septeto - saint saens

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S A I N T S A E N S

S A I N T - S A E N S

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J V i n t t J i n U . S . A

M _ o . 1890

S E P T E T

in

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major, Opus

65

F O R

T R U M P E T , 2 V I O L I N S , V I O L A ,

C E L L O , B A S S P I A N O

I N T E R N A T I O N A L MUSIC C O M P A N Y

N E W

Y O R K



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m a j o r , O p u s

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P i a n o , T r u m p e t a n d S t r i n g s

1. P r e a m b u l e

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P I A N O

M U S I C

P I A N O

S O L O

P i a n o Solo (cont d)

P i a n o Solo ( c o n t ' d )

P i a n o

Solo ( c o n t ' d )

A L B E N I Z ,

I i a a c

I b e n a . S u i t e .

V o l s . 1 , 1 1 , 1 1 1 , V (M.-MOTCHAXE)

I . E v o c a t i o n ; 2 . E l P u e r t o ; 3 . F e t e

D . e u

a

S e v i l l e

. R o n d e n a ; 2.

A l m e r i a ;

3. T r i a n a

I I I . I . E l A J b a i c i n ; 2 . E l P o l o ; 3 .

L a v a p i e s

I V . 1 M a l a g a ; 2 . J e r e z ; 3. Eritana

Suite Espanola. Com ple te (PHILIPP)

C O N T E N T S ' 1 G R A N A D A ( S e r e n a t a } ;

2 .

C A T A L U N A

( C u r r a n d a ) - J. SE V I L L A

( S e v i l l a n a i )

; 4. C A D I Z

( S a e t a ) ;

5 A S T U R I A S ( L r y e n d a ) ; 6 . A R A G O N

( F a n t a s . a ^ :

7 . C A S T i L L A

( S e g u i d . l l a j ) ;

8 . C U B A ( N o c t u r n e ) .

Op . 1 6 5 . E s p a f t a (Six

Album

Leaves)

CONTENTS:

1 . P r e l u d e ; 2 . T a n g o , ) . Malagu«na; 4 . S e r e -

n a t a ;

5 .

C a p n c h o

C a t a l a n ;

6 .

Z o r t u c o .

Op .2 32. Ca ntos de Espana (Airs of

Spain)

CONTENTS:

P r e l u d e ;

2 O n e n t a l e ; 3 . U n d e r a P a l m

T r e e Sffnith D*n(t}\. C o r d o b a , 5. S c g u i r f i U a t .

Recuerdos de

V i a j e (Travel

Impressions)

CONTENTS:

1 . E n e l

M a r ;

2.

L e y e n d a ,

),

A l b o r a d a ;

4 . - E n l a A i h a m b r a ;

*>

P u e r t a d e T i e r r a ( f l o . f r o ) ;

6 . R u m o r e s d e l a

C a l e t a

( M a l a t

*ena

j); 7 . E n l a

P l a y a .

R u m o r e s d e l a C a l e t a (Malagucflas)

N a v a j r a

L e y e n d a (Asturias)

B A C H , Carl Philipp Emanuel

S i x S o n a t a s

(BUELOW)

24 P i e c e s (VRIESLANDER)

B A C H , Johann Sebastian

I t a l i a n C o n c e r t o (S.971 )(BISCHOFF)

P a r i i t a - N o . l

in B t»

m a j o r

( S . 8 2 5 ) ( B I S C H O F F )

C h r o m a t i c F a n t a s y

&

F u g u e

(S.903)(PHILIPP)

C o n c e r t o in E

m i n f o r P i a n o &

O r c h e s t r a .

T w o - p i a n o s c o r e (EDWIN FISCHER)

C o n c e r t o i n G m i n f o r P i a n o & O r c h e s t r a .

2 - P i a n o

s c o r e

(GOEDICKE-PHILIPP)

T h e

L i t t l e M u s i c B o o k

o f

A n n a M a g d a l en a .

