shamanic prologue - unmb.ro · solo iv=totemic direction est: maytreia gong/4 quartz...
TRANSCRIPT
Mihaela Vosganian
Shamanic Prologue
2
Mihaela Vosganian
for
conducting solo didgeridoo
3 totemic solo percussions
orchestra
and
processed sound
Shamanic Prologue
3
Soloists
Solo I=Totemic Direction Nord:Trombone/Didgeridoo/Tibetan Shell/Andean Horn
Solo II= Totemic Direction Vest: Midi percussion/Earth Gong/Ting-Sha/Andean Water
wistle
Solo III=Totemic Direction South: Cosmo Gong/Tubular Bells/5KenGongs/ Lyon Roar/
Prepared Tam-Tam con arco/Suling
Solo IV=Totemic Direction Est: Maytreia Gong/4 Quartz Bowls/Deff/Tibetan Crotales/
Ocarina
Orchestra
Flute 1/Piccolo/Recorder
Flute 2
2 Clarinets Sib
2 Horns Fa
2 Trumpets Do
2 Trombones
Percussion I : 4 Timpani
Percussion II: Gran Cassa
Percussion III: Tam-Tam/Water Gong/Triangle
Electric guitar
Keyboard
Strings
Violins I (12)
Violins II (10)
Violas (8)
Violonellos(6)
Contrabass (4)
CD
Instruments
4
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t
Mihaela Vosganian
q=60
Senza misura libero improvisando approximate 10'' (pulses)
approximate 10'' (pulses)
Shamanic Prologue
Pănă când nu începeți să simțiți frecvența Luminii, veți prinși în capcana ecuației parțiale a entropiei
tridimensionale și a morții.
|
SOLO I Didgeridoo
SOLO II
Midi percussion
Tubular Bells
5 Chinese Gongs
Lyon Roar
4 Quartz Bowls
Deff
Tibetan Crotales
I1
t
2
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B.
5 C. Ggs.
L.R.
4Q.B.
Df.
T.Cr.
?
off stage
/
SFX (08) Forest 02 improvise on A1/5/2/4 & Rr & C4/3/2
∑
1
&∑
/SOLO III∑
/ ∑
/ ∑
/SOLO IV
∑
/
ç
Improvisando
p ÷ f marcato
> > >
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
Appears from off stage and coming to the N point
/
mf leggiero
olce
-
mp dolce
D beam impro Thunder effect
˘
¯¯¯¯¯¯¯¯¯¯
f
˘ ,
&
/SOLO III
~~~~~~~~~~~~~~~/
mf
piu f
~~~~~~
/
~~~~~~~~~~~~
~~
/
SOLO IV
/
œ
œ ™™
‰ œ
jœ œ
J œùœ
J
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e‰
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e e eb e e e e# e eû
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=
5
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I2
t
libero improvisando
3
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B.
5 C. Ggs.
L.R.
4Q.B.
Df.
T.Cr.
I3
q
rit.
4
V.S.
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B
5 Gongs
Cosmo Gong.
4Q.B.
Df.
T.Cr.
?
mf espress.
> > > > > >
Arriving at the N direction
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/
Take off D beam Improvise on C4/3/ & A1/5/2/4 & Rr
mf leggiero
olce
> dolce
Æ ÆÆ
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑
/SOLO III∑
/
mf
~~~~~~~~~~~~~~~~~~~~
~~~~~~~~
Change Cosmo Gong
/ ∑
/
SOLO IV
∑
/∑
?
poco f
Onoring the South direction
- > > > -
leggiero
o o o
o
/
dim. perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
SOLO III
/
/ ∑
/
SOLO IV
∑
/∑
˙ûæææœ œB
j
œ ™
ææææ˙B œn ù
Œ ™ eB e e
j
ù‰ Œ ‰ e
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∑
7
˙∑
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œ
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=
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I4q
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B
5 Gongs
Cosmo Gong.
4Q.B.
Df.
T.Cr.
I5
6
V.S.
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B
5 Gongs
Cosmo Gong.
4Q.B.
Df.
T.Cr.
?
/
&
Improvisando
f
Response from South direction
> >
/
S IIIA
meno f incalzando
A>
>
/
mf .
>
>
¯¯¯¯¯¯¯¯¯¯¯
/
/S IV
/
?
Onoring the Est direction
>
meno f incalzando
>
+ O A E
>
_
>
_
>
leggiero
o oo o o o o
> -
∑&
/
f
Add Muti effect
Freely Improvise on C4/3/ & A1/5/2/4 & Rr
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
S III
/
/ ∑
Response from Est direction
∑
6A
/
S IV
∑ ∑
/∑
Á
rfz
poco f
>
wb w œ œ
ææææ˙
∑ ∑
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=
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I6
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B
5 Gongs
Cosmo Gong.
4Q.B.
Df.
T.Cr.
q
rit.
9
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B
5 Gongs
Cosmo Gong.
4 Q.Bo.
Df.
Cr.
I7
q
10
V.S.
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B
5 Gongs
Cosmo Gong.
4 Q.Bo.
Df.
Cr.
&
/¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
/
SOLO III
/
Response from Est Direction
/
Improvisando
mf .
> > > ^
S IV
/ ∑
/∑
?∑
/
dim. perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑
/
S III∑
/
/ ∑
/ ∑
/
Improvisando
poco f ff
> > > > - - >3
3
/ ∑
?
Onoring the Vest Direction
sempre mf espress.
>
> >
+ Vox
o
o o o o o o
f
o o oo
/
Change 03 GranBlue
&
/
S III
/
rfz
f
>
/
/S IV
/
˙
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ù
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w
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
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=
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I8
q
11
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B.
5 C. Ggs.
L.R.
4 Q.Bo.
Df.
Cr.
t
|12
SOLO I Didj.
SOLO II
Mid. perc.
Tub. B
5 Gongs
Cosmo Gong.
Q.B.
Maitreya
Gong
Cr.
?∑
Response from Vest Direction
/
mp
A2 B4 A2 B3/4 A1 C3 A3 C4
Ω>
~~~~~~~~~~~~~~~~~~~~
mf
Ω^
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~
~~~~~~~~~~~~~~
incalzando
----------------------------------
Improvise adding A3 C3
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯~~~~~~~~~~~~~
&
S III
/
/
/S IV
/
?
meno f incalzando
>
+ Vox
>
U
>
o oooo o o o
-
o o o
o
molto cresc...............
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/
Change to Earth Gong !A !A
ST
molto cresc.............................
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
Improvise streching durations
>
S
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ T
3
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
SOLO III
mf cresc.
/
/
>>
>>
>
f sempre
>
>
mf cresc.
molto cresc........................
/
SOLO IV >
/
œ
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jœœ
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˙
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e
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E
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Œ æææœ ˙ œ
‰™
∑ ∑ ww
œœ
œœ
œbœ œ
w
w
Œ ™œ ™
œœ ™
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w
w
∑™
∑™
∑
æææw
=
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13
II1
00'00''
00'00''
In tempo q=50
Didgeridoo
SOLO II Midi perc.
Solo III Cosmo Gong
SOLO IV Deff
2 Flute
2 Mayan Aerophone or
2 Bass Clarinet
in Bb
2 Trp
Horn in F
2 Tbn
4 Timpani
II Bass Drum
III.T-tam
Electric Guitar
Keyboard
Violin I
div
Violin II
Viola
Violoncello
div
Contrabass
Processed sound on CD
6
4
6
4
6
4
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4
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4
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4
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7
4
?∑
rfz
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
/∑ ∑
/ ∑ ∑
/ ∑ ∑
&∑
(Add glissando headjoint if possible)
∑
&
## ∑ ∑
&∑ ∑
&
#
∑ ∑
?∑ ∑
?
rfz
rfz
ff
rfz
ff
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
/
rfz
ff
rfz
ff
rfz
/
ff
ff
&
ffff
rfz
distors
rfz
ff
?
◊
Organ Pad.
rfz
ff
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&
ff
rfz
rfz
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
rfz
scordatura
I
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&
ff
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
scordatura
I
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
B
ff
rfz
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
rfz
scordatura
I
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
?
ff
rfz
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
rfz
scordatura
I
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
?
ff
rfz
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
rfz
scordatura
I
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
?
‹
ff
rfz
æææ
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æææœ
œ
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œœ œœ
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6
10
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II2
00'16''
00'16''
Meno mosso q=40
15
accel.
