFT~ STO~ CO!fff;NTS IN A!ANGA. ~ONE f./AS f./IS~ FAVOKITF STOKY ~SO 8Y Cf.IOOSING A~ YOIJ CAN~ A..t!ANGA TJIAT WIU 8F ~IATW MIONG CliKTAIN GROUPS OF f?FAJ?gS.
WATCUING MOVI~~ I~ A!.W
GOOD FOR !.E:ANING UOWTODRAWA
MAIIGAJ
' . I 1 \
• •
•
IT'~EA~Y rocuoo~r;
~IHCE TUEY ARE WRTEDBY GENRE~.
• • . ~----------------~ •
A Kl~t7 OF U'TERARY OR ARTIS11C WORK THAT IS POPUI..AR f.MOII.G ~~RS. ~£;~0~. GE~RE IS ~P\..V Ra.A'TED TOM~OR ~~R'S FERIII.GS. ~£;~ ~ \.01/£;, \.01/£; f1 COHif:DV,
SPORTS, F~TASV, £;1C.
• • •
•
w TODAY'~
~UBJECT I~ "GENRE•!
I.OVE ROMANCE,
• • • • • • • • •
• • • • •
YOUII.NOW, MANGA A~~O ~A~
GENRE~ ...
• • •
78
79
MAIN GfNRfS IN MANGA * /...OV~
/..OV~ 8 COM~/?Y
GAG
SCJ/00/...
MYST~RY
1/0RROR
FANTASY
5CI~NCFi FICTION
SPORTS
1:115TORICA/.. J?RM1A
PAROflY
f>. S TOI1:V lt.l W"IC~ T\lf T~E'MI' IS f>.80Ull.O'I£' ~t.l M91 Al-1!7 WQII.Eil t1 IS USU.6U.Y ILLUSli:AT£'!7 IIIII. ~WAY TO SOOW WE' 1'6rulloGS Al-1!7 ~ K'TlOIIS ~ \.0~. ll!l' MAJII Cli.W>CIR IS ~'IVOI.'IW Ill \.O'IIi. ~~ ~ LOOKlllb fOR 1\E ~ \.0'1£' &~ FOI: TillS~.
ilt..s\CAU.V, TilE~ IS A.iiOUl\.0'1£', i!UT WE' "IJ/f.OI: IS A!'1".w;MT ~I:OUGI\OUT Till' i!OOK. IT IS !7SSIGI<I'!7 TO IMJ(\< Till' i:t;A!71'RS \.f>.VGII RA~l'l: ~ !7£'PICT ROIMIIC!<. TIIER&FORI', t1 ~S E"tTII:£'11\EI.Y FAR ~OM Rl'tWV Al-1!7 ~lORI' .w; MANY I".<Pi:ESSIOIIS WI' t70M'T US6 Ill~~. Ri<~RS ~ \.O()I(It\6 FOit \.f>.UGIIT£'1:.
TilE IMitll'1lltPOS!' IS TO IMJ(£' liiE i:EA!7'EitS \.f>.UG" All!7 TilER!< IS 110 50.1!7 STOitV\..1111<. i:Eil.!7£'RS ~ I.OOKit\6 FOR A. GOOt7 \.f>.VG\1.
AST011:V ~T T~Pl.bel< A.TSOIOQ.. TilE lfA!liC!lM:~TEitGOES TO SCOOO.. (Fi:OM IC\'1~11 TO lllii"VGRSITY). ~ ~ \.OOKIJIG FOit "M' VtlmlN. ~~u tJ.T SCliOOI..
TilE TIISME IS TO SO. 'I£' A.MVSTE'RY. ~ IMitl Clw:JCTER IS IIIVO\.VE!7 Ill SO.VIt\6 ~E MVST£'11:¥. ltEWI'RS ~ mlt\6 TO SO\. 'I£' TilE MVSTE'ItV TllEMSE\.VES A11!7 A.RI' lti~T£'t7 Ill~ !7RMM TIIA.T I".CISTS ~t\6 "M' Pl'OI'LE IIIVOI.-v£'11111 11.
A. STOlt\' f>.80Ul SP1rnS, GIIOSTS, Ol: 5()11..1; M\'STERIO\lS ~ort.EIIOII. WE' rt<Alll Clw:JCTE'R IS IIIVOI.VE17 IN WE' MVST£'11:\0VS P\e'IQ¥.1;11011. ii:EWI'RS .w; \.OOICI!IG FOR f>. FR\Giffi;III!IG EXPE!I:IEt\CE.
ll. STOI1:V TIIA.T TAKE'S Pl.f>.C£' Ill Al-l VMG\11/>RV WOit\.11 OR SOHE UICIGIIT CIVUZA.TIOII. ~WOO TO BIJOV TilE UlllOW FXP£'1:191Q; Of 1\!£' FA!IT.bSY WC!t\.11. ~ARE ALSO l.OOKIN.G FOR 1111' 111.\'MII I'WtA TIIA.T ~'LISTS Ill 1\lE
A. STORY TIIA.T TAJ(!;S P\.,t.CE Ill AIIIIMGIIIARV fUTURE W01t\.t7. REA!7£'RS WMT TO EtiJOY ~E Vt.IIOUS WOit\.U E~PE11:1Et\CE OF SC\1;1\a FICT\Oil RI'A!7£'11:S ARE ALSO LOOKit\6 FOR~ 1\U/N>N rJfJ>I+A TIIA.T EXISTS 1'1 TilE WOit\.!7.
A. STOI1:V A.iiOUl SPOII:TS. 1lll' 1\Wll ~ IS IIIVO..VE!7 Ill A. SPORT. I:EA!76RS ARE \.OOKit\6 FOI: WE' IIUMM i:E\.f>.l\Oti~IP TIIA.T OCCURS Wfrn TilE SPOI:T AA!7 ~ ~II:S"It\6 rn;l.l1loGS TIIA.T SPOII:TS CAl-l GIVE.
A STORY TIIA.T T~ ~ SOHE TW.t llllt\STORV. f1~:~J.NG~;S fli:OM 1\lE STOKE AGE TO "M' EA.It\.Y 1900'S. t1 COVEJ(S WillE !Wl6f. Rl'll.!7£'RS .w; \.O()KliiE; FOR m; MIWAA PRA~ ~T OCCUltS Ill TilE 11\STOII:V.
A. STORY ~TIS i:E-~/1.~11 USll>lG All S~ISTit\6 STORY Wfrn A. UIIIQVE VISWPOIIIT. REWI'RS ARE \.OOICit\6 FOR TilE EXPAAS\011 Of TilE OI:IGII-W.. STOI1:V. (MOT£', TIIA.T ITU.. liE A. P\.f>.G!ARISM IF YOU PES TROY ~E WOM-I:EI.f>. TE'C' SETII!IoGS OF ~~ Oi:IGIIlAI. STOlt\'.)
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"MON>t I
81
IT'~ IMPORTANTTO
UAVIO MANY INT~R~~T~ IN YOUR t.IF~ ~ TUAT
YOU CAN DRAW A MAIIGA WITU YOUR OWN ORIGINAt.ITY!
I ~~10! IT'~ ~MI~R TO DRAW MANGA WUION IT'~ ~OMHUING YOU'Il!O
INTIOR~~T~D IN!!
t.(T'S FOc.\JS ot.l !'>LAO: HOLES AAD
DO THl'i AAt> THAT... ~
IF YOU W<~ t.AUGUING, YOU CAN DRAW
GAG MANGA.
IF YOU t.ll<:~ ~TAR~ AND ~PAC~. YOU CAN ORAW A ~~~~~C~ FICTION MANGA!
IF YOU t.ll<:~ ~ARY
~TORIIO~ OR AR~ IN~PIR~D BY TUIOM,
YOU CAN DRAW AUORROR
MAN GAl
BY TU~ WAY, WUAT
mRACURRICUt.AR ACTIVITY AR~ YOU
TAI<:ING NOW"!
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~ORMA~~y I WOU!.D GU~~~
UORROR WOU!.D B~ GOOD ...
~A~ 0~ ~CUOOI..
COUI..O B~ FUN, TOO!
BUT WMWMI'~.
YOU CAN DI'CIDE Til~ GI'NRI' FIR~T AND TU~tl WORJ.: ON TU~ ~TORY
!.IN!:.
WHAT G~HR~ DO YOU THINJ.: I~
BI'~T ~UITI'D FOR Till' CHARACTER TO MAJ.:!'
A FUN ~TORY?'
FOR EXAMP!.E,
~AY YOU IIAVE A "WO!.F GIRl. •
CIIARACTI'R.
O~CI'YOU HAY!' THI' ~TORY!.INI' THAT YOU WANT TO U~E. Till' GI'NRE r~
wow.r G~ DIFFI'R~NT BUR~T5 OF IN~PfRATrON
D~PI'NDfNG ON TU~ Gl't/RI'.
AUTOMATICA!.!.Y DI'CIDI'D.