12

s e l e c t e d p i e c e s ( P H IL IP P )

O r g a n P r e l u d e

a n d E u g u e i n E

f l a t

m a j o r

(St. Anne

's

Fugu

e) (B

U S

O N

I)

B A C H , W.F. — V I V A L D I

O r g a n

C o n c e r t o i n D m i n o r (STRADAL)

B A R T O K , B e l a

1 6 P i e c e s fo r C h i l d r e n ( P H IL IP P )

S o n a t i n a

( P H IL IP P )

B E E T H O V E N , L u d w i g v a n

O p . 7 7 , F a n t a s y

in g

m i n o r

O p . 8 9 . P o l o n a i s e

i n C

m a j o r

O p . l 1 9 . B a g a t e l l e s . 1 1 P i e c e s ( P H IL IP P )

O p.

1 2 6 .

Ba g a t e l l e s . S i x

P i e c e s

B O R O D I N , A l e x a n d er

S c h e r z o

i n tm a j o r

B R A H M S , Joharuiea

C o m p l e t e P i a n o W o r k s in authentic edition.

(Urtext).

V o l u m e s

1, 11 & 1 1 1 .

BRAHMS, Johannes (cont'd)

NOTE:

T h i s u a c o m p l t i f

e d i t i o n

o f B R A H M S ' P i an o

W o r k s .

V O L U M E 1: 3

S o n a t a j .

Op .

1 ,

2 A c 5 ; O p . 9 .

V a r i a t i o n s

o n a

t h e m e b y S c h u m a n n ;

O p . 2 1 , N o . 1 .

V a r i a t i o n

o n

an O n R i n a l Theme; O p . 2 1 , N o . 2 . V a r i a t i o n s o n a

H u n g a r i a n

S o n * ;

O p . 2 4 .

V a r i a t i o n

a n d F u R u e o n a

t h e m e b y H a n d e l ;

Op .

3 S . V a r i a t i o n s o n a t h e m e b y

P a K a n i n i .

V O L U M E I I : O p . 4 . S c h e r z o ; O p . 10 . B a l l a d s ; O p . 3 9 .

W a l t z e s ;

O p . 3 9 .

W a l t z e s

( S i m p l i f i e d

edition);

O p . 7 6 .

8 P i a n o P i e c e s ;

O p . 7 9 . 2

R h a p s o d i e s ;

O p.

1 1 6 . F a n t a s i a s ;

O p.

1 1 7 .

3 I n t e r m e z z i ; O p.

1 1 8 .

6

P i a n o

P i e c e s ; O p.

1 1 9 .

4 P i a n o

P i e c e s .

V O L U M E I I I : S t u d y a f t e r

C h o p i n ; R o n d o

(Ptr?tt**m

Mobile) a f t e r W e b e r ; P r e s t o a f t e r B a c h ( V e n i o n i I & I I ) ;

C h a c o n n e a f t e r B a c h (for the lef t h*nd), Theme

an d

V a r i a t i o n s ; 1 0 H u n g a r i a n D a n c e s ; C a d e n i a t o J . S .

B a c h ' i

C o n c e r t o i n D m m ; C a d e n z a s t o M o z a r t ' i C o n c e r t o *

N o . 1 7 i n G

m a j , K . 4 5 3 ;

N o . 2 0 i n D m i n ,

K.466

an d

N o . 2 4 i n C

m i n , K . 4 9 1 ; C a d e n z a i

to

B e e t h o v e n 1 Con-

c e r t o i N o . 3 i n C m i n a n d N o .

4 in

G

m a j ;

51

E x e r c i s e .

Selected Piano

Works in

authentic edition

5

1 E x e r c i s e s

O p . 1 5 . C o n c e r t o

N o . in

d . 2 - P i a n o s c o r e

O p . 8 3 .

C o n c e r t o N o . 2 i n B b

. 2 - P i a n o

s c o r e

O p . 3 5 .

28

V a r i a t i o n s

in A

m i n o r

o n a

t h e m e

b y P a g a n i n i . C o m p l e t e

O p . 3 9 . W a l t z e s

O p . 7 6 .

8 P i e c e s Capricci

&

Intermezzi)

O p . l 19. 4 P i e c e s (J Intermezzi

. Rhapsody)

B U X T E H U D E , Dietrich

O r g a n P r e l u d e a nd E u g u e i n D m i n o r .