S. I Trb.
S. II M.p..
S III C.G.
S. IV Df.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II. B.D.
III.T-tam
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
7
4
7
4
7
4
7
4
7
4
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4
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4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
?
meno f
∑
/∑ ∑
/ ∑
%A %A
poco f
/
m f
∑
&∑ ∑
&
## ∑ ∑
&∑ ∑
&
#
∑ ∑
?
Prepare with small bowl
∑ ∑
Improvisando
?∑
Nrfz
poco f
gliss.
gliss.
gliss
.
gliss.
gliss.
/
m f
∑
/ ∑poco f
&∑ ∑
?∑ ∑
&
scordatura con legno battuto
mf
F
2 2 22
2
+
poco f
ord gliss asincron
gliss.
gliss.
gliss.
gliss.gliss.
1
1
C
C
&
mf
scordatura con legno battuto
F
2 2 22
2
+
poco f
ord gliss asincron
gliss.
gliss.
glis
s.
gliss.
1 C
B
scordatura con legno battuto
mf
F
2 2 22
2
+
poco f
ord gliss asincron
gliss.
gliss. gliss.
1
?
scordatura con legno battuto
mf
F
2 2 2 2 2+
poco f
ord gliss asincron
g
liss.
gliss.
glis
s. g
liss. g
liss.
gliss.
1
C
?
scordatura con legno battuto
mf
F
22
2 2 2 +
poco f
gliss
. glis
s.
gliss.
ord gliss asincron C
?
‹
mf
æææœ ™ù
‰ ∑
w ™ w ™ Œ
‰ œ
>
‰ œ
>
‰ œ
>
‰ œ
>
‰ œ
>
‰ œ
>
æææœ
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>
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>
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>
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>
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>
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‰
-
‰ ‰ ‰ ‰ ‰
e
‰
-
‰ ‰ ‰ ‰ ‰
e
‰
-
‰ ‰ ‰ ‰ ‰
e
‰
-
‰ ‰ ‰ ‰ ‰
e
‰
-
‰ ‰ ‰ ‰ ‰
e
6 66b
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II3
00'34''
00'34''
In tempo q=50
rit.
rit.
17
q=40
accel.
S. I Trb.
S. II M.p..
S III C.G.
S. IV Df.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II. B.D.
III.T-tam
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
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4
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6
4
6
4
6
4
6
4
6
4
?
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
gliss.
gliss.
gliss.
/∑
poco f
comb . A1/B2/B3/A3/A4/C2
poco f
poco f
3
33
3 3
3
to Ting-Sha
/ ∑
Change to 5 KennGongs
∑/
/ ∑
poco f
To Quartz Bowls
3
3 3 3 3
&∑ ∑
&
## ∑ ∑
&∑ ∑
&
#
∑ ∑
?∑ ∑
?
rfz
rfz
f
∑
/
fpoco f
/
f
∑
&
rfz
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
distors
∑
?
◊
rfz
f
scordatura con legno battuto
∑
F
&
&
rfz
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
scordatura
I
mf
3
2
3
2
3
2
3
2
3
2
3
&
rfz
f
scordatura
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I
2
mf
scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
B
rfz
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
scordatura I
mf
scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
? rfz
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
scordatura
I
mf
scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
?
rfz
f
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
scordatura I
mf
scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
?
‹
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œœù
œ
>
œb ùœ>
œn ù
‰
e>
∏∏∏
‰e>
∏∏∏ ‰ e
>
∏∏∏∏
‰ e>
∏∏∏
‰e>
∏∏∏∏
‰e>
∏∏∏
Œœ
>
œ ‰ œ
>
œ ‰ œ
>
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>
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>
œ ‰
æææœ
æææœ œ
>
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>
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>
œ
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œ
œB
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
œ
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
œB
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
œB
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
œ
œ
œ
œ
œ
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
66b 66b
6
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7
II4
t54'06''
54'06''
q=60
Senza misura libero approximate 17''
|
S. I Trombone
S. III 5 Kengong
S. IV Q.B.
2 Flute
2 Mayan Aerophone or
2 Bass Clarinet
in Bb
2 Trp
Horn in F
2 Tbn
4 Timpani
II. Gran Cassa
III.Tam-tam
Electric Guitar
Keyboard
Violin I
Violin II
Viola
Violoncello
Contrabass
CD
?
f piu f
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
/S. II Ting-Sha
Improvisando
f
piu f piu f
To Earth Gong
/
Improvisando
f incalzando
To Tubular Bells
&
/6A
-
6A f incalzando
To Tibetan Crotales
&∑
&
## ∑
Take off the mouthpiece
3
∑
#
È∑
È∑
Improvisando
?
rfz
gliss.
gliss. gliss.
glis
s.
gliss.
gliss.gliss. ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/ ∑
/
&
poco f
gliss
.
&
poco f
IMP. din ce in ce mai rare
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
C
+
ord gliss asincron
poco f
g
liss.
gliss.
gliss.
gliss.
1
1
gliss.
glis
s.
gliss.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
C
+
ord gliss asincron
poco f
gliss.
gliss.
gliss.
gliss. g
liss.
gliss.
gliss.
gliss. g
liss. g
liss. g
liss.
glis
s.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
B
C
C
+
ord gliss asincron 1
gliss. g
liss.
glis
s.
1
gliss.
glis
s.
gliss.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
C
+
ord gliss asincron
ord gliss asincron
poco f
poco f
gliss.
g
liss.gliss. g
liss.
glis
s.
gliss.
gliss.
glis
s.
glis
s.
gliss.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
+
poco f
glis
s. gliss
.
gliss.
1
glis
s.gliss.
glis
s.
gliss.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/
Maracas (cn CD)
?
‹
?
‹poco mf
poco mf
Œ
1
o
j 1o
b1o
Jû
‰ Ó
1
o
1
o
1
o
j1o
#
J
û 1o
Œ ™ œ
j
œ œû
Œœ œ œ
jŒ
œ
j 7
Ϟ
‰ Œ ™
Œ ™ ‰
œ
>
œ
>œ
>
œ
>
œ
>
jœ
>
œ>
œ
>
œ> œ
>
Œœ
œ ™
æææœ
æææœ
∑ Œæææœ
Ó™ ≈œ#
œ>
#
‰œ
œ# œ>n
≈œ#
œœ>
#
≈
e
e
e
e
e
∑™ Œ ™
æææææœ
^
™
66b
∑™
7
°
¢
°¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
8
II5
t01'03''
01'03''
Senza misura libero approximate 13''
|
S. I Trb.
S. II E. G.
S. III Tubular Bells
S. IV T.Cr.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD.
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
?
ben ff
Take off mouthpiece
ossia Tibetan Shell
/
˝ !A!A
ben f
Improvisando
piu fben ff
&
¤A ¤A
ben ff
~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
/
ben ff
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&∑
&
## ∑
Prepare tibetan horn sounds (as vuvuzela)
3
∑
Take off mouthpiece
#
È∑
È
Take off mouthpiece
∑
?
sf
Take off the bowl
?
/
sf
/
sf
&
sf
Delay 1'
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
ben ff
ben ff
&
ben ff
gettato
IMP con legno battuto asincron
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
ben ff
gettato
IMP con legno battuto asincron
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
B
ben ff
gettato
IMP con legno battuto asincron
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
ben ff
gettato IMP con legno battuto asincron
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
ben ff
gettato IMP con legno battuto asincron
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
‹poco mf
?
‹
poco mf
œ>
#
ùœÆ
n Ϯ
n Ϯ
b Ϯ
Ϯ
b Ϯ
≈ Œ ∑™
∑
Ó ˙Œ ™
ææœ ™ Œ
w wŒ
Œ
œ
Œ ™ œ ™ Œ˙
œ
Ϊ
‰ œ
jœ>
û Œ
œ
j
œ
œ
œ
^
7
œ ™û ‰
7
œ
>
Ϟ
∑™
Ó ∑
æææœ
∑
w Ó Ó™∑
œ#û
Ó
œ.
n. œ
.b
.œ. .
œ. .
‰
œ.
#. œ. œ
.
‰
œ.
#.œ. . œ
. .œ. .