AGWRE WIIICH I~
TUE MO~T ~UfTAB!.E FOR THE
•
C!IARACTI'R
BUT !.01/1' COU!.D
BE A!.~O GOOD.
YOU ~EE, ~Et/IF YOU U~E
Till' ~AMI' CIIARACTI'R, DEPENDING Otl THE GI'NR~, IT BECOME~
A NEW MANGA WITU YOUR HEW ORIGI~A!.ITYI
I SEE. DIOPENDING
ON T#E GENRE, TUE NANGA CAN B~-or~~Y PIF.~·R·NT.
BUT IF YOU UAVE A SP~CIFIC COMJC MAGAZIN~ COMPAiff YOU
WANT TO SUBMIT YOUR WORK TO (•), YOU CAN CUOOS~ A G~NR!: TUAT'S SUITAQ~E
FOR TUG MAGA21Ho/
.. • •
SUOOT! SORRY!! I FORGOT
TO BRING MY MEMB&"RSUIP
CARD! YOU ~TUOY UARD.
TUIS MIGUTCOME ~ATER IN TUE
FUTURE, WORKING OHA
STORY~INE AmR
DIOCIDING A GEHRLT
ALRIGUT! I'M GOHHA WATCU MOVIES
r:ROM DIFFERENT GENRES 50 TUAT I CAN STUDY
UPOHTU~!
)
85
•cR~ATING CIIARACT~RS
AFT~R Cf./OOSING AaNR~·
0 W/$55/NG Tllfi ~TIIKOUGII ILLUSTF:ATION
IF YOU \lAVE REW IMMY ~ SIORI~S FROM 171ffiRE1H G6~RES, YOU K~OW 1\lt>.1 ~ \U.USTRA'llO~ I~ ~/lal G6~ IS 171mR~<~1.
IF YOU ~ \It>. VI:' A GalRE YOU WAN110 WO!O:: Ott IT'S W.PO~AN110 VRAW PICTURES 'lllA1 Fl1 10 "rn~ G6~!1!'. "rn~ I~FOmA'llO~ YOU ~lYE FROM VOUR I?(I;S IS ~RY-rnl~ m MAAGA. IF YOUR IU.USTRA'llO~S !I!'F\.ECT '111E GG~RE c.u;/>.l:l..Y, YOUR ~A!7t=RS WIU. UN176~STMI7 )0U~ rM»66>. ~&TTER.
-----------------------------------------------------------------
A W\l\Oil YOU REW ~M/~61>., YOUR f~ ~l'lli ~TilE IIIFOI:/MllOil ~AS ~RS, &/ICK6ROUlW MV SPI'Cl,ll. I'FFfCTS.It'OWI<RS II$ MUt 1'1'~11\1.1\0il W\19$ 1\!GV REW ~ II'A.'IIGA AS5U¥''lG TilE ~·s 1!\TamOIIS.
1£~0~0'5 ONE-POINT ADVIGE
e TilE: 7 Yf'G THAT 5110W5 Til~ F.ACI/JJ.. HPR~5510N5 Wt:U
1\-IIS 'TYP~ IS US~!i' IN GJ;NRES SUC\1 A.S l-0~, l-0~ f1 COM~flV OR SC\100\... TI-l~ Il-l-USTRATION S\.lOWS T\.!G F f>C\Al.. HPR~SIONS~ SO T\.!A.T TI-l~ RE.t>.l?ERS KNOY/ \.lOW TI-l~ C~RS Fbtl. IT'S A. SOFT IIMGtt71LLUSTRt>.T10M WIT\.! T\.1111\ l-IN~S. TI-llS 'TYPE IS USG!i' OF"TEN IN S\.lOUJO rMNGA..
e Til~ TYP~ TIIAT 5110W5 Til~ MOVf;M~NTwat.
TI-llS 'TYPE IS USG!i' IM GJ;MR~S SUC\.1 A.S Gf>.G OR SPORTS. TI-l~ ll-l-USTRA. TIOM S\.lOWS T\.l~C~R'S MOVB\GNT wru.. SO T\.!A.1 T\.!G RE.t>.l?ERS CAlliS~~ T\.l~IR f>CTIONS ClEARl-Y. IT'S A. STRONG ~!7 ll-l-USTRA110t.l WIT\.! ~Ol-!7 l-INGS. TI-llS 'TYPE IS US~!i' OffiN IM S\.lON~N MAN.GA
e Til~ TYP~ TIIAT 5110W5 Til~ 5f;N5~ OF Til~ OTII~R WORt-!?
TI-llS 'TYP~ IS US~!7 1M e;MRGS SUC\.1 A.S \.lORROR, Ff>NTA.SY OR SCIG\IlC~ FICTION. TI-l~ Il-l-USTRATION FITS T\.!G WORl-!7-RaA.TG!7 '---:....: SffiiMGS W\.l~RE \Mt>GI~ T\.!IMGS SUC\1 AS SPIRITS, MOMSTGRS OR SPf>C~S\.liPSW!'EAR. TI-llS 'TYP~ OFTGN GI~S A. !7/>.RK IMmSSIOtt
©CR~ATING CIIAR.ACT~5 TIIAT FIT WfU TO Til~ GF:NR~
~ l-GA.RN~!i' T\.!A.1 REWI=RS UN~RST.t>N!i' A. Mt>NGA. ONl-Y FRO/~ TI-lt= IMFORIM TION T\.!GY R~Q;I~ 1\-IROUG\.l T\.l~IR ~S. T\.lGY PAY SPK\Al.. AmMTIOM TO TI-l~ C\.lf>..Rf>CTGRS. REW!;RS Wil-l- UM!7{;RST.t>N!7 T\.1\; e;NRI= A.UTOMA.11ct>U.Y IF YOU !7RA.IV 1\.lG C\1A.Rf>CTGRS 1\.!A.T FIT W~l-l- INTO TI-l~ GJ;MR~.
YOU CAlli Rt=f{;REt.ICt;; YOUR FA.VORITG MA.NGA. ARTISTS' BOOKS .t>N!7 STUflV TI-l~ !71FF£R~NT Il-l-USTRATION 'TYPES. \.lO~R, YOU \.!A.~ TO VRAW WIT\.! YOUR OWN ORIGIW>l . .\'TY, SO !i'ON'T JUST CO'?'/ T\.l~IR WORK! Pl-~A.S~ RffiR TO TI-l~ l-ffi PA.Ma R~GAR!i'IMG TI-l~ C\.!A.Rf>CTGRIS TICS OHf>C\.l Gt=MRE'S ll-l-USTRA. TIO!I\S.
86
87
®CONSIDERING THE READERS' FEELINGS IN STORY ·MAKING PROCESS
I REMEMB~R I WA'?> VERY TOUCUED.
I DO. IT WMA'?>TORY
OF FRIEHD'?>U!P Bnwm AHI!t\AL'?>
AND UUMAN'3 ...
-ml< rn;\.INGS YOIJ AAVI< ~R ~Wit.\6
A tMN.GA. 1\llt.IK A!30U'T -m~< FE:\.lNGS
YOU f.S -ml< AlffilOR WANT YOUR ~WI<RS 10 AAVI<, Sua\ r.s J(f{, SORROW OR St;;lt-IG TOIJCI.tt;;!7.
%'3. DO YOU REMEMBER TUE VERY FIR'?>T
MOVIE YOU EVER WATCUED~
• •. INTUE WORLD OF
MANQA, TUAT'9 KNOWN A'?> •••
I'VE BEEN LOOKING FORWARD
TO '3EEING TUI'?> MOVIE.
'30, T0!7AY''3
~UBJGCTI~ TUE •READER'?>'
FEEUNG'?>•t
88
89
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WIIAT ABOUT TUO~!:" BOY~~
WIII:"H YOU ~TART OUT DRAWING MAHGA, IT'~ ALWAY~ IIARO TO TAl<" TUO%
TUiHG~iHTO COH~IOI:"RA TIOH!
~ ·
TUAT'~ GOTTA B6' AIIOf:IROf:l
~\\~ MOVIf>! .. t!J~ tt-l-~·
®
Till:" R';AOI:"R~' FE!:"UHGg •.• I TIIIHI<:
I I<:HON WIIAT YOU'll!:" T AU<iHG AllOIJT, BUT I'M AFRAID I OOH'T
KNOWMUCII ABOUT IT ...
WIIAT ABOUT TH~M~
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...QUTYOUR MANGA AOVANC5~ ON5 RANI.: UIGII5R
IF YOU AI.~ COH~RTU5
RHD5R~' F55UNG~ WU~NYOU
DRAW MANGA.
YOU'~ TOUC~EI1 ~y 1>. S'TOR'I. YOU~ ~10 F!Oaii!GS Wffil l"IOC!l~S.
YOU Jll!76S 1m; S'TOR'I ~I>.SEI7 011 YOU!: KIIO#UI1G~ 0~ PAS'T 1?/.PEI::rGIIC!iS.
