shambhavi singh review_kari
TRANSCRIPT
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Kari AmrutaPatil
Theairportwasaford,andshecrossedover.AmrutaPatilsKariisanassemblageofparallel
narrativeswithin
aperson.
There
are
four
main
relationships
to
consider
With
Ruth,
Lazarus
(her
ad
campaign),herroommatesandAngel.ThedayandthenighthavedifferentmeaningsforKari.The
day,isherjob,hereverydaylife,nightherreflectionsandherperceptionofthesmogcity.Ruth
andAngelformanintegralpartofhernights.Thenightswhensheisaboatman,sheisrowing
throughthesewersofthecity.Herdaysarebustling,hernightsarelonely.Forthepurposeofthis
essay,Ishallgointothevariousthemestheauthorreflectsuponthroughthevariouselements,
charactersandincidentsinthestoryalongwiththeimageryillustratingthesethemes.Themain
themehoweverofthisbookseemstobethedeathandlonelinessthatmanifestsitselfthrough
variouswaysintheprotagonistslifeleadinghertobeonthevergeofcommittingsuicidetowards
theendofthebook.Thebookislayeredwithmultiplereferences/metaphorsandimagerythat
describesthe
culture
and
mind
set
of
acity
where
its
people
are
highly
diverse
and
baffle
the
protagonistfromtimetotime.AllofthisIwillillustrateasweprogressfurtherintotheessay.
ThecharactersRuth:sheisKarislover.Theotherhalfofhersoul.Apartofherthathaslefther,hastriedto
eliminateherselfandbeensavedandthenleft.RuthisthatpartofKari,thatismorepractical,
opinionatedandthatwhichbelievesonlyinwhatisuseful.Incrystalpalace,KarimentionsRuths
heartonlyhasroomforthatwhichisuseful,andgovernedbythehead.theimageryofRuthand
Karisrelationshipisinterestingastheauthorhasillustratedit.Theveryfirstimageisanadaptation
ofFrida
Kahlos
painting.
In
which
the
two
sides
of
her
are
split,
and
yet
joined
by
one
heart
that
is
cutintotwo.OntherightisFridathefreegirl,theloverofDiegoRiviera,theMexicanwoman,
rootedinhercultureandfiercelyindependent,theoneontheleftisFridathewife,awomanwhois
marriedandkeepingupappearancesforthesakeofherhusband,restricted(asappearstobeinher
attire),formalandmovinginhighsociety.Onemightwonderwhytheauthorpicksthisimageryto
illustratetherelationshipbetweenRuthandKari.WhatistheSplitabout?andasmuchasthis
questionbothersonefindsoutlaterthereasonwhyRuthleftKari(accordingtoRuthofcourse).in
thechapterthevigilKaritellsLazaruswhyherrelationshipbroke,becauseIhadnopolitic,meansI
havenoburningissue.Blurringgenderlines?Bigotry?Culturalgenocide?Dyingplanet?Icantpick.
Myfavouritemovementisfloat.Istandfornothing.IespousenothingbutRuth.Myloverneeded
moreroughage
than
coupledom
could
ever
bring.
This
resonates
with
the
Frida
Kahlos
painting
adaptation.RuthsignifiesthatpartofKari,thatcouldneverbecomeapartoftherealKaris
personality,herengagementwiththesocialsystematlarge,justthewayFridaKahlothewifecould
neverstaycomfortablewithinthatimageandherlifeasithadstartedtotakeshapeaftershehad
marriedDiegoRiveraandmovedtosanFrancisco,thennewYorkandfurther.
Ruthisapartofherrecentpast.AndsheisoftentherewhenKariisreflectinguponsomething(also
sinceithasbeenarecentbreakup,RuthsmemorieskeepcroppingupinKarismind).
Angel:onemightwonder,whythisname?angelisapartoftheFairyTaleHaircampaign,who
herselfis
dying
of
cancer.
Her
skin
is
wrinkling
by
the
minute,
she
has
lost
her
hair
and
on
every
onesmindisthethoughtofherdeath.Angellivesalone,withacat,isweakeningdaybydayandher
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suggestingtheadcampaignKariisinvolvedwithaarecoloured,withfewotherssuggestingsome
brighter/lightermomentslikehermotherhavinglotstotalktoher,orherroommatesspendingthe
daywithherathomewithouttheirboyfriendsandcookingameal,shemakinglovetoRuth,orwhen
AngeldrinksteamadebyKari,photographofangelsreplacementintheagencySusanLush,andKari
gettingareallyshorthaircutbeforetheawardceremony.Thehatchedlinesandroughstyleslenda
grimmelancholictoneasthebookprogresses.Overlappingoffullpagepanelswithsmallerpanels,
andsomeplacesonlyfullpagepanelsheightenthedramainthescenesandaddtotheflow.