Transcribed by SERGEI PROKOFIEFF

C A S A D E S U S , Robert

C a d e n z a s

t o M O Z A R T ' S C o n c e r to N o . 2 2

in E

H a t

m a j o r (K . 4 8 2 )

C a d e n z a to M O Z A R T ' S Concerto No.25

in C m a j o r (K . 5 0 3 )

C H A B R I E R , E m ma n u el

P i e c es P i t t o r e s q u e s

1 0 P i e c e s (BEVERIDGE WEBSTER)

1.

P a y s a j e ; 2. M e M a n c o l i e ; 3 . T o u r b i l l o n ; 4 . S o u i Boii;

V M a u r e s q u e ; 6 . I d y l l e ; 7 . D a n s e V i l l a g e o i s e ; 8 .

Impro-

v i s a t i o n ; 9. M e n u e t p o r n p e u x ; 1 0 . S c h e r z o - V a l i e .

H a b a n e r a ( PHI L I PP;

I d y l l ( P H IL IP P )

C H O P I N , F r e d e r i c k

O p . 2 2 . G r a n d e P o l o n a i s e B r i l l a n t e

in F.

f l a t

N o c t u r n e i n C s h a r p m i n o r ( O p . P o s th )

(ERDSTE1N)

O n e o f t h e m o s t b e a u t i f u l of thopin'i N o c t u r n e s , r e c e n t l y

d i s c o v e r e d , a n d n o t i n c l u d e d

in

a n y c o l l e c t i o n i o f N o c -

t u r n e s .

CZERNY,

Carl

O p . 3 3 . V a r i a t i o n s "La Rlcotfam* (PH/LIPPj

D E B U S S Y , C l a u d e

S u i t e B e r g a m a s q u e

( P H IL IP P )

D E B U S S Y , C l a u d e ( c o n t ' d . )

C l a i r

d e

L u n e ( PHI L I PP)

E s t a m p e s

(Suite of 3

Pieces) ( PHI L I PP)

S o i r ee d a n s G r e n a d e (from "Estampes"') ( P H IL IP P )

J a r d i n s s o u s la

p l u i e (from Estampes")(PHILIPP)

R c ' f l e t s d a n s

1 ' e a u

(from "Images") ( P H IL IP P )

L ' l s l e J o y e u s e

P o u r le P i a n o .

S u i t e ( P H IL IP P )

P e t i t e S u i t e . C o m p l e t e

fP/CCIOLli

1 . E n b a t e a u : 2 . C o r t e g e ; 3 .

M e n u e t ;

4 .

B a l l e t .

2 A r a b e s q u e s . C o m p l e t e

( P H IL IP P

I m a g e s . S e t I . C o m p l e t e . ( P H IL IP P )

1 .

R e f l e t s

dans

1 ' e a u ;

2.

H o m m a ge

a

R a m p a u ;

3.

M o u v e m e n t.

F A U R j f ,

G a b r i e l

8 N o c t u r n e s . C o m p l e t e ( P H IL IP P )

O p . 1 7 .

S o n g s W i t h o u t W o r d s

S ix

B a r c a r o l l e s . C o m p l e t e ( L AM PI N I )

T h r e e I m p r o m p t u s ( O p . 2 5 , 3 1 , 3 4 )

Op.36. N o c t u r n e N o . 4

in E

H a t ( P H IL IP P )

O p , 3 7 . N o c t u r n e N o . 5 in B O a t ( P H IL IP P )

O p . 7 3 . T h e m e ? . n d V a r i a t i o n s

Op. 84. 8 P ie c e s Br e v e s

F R A N C K ,

Cisar

S y m p h o n i c V a r i a t i o n s .

T w o - P i a n o

s c o r e

(BEVERIDGE WEBSTER)

F R E N C H A N D

B E L G I A N M A S T E R S

o f t h e X V I I a n d X V I I I

Centuries

A l b u m o f S e l e c t e d P i e c e s ( P H IL IP P )

C O N T E N T S :

B A L B A S T R E R o m a n c e ; C O U P E R I N G a-

v o t t e ; L a F l e u r i e ; L a B e r s a n ; S o eu r M o n i q u e : D A N D R I E U

L a

G e ' m i s s a n te ; D A Q U I N

L e C o u c o u ; L a T e n d r e

S y l v i e ;

L O E I L L E T

G i g u e ; S a r a b a n d e ; L U L L Y A i r T e n d r e ; R A -

M E A U L ' E g y p t l e n n e ;

L a

V , l l a g e o . s e ; S C H O B E R T A l l e -

g r o ; V A N D E N

C H E Y N F u g h e t t a ,

G L A Z U N O V , A l e x a n d e r

O p . 7 2 . T h e m e

a n d

V a r i a t i o n s

G R A N A D O S , E n e i qu e

1 2 S p a n i s h D a n c e s . C o m p l e t e

G o y e s c a s . S u i t e o f 6 p i e c e s .

