Scott Richard Ashley

sricharddesign@gmail.com (904)616 - 1187

Production & Design

Lighting & Scenic Designs

“. . .start out by giving a standing ovation to Scott Ashley,

Limelight’s Set Designer. His ingenuity and inventiveness

continue to inspire awe and respect. . .”

-The St. Augustine Record

Biloxi Blues

“The set is fabulous – another triumph by Scott Ashley.”

- The St. Augustine Record

Frankenstein

“Scott Ashley's set for Neil Simon's "Rumors" at the Limelight

is so sensational that you know, even before the house lights dim,that you're in for an exceptional evening of theatre.”

-St. Augustine Record

“The set, the latest creation of Scott Ashley, the Limelight's resident designer and technical director, is absolutely

spectacular . . . Perfect!” “We should no longer be surprised by such excellence.

Ashley has designed and supervised the construction of every Limelight set since his triumphant debut last season with the

sumptuous Manhattan apartment for "Rumors."

-St. Augustine Record Down an Alley Filled with Cats

“One last comment: Scott Ashley's set design, as usual,

is Broadway quality.”

-The St. Augustine Record

Greetings

“It's the set -- it speaks volumes, another remarkable achievement by Scott Ashley, resident designer . . .”

-The St. Augustine Record

I’m Not Rappaport

“I got the distinct impression patrons would love to have had the chance to applaud the design—which was superlative. Designer Scott Ashley continues to raise the bar, setting new standards for rich detail that invite audience members into the world of the play. The opportunities it provides for simultaneous action, appropriately highlighted or muted, help enrich the play’s visual layering considerably. With that first note sounded, it’s hard not to be thoroughly enveloped and involved in the story in a very personal way.” -Entertaining U (EU) A Raisin in the Sun

“Scott Ashley’s set design is, as I predicted in my review

of Limelight’s Criminal Minds last month, a masterpiece . . .”

-Entertaining U (EU) Frankenstein

“Set Designer Scott Ashley’s plantation bedroom with a veranda across the front of the stage . . . is intoxicating. I mean you just want to look at it and look at it. I wanted to jump up

on stage into that big brass bed. The lighting for set is impressive as well.” -Entertaining U (EU) Cat on a Hot Tin Roof

Trust Set Designer Scott Ashley to truly set the "ominous" stage to perfection. -The St. Augustine Record Deathtrap

A CHRISTMAS CAROL (AN ADAPTATION)

LIGHTING & PROJECTION SURFACE DESIGN

Scene Inserts were Constructed w/ Steel Frames and Painted Muslin and

Flown into the Opening at the Bottom Center of the Backdrop for Each of the

5 Major Locations.

NICOLES BEDROOM

Anne Frank & Me Orlando Repertory Theatre (Regional)

Scenic Design

VICTORIA THEATRE,

NEW JERSEY PERFORMING ARTS CENTER

GORILLA, MY LOVE LIGHTING DESIGN

CLARKE STUDIO THEATRE, NYC

LINCOLN CENTER FOR THE PERFORMING ARTS

&

Dining Room of the Hotel Ponce De Leon

New Years Eve Ball Lighting Design

“The production itself is lovely,

with beautiful lighting and scrim work.”

-Jenny Sandman, Curtain Up

The Flid Show Off-Broadway Production, SoHo Rep

Lighting Design/Master Electrician

Rumors Limelight Theatre, FL

Scenery & Lighting

TAIKO DRUMMING

LIGHTING BY: SCOTT ASHLEY

CLARKE STUDIO THEATRE

LINCOLN CENTER FOR THE PERFORMING ARTS

I USED MICROPHONES, SPEAKERS,

WATER AND MIRRORS TO THROW

DIFFERENT COLOR VIBRATING

REFLECTIONS ONTO THE CYC.

Down an Alley Filled With Cats

The Design Concept was such that we could go to very a film noir/ black & white world at moments.

Lighting & Scenery

ONLY 10 MINUTES TO BUFFALO

LIGHTING & SCENIC DESIGN

CLARKE STUDIO THEATRE,

LINCOLN CENTER FOR THE PERFORMING ARTS, NYC

Fiddler on the Roof - Lighting Design Southeastern Tour 2010

LAST TRAIN TO NIBROC LIMELIGHT THEATRE, FL

SCENERY & LIGHTING

Created custom steel gobos, Which were projected on

unbleached muslin to create a simple nostalgic world.

The Good Times Are Killing Me Scenic Design

Turner Auditorium, FL

Each house was on a central pivot point that allowed it to rotate to become the “Projects” or to see inside.

5 Guys Named Moe

Lighting Design

CAMELOT

Scenic & Lighting Design Flagler College Auditorium

OKLAHOMA! LIGHTING DESIGN

2010 National Tour American International Music Management

Produced By:

Columbia Artists Theatricals

&

Cat on a Hot Tin Roof Limelight Theatre, FL

Scenery & Lighting

The Tempest Scenery & Lighting – Limelight Theatre, FL The Stage floor was covered in 5 tons of sand.

So that it was apprx . 9”-10” deep

This is a Hologram of a feast which I created by

projecting the image onto a curtain of sand.

It’s hard to make out in this Photo ,

but you can see the candle stick at the top

This Ship was held

together and rocked by

Prospero’s Spirits so that

at the right time it could

be Torn Apart

Raisin in the Sun -Scenery & Lighting

And Then There Were None -Scenery & Lighting

Smoke on the Mountain

Other Peoples Money - Scenery & Lighting

Scenery & Lighting

Elevation of Flat for Rainmaker

Marvin Gaye,

The Man & The Music

Lighting Design