YOU 1101\'T F10a GOOI1 AF'l'Eit ~WING. ~IS 61101 A SUIT~ Fi'alt-IG AF1'Eit ~'16 1>. /I'AllbA.
m~E ARHU~TYPE~ OF F5~t.ING~ ON~ CAH !lAVE
AFTER READING AMANGA .
OFCOUR~E IT'~ IMPORTANT
TO DRAW A MAHGA TIIAT YOU ENJOY ...
TIIAT'9 RIG liT!
HOWI.£T'~ PRACTICE" BY~ItiG OUR OWN ~TORY!!
I WANT TUGM TOBG
TOUCUGO 90MUCII
TIIAT TU!iY CRY!
~M(;TUING I WA'?>
TOUCIIGD ABOUT •.• ?
TAKING TIIG RGADGR~ IHTO CON91D~RATfON
I~ TUG FIR~T ~ITP TO BGCOMIHG A PROFG~~IONAI. MANGA ARTI~T!
UOWOOYOU WANT YOUR RGADGR~ TO FliGI.. AFTGR TU(;¥ FINI~II RGADING YOUR
MAHGA?
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INCL.UV~ SOM~ THINGS 11-\AT ':.~~- ~~Jl;;RYBOVY "V~SIR~S TO R~W" ABOUT.
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I..ET'S TAK~ A I..OOK AT SOM~ SAMPI..~ STORI~S Bt>S~V ON f>t.ISA'S PAST ~X~RI~MC~S ...
---------------------------------------------------------------------------,·-----e CX~ATING A /..OVE: OR 1-0V~ B CO~flY STORY:
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WV ~ ~XTRAORVIMARY a~~NTS. FOR ~XAMPI..~, "A 1\-IR~A-rt;NING I..~R SAYING 11-\AT TH~ RABBIT I-IOUS~ Wll..l.. B~ ATTPCK~V. " OR "A TOURNAM~NT IN W\-1101 TI-l~ C~ FOR 11-1~ Rt:SPOMSIBII..ITY OF TAKING CAR~ OF RAI3BITS". BY WVING 11-l~S~ R~!:NTS, YOU~ ATTRPCT Rt:~RS W\-10 UK~ TI-I~S~ Gl:'t.~Rt:S.
• CR~ATING A SPORTS/ 1/ISTORICA/.. PRM1A OR PAROflY STORY:
WiliNG M Al'f'ROPRIA-rt; FPCTOR Bt>S~II ON f>t.ISA'S STORY, IS VIFFICUI.. T WI-I~N ~f>t.ING WITH TI-I~S~ Gl:'MR~S. \-IO~~R, IF YOU ~ FIMV A FPCTOR 11-\AT FITS ~Rf~Y, YOU CAM CR~A-rt; A FMit>STIC STORY Wli\-1 YOUR OWM ORIGIW>LITY.
96
® WRITING STORIES BY CREATING
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• 105
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~ 11!1' 1111\I'R Pt.Rl OFA~It IS IIISJIQ PE!i:SO!I.Ilnv OR SI:U5.MNC.I' mut .6CllG'I$ o;: LiliES Ul\1011\i.
~M'O~Pt.Rl O~A~ IS ~5/ll!;R APPE~ O!i:OUWil. /MI(1i 11!1' WJSl!i:.t.llO!I U!UWO.
= • •aoott.v
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0 CKfiATfi A CJI~ACTfiR TIIAT EJRIGIIT~S VP Tllfi MANGA.
LET I~ TEACH YOU 1-\0W TO WV SOME UtliQUEtlESS 10 11-\E C~R YOU CREA'TE!7 OUT OF A VAGUE lt7EI:I.
WI-\Al'S MOST IMPOR1Atllltl CREAlltlG A UtliQUE C~R IS 11-\EIR ltl171VII7\JALITY! READERS CAtlNOT IGtlORE 11-\E CI-\ARACTERS Wllll Ut\10\JE ltl!71VII7\JALffiES. 11-\EY MJ>!(E A &IG IMPRESSION Ot-111-\E REWERS!
----------------------------------------------------------,·----------------------Ill 0Rt7ER TO W!7 UNIQUE ltl!71VI!7UALITY TO ACIIARJICTER, YOU tlEEI7 TO il!li'IK AOOUT A CIIARJICTER'S SURPRISING
FEATURE. ii!E ~IUTY TO ii!ROW OFF THE &~ BETWEEN OllE'S APPE~ At\!7 PERSOili>!.ITY IS THE KEY TO CRE/>.TE CIIARJICTERS WITH SUR!'RISit-lG I'EATURES. THERE f>l(E FOUR C/>.TEGOI':IES FOR THE B~ BETWEEi'l APPEARAt\CE At\17 PERSOili>!.ITY. !'I..E~ SEE THE FOLLOWitlGS .
• GA? 8FTW!*N TJI[; Af'f'[;AKANCfi ANJ7 TJI[; P[;RSONAUTY
GIVE THE CI-I/>.RilCTER A PERSOili>!.ITY TI-\AT'S OUITE OPPOSrrt FROM HIS/HER~. FOR ~E, •PRETTY BUT MEAt\• OR "i'IU AAI7 Klt\!7 !IESPITE Tll!i GANGSTER LOOK".
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e p[;RSONALITY CJIANG£; WJI[;N TRfGGf;f([;f7 8Y SOMFTJifNG
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e [;XTJ([;Mf;/. Y UNf()U[; IN SOMFTJifNG
GIVE THE CIJ.Ai1ACTER A VERY Ui'IIOUE POilll REGARI71tlG HIS/HER APPEARAt\CE OR PERSOili>!.ITY. FOR E'IJ\MP\..E, "PERFEClLV BEAUTIFUL !i~EP1 THE OVERLY FAT LIPS", •I'XCESSI'IELY MEAT .M\17 CLEAA"
110
@THE INTRODUCTION, DfVEUOPMENT,TURN AND CONCLUSION METHOD Til~ "INTROI1VCTION_Ila'fl-0Pit!~ TVRN ANI1 CONCL.USION"' IS Til~ FORMVl-A TO
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115
I 1\HON I NeED TO
U~~ T~O~~ IN '3TORY-MAJ.<INGI,
llUT •••
to. l"ERM ~~PLAit-liNG ill~ OR~R OF ~PISOIIES 10 CRI<Al"E A GOOP STORY. t;l>I$091:S ~ a.As.Sift!OV 11110 "I!ITR0171JC110N•, •f7EVa.Op~1·, •i\IR!I• Mt7 •cooct.USIO!I•. ~~!lt71N6 0!1 ill~ ROL~, ill{; OR!IER OF ~PISOIIE IS IIE1ERMl!l~t7.
~ "(14; -m.& WISQ>I;. ~OIJ a.l'\.AJ!I 'MlO 11l(; aw:.IC"'"'~, ~ 1>1117 Slmt\6. 1\llill CONMECT 1~ SlQR"vU~;;to 11-«i "t>IM'-OI'N-'M1•.
~oo. n·;"" ~ lW.liS 111?.-aa'W !'rot.~ INTI:~ 1011'1Al~ 11'\llol'S 60\116 OM ~ 11l(; llllROVUCliO!l.
~ "TilE W~SQ>~; lW.l !1'-'..aES ~ C.WAX. f'IJl ,.. 1lo1Stl!llo 115 stcrt son 111~ ~~-
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w~ ~~~K ,,,." "lW..l· 1>1117 "CCNC!.USIO~·. ~ ~ 115 Sl~.
aFUII 0\'10~ 1!1115 S10r:v.
WTOOAY''3 '3UQJ~CT~ AR~
•INTRODUCTION, DEV~~NT, TURN
AND COHCW~IOH•!
I fl~AR TflO~~~RM~ (i)UITE OFTGN.
• •
WIIAH • 6 • •
... AP~FECT EXAMP~OF
IHTilODUCTIOH, D~~I..OPM~NT.
TURN AND COHCI..~ION!
• • •
TUI~ I~ YOUil CW~!
• • • • • • • • • • •
•
a~.mc~
YOU IN A ~IMP~
WAY!
FOUR·PAm COM1C ~TiliP~ AR~ Til~ UI..TIMAT~ FORM OF INTilODUCTION, ~~L.OP~NT. TUill/
AND COHCW~IOI/1 PI..GHG TAKG A 1..001<
AT TUG NEXT PAGW
AU·UA. ~AV~ ITTO M~!
lliGUT! YOUR PROC~~~
OF MAKING COOI<I~~
WM ...
WIS017F! 5: (10!7AY, AT ~CMI<) t>liSA &IIRt-11<!7 T~ COOKIES. S~'$111 &IG TROU&l.E!
WISO~ 4: (10!7.t.Y, .t.T 110/tE) AUSA !7WII'T WAI\110 m nu; COO'KII<$. ~UT $~!:' 111!7 AIIYWAY Al\!7 FOUIU7 0\.11 T~T ntGY WI<RI< 600!7. $0 t>USA GAVE ntl< CO<lt:16$ TO KVOKO.