C o m p l e t e

CONTENTS: 1 . L o s

R e q u i e b r o i ;

2.

C o i o q u i o

e n l a

R e j a ;

3 . E l

F a n d a n g o

d e

C a n d i l ;

4 . Q u e j a i 6 l a M a i a

y e l R u i s e n o r ; 5 . E l A m o r y la

M u e r t e ;

6. S e r e n a t a de

F . j p e c t r o .

T h e M a i d e n a n d t h e N i g h t i n g a l e

( P H IL IP P }

E s c e n a s R o m a n t i c a s

V a l s e s P o e t i c o s

G R E T C H A N I N O F F ,

A l e x a n d e r

O p .

1 8 2 .

1 2

L i t t l e S k e t c h e s

f o r

C h i l d r e n

O p . 9 8 . C h i l d r e n ' s A l b u m . 1 5 P i e c e s

H A N D E L , G e o rg e F r e d e ri c k

C h a c o n n e

i n G m a j o r ( P H IL IP P )

H A Y D N

,

F r a n z

J o s e p h

C o n c e r t o in D M a j . ( H o b . X V I I I :

N o . l

1)

2 P i a n o S c o r e (MER T K E -PHI L I PP)

With

cadenzas b y H A YD\

HENKEL

C o n c e r t o i n F M a j . H o b .

X V I I I :

N o .

1 )

2

P i a n o

S c o r e With

cadenzas bv

R O B ER

T

\- E Y R O

.V

- L A

CR OIX

C o n c e r t o

in G

M a j . ( H o b .

X

V I I I : N o . 4 )

2 P i a n o S c o r e Wi:h cadenzas bv

R OB ER T VE YR

O N- L

A C R

OI X

d ' I N D Y , V i n c e n t

O p .

2 5 . S y m p h o n y on

3

F r e n c h

M

o.r.-.; 3

1 n

A — :

F o r

O r c h e s t r a

i

P i a n o . P i a n o

s o l o

p a r t

I T A L I A N

M A S T E R S

o f t h e X V I I a nd

X V I I I C « n t u r i e i

Album of

S o n a t a s

and P i e c e s (PHILIPP:

CONTENTS: C A L U P P i S o n a t a , G R A Z I O L

S

M A R C E L L O T o c c a t a ; P A S Q U 1 N I T o c c a t a o n i S

a

C u c k o o ; R O S S A n d a n n n o :

Z I P O L I S u i t e .

K A B A L E V S K Y ,

D m i t r i

Op .

13 .

S o n a t i n a N o . t i n C ( P H / L IP P l

O p . 2 7 . 2 2 P i e c e s f o r C h i l d r e n

(GRETCHANINOFF) (including our

former Album

of

18 Pieces)

O p . 3 8 . 2 4 P r e l u d e s

Op. 3 9 . 2 4 L i t t l e P i e c e s fo r C h i l d r e n

(G

RETCH

A ilINOFF)

O p . 4 0 . V a r i a t i o n s

{PHI L I PP ,

O p . 4 5 . S o n a t a N o . 2 ( P H IL IP P )

O p . 4 6 . S o n a t a N o . 3 ( P H IL IP P )

O p . 5 0 .

C o n c e r t o

N o . 3

(The Youth Concerto). 2 - P i a n o s c o r e

O p . 5 9 . R o n d o

O p . 6 0 . F o u r R o n d o s

O p . 6 1 . P r e l u d e s a n d F u g u e s

K H A C H A T U R I A N .

A r a m

C o n c e r t o

in D

f l a t

m a j o r .