SewerandtheBoatmanTheimageryofwaterisverystrongthroughoutthebook,morespecificallythesewer.Smogcity(as
evidentfromthemapinthebook)isMumbai.Andthesewerthatrunsthroughitapartfrombeinga
physicalrealityisalsoanelementofrealismwithahintofmagicandmystery.Thesewersavesher.
InthebeginningofthebookKarimentionsthesewertothestinkingriverofeffluentsthatsnakes
pastourneighbourhood,theoneourbuildingsaverttheirfacesfrom.Thisstatementestablishes
thesewer
as
something
that
is
an
everyday
reality
which
no
one
likes
to
confront.
A
place
that
stinks
andinordertokeepappearancescleannooneevenwantstolookatit.Itcarriesthedirtinwhichno
onewantstoputtheirhandsin.butthedayKaricrawlsoutofthesewer,shedecidesthatshewould
givebacktothewater,itdeserves.IpromisedthewaterIdreturnherfavour.ThatIdunclogher
sewerswhenshecouldntbreathe,thatdayshebecomesaboatmanandasaboatman,youlearn
torowcleanthroughthedarkestwater.Thesewer/waterherestandasametaphorforKarisown
psycheandexperienceswiththecity.Atnightshedelvesintoherdarkestplacesandtriestorow
throughthem.Itreflectsherfears,anxietiesandevencertainvaluessheholdstrue.Forexample,
whenshevaguelyhearsofBillodroppingthechild,andaboutunwantedpregnancy,shewanders
intothewatersfollowingthecriesofthebabyandtriestosootheitdown.Shethentellstheunborn
babythatnothingshouldlivethatisntthelabourofgreat,greatlove.Asaboatmansheisalsoa
traveller,aconveyerofmiseryandtranscendence.InthechapterBoatman,Kariiscalleduponby
Angelwhoistakingherlastbreath.AlthoughbythetimeKarireaches,Angelhasputeverythinginto
place,butitisinKarisarmsthatshegivesoutherfinalsigh.
MovingtowardsdeathAsthebookprogressesitgetsdarkeranddarker.Layersofbirthanddeathareintertwined.Angel
getssickerandsickerandinthemeanwhiletherearevariousinstanceswheretheauthorsbringsin
theelementofdeathandbirth.InchaptertheUmbilical,Lazarusexpressesanxietyoverthethought
thathe
might
contract
adeadly
disease
through
his
last
sexual
intercourse,
although
he
says
he
had
safesex.HeisveryupsetandKaridulytriestocomforthim.NextwegettoknowthatBillois
pregnantandthatsheabortsthebaby.ShereflectsbacktothetimewhensheandRuthwere
makingloveandRuthexpressedhowtheywouldneverhavetoworryaboutunwantedpregnancy.
TowhichKarirespondsIdgiveanythingintheworldtobeabletoknockyouup,Ruthie.Karis
wishtobeabletoprocreatewithRuthandheruneasinessoverBillosabortion,tellsthereaderthat
Karitreasureslife,butalifewithsomeoneshelovesevidentasshementionsearliernothingshould
livethatisntthelabourofgreat,greatlove.Thenextfewpanelspreparethereaderforthedeath
ofAngel.ClearlythisisadarkmomentforKari.
Eventhough
her
Ad
campaign
wins,
and
she
and
Lazarus
(who
is
steer
clear
of
any
sort
of
illness
now)areawarded,hermomentaryhappinessissuspendedwhenLazarussgirlfriendTinaappears
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withhim.Sheisdefinitelyaprettygirlandwithheraround,Lazaruswontneedanyone.Thismeans
thatshemustleave.Slowlylosingoutontherealbondsshehaswithpeople,perhapscontributesto
drivinghertotheedge.Evenafterreceivinganawardandbeinginasuccessfulspot,sheismetwith
aprofoundsenseofloneliness.
Howevertowards
the
end
she
hold
herself
back,
from
that
dysphoria
that
may
consume
her,
from
theedgeofthatterracethatmaydeliverhertotheotherside,fromherselfthistimetosavesome
partofherself,toleaveatanothertime.