TI/KN
IF m; ~A FOI/~ -PANf;l. COttiiC ST~IP 01/T OF N..ISA /S COOKIJ: IJAKING (;XPJ:Rf(;NC(; •••
c::a 0 0
tlff~OflIJCTION
WISOI7F! 1: (V6$lt;;RVAV, AT \lONE) t>USA ~!7 10 GIVE SOtfE ~ COQI(16$ TO KYOI'O S!IIQ; Sill< IS ~llG II!;R ~W TO 'HRITI< Sl<lltl6$.
WISO~ 2: (T0!7AY. AT \laM&) t>USA tMI76 Till< COOKll' !70UG\l AFTI<R KYOKO CJ>HE TO VISIT $0 ~T ~ COUU7 SI'RVE HI'R ~COOKIES.
~
11101&01\)/100 aHV Nt!Ol
1lN3Wd013A30 I NOJl;JOOOt!lNI
3111 ONVl&ti30NO I :ll iVH·JIV
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119
~OTU~R~ I~ OHt.Y A
•omLOPMm, TURN AND
CONCt.U~ION"IN T~~TYP~~ OF~TORI~~!
.. . ....
IWT YOU ~TIU.. N~~D TO D~5CRIB~ YOUR CIIARACT~R~.
~ffiiHG~AHO
TU~ IHCIO~HT AND TIIAT R~<PUIR~~ Til~ ~OP~R MANGlA
WRITING T~C!IHI<Pll~~ AND ~I<IU..~!
YOU ~UOUt.O MAI<~~M~ FOUR-PAN~!.
COMIC ~TRIP~ FOR PRACTIC~I
FOUR-PAN~!. COMIC~TRIP~
AR~ Til~ U!.TIMAT~ FORMOFA ~HORY.
At.~t.Arm. Til~~ AR~ MMIY ~TORI~~ IN WIIICII Til~ COMBIN~
"IN'mOOUCTION" AND ·D~~!.OP~NT· PART~ TOGm~R.
FIR5T, t.~·~ MA~TGR Til~ QA~IC~ OF •rNTROOUCTIOH, D~~~NT.
TURN AND CONCW~IOH•f
0<:~
iOOl '&.JJ3:l:l3 1Vl~3d& !?Nll'13!liJ
tl3l&VW 11.1 iJJU?l!l1V
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t~·,,ii ,:. ~ ~)~.. . · .. , ..
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lr1"--J'ill I . ~ ··-··-· , ~ - -f· r
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·~ ' "' ..-- . -:.- p-;~ ·.iif ;·_;] - • __ , . • / .. · ,s:· ,':),~·f
\\0 • •
ii?NIN!108 3!lV &3A3
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idO 3NOfJ &VH VNl!>IVW-.<!lOl& Nl 13,4.31 !lOO.< &N'13W lVHl ...
··"'-""'¥" '2,¥,;
... &.413::1::13 ·.~ .. .,/~~~~· / \.
1VliJ3d& .3111 HlfM .<!!0 l & V
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3ll!lMOl • ..+ . W.I 3>tl1133:l I I lllfJitl
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2>1
• .. .. • a
• WI/AT IS Til~ ''INTROI1UCT/ON, f1E;Vf;l.0Pit100, TURN AN/7 CONCJ..USION.v lt1HI/Ofl? •
0 T~ J;SSf;NTI)J.. POIIIT IS TJIAT T~ C~~~S GROW. (1.)
WI' u;t>Rt;6t' 1~11~1' •t~~TRO!IIJCTIOtt ~t;1, 1VRII A11!7 CONa.USIQt;• ME'TOO!I IS UKG A AAV\61>.101: Ill S10R'f-rt.ll(lt.\&. IF YOU />W ONE MORI' FAC101:, !11.L l'tc.OI+,I; All !OVEN &E llETIER AAVI6A101:. ~1 FAC101: IS ·c~R ~OWTW (Ill ~It WO!tl7S, ~.,.,. '11!1' C~l: 6VO\..,.,., Mbli1AU.V 01: PII\'9CAU.n, ~V. 1F YOU~ 1'15/MIII ~~OW US\116 1'15 •~t~TR017\JCmtt_ ~1. 1\11:11 All!7 CO'IO.US!OII• lf811QQ, YOU CAll ai'ATE A FAIITAS'IIC STORY.
SUC!I E~ASA ~1116 ~. ~ 01: ACO/fl'LCATEI7 11\l'MII m.ATIG!ISIIIP WU. AlTR.!Cl ~ ~I:'S A~ll All'\5 SNN;; 'lVfJ;, Till' /fAll\ ~ K66t'S lllO$ WlS()!1I;$ Ill Oltli'Eit TO GI:OW. f'lt()Ft;SS!O~ N.IIGI>. I>RTIS1S ~AU. 1'15 EI'IS0!7ES ~WAY SO ~1'1\!6 /fAlll ~CAll ~;VOL~.
----------------------------------------------------------------------
121
»> Ill~ lfAll.6A, ~IS G!!OW1116 ~ROUGH ~ESTEPS OF \.EI>Rt\11-\G ll0WT0!7U.W AlfA!I.I;A_
USliiG Till' ~I:'S F~~ ~SSIOIIS. AC110l\S 01: IIW..OG, YOU Oil SllO'II ~ll\11' ~ /tA1V1:617 /1.1 '1\!6 ~17 OF lllG STORY. YOU CAll C~ ~E ~E OF OOW MUCH M~I:~OWS UP !76f'El.W!MG 011 ~G !761/>.lt.$ All!7 THG f'l;ltSOAAL!1Y OF Tl\6 ~It
. JUST\.IKE Ill MR(;,Il. WOR\.17 WHGI:G G.,.,.RY1l017'1 ~ A !71FFEI:~TI:ATE OF Gl:~, '1\!6 ~li!S It\ THG ~ 171FFER ltl SPEW \'/lSI u;t>R~~\116 IIEW ~!IIGS. AS 1'01: ICiOKO At\17 ~ ~LISA ~u;ss~ COifS't3.E!7lO ICi(l(O. llll'li!EI'ORI' llElt II!PROvetall ~17 IS FASm ";\WIICi()I(Q'S.
©I TJI~ MOST IMPO!UANT POINT IS TJIAT Til~ CJI~.6CT~RS GROW. (2)
IF ~OU 'II~T TO at'A:TE A STORV IN WlliO\ YOU!: ~n;5 G~OW, Wl'AT Sll0\A.l1 YOU PAY ATn;\ITIOII TO wwa; YOIJ CllOOSIO EPISO!i'OS? 1\IE KIOY IS 10 IM.~ SURE 111A11\l~ ~i$ 11\ATU~ 1M TilE •cvOC\.US\011• PART ~T~ER ~ 1\lE •IMT!:Q171JCTIOII•. fl.RlliE~~' 1\l& e-&ST WAY IS TO !WSE 1\l& CllA~ ACCC!WIJIG TO 1~10 Gal~ Of YOUR STO!{Y.
e wvl'e HJ>I<.Tii SURE l',\1; ~GROW IN HIS/H&R ~OY& ~If&. fOR~, '"TilE ~IS\Ul&SS O!S!>.~ AT 1\IE &1117•
OR •sTARTS 10 UII\7&5TAAI7 1\IE l'aaiNGS OF 1\,';; OPPOSI:TE sa•.
e t.OVE' B COIIWY e 11\AKE SU~ WE ~n;5 GROW 1\ll'/f6EVIES ~TilER 1\lAA Ill LOY&. FOR~' •llE/SilE USE17 TO CONMIT e-LUtiO&RS,
~UT 110GS IIOT AI\YH,O!:r;;. • 01: "1!1'/SIIE S T~tl TO TAK£' 1\IE 111111ATIY& AAO AAV£' A f'OSIT\\1£' OUTLOOK ON LIFE•.
e GAGe IIIJ>¥.& SU!:r;; l1lE ~:TERS GROW ~GARtiii\G HUH,GR-IIIJ>¥.11\G SUCllloS •h'I'/Sill' ST~O TO I>CT MO~ WEIW: OR
·~10/SI!E ST~ 10 \!AYE A ST!:AAGE ~1\.ITY•. Ill SOMIO CASES, 1\!E Cl'~1ERS 170ti'T EVEN 11&&17 TO GROW UP.
e $CJIOO/.. e MAKE SIJ~ 1\lE ~RS GROW M&IITAU.Y OR ~ARI7UlG 1\IE SOC\Iol. STATUS SUCll />S ·~E/Sill' ST~ TO !IE
COIISIO&RA:TE TG~ARtl OTI!ERS • OR •liE/SHE GOT ~Oit.OTEI7•.