∑
˙
˙˙
˙˙#
#
∏∏∏∏∏∏∏∏∏
∑ Ó™ ∑
œ
œ
>
≈
>
≈
>
≈ ≈
>
∑
œ
œ
>
≈
>
≈ ≈
>
≈ ‰ ∑
œ
œ
>
≈ ≈
>
‰ ∑
œ
œ
>
≈
>
≈ ‰
>
≈∑
œ
œ
>
≈
>
≈ ≈
>
∑
∑™ Ó™
æææææw^
6
∑™
∑
8
°
¢
°¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
II6
01'16''
01'16''
01'16''
Meno mosso q=50
9
S. I Trb.
Tibetan Shell
S. II E. G.
S. III Tubular Bells
S. IV T.Cr.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
?
Air + sound
∑ ∑?
/
Change to Midi Perc.
∑ ∑∑
poco f
comb . A1/B2/B3/A3/A4/C2
3
3
3
3 3
3
/
&
poco f
∑ ∑
To Kgongs
/
/
Á
a2
poco f
∑
&
poco f
Air rush + sound
∑ ∑
&
##
Air + sound imitating Tibetan horns
poco f
∑ ∑
3
poco f
Air + sound imitating Tibetan horns
∑ ∑
#
È
Air + sound imitating Tibetan horns
∑ ∑
È
poco f
poco f
Air + sound imitating Tibetan horns
∑ ∑
?
poco f
rfz
f
mf
3
3 3 3 3
/ ∑ ∑
rfz
f
mf
/ ∑ ∑
f
rfz
∑
&
Stop Delay
∑ ∑
Distors
~~~~~~~~~~~~~~~~~~
∑
&∑ ∑
◊
rfz
∑
&
mf
ord
rfz
f
f
scordatura
~~~~~~~~~~~~~~~
I
tutti scordatura con legno battuto
3
2
3
F
2
3
2
3
2
3
2
3
&
ord
rfz
f
scordatura
~~~~~~~~~~~~~~~~~
I
mf
mf
tutti scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
B
mf
ord rfz
f
scordatura
~~~~~~~~~~~~~~~~~
I
mf
tutti scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
?
mf
ord
rfz
f
scordatura
~~~~~~~~~~~~~~~~~
I
mf
tutti scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
?
mf
mf
ord
rfz
f
scordatura
~~~~~~~~~~~~~~~~
I
mf
tutti scordatura con legno battuto
3
2
3
2
3
2
3
2
3
2
3
?
‹
Mrcs.
?
‹
poco f
poco f
poco mf
Sampler
2>û
Œ 2>û
Œ
æææ@ ™
œB Œ
‰
e
>
ù‰
e
>
ù ‰ e>ù ‰ e
>ù ‰
e>ù
‰e>ù
œ>
Œ œ>
Œ œ
ææææ˙>b
Œ
ee
>
ûû
Œ ‰ee
>
ûû
‰ Œ7
˙ ™7
˙ ™ Œ
2>
ûŒ
2>
ûŒ ææ
æ@ ™ 2b
Œ
2>
û
Œ
2>
û
Œ æææO ™
œn
Œ
2>û
Œ
2>û
Œ æææ@ ™ œB
Œ
2>û
Œ
2>û
Œæææ@ ™ œb
Œ
2>û
Œ
2>û
Œæææ@ ™ œB
Œ
œ
>
ûŒ œ
>
ûŒ
æææœ
æææœb
æææœ Œ
ææææœ
Œ œ
>
œ ‰ œ
>
œ ‰ œ
>
œ ‰ œ
>
œ ‰ œ
>
œ ‰
æææœ œ
>
œ
>
œ
>
œ
>
œ
>
œ
>
œ>
œœ
>
œ
æææw
æææw œ
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
æææw
æææw œ
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
æææw
æææw œ
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
æææw
æææw œ
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
æææw
æææw œ
‰
-
‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
æææææw^
æææææw^
6 ™
Œ ™
œ# œ œ
j
œn))b
9
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
II7
01'38''
01'38''
01'38''
13
t
01'52''
01'52''
01'52''
Senza misura libero approximate 10 puls
|
S. I Trb.
Tibetan Shell
S. II Midi Perc.
S. III Kgongs
S. IV T.Cr.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
?
Air + sound
piu f
∑
Put on mouthpiece Put on mouthpiece
/
poco f
∑
To E. Gong
∑
˝
Gong
∑
!A !A
Improvisando
piu f
/
KG.
∑
%A%A
∑ ∑
Improvisando
poco f
f incalzando
To Tubular Bells
/
piu f
Á
∑
&
simile
poco f
simile
∑
&
##
simile
poco f
∑
3
poco f
piu f
piu f
piu f
∑
#
È
simile
∑
È
simile
poco f
piu f
∑
?
poco f
poco f
piu f
piu f
gliss. gliss.
gliss.
gliss.
Improvisando
gliss.
/ ∑ ∑ ∑
poco f
∑
/ ∑ ∑ ∑
poco f
&∑ ∑
Change effect
∑
piu f
rfz
&∑ ∑ ∑ ∑
f
&
ord
C
C
f
gliss sul pont. asincron
1
1
poco f
gliss. gliss
. gliss.
gliss.
div.
&
ord
poco f
+f
gliss sul pont. asincron
gliss.
gliss. g
liss.
gliss. gli
ss.
g
liss.
gliss.
1
poco f
div.
div.
B
poco f
ord
C
+f
gliss. gliss
.gliss. gli
ss.
g
liss.
gliss sul pont. asincron
1
poco f
?ord
poco f
C
+f
gliss sul pont. asincron
g
liss.
1
gliss.
gliss.
gliss.
g
liss.
gliss
.
poco f
div.
?
poco f
ord
C
f
gliss sul pont. asincron
gliss. g
liss.gliss. g
liss. gli
ss.
div.
?
‹
poco f
poco mp
poco mf
2>û
Œ 2>û
Œ Œ
æææ2@
æææ@
2b Œ
Œ œ
j
œ
>
ææ˙
Œ œ
j
œ ™ ‰ ˙>
˙Œ
œ
>
j
œ>
œ>
œ
>
˙>
œ
>
œ
>œ
>
˙>
Ó
ee
>
ûû
Œ ‰ee
>
ûû
‰Œ
7
˙
˙ ™™
7
˙
˙ ™™
Œ
2>
ûŒ
2>
ûŒ Œ
2@
ææææ@ ™ 2b
Œ
2>
û
Œ ‰
2>
û
‰ Œ æææ‚
@
ææææO ™
œn
‰
Œ
2>û
Œ
2>û
Œ Œ æææ2
@
ææææ@ ™ œb
Œ
2>û
Œ
2>û
Œ Œæææ2
@
ææææ@ ™ œb
Œ
2>û
Œ
2>û
Œ Œæææ2
@
ææææ@ ™ œB
Œ
œ
>
ûŒ ‰ œ
>
û‰ Œ
æææœ
˙
ææææ˙ ™
œb Œ
æææœ
æææœ
Œ ™œ
>
# ™û
œ-
™û
‰ œ
j
˙
>û
Œ Ó
æææw
æææw
æææw
æææe>
æææw
æææw
æææw
æææe>
æææw
æææw
æææw
æææe>
æææw
æææw
æææw
æææe>
æææw
æææw
æææw
æææ3>
)b6
10
°
¢
°¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
II8
02'04''
02'04''
02'04''
17
S.I. Tbn.
S.II. Earth Gong
S III Tub. B.
S. IV T.Cr.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
?∑
ord + Plunger Mute
?∑
poco f
/ ∑ ∑
f
piu f
∑
&
¤A¤A
poco ff
/∑ ∑
Change to 4 Quartz Bowls
&
Jet-wistle
fr. air & sounds
f
f
piu f
piu f
∑ ∑
&
##
f
piu f
∑ ∑
3
fr. air & sounds
fr. air & sounds
piu f
∑&
∑
Put on mouthpiece
#
È
f piu f
∑&
∑
È
fr. air & sounds
f piu f
Put on mouthpiece
∑
ord. +Harmon Sord
?∑
?
Add the small bowl
poco f
Improvisando
piu f
gliss.
gliss. gliss. gliss.
∑
/
poco ff
∑ ∑
/ ∑
f
∑
&∑ ∑
piu f
rfz
∑
&◊
poco f
rfz
◊
rfz
∑
Change other Organ+ Pitch Band (left hand)
∑?