2 - P i a n o s c o r e

T o c c a t a ( P H IL IP P )

M A C D O W E L L , E d w a r d

O p . 5 1 . W o o d l a n d S k e t c h e s / P H I L I P P }

Op. 39, No. 1 2 . H u n g a r i a n (PHILIPP}

M E D T N E R , N i k o l a i

A l b u m o f S e l e c t e d P i e c e s

CONTENTS

; 4 F a i r y T a l e s , E t u d e , I d y l l . M o o d P i

N o v e l t f t e .

D i t h y r a m b

M E N D E L S S O H N , Felix

O p . 35 . 6 P r e l u d e s & F u g u e s (SCHARWEXKA

M I L A , L«onora

O p .

39 , I m a g e s

f r o m

C o u n t

B e r e n g u e r I V o f

C a t a l o n i a ' s C o u r t (Suite

of

14

Pieces}

O p . 1 8 , N o . 1 . R o n d o

B r i l l a n t e

O p . 3 2 , N o . 1 . T o c c a t a

M O S Z K O W S K I ,

M o n t r

O p . 7 2 . V i r t u o s i t y

S t u d i e s

" A d

a s p e r a "

t PHILIPP)

I N T E R N A T I O N A L MUSIC C O M P A N Y

C o m p l e t e c a t a l o g

s e n t

f r e e

o n r e q u e s t



In

[U

:

•

- •

I S

V

In

..

*

L

J

a

If )

nl

C H A M

B E R

T W O

V i O l J i V S

v ; O L A & P I A N O

' , A B H I F : I J ,

Giovanni

TW O •

BACH, Or ;

Philipp

Emanuel

Sonata inC f /

R P/1WSJ

BACH,

Wiihelm f nedr:. h

,

LK)CCHr.RIf4l L u » K i

} rio Sonata in c minor

0\/

DVORAK,

Antonin

C > > .

J7 ,

E X t g a t e ii e s

i.<X.'A1

LL:.:,

P s c : r « j

A . - . t - . - n i r

O p . 3 . N o .

• .

T r i o i n ( 1

' : - - ; ; »

V f

P L ' I v C T . L L , Henry

Golden Sonata in F .

(VvGt.'t'l )

VIVALDI Antonio

. - :>nata in >'

m i n o r

(GHEDINI)

PIANO

0.

;

.'ARTbTS

M i x e ^ ; I T > ' .

J r i - r ' ; ' . • ' w ^ r ^ '

I'i^r

Nocturne, O ; » u s V .

/

> / ;'-?r, v' '(,i ir Horn

( o r

CH

tc Piano (R/ MP l;

SAJNT-SA5>;-. ^ j T r U : - '

Cipricf

on r^ni'-r. ^ R i j s v i n n A i r - ; . Opus "9,

, V - ;

r

ii

Oboe Clarinel

u

Piano

T r . L . r ; N - i A N N , Georg PHii-p

C ^ o n c r n o ; i - i . .'•"

r l - j ^ v

Oivx?. V i v ; i n ^ P i a n o

(v

G / » . . - . / a » s : . . . , . N

i

i . . / / - / » . ' ; ,R n M ; V : i J

Q u ^ r L > t - n e.

M

Flute,

V « o l « n

Cello

^ ^

P ia i - . o

f R / ^ M ^ M L J

Qua;tv:

in c.

;,..'

F l v r c . V i

" • ' ' I V ' / " -

L. L

:

;,

Anton

:o

. r - > r : j i < ' ;r - ^. i N il

i

.4 ,'f; 1

i i . - t e . Oboe, Hj-issoor.

,» i

2

Violins. L C I I O & P.ano

(C/

/CD/N/J

P I A N O QUINTETS

( P i a n o ,

2 V i o H n s , Viola

and C e l l o /

U E E T ' i i O V K N , L u d w i g v a n

O p . 1 6 . Quintet in r : f l a t -'O:y. A ' . - / ;u. 6W l - V . )

r o - i c : ? F K ? N i ,

L u .

5

»

Cr. 57 (Op.p o i > i h . ) Quintet No. 6 "The

M i l i t a r y Nigh Watch m Madnd"

(P I

/ / / . / P / ' )

BRAHMS, Johannes

Op.

34. Quintet

in

i m i n o r

DOHNANYI, trno

v on

Op. 1.