e uoRRORe IIJ>I<.E SU!:r;; T\!10 C~S GROW ~GARI71MG 1\!E •1\lREAT• SUCI! loS '1!1'/S\1& OYERCOII\ES I!IS/Ili'R f&lll:' OR "I!E/SI!E<
SOLVES 1\IE IOCI!'£'t!TS ~n;(l '!0 6\lOSTS".
e FANrASV e IIIJ>I<..E SIJ~ M ~GROW 1\l&MSELY&S 01: ~ ~IU1Y RE<LI>.:TEI7 TO TilE WOM SET'!II\GS SUCI! AS "1!&/SH\i
1!/>S MO~ FRI&III'S • OR •11&/S\!E l-EARIIS MORE MAGIC•.
e SC/GNCI' FICTION e IIIJ>I<.fi SU!:r;; 1\liO CllARACTE5 GROW TI!GMSaVES OR SOH.E ~\Ul'l ~n;17 TO 1\l& VI<JR\.17 SrnlNGS SUCll AS •~~&/5~10
fiii17S 111011' CllAU.EI\GES • OR "1!&/SI\10 G/lliiS S!'ECIAl. ~l\.ITY•.
e SPOKTS e MAKE SIJRE 'M' CllARACTE5 GROW Ill :TERMS OF SPORTS SUC\l />S "I!E/SI!E l'f.PROY&S Ill SPORTS A!III..ITY• OR "l!fi/51!6 LEI>Rt\5
tiEW JEClliiiCUIO•.
e PAK0f7Y e
@WHAT ARE THE DEVELOPMENT AND
THE INDUCTIVE METHOD!
Til~ "P~VfWPNJ:NT HniiOfr' ANf7 "INI1VCT1Vf< A1~110J7" ~Til~ SfJP£;R ffi:JINICfJFS IN WIIICII YOfJ (7f;Vfl_OP Tf.l~ STO~Y FJY C~~ATING AN f;PJSO!?f; FROA1 ANOTII~R £;PJSO!?f;. A10~~ O'lff?, /..~'S )J..SO STfJPY Til~ APf'l-1~17 TR:IINICfJ~ IN WIIICII GOOP P~S FROA1 ~ACJI A1~110J7 ~ COA191NW/
123
... WUtR~ A~ PAINTING~ GIV~
00 VARIOOO ~MOTIOH~ ABOUT TU~ ~TORY
WITU JU~T OH~ IMAG~.
YE~!TUI~ I~ A GOOD ~TIM~!!
MANGA U~~~MANY PICTUR~~ TO ~U. TUE ~TORY .••
IT'~ AI.W IMPORTANT TO ~Eli: DIFFERENT TUING~ QE~IDE~ MANGA
AND PO~I~U YOUR ~EN~ITIVITY.
PAINTING~ UAVE
TR~M~NDOU~ IMPACT.
124
125
TilEY AI!£ AllOIJT TOI(J~!!
\
WUAT ~~IT, AU~A? ·.
' ' • ' ' ' · .
I • • ' .... ...
•
• • • • •
·'
126
127
Tli~WGRG '3UCII A BEAUTIFUl. COUPI.G. IT WA'3 t.II<G Til~ WGRG A
PIGCG OF ART.
/?WEl.OPMWT MJ:Tf.IOP ANJl INPVCT/V!i
MF:Tf.IOP
A Ml<llJ.0[7 OF STORV-IMKI~ US\~ T\1~ FLOW OF T\1{; STORV
/N/?IJCT!Vfi lt1ET#Ofl: nu; ME1"017 OF CRI'All~ A STO~ START!~ FRO.'!\ M LAST I'P\SOI7E GO\~ I'II>CKWARI7S.
IN TIIAT CA'3G, YOU CAN CREATE A '3T ORY U'31NG
TUG "Dr>YGt.OPMGHT MWIOD• AND
•INDUCTIVE MGTUOD•f
K1'3'31NG IN A MU'3GUM 1'3 SO ROMANTIC
ISN'T IT?
ITWOUI.D BG NICG IF I OOUt.D
DRAW TUAT '3CGNG INMYMANGL
TO fXPI-AIN IT ~IMPl-Y, IT'~ I>ITU!>R
YOU CR~AT~ TU~ ~T~Y ~TARTING FllOM TU~ Bf>GINNING OR FROM
TUI> ~NO.
Tl/~ R-OW OF Tl/~ STORY TU~ L __ _:::~::~::~::~~~~--------i' ~T~Y
~PISO~ ~PISO~ WISO~ ~PISO~
(~llUIINb)
I COIICLUSIOtl I I WY\iLOP.mnl IIN'Ti:OI7UC!IOM I
"Ill 'Til6176Vrulf'~NT M6'Til0!1, YOU WV!»>CE -rn& STORY WfrnOUT III'CIVINb 'TilE' E'IIVIII.G (KE'E'P IMKINb E'PISOVES), SO VO\I CAN APtl
VARIOUS KllltiS OF E'PISOVES. 110\VGVE'!:, ~S 'TilE' STORY GGJS TOO 616 At>IV YOU CAN ~OS!; COlllli:~ OF IT .••
Tl/~ R-OW OF Tl/~ STORY
~PISO~ WISO~ ~ISO~ ~PISO~
(~llltl\li.G)
"111 'TilE' \lii70CT1VE' rtElliOV, SIIICE' YOU /lt.I:E'APV 1\A'IE' 'TilE' \.AST E'PISOIII', VOU ti011'T E'liV UP APVIII.G Uli!IE'CE'SSARV E'PISOI7I'S. 'TilE'!:E'FO!:E', l~S STORY SE'C(JM!;S ruAR 10 \Jlll?E'RSTMD. "0~. IT'S !lOT 'a>SY TO E'.<PMV 'IllS STORY AAV ~S n,-;; !:E'.WS!:S CAA ~ Y/1\AT'~ IW'!'Slii>.T 1~\i SNV ...
~TART~ FROM
lo(I~~ING INTU6"
MU~~UMJ
~ ........... ,
TUI> ~T~Y f>ND~
WITU TU~ I<I~ING IN TU~ MU~f>UM!
IN/liJCTIVf; MHJ/Ofl CGOOD FO!:
~ORT STORIE'S)
128
129
T~AT'~ RIG~. BUT WUGN YOU'R!O
HOT U~GD TO DRAWING MANGA, YOU ~UOUI..D
AVOiD U~ING T~~ DEVHOPMEIIT M~UOO!
fROM T~G RGADGRI3'
POINT OF VIGW, IT't3 ~flr:G
Till~
A~ RIG~. I'M GOING TOWUIH BY~IHG
TUEKI~ING 9CENG WE
9AW EARLII'R .
WIIOOP~ •.• I GUG~~I'M A~WAYI3 TIIAT
WAY •.• D
~ Tlllt3 TIME, WG'~~ t3TUOY TUG INDUCTIVE
~UOOWIIICU I~ ~At31GR TOU9G.
WRITING A ~TORY WIT II OUT
OGCIOIIIG WIIAm.
I~GG ... m ~TORY·MA'I.ING PROCG~ I~ DlffGRGHT.
IIAVG IIAPPGN IN Til~ GHD AND TUGH 4>\liTTING ll~f
WAY TUROUGU!
YOU EVGR WGRI~NCGD ..•
EVGN PROF"Gt31310HA~
1.\AHGA ARTI9T~ IIAVG A liARD TIME U91HG TUG DEVE~MENT MmOD IF TIIGY DON'T IIAVG TilE ABI~ITY TO MA'I.G TUG ~TORY COIIGRGHT.
I COllCI.USI<Jt\ I I TURN I
II1AKE IJP AN/7 ¢=' fJ~AKIJP ¢=' KISS/NT~ AF7FK AICISH.III.AGAIN AGIITING
TUri WAY A ~TORY DEVrii..OP~
CIIAHGri~ DriPr;HDIHG OH Wl/r;Qr; YOU P~ACri
Tllri ~CriNri WITII TUI' BIGGlr;~T
IMPACT.
I CIS'IMPN.E!lil I lll11WI7UC1101\ I
(TIIE?f ST Af[T ~ TI/E?f A1E8' GOING Our ~ACJI (JTJIR ANP)KTSS/N M A!VSa&t!
H A!tfPf.$
(j)
---------------------------------------------------------------------------------
I COIICl..US!Oll I l'llRlll I~·EIITI IIK~017UC1l011 1 HM1Pt..f
Sf* IF ¢=' KISS/NT!/~ ~ fJ~AKVP ~ TllfiY ST Af[T ® TllfY FEfJ.. TilE: AI!ISG!.&!f AFT~ GOING Our SM!G WAY AN/7 FIGIITING
/llAKEVP
---------------------------------------------------------------------------------
TllfY KISS IN Til[; /I-. AI!ISH/Af AGAIN 'r' AN/7/IlAKE VP
TllfiY FIGIIT /I-. VNCOIAFO!rr .AtJI$ --" (ACC/Pf;N1l.J.Y) ANfl TIIINGS '<' Sll..tNCfi fJ/iTW[;[;N "'""V TllfiY KISS IN Til[; G£;T WORSE: TJI(;H, AI VS~VAI
131
AHDTU~ YOUADD TU~ Dmft.9TO Tllj; STORY!