&
div.
f
uniti
ord.
poco f
gliss
.
C
f
gliss irregular combination ord./trem. asincron1
1
gliss.
glis
s.
meno f
gliss.
sul pont. div.
&
div.
f
ord.
poco f
gliss.
C
+
uniti
f
gliss irregular combination ord./trem. asincron
gliss
.gliss.
meno f
sul pont.
B
div.
f
ord.
poco f
gliss.
C
+
uniti
f
gliss irregular combination ord./trem. asincron
1
1
gliss.
gliss.
meno f
div.
sul pont.
f
?
div.
f
ord.
poco f
gliss.
C
+
uniti
f
1
gliss irregular combination ord./trem. asincron
gliss
.
gliss.
glis
s.
meno f
sul pont.
?
f
glis
s.
ord.
poco f
gliss.
C
gliss irregular combination ord./trem. asincron
f
gliss
.
gliss.
gliss.
meno f
sul pont.
?
‹
poco mp
˙û ˙ w
>
w
œ
jæææ˙
>œ ™
œ‰
œœ
>
‰™æææœ
>
œ
Œ œ
j
œ œû
Ó
œ œ
œ
j
œ7
Ϟ
Ó
ææœ>
ææœ>
œ
j
˙>b
˙ ˙>
˙
œ
j˙> ™
Ó™ Œ œœ
>
™™ ‰ Ó™
EE
>
ûû
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7
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ù
7
@>
û
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ù
∑
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æææw œ
>
ŒÓ
∑
æææœ Ó Ó™
Œ ™œ# ™
û ˙-
û œ
jœœ û
w ˙
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æææ˙-
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>
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>
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œ
>
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>
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>
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>
w œ
æææ
w
w
æææ˙
˙
˙
˙
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>
œÓ™æææœ
æææœ
æææœ>
∑
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æææ˙-
æææ˙
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>
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>
Ó
œ
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)
11
°
¢
°
¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
02'33''
02'33''
02'33''
21
II9
S.I. Tbn.
S.II. Earth Gong
S III Tub. B.
S IV 4 Q.B.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
6
4
?∑
f
/
piu f
poco f
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
f f
/ ∑
-
poco f
&∑
Simile
∑
&
## ∑
Simile
poco f
∑
&∑
poco f
∑ ∑
Improvisando asincron
ord. + Harmon Sord
&
#
∑
ord.+ Sord
Improvisando asincron
∑
C
¯¯¯¯¯¯¯¯¯
?∑
C
poco f
¯¯¯¯¯¯¯¯¯¯¯
poco f
∑
?∑
f
gliss.
gliss.gliss
.gliss.
f
gliss.
gliss.glis
s.gliss.
/
poco f
∑ ∑
/ ∑
poco mf poco piu f
&∑
poco f espressivo
~~~~~~~~~
rfz
~~~~~~~~~
?
poco f
poco a poco sul tasto
Irreg, rhythm Voice 2.
f
b
piu f
&
poco f
uniti
uniti
f
gliss.
IMP. sul pont. asincron
poco f
sul tasto gliss & trem. asincron
gliss.gliss.
gliss.
&
poco f
gliss.
f
IMP. sul pont. asincron poco a poco sul tastosul tasto gliss asincron
poco f
gliss.
gliss.
gliss.
B
poco f
gliss.
f
IMP. sul pont. asincronpoco a poco sul tasto
gliss.
sul tasto trem
gliss.
?
poco f
IMP. sul pont.asincron
f
IMP. sul pont.asincron
gliss.
poco a poco sul tasto
gliss.
gliss
.
div.
poco f
b
sul tasto
gliss.
gliss
.
?
poco f
f
gliss.gliss.
poco a poco sul tasto
poco f
poco f
sul tasto
gliss.
?
‹
poco mp poco mf
rfz
poco f
Œ
œ
j w> w#
Œ Œ
œ
j
w>
bw
Œ
‰œ
j
œ ™ ‰
æææœ
>
™ ˙
>
˙‰ œ
>
‰ ˙ ˙
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œ
jœ>
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œ
jœ>
‰ ˙> ˙
‰ Ó
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w-
Œ ™
7
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7
@@>
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o o o oo o
oo o o o
‰
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o oo
o o oo
æææœ
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œ
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˙ œ
>
û
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˙ œ
>
û
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7
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12
°
¢
°
¢
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¢
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¢
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¢
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¢
°
¢
°
¢
{
°
¢
°
¢
24
rit.
S.I. Tbn.
S.II. Earth Gong
S III Tub. B.
S IV 4 Q.B.
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
?
/piu fpiu f
Simile improvisando
Change Ting-Sha
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
& /
/
piu f
piu f
&
piu f
piu f
&
##
piu f
Improvisando asincron
+ Screaming Vox
piu f
&
C
poco f
¯¯¯¯¯¯¯¯¯¯¯
Take off sord
&
#
C
f
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
Take off sord
∑ ∑
?
f
gliss. g
liss.
gliss. gliss.
f
gliss.
gliss.
gliss.gliss.
/ ∑ ∑
/
piu f piu f
&
~~~~~~~~~
piu f
~~~~~~~~~
? b
bb b
bb
&
C
Cpoco a poco sul pont
gliss
.
gliss
.
gliss.
sul pont gliss & trem. asincron
gliss.gliss
.
gliss.
gliss
.
&
incalzando
incalzando
poco a poco sul pont
gliss.
poco a poco sul pont
gliss.gliss. gliss.
sul pont gliss & trem. asincron
ben f
ben f
gliss.gliss.
B
C
incalzando
ord gliss
gliss.
gliss
.
gliss.
gliss
.
sul pont gliss & trem. asincron
gliss
.
gliss.
gliss.
gliss.
?
C
f
incalzan
do
gliss. g
liss.
poco a poco sul pont
gliss
.
gliss. gliss.
sul pont gliss & trem. asincron
ben f
gliss.
?
C
incalzando
poco a poco sul pont
gliss.
ben f
sul pont gliss & trem.
gliss
.
gliss.
gliss.
?
‹
poco f
ben mf
ben f
Œ
œb
j
w>
bw
Œ Œ
œ
j
w>
bwb
Œ
œ
j
œb ™ ‰˙
>
˙b Óœ
j
œ
>
b ‰ ˙> ˙b
‰ Ó
‰ w-
Œ ™ ‰ w-
Œ ™
7
OO
>bb ™
™ûû
Ó™7
OO
>b ™
™ûû
Ó™
7
$$>
bn ™
™ûû
Ó™7
$$>n
™™ûû
Ó™
‰
œb
o o o o o oo o o o o
Ó™ Ó™
Ó™ Ó™ ‰
œb
o o o o o o o o o o o o o
Ó
æææœ
œb
æææœ
œb
Œ7
˙ œ
>
ûÓ
Œ7
˙ ™ œ
>
û
Œ
Ó™ 7
˙^
Œ Ó™ ‰ 7
œ>^
b ™
Œ
œ
œœ
>
œ‰
œ-
# œ-
‰œ-
œ- œ
>
™œœœœ
>
∑
œ
-
n œ
-
‰ œ
-
™‰
æææ˙b
ææ
œ
æææœ
>
ææææœ>b
œ
7
˙>b
7
œ>b
7
œ>
7
œ>
7
œ>
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>
b œb ™æææœb
œ
æææœ
7
œ
>
7
œ
>
b
7
œ
>
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œ
>
n
7
œ
>
b
‰
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>
b ™
æææœb
ææœ
>
bæææ˙
7
œ
>
b ™
7
œ
>
b
7
œ
>
b
7
˙
>
‰
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æææœ ™
ææææœ
7
˙
>
7
œ
>
b7
œ
>
7
œ
>
b
ææ‚
>
b ™æææœ ™
æææ˙ ™
ææææ3>
™
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b ™O
>
™
ææ6>
b
ææ6>
ææ6>
ææ6>
ææ6>
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13
°
¢
°
¢
°
¢
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°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
03'02''
03'02''
03'02''
In tempo
03'12''
03'12''
03'12''
26
II10
Piu mosso q=45
S.I. Tbn.
Solo II
Ting-Sha
S III Cosmo Gong
S IV Deff
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
8
4
?∑
Change Didgeridoo
ben f
/
Ting-Sha
˙Improvisando
poco f
Ú
/
Cosmo Gong
poco f
IMP. Comb Irreg.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
To 5 Kengongs
Ú
/
Change to Deff.
