Scheme of StudyB.A. Hons. School in Gurmat Sangeet

Part - I (Semester - I);a?;aB (2010-11, 2011-2012, 2012-2013)

1H gouk - gfjbk L r[owfs ;zrhs (fbysh)

2H gouk - d{ik L r[owfs ;zrhs (gq?eNheb)

3H gouk - shik L fwT{f}e fJB;No{w?INb$spbk

4H gouk - u"Ek L r[owfs ;NZvh}

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B.A. HON'S SCHOOL IN GURMAT SANGEETPart - I (Sem -I)

(2010-11, 2011-12, 2012-13)

PAPER - I - GURMAT SANGEET (THEORY)Max. Marks: 100 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20Note: Along with Gurmat Sangeet, the candidate can also take Instrumental Music and Tabla as other elective subjects.

INSTRUCTIONS FOR THE PAPER-SETTERThe question paper will consist of five sections: A, B, C, D & E. Sections A, B, C & D will have two questions from the respective sections of the syllabus and will carry 12 marks each. Section E will consist of 16 short answer type questions which will cover the entire syllabus uniformly and will carry 32 marks in all.

INSTRUCTIONS FOR THE CANDIDATESCandidates are required to attempt one question each from the sections Sections A, B, C & D of the question paper and the entire section E.

SECTION - A1. (a) Technical Terminology : Naad, Sur, Raag, Sandhi Prakash Raag, Thaat,

Vaadi-Samvaadi, Varjit Sur. (b) Raag, Rahaao, Ank, Ghar, Jati, Dhuni, Shaan, Manglaacharan, Hast Vidhi,

Thheka, Sam, Taali-Khali, Avartan.2. Contribution of Sri Guru Nanak Dev in origin & development of Gurmat Sangeet tradition.

SECTION - B1. Importance of Shabad Keertan in Sikhism.2. Origin of Keertan Chauki tradition.

SECTION - C1. Detailed description of the prescribed ragas in comparison to their

samparakritik ragas with notation :Asaa, Raamkali, Bhairo.

2. Detailed description with notation of prescribed taalas : Paurhi, Dadra, Kehrwaa, Roopak.

SECTION - DIntroduction of the following in English and Punjabi : 1. Self Introduction.2. Sikhism.

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli (Prof. Tara Singh)

Punjabi University, Patiala.2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh)

Punjabi University, Patiala.3. Sri Guru Granth Sahib Raag Ratnakar (Dr. Gurnam Singh)

SGPC, Amritsar.4. Sikh Musicology (Dr. Gurnam Singh): Kanishka Publishers, Delhi.5. Gurbani Sangeet Darpan (Prof. Kartar Singh): SGPC, Amritsar.6. Gurmat Sangeet Darpan Part I & II (Prof. Kartar Singh): SGPC, Amritsar. 7. Gurbani Sangeet Pracheen Reet Ratnawali Part I & II (Bhai Avtar Singh Gurcharan Singh):

Punjabi University, Patiala.8. Gurbani Sangeet Part I & II (Giani Gian Singh Abtabad): SGPC, Amritsar.9. Guru Angad Dev Sangeet Darpan, (Prof. Kartar Singh): SGPC, Amritsar.

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - I (Sem -I)

(2010-11, 2011-12, 2012-13)

PAPER -II- GURMAT SANGEET (PRACTICAL)Max. Marks: 100 Time Allowed: 3 HoursPass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20 (i) Hazoori Gayan 35 marks(ii) Viva 20 marks(iii) Tanti Saaz 15 marks(iv) Taal Saaz 10 marks

INSTRUCTIONS FOR THE PAPER-SETTER(i) There should not be more than 10 students in a batch for practical examination.(ii) Harmonium is allowed as an accompaniment. Preference will be given to be students reciting

Shabad Kirtan along with string instruments of Gurmat Sangeet.INSTRUCTIONS FOR THE CANDIDATES

Harmonium may also be allowed as an accompaniment. Preference will be given to the students reciting Shabad Kirtan along with string instruments of Gurmat Sangeet.

1. Keertan of first three chhant of Asaa Di Vaar.2. Keertan of Anand Sahib in Raag Raamkali.3. Introduction of Ragas prescribed in the syllabus:

Assa, Raamkali, Bhairo.4. Practical performance of Thheka of following talas on Tabla and by Hast Vidhi.

Paurhi, Dadra, Kehrwaa, Roopak.

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli (Prof. Tara Singh)

Punjabi University, Patiala.2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh)

Punjabi University, Patiala.3. Sri Guru Granth Sahib Raag Ratnakar (Dr. Gurnam Singh)

SGPC, Amritsar.4. Sikh Musicology (Dr. Gurnam Singh): Kanishka Publishers, Delhi.5. Gurbani Sangeet Darpan (Prof. Kartar Singh): SGPC, Amritsar.6. Gurmat Sangeet Darpan Part I & II (Prof. Kartar Singh): SGPC, Amritsar. 7. Gurbani Sangeet Pracheen Reet Ratnawali Part I & II (Bhai Avtar Singh Gurcharan Singh):

Punjabi University, Patiala.8. Gurbani Sangeet Part I & II (Giani Gian Singh Abtabad): SGPC, Amritsar.9. Guru Angad Dev Sangeet Darpan, (Prof. Kartar Singh): SGPC, Amritsar.