IT'tj Al.tjQ IMPORTAHTTO
TAl(~ DOWN NOTG<; WUGN YOU COM~ UP WITU A 9C~II6' WITU
IMPACT!
AtiYWAYtj, YOU9UOUUJ Al.WAY9 TUIHK
AllOUT fUj; FLOW OFTU~<;TORY
FfRtjL
STAR_T
G"XACTLY!
YOU CAH JU9T Tllllll( WUj;Rj;
YOU <;UOIJU) PLACj; TU~ 9C~N~ YOU WAHT TO W.AW .;o TIIAT TU6'
9TORY llGCOMj;tj TU~M09T
~~RTAIIIING!
R!GUT! IN OTUER WORD~ 'TU~ ~TORY CAN
BE EXPAND~D ANYWU6"R(;'!
RIGUT ON! WAY TOGO!!
WUAT YOU NEED TU~MO~TFOR
DRAWING A MANGAI~
MOTrYATIOtl/1
we W~'RE ~RY...
~TUG DEVELOPMm
MflUOD AND TUE INDUCTIVE' ME'TUOD
ARE ruE APP~IED TGCUNIQUfi~
OF UAI(OGAJo:l?
~IGUT! IUDRAW
AMAHGAOUT OF TUAT l(f~~ING ~CliNG WUGN !
G!ir UOMfi!!
B~ 4'\JI~!!
132
1-
.oil. LOOICIMG Uf', 1)1; /INo6l.5 WIPI YOU \.001: ur ~~ ~a~ fltOIIII!aOW.Il'S />I.SO OU.EIII>. \.OW J>N.61.5 •
.6. 17()wt;, 1m; ~ WI~~ ~OU \.OOK 170WN AA O~cr ~ROII1 ~VI'. IT'!'. .14.!'.0 OU.ollt>. "1611 AN6l5.
133
• WJIAT ~~ TJI~ ~VaOPM~NT
ANfl/NflVCTI~ M~J/017?.
0 TJ/INKING AfJOI!T TJ/fi scr:Nfi YOV WANT TO J?.R'AW AGAIN
-----------------------------
~ •~>.'IGU• IS 1Mii I'OSrnOII Ch ~ Ya'I'O\IIT l'l\l0lii7Rf>.W\~ ~ U.IJ!'.TRI>.TlOII. IF YOU 1'\IT 111~10 \I1IIEO OR ~IL'IIC/IItER/>. TEitii\S, 11'!'. 1m; PO!'.lT\011 OF~ CI>M6Rf>. LOOK!~ AT ~G 0"-JECT •
..
1£~01£0'5 ONE-POINT ADVIGE
• 11\IWU: S~Ol OR ME171Uill S~T. ll'S A ~Ol 1M Wll\Cll ~011 Sl* 11& ~ !m.W\1 Ri:OIII 11& III'W TO K~ W/B... ~OU USE 1\US 'Ml&tt !IUW1IlG 1111' ~·s HOVaiEIIT A!l!7 F.CIAL.~-
• &UST ~Ol OR MEC11UM Q.QSI; VP,ll'S A S~T lit W~ICH VOU SGG Till' C~R !m.W\1 Ri:OIIITIII' 0!6ST UP. ~OV U$ '!IUS 'N\1'1117RAW\!IG A COM~RSA'TlOII ~ ~RS Ill CI.O$ 'I\Citlm.
• UP SIIOl OR Q..OSl; UP: fl'S A SOOl 111 Wll\Cll TilE ~!t l$17!tAWM fROIII Till' S~ULliE'R UP. YOV U$ ~1$ 'Ml&M 17!tAW\tlG ~I' ~R'$ f/>CIAL. '~lOllS .
134
@CREATING STORIES BY DETERMINING
THE PAGE COUNT T~ PAGI: COUifT JIAS NOTJIING TO PO WITJI T~ OUN.ITY OF AIANGA R~ST_ YOU tMUST
KNOW T~ NUtM!Jf;R OF PAG£3 TJIAT IS ~/GilT FO~ YOU~ IMNGA! TJI~ CJIOOSFi TJI(; W/50(1(;5 YOU N(;(;(l TO ~IT(; A STO~
PLEA% MA'I.t;
YOUR~;t;I..F AT UOMt;!
wow ... YOU llAV~
~MANY TOO~~ FOR DRAWING
MANGA ..•
I WAN,.A %U:IT WORKING
OH MY H~ '3TORY, SUT I OOH'TI<HOW UOW MAlff PAG~-3 I
'31100LO ~~ •••
. -m .. ·o9:> . :.~::: ... o ... . ·o'W·.
Til~ ~IJMB!:f! OF P~ YOUmi'ARETO COMI'l.mA~
TI«=RE ARE SI-IORT STORI~, ~UH.-\.BIGTII STORIE'S, \.ONG STORIE'S M17 FOUR-PMa COMIC STRIPS ~~PING 0111 Til~ ~U~!:R OF P~
YOU US!:.
011, ABOUT WI/AT?
w TODAY'-3
'3USJ~CT WIU. Q!:•PAGI: couHT•J
TODAY, I CAMEU~R~ TO A-31< YOU wmurHG.
m PAG~COUHT
1'3 A Rlii..ATIVI:LY IMPORTANT FACTOR
IN DRAWING MANGA!
19H'T IT?
136
137
TU!: POINr I~TO~mF'
YOU CAti•F'tfti~U· YOUR WORK AF'Tf'R
OECIOltiQ T~f; PAGE COUHT!
Oil Rf'GARDI..E~~
IF' TU~ ~TORY UA~ BEEN COMP~mD, IF' m: I~W~TRA T!Otl~ AR~ ~t.OPPY, TUE BOOK I~ ~UINED,
RIGIIT?
AU. RIGIIT!!
~
-
UOW.'MIIY PAG~~ ~~OU!.O A B~GINNGR WK!: MEU~H
• 0
- D ; -../-. '
YOU MIGIIT £VUlT UA!.F WAY
IF' YOU TRY TO WORK ON A WNG ~TORY WUEN YOU'RE ~TI~~
ING'XPERIENC!:D .. o
IF'YOU1l!i A BEG!HHER, IT'~
01( TO WRITE A ~UORT !! TORY o BUT MAl<!: ~URE
YOU CAN COMP~m YOUR WORt<.
<SUR!:.
LATGLY, I'VG BGEN 9UBMfTTIHG
MY WORK TO A 00/AIC MAGAZIHii COMPANY 90 I FOLLOW TUEIIi
9UBMI~~ION GUIVIiLIHii~ (•).
• •• .• ,. .. ,. ,. u;T'<S 9G:Ii ... DEP~NDIHGl ON
TU~ COHTM, I UoS!i 2 TO 3 PAG6~, OR 90A\6TIME9 I li$1:
MORE TUAH 40 PAGE$ ...
I RAH OUT OF PAPER. 00 YOUWANTTO
GOTOTUHRT OOPPLY <STOR~
WfTUM6<
uow MARY PAGE$
00 YOU U9UALLY U~!:WUGH
YOU DRAW A MAHGA<
139
SJ./0/IT ST0~/~5
NJ;f71VIA-I../iNGTJ.I ST0~/~5
l-ONG STO~I~
FOV~-PANB. CAIITOO~O~ TO TW 0 r'ANB.
CAIITOONS
UUU? TAKING A
~UORTCUH ~TOPPIHG
BY!
AIMIIGA l\1ATIS lb P.I>GGS 0!1: lESS. "rniS lEIIG"rn IS SU11~Ll; FOil: {;u;, /IIIINGA 10 ~ 1\16 Rl'~RS lAIIG~, OR A P~Of!'IIMIIGA Ill W~IOl VOU U$ All EXISTIIIG IMIIGA 01'! MWE Mil Rl<~ 11 Ill VOUit OW!I WAY. \J$Uu.LV IT CO_,SISTS OF O!IE 10 1IIJm; 5:1'\S0!7ES.
A IMIIGA -mAllS 1b I"~ 10 bOP~ 1..01lG. "rniS t.a~G"rn IS SUIT~ FOit YOIMC\itl (!>. STOii!Y -mAT ~'1 CO!I1\t\UI' AS A $!1:\GS, &Ul El\!IS Ill Ot>\1' 6P1SO!IE.). FOR Nt;W MAII.GA AlmST CO!I~TS, 1\16 ~ ~ARVI!lG P~ COU!IT IS USU/IU. V "rniS lE!lGllt IT USU/IU.V COIISISTS OF 3 10 8 iPISOIII'S.