∑
ben f
&∑
f
sf
Air + sound
&
## ∑
f
sf
f
Air + sound
&∑
3
f
sf
f
Air + sound
#
3
Take off sord
∑
f
sf
Air + sound
Air + sound
?
È
sf
f
?
Take off the small bowl
sf
/
efect de buhaiIMP.
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
Ú
/
ben f
∑
sf
f
&
IMP
Ú
?
Change Rock organ pad
∑
poco f
sf
&
asincron IMP con legno battuto
¯¯¯¯¯¯¯
f
Ú
&
poco f
¯¯¯¯¯¯¯Ú
B
IMP con legno battuto
¯¯¯¯¯¯Ú
?
poco f poco f
¯¯¯¯¯¯¯Ú
?
poco f
poco f
¯¯¯¯¯¯¯Ú
?
‹
poco mp
‰ææœ
>
ææœ
>
ææœ>
ææœ
>
ææœ
>
ææœ
>
ææœ
>
™
Œœ
j
œ œ
>
û
Œœ
œ
œ
jœ
j
œ
7
Ϟ
œ
>
Œ ™œ œ œ
Œœ
>
œ
>
œ
>
œ
>
œ
>
œ
>
œ
>
7
22
7
22
7
22
7
22
7
22
∑ Ó œ
j
œ>ù Œ ∑ Ó
7
˙ ‰7
œ
>
™ ‰7
œ
>
‰
œ
>
Œ ≈œ>
b≈ œ ≈ œœ
>
≈ œ ≈ œ œ œ ≈
œ
j
œœœ
œœ
œ
^
‰
œ
œ
>
b
≈
>
≈
>
≈
>
≈
œ
œ
>
≈
>
≈
>
‰™
‰
œ
œ
>
b
≈
>
‰
>
‰
‰™
œ
œ
> >
‰
>
≈
>
≈
≈
‚
œ
>
≈
‚œ
>
b
≈
‚
œ
>
‚œ
>
b
≈
‚
œ
>
)
14
°
¢
°¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
t
03'23''
03'23''
03'23''
senza misura libero approx 8 puls
03'33''
03'33''
03'33''
|28
II11
Piu mosso q=45
S I Didj.
Solo II
Ting-Sha
S III 5 Kg.
S IV Deff
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
9
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
?
+ Vox crying effect
p
o
r
t.
benf
Ord.
/
poco f
∑
/
poco f
IMP. Comb Irreg.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
To Cosmo Gong
∑
/Ú
ben f
&Ú
f
sf
f
Simile
&
## Ú
f
sf
f
Simile
3Ú
sf
f
Simile
#
3Ú
f
sf
Simile
?Ú
sf
f
Simile
?Ú
ff
sf
/
simile IMP.
poco f
~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
∑
/
6A
IMP comb irreg.
poco f
-
~~~~~~~~~~~~~~¯¯¯¯¯¯¯¯ ∑
&
Simile improvisando
poco f
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯∑
?Ú
f
sf
&
simile IMP con legno battutoC
¯¯¯¯¯¯¯¯¯¯¯¯¯
let down the the bow
∑
&
poco f
poco f
¯¯¯¯¯¯¯¯¯¯¯¯¯¯
let down the the bow
∑
B
poco f
¯¯¯¯¯¯¯¯¯¯¯¯¯
let down the the bow
∑
?¯¯¯¯¯¯¯¯¯¯¯¯¯
let down the the bow
∑
?
poco f
poco f
¯¯¯¯¯¯¯¯¯¯¯¯¯
let down the the bow
∑
?
‹
poco mp
‹œ
∑™
Œ ‰ æææœ
>
æææœ
>
æææœ>
æææœ
>
æææœ
>
æææœ
>
æææœ
>
æææœ
>
™
Œ œ
j
˙
>
‰œ œ
œ
j
œ
j7
Ϟ
Œ œ
j œ
j
œ
j7
œ
>
™û
‰œ
œœ
œ
œ
Œœ
>
œ
>
œ
>
œ
>
œ
>
œ
>
œ
>
œ
>
7
22
7
22
7
22
7
22
7
22
œ
j
œ>ù ∑
™Ó
7
˙>
7
œ> ™ ‰
7
œ> Œ
7
œ> ™ ‰
Œ ™ ≈‰ œ ‰
≈œ>b
≈ œ ≈ œ œ œ ≈ ‰ œ
>
≈ œ>
œ
j
œœœ
œœ
œ
^
≈
œ
œ
>
≈
œ
œn
# œ
œ
>
≈
œ
œ
œ
œ
>
‰
œ
œ
>
b
r
≈
œ
œ
œ
œ
>
≈
œ
œ
>
œ
œ ‰™ Ó
≈
œœ
>
b
≈
œœ
>
n
‰
œ
œ
>
œœ
b
Ó
≈
œ
œ
>
≈
œ
œ
b œ
œ
>
n
‰ ‰ Ó
‰
->
B
≈
->
n
≈
-B ->
n
Ó
œœ#
)
15
°
¢
°¢
°¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
03'45''
03'45''
03'45''
tsenza misura libero approx 8 puls
03'56''
03'56''
03'56''
|
30
II12
Piu mosso q=50
S I Didj.
Solo II
Ting-Sha
S III C.G.
S IV Deff
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
10
4
?
+ Vox crying effect
p
o
r
t.
benf
Ord.
/ ∑
/
poco f
poco f
IMP. Comb Irreg.
¯¯¯¯¯¯¯¯¯¯¯¯¯
5 Kengongs
¯¯¯¯¯¯¯¯¯¯¯ ∑/
/Ú
Simile
&Ú
sf
f
&
## Ú
sf
f
3
Ú
sf
#
3
Ú
f
f
sf
ÈÚ
sf
f
?Ú
f
sf
/
simile IMP.
poco f
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~
∑
/
simile IMP
-
~~~~~~~~~~~~~¯¯¯
f
sf
&
poco piu f
f
¯¯¯¯¯¯¯¯¯¯¯∑
?Ú
f
sf
&
&
asincron IMP strumming with fingers/plectrum
in a guitar manner irregular combination,of egual
duration accent only down
1
¯¯¯¯¯¯¯¯¯¯¯ ∑
&
poco f
¯¯¯¯¯¯¯¯¯¯¯ ∑
B
poco f
¯¯¯¯¯¯¯¯¯¯ ∑
?
IMP strumming with fingers/plectruma card comb.
irreg. accent only left
poco f
{_
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t
04'08"
04'08"
04'08"
senza misura libero approx 8 puls
04'20''
04'20''
04'20''
|32
II13Piu mosso q=55
S I Didj.
Solo II
Ting-Sha
Solo III 5 Keng.
S IV Deff
2 Fl.
2 B. Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
10
4
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IMP simile strumming irregular combination & accent
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t
04'31''
04'31''
04'31''
senza misura libero approx 10 puls
34
S I Didj.
Solo II
Ting-Sha
S III C.G.
S IV T.C.
2 Fl.
2 Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
+ Vox crying effect
ff
Ord.Ord.
port.
~~~~~~~~~~~~~~~~~~~
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/ ∑
Change Midi Percussion P 09 01 Laser waves
/
IMP. Comb Irreg. different positions
ff
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Kengong
/
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ff
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&∑
Fl. 1 Change to Piccolo
&
Clarinet in Bb
∑
Put on the mouthpiece
3
∑
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&
&∑
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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IMP comb irreg.
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~~~~~~~~~~~~~~~~~ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
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&
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benff
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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III1
t
04'42''
04'42''
04'42''
senza misura libero cadentiale
senza misura libero cadentiale
35
S I Didj.
S II Midi. Perc.
SIII 5 Keng.
S IV T.C.
Fl. picc.
Fl 2
2 Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?∑
Change to Andin Horn /Yachak Amaru
3
IMP. A1/A2/A4/A5
poco mf
/
Change 5 Kengong
∑
/ ∑
&
ben f impetuoso
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&
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/
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III2
t
04'56''
04'56''
04'56''
senza misura libero approx 10 puls
|36
S I Andean Hn.
S II Midi Perc.
SIII 5 Keng.
S IV T.C.
Fl. picc.
Fl.2
2 Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
3
IMP. quasi microtonal gliss
benf
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3
∑
/
IMP.