Quintet

in c

minor

( P H 1 L 1 P P )

DVORAK.

An,'on

in

Op.

81.

Quintet in A

m a j o r

FRANCK,

Cfsar

Quintet in f m i r . c i r

MOZART,

Wo fg.mp

A r n . id e u s

Quintet in F:

H a t

(K.452)

(OnXintil y

lo r

Piuno und

\NocdwirM)

(V I HUP?)

S i n f o n i a

Concert

a n t e

i n E b

( K . 2 9 7 l > - A n h .

9 )

( O / j / » : , < / / y / « » r PwwMul

\Nood-wM)

SCHUBERT,

F r a n z

Op.

1 1 4 .

Trout Qu intet. For Piano. Vi olin.

Viola.

Cello and

Bass

(or 2nd Cello)

M U S I C

PIANO QUINTETS

i v t - d Instruments v - j - h Pi j

BEETHOVEN, Ludwig van

Quintet in [ • : - . ( )pui 16 ; •• Q

Bassoon . ' ' ; |-'iano( K i No,74)

i { A Y i )N, I ran; Joseph

S I - - . N ; ' . ; • /

' x , o ; u . ; : a n i > ?

; ; • : U \ s ; ~ ~ - 4 . , ' . • • • V i o l i n .

MO 7.

A R T Wolfgang A m a d e u s

A, i.y,;:o

& k » > n j o

in ; .

< K . M 7

;

/ , - . ;

H a : r n o r , i i \ - . (o r P in U

Flu te . Oboe.

V io l a

C e l l o

Q u i r . t e t

< n

h h i K . . ; 5 . : )

; < > r Oboe.

C l a r i n e t . Horn

i n E b .

Sintonia Concertante i n E b . IK 297b-Anh 9 ) / , • • » Obo4

Clarinet. Mom in F i b . Bassoon & P i a n o

RIMJyY-KC RSAKOV,

N i k o I / , 1

Q i j i n J d ;,i B b .

;. •

• l ; u i e . v l a r i n r l [Vis*->on ^P i a n o

V I V A /

Dl, Antonio

Concerto ;n

;»;.

F . X H . n.,:0 ' ; > . -

r h j t e . Oboe.

V i o l i n ,

Concen

/ i^

r,

V - . X J ; .

n .

2O .

/ ; ' •

B^s ' - t ; / . ^ fr j ianc 10j\''** AL)

Conoi- o i n C . h . X i .

n . 2 4 / < > . •

M u t t ,

Ocx-r,

- ' i o l i n .

B a r - s tx jn P Pjarv. r P - ' A

J / M / . j

( " o f K c r ' ' " n > ;. v

-

X ' i .

n.^ » » i

I ' l i t € . Oboe V i o l i n .

BJSSOO:^ iV P i ^ n o (:r ^ ' V / . V - . • ; / ; < i > . - s . . ; 1 / ( / ' . )

PIANO SEXTETS

Mixed

Instruments wio: Piano

(CAirtrrJ - B f r .

Hr.-«

m

;

,

n n / f > >

tfomnst spr.-.Wj

u'IND"/.

V c r u ' o n t

Sarabande •:» r v 1 i ; l t j e t . O p u i > 2 - ' . L > ; s . / i > ; i lute, O'-oc,

Clarinet.

3asMX>n. Horn

Piano

i-'ROKOHEFF,

c

c

f

ge i

O v c r » u r « j o n Hebrew Themes. O p i i f . 3 4 . / . - • Garnet

S t r i n g

Quartet

&

P'.ano

T H U I L L E , L u d w i c .

S*uM in "b.

O p u : ,

6. jo * r i u i e . Cboe. Clarinet.

PIANO SEXTETS

CHAI..SSON, E-;iest

Op 21. ( oncerto

m

f )

m a i o r

for

V i o l i n ,

w i t h

P i a r - . o

a nd

S t r i n g

Quartet

PIANO

SEPTET

Mixed

Instruments with

Piano

JANACEX, Leos

Concertino. / , « r

2

VtoUns. V i o l a , 2 C l a r i n e t s i n E b & B b .

Bassoon.

Horn in F & Piano

septeto - saint saens

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