Alml6/l. -mAllS bO Pu;t;; 0!1: LOI\Gat. 1BW.LV IINIIGA 0!1 M 1\'Sa:l.Y 011: 1110111\l. V COifJC /NIGAZDL.CS ~ liftS TVI"t; S1!1CE 1\lli!i:E ~ I'IAAV ~ 1\16 l\~ (1f t;I"'S()t1!;S CAll &!< AN I!U'm!TI' !1\ltf,&l'!i:.
Ul '*Nom, VOU C~ 1\16 STORY WffiUN 4 10 8 P~. AS FOR "rnl< 01\E TO TWO PAlla ~OO!IS, SQ't.E OF ~CAll 1'1' CCll+l'\.m!l W!TI!\11 0111' P~.
IT'~ 'iA~Y! D'iP!iiiDING 011
TU'i PAG~ COUNT, YOU CAll UAV~ TU!i
1.\AIN CUARACTIOR TAK'i A ~UORT CUT OR ~TOP
BY ~MEWUER!i!
lfYOUm; A6£6Illtn,
20Pb.GE!; SllOUU7&t
n£/NJ1J
IT ~'i'iM~ DIFFICULT TO
ADJU~T m ~TORY T 0 TUHllC!iD PAG!i COUNT.
IT ONLY TAl<~~ FIV~
MI~~. WTH~ ~T OAY ~tiD~ WITUIN A~PAG(;9.
... . • •
EE ,,. •
~0 MINUTES WAt.K
FOR EXAMPLE, WUAT KIND OF ~TORY WIU. IT SE IF WE MAI<E A ~TORY AllOUT GOING
TO TUE ART 9UPPI.Y ~TORE FROM
MY UOU9(;t'
IF' YOU 9TOPOFF
WMEWUERE, TUER~ WIU. S~ MOllE PAlmi,
RIGUT'!
140
l-ONG ~10R/~G
fiFI~OP~A (~1~)
GHOR1 ~10RI~G
I 'VI: T 0\JCU!:D OH ~RY POINT R!:GARDING
TUI: ~TORY-MAf.(ING PROCI:~~. WW., l£T'~ GO TUROUGU
TU!: PROCI:% or: PRAWING A MAHGA AGAIN!!
~BE:~ TUATTUHAG6'
COUNT UA~ HOTUING TO DO WITU TU6'
(i)UAUTY or: AMAHGA!
{;F/~017~~ (Q;/7)
IT'~H~Ial ro~~o:you BR6'Af.( IT DOWN
TUI~ WAY •.•
I GOT IT! I CAN AOJU~T TU6' NUMBal or: 6'PI~~ ~NDING OH
TU6' PAGE: COUNT!!
TUAT'~ RIGUT! If= YOU A~R6'ADY fi.HOW UOW TUI:
~TORY B!:GIII~ AND !:liD~, TUI: COHTI:NT ~IIOUI.DH'T B~ TUAT
DIFFali:HT!!
HM,WE:'U. MOV~ OH TO Til~
FINAl. PIIA~~ IN ~TORY· MAKING!!'(..(.. TEACU
YOU TU~ TECIINI(i)U~~ OF CR~ATING "TIIUMBNAII .. ~ "I
Til~ PKOC~SS OF PRAWING A MANGA
PRWARATION OFMANGA /JRAWING
STORY!MKING
IU.VSTRATING
L.__
• PR'C:P~ AU. Til~ 100\-S
• GATII~RI~ I~AS
• CRt:All~SrniMGS
• CHOOSI~ A G{;~RE
• CR~ATI~G CHAR.be-n;RS
• CO~SIII~RI~G TH~ REAIIERS' FE~\..IMGS
• CREATI~ ~~SO~S BV FOU..OWI~ SWlH R\ll
~ • IW(()Gf>J(I
~ • SCRIPll~
~ • TIIUM6-AAI\..S
• rt;OCI\.S
~ • I~KS
~ • ~RASING
~ • FIU.I~ TI-l~ "Bl.bCKS"
~ • CORRECT~~ WITH "WI-I~"
~ • Ali'ti'l~ TO~~
~ • FI~C\.I~CK
~ CQMPI..ffi
142
.APP~A/..ING TO TII~R~~R5 WITII A /..IMIT~/7 P~COUNT.
0 Til~ JJ;CJINf(;){)~ TO ,MI::1; TJIF; !MIN CJIAKACT~ LOOK
ATTRACT/Vfi l'U. SIIOW ~OU OOW TO If~ 1111' II'AIII
~AliDCTI~ ~y T~IIIG WVAAl,lbt'; ~ m; r~ w r~a STRUCru!:!'. llAV!i ON; ~IG P.AI\6\. $0t+&Wlli'RI' ~l'fWI;f;NlWO I=K.IIIG P,lbt';S Alll7 m w Till' IU.US"m.liON TOm; 1\-l~ IMII< C~ l-OOK AT1"RI>CTIV!i. TillS P.AI\6\. IS Ollll7 "SOOW-~F PAt-16\. • Alll7 f;~lt'/ P!tOFESSIOW>I. ~ ARTIST USES TillS n;arniQu;_ USING TillS n;arn!Qu; CAN ijf; cmlCAL W\191 Til; P~ COIIIIl IS LIMf1W. ~ fMio(l; A 1\0T; Of llll$.
/Mit< ~·s CllAm\1711TiltS ~171MG Otlllll' r;~SOw.uTY 01'1111' ~r;~ 01: 11-ll' GtMRG OF 11-lE SlOI:Y. WllA1'S OIARMIIIG jt.ijOUl A ~m: IS "1$/"1'~ 111171VII7U/ll.11'1. USUlG 11-11' ll.LUS"m.TIOt-IS, ~m.ltll' OOW TO SllOW "IS/"I'R C\1ARHJNG POII\TS •
.& IF YOU WANT TO mW 1"; WO~ Sll?l' ~ A~R ~I'UlG S~ Ill FRONT a: T"' !jOy~ l-IKES, Tlli!IK AijQUT Til; U"'I'S A.'II7UUS"m.l101l$ 10 IMKf; "'!: \.OOl( AI?~.
143
1£~01£0'5 ONE .. POINT ADVICE
lSEE.lON "Tru.I!E!t Ft>CS LOOKS FUNIIY.
& lli:AW IN A S\Z& YOU Flll!7 11 &I>SY 10 WAW Alll1 EML.ARI;I; 11 \111\l A COPY Mt>CIIIIIE. 1\l!ill TRI>C!i 1\l!i \.IllES OVE!i: FOii: ~ICE.
((;» !l!?AWING !JIG JIMS YO(J IMPROV~ YO(J~ !UYST~AT!ON SKIUS FAST~R.
01\ 1\16 rm;VIOU$ Pl66, Wii I.E/>R!\61? A~Ull\l& ·s~OW-QFF PAlla • 11>1 ~ICII YOU lli:AW 1\1& M/1.111 C~lER 10 /Nll(fi IIIM/I!ER LOOK AlTRACIIVE 1111>. ~IG PAlla. ON YOU WAW YOUR ~ItS LA!tGE'?
10 lESl YOU!t SKIU.S, WAW A ~R FUlL SIZE 01>1 A 1!4 SIZEI1 PAP&ii: (14 X 20 Ill). IF YOU li>.K& A SlEP ~t>CK Alii? LOOK AllllE ILUJSlii:AliOII, I?OES ll LOOKCROOK!illlt-11\ll' F.I>CE OR UIISJ11..6.11C1;!7 1"1 TilE &OilY PA!tl? WAWING A \.ARGE SIZEillU.USlii:AliOiliS 1101 />S &/>SY />S YOU li!IIIK
--------·----·-----------------------------·----·------------------·----·------------· 1?0 11 UIITIL YOU COMP\.m Ill
!lt:IJ.. ~ t.~ ~ ~t~~B ~10~ 1o ~t~ ~~}? 0
~li> ~MJ
fPk'·
6 IT'S ALSO 1/WO!tlAilllO COMP\.m 1\lE 1U.U$lii:Al\OM SV GG\IlG 1\lROUGII 1\lE PROCESS OF P&MCIL\IlG, \liKING, FlU-IIIG 1\l& •&Lf>CKS•, CO~llllG Wllii.~ITE· 1>1111 Al7!7\NG lOllt;.
IF YOU ON l1i:AW A LA!tGE' SIZEI? lU.USlii:Al\011 I'<'OU., YOU ON l1i:AW lU.USlii:AliOKS OF AAV SIZES. ~Ell YOU ~ICt; WAWING~S. Tii:VlO l1i:AW TISI\1111\lE LA!t~Sl SIZE POSSI~ (&Ul DOII'l GET CI>.RitiW AWAY).
144
145
®THUMBNAILS TIIUA!!JNA/l.S ARJ: /..1/t$ A /JWF: PRINT IN Wf.IICf.l YOU ROVGI/!.Y "PANf;l.."' /JASF:fl ON Tf.IF: SCRIPT.