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/ ∑
benff
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&
##
IMP. Slaptong
benff
3 3 3
microtonal quasi gliss. asincron
3 3 3
3
fr.
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gliss.
&
IMP. Doodle tonging
3 3 33
3
microtonal secvential quai gliss. down asincron
33 3
3 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
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IMP. Flap tonging microtonal secvential quasi gliss. down asincron
IMP. Machin gun Tonging microtonal secvential quasi gliss. down asincron
benff
33
3 #3 3 3 3 3
3
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3
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IMP irreg. Trrem.
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meno f
Change to Tri.
T
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IMP strumming glissando, from an approximate initial position, mostly down direction
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IMPstrumming glissando, from an approximate initial position , mostly down direction
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III3
III3
t
05'07''
05'07''
05'07''
senza misura libero cadentiale
|37
S I Andean Hn.
S II Midi Perc.
SIII 5 Keng.
S IV T.C.
Fl. picc.
Fl.2
2 Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III. Tri.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
3
∑
3
IMP. A1/A2/A4/A5
poco mf
/∑
Change to Tubular Bells
/ ∑
Change to Quatz Bowls
&
&
ben f espressivo
ord.frull.
ord.
improvisando
frull.
ord.
&
poco f espressivo
&
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3
∑
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sf
/
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poco f espressivo
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t
05'31''
05'31''
05'31''
senza misura libero approx 10 puls
|38
S I Andean Hn.
S II Midi Perc.
S III Tub. B.
S IV 4 Q. B.
Fl 1
Fl 2.
2 Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
3benf
Simile IMP. microtonal with pauses
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
3
∑
/
IMP.
benf
IMP. quasi gliss
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&∑
&
IMP.
benf
3
IMP Ton-Pizz microtonal secvential quasi gliss. down asincron change gradually to SOUND &AIR and the only AIR
3 3
3 33 3
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&
benf
IMP Ton-Pizz microtonal secvential quasi gliss. down asincron change gradually to SOUND &AIR and after change than o AIR
3 3 3
33 3
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
##
IMP.
Simile microtonal secvential quasi gliss. down asincron gradually on SOUND &AIR and than change gradually to AIR
IMP. Slaptong microtonal secvential quasi gliss. down asincron change gradually to SOUND &AIR and after change gradually to AIR
3 3 3
333 3
3
fr.
#gliss.
gliss.
benf
3
benf
Lip-smaching microtonal secventialquasi gliss. down asincron gradually on SOUND &AIR and than change gradually to AIR
3 3 33 3
3 3 33
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
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Simile microtonal secvential quasi gliss. down asincron gradually on SOUND &AIR and than change gradually to AIR
3
3
3
#33 3 n 3
3 3¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
benf
benf
333 3
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33
3 33
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?
ben f
~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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/
meno f
~~~~~~~~~~~~~~~~~~
meno f
IMP comb irreg.
~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~
/
benf
meno f
-
~~~~~~~~~~~~~~~~~~~~~~~ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
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&
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benf
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&
benf
Ÿ~~~~~~~~~~~~~~~~~
meno f
~~~~~~~~~~~~~~~~~~~
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IMP simile
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&
ben f
IMP simile
B ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
IMP simile strumming glissando, from an approximate initial position, mostly down direction
ben f
ben f
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?∑
?
‹
Shamanic voice
ff
He
li
- - - - o
-
o- - - - - - -
>
‰™
>
≈ ≈ ‰
Œœ>
œb œ œb œ œ œb œ‰>
g>n
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‹
‰
h>#
‰
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‰™
hh>#
≈
‰
2‰2#
≈
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ææææX>
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#2# ‰2
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gg
>
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>>
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œ
j
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‰ ‰ Œ
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7
˙ œŒ
7
˙Œ
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‰ ‰ œ ‰ ‰ Œ
≈œ>
û ≈œ# œœ
≈ ‰ œ ‰ œœ
>
∑
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œ
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Ó™
e
ee
e
>
b
n
b
b
∑
e
eee
>
b
b
b
∑ Œ
e
ee
e
>
n
b
b
œ ˙
-
# ™ œµ ˙# ˙ œ
>
22
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
III4
t
05'42''
05'42''
05'42''
senza misura libero
|
39
S I Andean Hn.
S II Midi Perc.
S III Tub. B.
S IV 4 Q. B.
Fl 1
Fl 2.
2 Cl.
2 C Tpt.
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III.T.-t.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
3
3
Change to Earth Gong
∑
%A
/
&
ben mp
~~~~~~~~~~~~~~~~~~~~~~~~~ &
&
6A
ben mp poco incalzando
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&∑
&∑
&
## ∑
3
∑
Wa-wa sord.
&
#
3
∑&
?∑
Add the small bowl
?∑
/ ∑
/ ∑
Changer to Water Gong
&∑
&∑
&∑
&∑
B ∑
Take the bow and put sord.
?
IMP gettato asincron poco a poco con legno
∑
Take the bow
?
ben mp
¯¯¯
poco a poco ord
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
‹
o o o os
benf
Ó™ Ó™ Ó™
˙# ˙n
œn
j
æææœb ™ ˙
˙œ
j
œ
j
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œ
>
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>
b
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>
n
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>
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-
Ó™
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-ù˙
>
™ œ
œ
>
#
≈
œ
>
≈
œ
>
‰
œ
>
‰
œ
>™
˙
>
<#> ™ ˙µ w# œ
>
ù
∑™
˙n
23
°
¢
°
¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
III5
t
aprox. 06'.02''
aprox. 06'.02''
06'.02
06'.02
In tempo q=50
40
S I Didg.
S II Earth G.
S III Tub. B.
S IV 4 Q. B.
Fl.1
Fl. 2
2 Cl.
Tpt. 1
Tpt. 2
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III. W.G.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
Trombone
∑ ∑ ∑ ∑?
/
poco mf
/
&
ben pP poco a poco incalzando
∑ ∑ ∑
meno f
∑
&
~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
poco mf
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&
## ∑ ∑ ∑ ∑
&
ô
ben p misterioso
+ ±
ô
poco incalzando
+ì ¯
±¯
poco f
+ì ±
±±
meno f
+ ì ±
3 3
5
3 3
&
Wa-wa sord.
∑
+
ben p misterioso
ì+
piu f incalzando
3
ì¯ +
pu p
ì3
3
3
&
#
∑ ∑ ∑ ∑&
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑
/
ben p
∑ ∑ ∑
&
ben p misterioso
∑
g
liss.
∑
g
li
s
s
.
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
B
ben pp misterioso
a punta di arco
∑
?∑ ∑ ∑ ∑
?
?
sul pont.
ben pp misterioso
?
‹
sub p
benff benff
ææ˙
æææ˙
æææœ
æææææ˙ ™
æææææœ
æææœ
w ˙
>û
Ó
w
ùw
Œ ™œœœ
œ-
b ™û ‰ ‰
œœœœ>b ™ œ
-n ™
û ‰œ# œ
œb œn œœ>
œ
ææ
œ-
b
ææ
œ-
b œ-
û ‰™ œ
R
œ>b œ
ææœ-
ææœ-œ-
Œ ™œ
œbœ œ
-#
ææœ
>
Œ ™ œ
>
bœ œ œ
-#
æææœ œ
-ù
‰™œ
r
œ# œ
ææœn
ææœb
æææ˙
>
ûÓ
Ó™
œo
œo
Œ Ó
æææœ
>
™‰ Ó
æææœ
>
™‰ Ó Œ
æææœ
>
™‰ Œ
æææœ ˙
æææœ
ææœ ˙ ™ œ
æææœ ˙ œ ™
ææœ
æææœ ™
æææ
œ
æææ
œ
æææ
œ
æææ
œ
æææœ
24
°
¢
°
¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
06'.27''
06'.27''
44
Piu mosso q=60
06'.34''
06'.34''
06'.34''
06'.34''
S I Didg.
S II Earth G.
S III Tub. B.
S IV 4 Q. B.
Fl.1
Fl. 2
2 Cl.
Tpt. 1
Tpt. 2
2 Hn.
2 Tbn.
I 4 Timp.
II.G.c
III. W.G.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?∑
U+ vowels O
ìE ì
I
ìA
?
