senderos (esplorazione iv)
DESCRIPTION
sax., el.g., acc., pf.TRANSCRIPT
Marco Longo
senderos(esplorazione IV)
sax alto electric guitar
accordeonpiano
Alto sax (amplified)
The sax part is noted on both the traditional pentagram (transposed sounds!), both on a “trigram”. The clef post at the beginning of the trigram indicates the actions carried out with the mouth (upper line), with the left hand (central line) and with the right hand (lower line):
without mouthpiece
with mouthpiece
position of the lips around the chiver !
blow into the chiver, saying "ch" - left and right handsclose all the keys.
blow into the chiver, saying "ch" - left and right handsleave open all the keys.
blow into chiver, saying "ch" - passages between keys open - closed.
key-clicks (left hand. - right hand.)
articulate into the chiver the various consonants
without mouthpiece: tongue ramwith mouthpiece: slap (preferably use a fingering that does not generate a tuned sound)
groups of grace notes, alternating at will the different sound events and the various instrumental actions - speed at will, but following the general indication of accel. - decel.
air-sounds
only breathe + flutter
oscillation more or less wide - change the tune.
"timbre" trillo - approximate the speed indicated, otherwise regular
Multiphonics used
multiphonic + growl
Multiphonics to form gradually
Electric guitar
Scordatura:
The requested guitar must have the whammy bar and at least two pick-up.
For defining the timbre, the following instructions are given:
1. ! 1.pk: near the fretboard ON ! 2.pk: near the bridge ON! 1.+ 2.pk: both ON
2. ! Alti (treble maximum)! Bassi (bass maximum)! Normale (normal settings)
3.! Pulito (clean, bright)! Distorto (dostorted - crunch/overdrive)
Are requested:
- a volume pedal (Vp)
! Vp ON - change dynamics with pedal! Vp OFF - pedal up
- an e-bow
- a sponge with a rough surface
- a metal bottle-neck (MBN)
- a plectrum
The part is notated in two staves:
- upper staff
It represents the space between the bridge and the nut. The movements and actions to be performed on the strings of the instrument must be followed as closely as possible the figures drawn in this space.The blue figures refer to actions of the right hand, the red ones to those of the left hand.
bridge
nut
right hand actions
left hand actions
- lower staff
In addition to the traditional treble clef (sounds an octave lower), it is used a symbol that changes the usual reading of the notes; in his presence, the spaces identify the strings of the instrument:
use the right hand
use the left hand
damped strings
hold the strings damped until further instructions
hold the strings damped with the sponge
strings free to vibrate
passage between the two conditions
vibrato with whammy bar
bending with whammy bar
use your thumb nail (crawled on the strings)
notes with squared head: tapping on the strings with the fingertips of the right hand - sound tuned and clear only with strings free to vibrate
notes with triangular head: sounds produced by a rub of various nature (sponge, plectrum or nail)
Bottle-neck on all strings, play with right hand
hit the strings with the bottle-neck, between 1. and 2. pick-up
tapping freely on the six strings, as fast as possible, while respecting the overall rhythmic value
left hand: rub the rough surface of the sponge along the three lowest strings right hand: block strings vibrations
left hand: rub the rough surface of the sponge along the four highest strings right hand: hit the sixth string with the fingertip
left hand: up-glissando with bottle-neck; movements across the keyboard imitate the shape of the red line right hand: play all the strings before glissando
left hand: block the vibrations of the string right hand: rub the string with the plectrum
right hand: tap on the required three lowest strings and move the hand towards the bridge
left hand, bottle-neck: hit the string between 1. and 2. pick-up, then move imitating the shape of the red line
right hand: press the e-bow against the string with pulses that follow the indicated speed; move at the same time the e-bow to the 1. pick-up in order to get a more distorted sound left hand: move the bottle-neck on the string imitating the shape of the red line
Accordeon (amplified)
The part is written for accordeon with button keyboards. Sounds are real.There are no registers indications: the performer is free to choose the most appropriate.
air button
button-clicks
! pitch variations, acting on the buttons motion
registers button-clicks
bellow-shake (with air too); free, but following the indicated speed variations
vibrato - intensity as written.
! chromatic clusters
release freely the sounds - without a determined rhythm, but following the written order
Piano (amplified)
For the performance are requested:
- two plectrums (hard - soft)- patafix or bluetack- a sponge with a rough surface
Preparazione e disposizioni per l’esecuzione
The lid must be open and the desk should be placed beyond the prop in a direction perpendicular to the strings.The strings of the following sounds must be damped:
apply a strip of patafix perpendicular to the strings just after the capotasto
apply a small ball of patafix just after the capotasto, about 20 cm. after the damper
apply a strip of patafix perpendicular to the strings about 28-30 cm. after the damper
apply a small ball of patafix about 30 cm. after the damper, just before the bridge.
It is advisable to identify the following notes with small labels placed on the dampers:
The part is notated on two staves.
In the first one are indicated actions to be played in both the piano strings, and keyboard (when the staff changes to pentagram).
In addition to the traditional treble clef, another one is used to change the staff, delimiting the space between the capotasto and the desk.The various symbols in this type of staff are marked in the point of the string where it must act to produce the sound.The used clef gives the following references:
In the second staff are noted both the pitches corresponding to the strings on which to act inside the piano, both the sounds produced on the keyboard.When required the use of the sponge, is given an indication of the approximate register in which to act on the strings:
M - medium registerG - low register
damped strings - reduce vibrations to a minimum
free strings
use the left hand
use the right hand
sponge
hard plectrum
soft plectrum
tap the strings (with fingertip or fingernail)
cluster
hold down the damper pedal
short sounds produced by a quick rub of the plectrum on the copper cover of low strings
tapping with the fingertips on the strings of the pitches in the box - freely, with both hands.
tapping with the fingernails on the strings of the pitches in the box - freely, with both hands.
right hand: rub the hard plectrum on the strings of the two pitches marked in the lower staff, from hammer to the desk.
left hand: rub the strings with the sponge’s rough surface, between hammer and desk.
right hand: rub the soft plectrum on the string of the pitch marked in the lower staff, from capotasto to the hammer.
right hand: rub the strings with the sponge’s rough surface, between capotasto and hammer..
pluck with the nail the string referred to the pitch marked in the lower staff
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