LF:T'S LF:ARN TJIF: /JASIC Tf;RMS SUCf./ AS "PANf;I...ING"- "!JU!J!JI$S"', AN/7 "91.J;{:fliNG PANf;I...S"!
BYm WAY, WUAT ARI: •ruUMBNAJr..~ '?
OK, I'U.. ~PI.AIN W~AT
IT 1'3 FIR~T.
m·~ MOVI:ONTO
Till: FINAl. PUA~I: AND L.I:ARN ABOUT •TUUMBNAII.~ •1
I ~66". IT'~ GA~I6R
TO DRAW ON MAJIG.A DRAfTING
PAPER AfTGR YOO~A~T~G TIIUMBHAII.~!
MANGA !?RAFTING- PAP~R
JU~T T~INK TU~
TUUMBNAI~~ AR~ A. B!.U!i" PRINT B6~6 YOU ACTUA~Y DRAW
ON T~£ MAIIGA DRAfTING
PAP6R!
(;11 ( -1 ./)\" I ~7
"a.a!OI
r:rR~T or:m.
T~l~ I~ T~G MAHGA
DRAfTING PAP!:R.
A TJI(J,fl6NAI/. OFT~ .fWIGA ABO~
146
147
w~u., I OOH,-II.NOW
WHI>RI> TO ~T~L
WIIAT'~ WROHG~
WHAT YOU FIR~T MU~T CON~IOI>R WIII>H
CRI>ATIHG THUMBNAil.~ I~ TO "MAll.~ Till> ORD6R OF
PANG!.~ C!.~AR•t
~KI>TCII rT OUT IN YOUR
NOT€ROO(( OR HOTI> PAV U~IHG Errii~R PI>NCI!.~ OR MECHANICAl.
P~NCI!.~.
PANELING POR MANGA
voo IZiAI' rAHa.s ~ON. I1161!T TO LE>T. 10f 10 eoTTOM (). JAP~ e001: " I!EW 1\ll~ W~Y). "fAIQ.IliG, nil< WOI1I: TO CIEGIO£ 011 M ~ ~ M POS!OO~ 0~ M P6/il.S
W~!.!. HOW, !.I>T'~ MAll.~ Till> THUMBNAil.~
BA~I>D ON YOUR ~RIPT.
) ) ..... . . . .
IN ~1/0RT, Til~ PANEl.
ORDr;RMU~T sr; ABt.r; TO sr; ct.r;AR!.Y
Rr;AD.
WilEN YOUCAEATE
YOUR TIIUMBMAII.~, WORK OH TWO fACING PAGE~ AT A TIME~ TIIAT YOU CAN Cllj;Cf.(
Tllj; BAI.AHC" OP PAN!>!.~.
•C11EAT£ $ 1\lUM&!Wt; ll~tNG aal a'1SOl7E Ill$ SC1!1f"T. wn; <;~ ~ <;~ com'\.ETES lllffiltll $ r~ COUH'T '10\J I-lA~ SET.
• 111 ..VAllE~~ IIJJI.GA U<:.lJbU.Y <;ibi!T<; ~A. ntOMf CO\~ P~ WlllCI-IIS l.OCAT£17 011 "M> 1-"'T <;~Of 1WO f N:l!IG r~. (~ 1liE lt~Gm f'~ Ellb.Yf\..£) ~IS All ~ii!AllOH Of$ ~OHi CO~ PbGE.
~.Till~ 19 Till> PAGIO
WilER I> TilE ~TORY Rj;ACI/E~ TilE
CI.IMAX!
I MAD!O MY ~TORY IM 12
PAGIO~.IIOW'~ Tlll9?
GA910D 011 TIIE%BA~~. CAIOATIO YOUR TIIUMBMAII.~!
(j)
•rr' <; I-\AN!7Y If YO\J PtVt~ r~c; n; 1-1/U.
148
149
UERE ARE WMETIP~ IN PANEUNG
TOMAV.E YOUR
MANGA BffiER.
Dn ·~ ""$.... IUM w-1\
-=
I..ET'~ FI:S: YOURWORI< FOI..I..OWING TUE~ETIPL
Rn', .. ~ Soioot "''!)
01<! IT'~ PRmYGOOO
FOR YOUR FIR~T WORK, BUT YOUR
PANEI..ING COUt.O BE ABITBffiER ...
(l.) IMK~ Til& P~a. TllA1 CO~TAiti$1~ $C&I-IG YOU W~TTO flf!AWTilE REAPER'S ATIGNTIOt-1, lAI:Gatl APP\.V 171!'Fl<REI-IT $liES FOR TilE P~a.S.
(2) I7RAW ~itS FKlllG ~ CEtm;R OF TilE &OOK A$ HIIJCII ASPOSSim.
I £\Q Sl'OGMi ~ .. 11G
(~ ~~ sooo..
CQJ\.Pii'T VOUW7
n ~~>~~ ) .....____..,
i OO.U>
~r \'011..£-0 OUTM!'•
5?
~ , ~)!~
I J I
ONCE YOU GlET TilE liANG Of IT, YOU CAN
W.AW DIRECTI..Y ON TUE MANGA W.AFriNG PAPER. BUT AR~T. YOU IIAVE TO t.EARN UOW TO CREATE
GOOD TUUMBNAII..~.
(c) IMKI' TilE OR!IER OF Tll6 ~U~(j\.6-$ a..EAR. ~ASICAU.V, IT'S li'ROM RIG"T TO \£F1, TOP 10 ~TTOM.
OS~
..
. . . .
... 03&0:1NOv l3t'J .l.NOQ &l:l3QV.91:2.9H1
1\'H1 Of1 &ti310\'1:2VHO 3Hl:JO HOI.U&Od
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PI.£A~!i R!iFER TO ·~uOOJO MANGA T!iCIINIQ)U!i~: DfiAWING BA~ICW, VOI.UM!i ON!i OF Till~ ~ERI!i~ FOR Till: T!iCIINI(i>U!i~ OF
ILI.U~TRATIONI
YOU'R!i NOT ~CAR!iD OF WRITING ~TORI!i~
ANYMOR!i, ARE YOU?!
I IIOP!i YOUWIL.L.
WRrT!i A L.OT OF GOOD ~TORI!:~.
TOO!
' .. ~, . . . . ~ . ,
Tll!i ~TORY WILL B!i COMPL!if!i ONC!:' YOU FINI~II
YOUR TIIUMBNAIL.~!
COOl..! TIIAN!t:~ TO
YOU, I UAV!i CONF!O!:'NCE
IN~TORYMA!t:ING!!
enEfNPe
I'LL WRrT!i
L.OT~ OF ~TORIE~!!
153
(ij)fACKLING PLAGIARISM
PI~RYTIIING STARTS FROM "1 WANT TO PRAW MY ORIGIIW MAVGA 8/iCAIJS~ I IIAV~ A ltlliSS~ I WANT TO CONVI?r. SO YOIJ 1/AVF TO CRE:AT~ SOtt!RIIING ORIGINAL. GOOf? t.IJCK!
( l I '··
P!.EA~E" CU~CJ.< IT OUT! P!.EA~I'i CUE" Cr.< IT OUT!!
GOOO JOB, A~I~A!
fi:'IOKO, fi:'IOV.O!
• • • • •
• • •
. ' •• ••• • • • • c
~ ~ ~··· ·. ~ .. •
I UAVI'i FINAU.Y COMP!.ET~D TU~ MANGA I WANT TO ~UBMlT TO A COMIC MAGAZINE"
COMPANY!
•• •• •• •
llOW I? IH
GUIL.TY A?
CUARGED!!
WUAT'? WROHG, KYOW~
IT F6"6"!.? ?OGOOOTO
COMPt.m AMANQAJ
IU?ED MY FAVORITE
MANGAA? REFERENCE!
I ... T~INK I'VE READ
TUI? ?TORY ?OM6WUERL.
154
155
YE~. READING Till~ YOU'U..I<NOW mcn.r WIIERE IT CAME r:ROM.
BUT JU~T ~11.:6'
~ERYBODY UA~ 111~/IIER INDIVIDUAUTY,
YOU CAN U~6' YOUR INDIVIOUAUTY AND CREATE A ~TORY WITII YOUR OWN ORIGINA~ITY!
IT'~ PL.AGIARI~M!
Till~ I~NT
REF'ERENCING ...
ITOWYOU AT TUE BEGINNING,
RIGIIH TIIERE ARI' ~ MANY MANGA ~ERIE~ TIIAT IT'~ liARD TO CREATE A PERFECT~Y ORIGINAl.
~TORY!
BUT Till~ MANGA D06'~NT R6'F~6'CT
YOUR ORIGINA!.ITY AT AU..! IT'~ J~T A B!.AT ANT COPY!!
suTm ~DrTOR~! ~DrTO~ WIL.L.
~~~OW RIGUT AWAY IF' YOU ~UQMrT COPI~O WORV.!
WUICU M~AN~ TU~ AR~
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