/
ben mp misterioso
ben mp misterioso
/
&∑
U
∑
&
~~~~~~~~
IMP on all bowls l with both hands different durations
ben p misterioso
¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑
U
∑ ∑ ∑
&∑
U
∑ ∑ ∑
&
## ∑
U
∑ ∑ ∑
+ quasi Yellow trem. & Wa-wa Mute
&
¯
∑
ben mp
+ ±
3 3 3 3
&
±¯
ben p
±
∑
piu p
+
¯ ± + ±
&
#
∑
U
∑ ∑ ∑
?∑
U Wa-wa Mute
∑ ∑ ∑
pedal gliss with bowl effect
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍ?
∑
U
ben p
L c
∑c L
/ ∑U
∑ ∑ ∑
/ben p
∑ ∑ ∑
&
ben p
∑
gliss.
∑ ∑
&∑
U
∑ ∑ ∑
&∑
U
∑ ∑ ∑
&∑
U
∑ ∑ ∑
B
ben p
ben pp
gliss.
sul pont.
?∑
U
ben pp misterioso
sul pont.
comb irreg sul pont. with/witout trem.
?
ben p agile
IMP altenating gettato & spicatto asincron with/without con legno
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
‹
benff benff
ben pp
∑ ∑?
Ó
œ
>
ææœ
>
œ
j
œ
>
™
ææææœ
>
œ
>
ææææœ
>
™ œ
>
ææœ
>
™
ææœ>
œŒ ™
œ
-
™
æææœ>
œb
j
˙
Ó Ó Œœb
j
œ
>
w
>
œ
œ
ù œ
ù œ
ù
æææœ
>
bû
Œ Ó
Uœ-
œ
o
œ œ-o
œ œ
o
œ-
œ œ
o
œ-
œ
o
œ œ>
û Œ Ó
œ-
æææœ
>
™û
‰ Œ ‰
˙-
‰ Œ ‰
˙
>
™™
œ ™ ‰ Ó ˙ Ó
Œææœ
>
ûÓ
Ó
œ
j œ>oU
™
‰
Ó ‰æææœ
U
>
™ ææœ
>
Œ Ó æææœ
>
™
‰ Ó Œ ææææœ
>
Ó
æææœ
>
˙
æææœ
ææœ ˙ ™ œ
æææœ ˙
˙
æææœ
æææææœ
Œ
7
≈
7
≈
7
‰
7b
æææ
œ
æææ
ϵ
æææ
œn
æææ
œµœ-
25
°
¢
°
¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
48
06'.47''
06'.47''
50
III6
S I Didg.
S II Earth G.
S III Tub. B.
S IV 4 Q. B.
Fl.1
Fl. 2
2 Cl.
Tpt. 1
Tpt. 2
2 Hn.
Tbn. 1
Tbn.2
I 4 Timp.
II.G.c
III. W.G.
E. Gtr.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
Change vowels irregular combination producing overtones
ben p
E
ìO ì
A
+ screaming vox
gliss
.
gliss
.
/
ben p
IMP. Comb. irreg.
IMP.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ /¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑
ben p
&
poco a poco incalzando
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&
## ∑ ∑ ∑ ∑
&∑
&∑
&
#
∑ ∑ ∑ ∑&
?
ben mp
Irreg. Yellow trem & Mute
∑
3 3 3
?∑
?∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑
&
Improvising irreg. semisquavers
&
Change Synti pad Echinox
∑ ∑ ∑
ben p
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
B
Irreg,
b
ben pp
BŸ~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
?
IMP. asincron comb. irreg, sul pont. with/without trem.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
ben p poco incalzando
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
IMP. gettato & spicatto asincron
alternatimg microtonal pitches around D
ben p
F I F
Solo Voice Eloha va Daat (3+2+2)
&
ben mp
?∑ ∑ ∑¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
œ
>
œ
j æææœ
>
™ œ
>
æææœ
>
˙ œ
æææææœ
>
˙
Y
œ œ
>
æææææœ
>
œ
‹
™
™
æææœ œ
>
j
Œ˙> Œ ‰
æææœ
Œ ™œ
Ó
œ ™
‰ Ó Œ œ-
Ó æææœ-
™
‰
œ-
œo
7
œ œo
œ œo
œ œ-o
œ
7
œo
œ-
œo
œ œ>ù
Œ Ó
≈œ
œ
≈œœ
‰
œ
œ
œ
≈œ
œ œ
≈
Œ ™ æææœ
>
™
Œ
wœB
ϝ
Œ Ó
œ ™ææœ
æææœ ™ œ
-œ
>
ææœ
>
æææœ
>
œ-
7
≈
œ
>
œ œ œ
>
œ œ-
b œ
>
œ œ œ
>
œ œb œ
>
œ œ œ
>
œ œ-
œ
>
œ œ
œµ œœBn
26
°
¢
°
¢
°
¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
52 53
07'.03''
07'.03''
54
III7
(3+2)
S I Didg.
S II Earth G.
S III Tub. B.
S IV 4 Q. B.
Fl.1
Fl. 2
Cl.1
Cl.2
2 Hn.
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
5
4
?
+ rapid and high overtones
¯¯¯ ¯¯ ¯
¯ ¯ ¯
+Vox melody molto cantabile
poco mf
/
poco piu f
meno f
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ben p
∑ /
&
Change to prepared T-tam con arco
/
–
•
IMP. in a singing way
¢ π ˘ ° ˘
&
¯¯¯¯¯¯¯¯¯¯
¯¯¯¯¯¯¯¯¯¯¯∑
ben mp canrabile
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&
## ∑
ben p
Improvising in a microtonal waves whistling in the instrument
niente
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
## ∑ ∑ ∑ ∑
&
#
∑ ∑ ∑ ∑&
?∑ ∑ ∑ ∑
/ ∑ ∑
ben p
repeat the formula
/
ben p
∑ ∑ ∑
&∑ ∑ ∑
&∑ ∑
ben mp
&∑
ben mp
ben p
ben pp
ben pp
B ∑ ∑
bBŸ~~~~~~~~~~~~~~
∑
?
ben p poco incalzando poco ritenuto
ben p
ben p
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
I
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
sul pont.
&
ben pp misterioso
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
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œ
>
˙ ™ œ œµ
j
œ
>
n ™
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>
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ϵ
j
œ
>
n ™
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>
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Œ
E
E
e
e
e
eb
Œ˙
>
Ó
˙
>
Ó ‰œb
j
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™
Ó
4
>
4 4B 4b 44µ4
>
4# 4n 4B 4b 44
4
>
n 4n 4B 4b 44 44
>
4# 4n 4B 4b 44 4µ 4n 4#
œ
j
˙
>
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-
™ ‰
æææ˙
>
ûÓ
Ó æææœo
˙o
æææœo
œo
˙
>
™ œB
æææœ
>
ù
Œ
≈ ‰ ≈
œ-
æææ˙
>
˙
œ
>
œ œ
Ó
27
°
¢
°
¢
°¢
°¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
°
¢
56
S I Didg.
S II Earth G.
S III T.-t.
S IV 4 Q. B.
Fl.1
Fl. 2
Cl.1
Cl.2
2 Hn.
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
/ ∑
ben p poco incalzando
∑ /
/ § ∑≤
ben p poco incalzando
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&
## ∑ ∑ ∑ ∑
&
## ∑ ∑ ∑ ∑
&
#
∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
Simile
/
/ ∑ ∑ ∑ ∑
Simile Improvising
&
ben pp
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
&
B ∑
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
n BŸ~~~~~~~~~~~~~~~~~~~~~~
?
ben pp
ben p poco incalzando
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
Simile alternating D ped with Eloha voice
IMP. asincron comb. irreg.
sul pont. with/without trem.
¯¯¯
?
ben mp poco incalzando
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
e
e
e ™
e
-
™
eJ
E
ej E
e
%
æææ˙
>
œ
-
œ
-
Œ
œ
Œ
æææE
>
e ™û
e
ej e
e
e
e
E ™
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>
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µ
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III8
III8
07'.33''
07'.33''
60 63
S I Didg.
S II Earth G.
S III T.-t.
S IV 4 Q. B.
Fl.1
Fl. 2
Cl.1
Cl.2
2 Hn.
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
Improvising melody on suggested notes
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
-Vox
+ rapid and high overtons
¯
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¯
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/
Take 2/3 floomies stick (different size)s
∑ ∑
¡A ¡A
IMP. with floomy sticks
π
ben p
° ˘ § ≤ ˘
poco ritenuto
/¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑
&∑ ∑ ∑
ben mp
Simile IMP on bowls
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&
## ∑ ∑ ∑ ∑
&
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&
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c L
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/
ben p
/ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&
&
sempre ben pp
sempre ben pp
B ∑
IMP. simile gettato & spicatto asincron alternatimg microtonal pitches around D
∑
ben p poco incalzando
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
∑
?∑
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FI F
I
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?
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07'.53''
07'.53''
64
S I Didg.
S II Earth G.
S III T.-t.
S IV 4 Q. B.
Fl.1
Fl. 2
Cl.1
Cl.2
Hn.1
Hn.2
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
IMP. Comb irreeg. A O I Oì ì ì
/ ∑
ben p poco incalzando
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/ ∑
& ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑
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Simile altenating with flatt.
ben p
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∑
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?
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08'.03''
08'.03''
65
S I Didg.
S II Earth G.
S III T.-t.
S IV 4 Q. B.
Fl.1
Fl. 2
Cl.1
Cl.2
Hn.1
Hn.2
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
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?
+ screaming vox
gliss
.
+ screaming vox & trem.
gliss.
gliss.
/¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
∑ &
Midi Percussion P09 11 Other Calliope
∑
/ ∑
–
∑
Simile IMP. in a singing way
•
ben mp cantabile
¢ π∑
° ˘ § ≤ ¯¯¯¯¯
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&∑
Change to Soprano Recorder
∑ ∑ ∑
&
Take off the embouchure
∑ ∑ ∑ ∑
&
##
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&
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Improvising in a microtonal waves whistling in the instrument alternating flatt.
niente
niente
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ô
&
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Hand Mute
free quavers alternating hand mute position
+
?
±ó + ± + ó
±
∑
&
#
∑
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∑
ben p
∑ ∑
ô
?∑ ∑
/
ben p
/ ∑
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∑
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&
&
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ben p poco incalzando
Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~
∑&
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?
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69
08'.33''
08'.33''
08'.33''
08'.33''
72
III9
S I Didg.
S II Midi perc.
S III T.-t.
S IV 4 Q. B.
S. Rec
Fl 2.
Cl.1
Cl.2
Hn.1
Hn.2
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
IMP alternateing trem/non trem. + screaming vox & smear + rapid and high overtones
gliss.
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¯
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&
Hold + Roll Hold
∑
ben mp
B2 B5 A1
D beam
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
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&∑
¯
ben p poco incalzando
∑
Simile IMP on bowls
ben mp
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑ ∑ ∑
&∑
Prepare to play only embouchure
∑ ∑
ben mp narato
∑
Improvisando wind tone
&
## ∑
ben p as an echo
&
## ∑
&
# i
free quavers alternating hand mute position
∑
&
#+
??
±ó + ± +
ó±
ó i
∑
3
?
ben p
∑ ∑ ∑
/
ben pp
ben pp
∑ ∑
/ ∑
ben p
∑ ∑
&∑ ∑ ∑ ∑ ∑
& ?
ben p poco affretando
IMP. molto legato asincron nonequal quavers
IMP. asincron irregular quavers
?
poco piu f
ben p
&
ben p 3 3 3 3
&
ben p poco affretando
ben p
?∑
ben p
IMP. simile gettato & spicatto asincronwith brakes
alternatimg microtonal pitches around D
FI F I
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?
¯
IMP. asincron comb. irreg. with brakes, sul pont. with/without trem.
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74 75
S I Didg.
S II Midi perc.
S III T.-t.
S IV 4 Q. B.
S. Rec
Fl 2.
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
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&
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/ben mp cantabile
Simile IMP.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
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& ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯
&
poco piu f
∑
&∑
meno f
meno f
3 3
poco piu f
?∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑gliss. ∑
&∑ ∑ ∑ ∑ ∑
&
&
&
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?
¯¯¯¯
Sord.
simile IMP. asincron comb. irreg. sul pont. trem. more am more rare attacks
ben p
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?
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33
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¢
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°
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79 81
S I Didg.
S II Midi perc.
S III T.-t.
S IV 4 Q. B.
S. Rec
Fl 2.
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
Take off Hold Roll
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
∑
Change to Andean Water wistle
3
/ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
Change to Ocarina
∑
&
meno f
Improvisando microtonal gliss.
∑
33
3
3 3
&
poco incalzando
∑
33
5
poco piu p
?
ben p
cL
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∑ ∑
/ ∑ ∑£A
∑
/ ∑ ∑ ∑
&∑ ∑ ∑
&
ben p
&
ben p ben mp
&
?
.perd.
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Sord.
?
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?
ben p
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
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34
°
¢
°¢
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¢
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°
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09'.28''
09'.28''
82
83
III10
09'.28''
09'.28''
S I Didg.
S II Water wistle
S III T.-t.
S IV Oc.
S. Rec
Fl 2.
I 4 Timp.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
?∑¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑
ben mp molto espressivo
3
Improvisando
ben mp
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/ ∑¯¯¯¯
niente
Improvisando
∑¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑
&∑
Ocarina
ben mp molto cantabile
ÍÍÍÍÍÍÍ
&
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~
∑
&∑
Improvisando
ben p
ÍÍÍÍÍÍÍÍ
?∑
/ben p
gliss. ∑
g
liss.
/ ∑ ∑ ∑
&∑ ∑ ∑
&
ben pp
&
ben p
&
?
IMP. gliss on harmonics molto legato asincron
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯
?
ben p flautando
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
ben pp
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
ben pp
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯
œ ˙
>
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ù
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ù û
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æææ˙ ˙ ™ œb
æææœ œù
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ù
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‰
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o
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35
°
¢
°¢
°
¢
°
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°
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°
¢
°
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°
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°
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85 87
09'.54''
09'.54''
89
09'.54''
S I Didg.
S II Water wistle
S III T.-t.
S IV Oc.
S. Rec
Fl 2.
II.G.c
III. W.G.
Kbd.
Vln. I
Vln. II
Vla.
Vc.
Cb.
CD
?
+Vox
3¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/ ∑
Suling/ Salendro (flute)
&∑
Improvisando
ben p
Slur air efect Puruk effect
ÍÍÍÍÍÍÍ ¯¯¯
/ ÍÍÍÍÍÍÍ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑ ∑
Change to Fl.
∑ ∑ ∑
Flute
&ÍÍÍÍÍÍ
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/ ∑
/ ∑ ∑ ∑ ∑ ∑
&
Synti pad Fantasy
∑ ∑ ∑ ∑ ∑
&
&
.perd.
ben pp .perd.
&
ben pp
.perd.
?¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
IMP.asincron gliss on harmonics molto legato asincron
alternationb with long harmonic notes on D or A
ben pp flautando
ÍÍÍÍ
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
œ
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36
°
¢
°
¢
°
¢
°
¢
°
¢
°¢
°
¢
{
°
¢
10'.01''
90 91
III11
S I Didg.
S II Water wistle
S III Suling
S IV Oc.
Fl.1
Fl.2
III. W.G.
Kbd.
Vla.
Vc.
Cb.
?
ben p
+ Vox A O I O ì
IMP alternateing trem/non trem. + screaming vox & smear + rapid and high overtones
ì ì
gliss
.
A O I E
ì ì ì
3
Improvisando
¯
Step by step get out of hall
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
& ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯
/
ben p
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&∑
IMP. Wisper Tone on harmonics molto legato
ben p
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
& ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
/ ∑
niente
gliss.
Fantasy
”“
&
ben p
b
&
?¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
?∑
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
œ
œ
˙ ™
˙
-
# œ
>
û ‰
œ
>
j
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j
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œ
>
ù œ
>
œ ™ œµ
j
Ó
3
oo
oo
oo
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æææ˙
>
Ó
Ó
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ww
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ww
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37
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
{
°
¢
94
S I Didg.
S II Water wistle
S III Suling
S IV Oc.
Fl.1
Fl.2
Kbd.
Vc.
?
¯¯ ¯ ¯
¯¯¯ ¯ ¯
¯ ¯¯¯¯
Step by step get out of hall
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
3¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd..perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
& ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
/ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&¯¯¯
IMP. W.T. on harmonics and/or on simple tone discontinuously
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
.perd.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
&
“: ;
&
<b>b b
.perd.
? ¯¯¯
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38