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - I (Sem -I)

(2010-11, 2011-12, 2012-13)

PAPER - III - MUSIC INSTRUMENTAL (THEORETICAL ASPECT)Max marks: 100 Lectures to be delivered: 75Pass Marks: 40% Time allowed: 3 hoursInternal Assessment: 20Note: (1) Along with music instrumental, the candidate can also take Gurmat

Sangeet.(2) The Candidate can opt any of the following instruments: Rabab, Saranda, Taus, Dilruba, Israj, Veena and Violin.

INSTRUCTIONS FOR THE PAPER-SETTERThe questions paper will consist of five sections: A, B, C, D and E. Sections A, B, C and D

will have two questions from the respective sections of the syllabus and will carry 12 marks each Section. E will consist of 16 short answer type questions which will cover the entire syllabus uniformly and will carry 32 marks in all.

INSTRUCTIONS FOR THE CANDIDATESCandidates are required to attempt one question each from the sections A, B, C and D of the

question paper and the entire Section E.SECTION - A

(1) General history of Music:(a) Vedic Period (b) Ramayan Period(c) Mahabharat Period (d) Natyashastra

(2) Definition and explanation of the following musical terms:Sangeet, Naad, Swara, Saptak, Raag, Thaat, Jod, Kirtan.

SECTION - B(1) Importance of Taal and Laya in Instrument Music.(2) Jaties of Raag.(3) Brief life sketches and Contribution towards Indian Muisc of:

(a) Alau-Din-Khan (b) Pt. Vishnu Narayan Bhatkhande(c) Nikhl Banerjee (d) Pt. Ravi Shankar

SECTION - C(1) Importance of Instrument Music in Gurmat Sangeet.(2) Classification of Indian Musical Instruments.(3) Origin and development of the following musical instruments:

(i) Rabab (ii) Saranda (iii) TablaSECTION - D

(1) Description and Notation of the prescribed Raagas (gats) and Taals.Ragas: Bilawal, Khamaj, Kafi, Kalyan.Taals: Ektal, Chautal, Sooltal, Jhaptal, Rupak Tal & Teental.

(2) Elementary knowledge of the following Ragas:Bhimplasi, Jannpuri, Kalawati, Bhupali

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part - I Semester - I (2010-11, 2011-2012, 2012-2013)

PAPER-A: - III-TABLA (THEORY) Max. Marks-100 Time: 3 HrsPass Marks-40% Practical - 40 Marks

Internal Assessment-20 Marks Theory - 40 Marks

Instruction for Paper Setter: The question paper will consist of five sections A, B, C, D and E. Section A, B, C, D will have two questions from the respective sections of the syllabus and will carry 6 marks each. Instruction for Candidates: Candidates are required to attempt one question each from section A, B, C, D and the entire section E is compulsory.

Section - A1. Definition with full explanation of following:-

Dayan, Bayan, Laya, Thheka, Avartan, Sam, Tali and Khali.2. Difference Among:

Jaties and Anges of Karnataka Taal Padhati.

Section - B1. Knowledge of Dholak, Pakhawaj.2. Life Sketch of Pt. Kishan Maharaj.3. A short History of Tabla.

Section - C1. Comparative Study of the following Taals:

(a) Dadra (b) Tritaal (c) Choutaal.2. Recognition of above mentioned taals through some bols set by Paper-Setter.

Section - D1. Writing notation in the following material:

Trital, Peshkara, four Paltas two Qaidas, with Paltas, two Mukhra, two Moharas and two parans.

2. Notation of above mentioned taals with their dugan & chaugun layakaries.3. Ability to compose small tehais and paltas in above mentioned Taals.

Section - ESection E will consist of 8 short answer type questions which will cover the entire syllabus

uniformly and will carry 16 marks. Each short answer type questions will carry 2 marks.

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part - I Semester - I (2010-11, 2011-2012, 2012-2013)

PAPER - B: - III - TABLA (PRACTICAL) Max. Marks-100 Time: 1 HrsPass Marks-40% Practical - 40 MarksInternal Assessment-20 Marks Theory - 40 Marks

(a) Proper Barhat of following Taals : Trital

(b) Laggis in Dadra and Keharav Taals.

(c) Trital Peshkara - Four Paltas two quidas, two mukhras, two mohras, two parans

(d) Practice of Dholak playing in Keharva taal.

(e) Ability of play Nagma on Harmonium in Taals prescribed in syllabus.

(f) Tunning of Tabla.

BOOKS RECOMMENDED1. Tabla Vadan, Published by Pbi.Uni. : Jagmohan Sharma 2. Tabla Tarang : B S Nigam3. Taal Prakash : Sangeet Karyala Hathras4. Taal Prichiya - Part-I, II & III : G.C. Shrivastava5. Taal Prabhakar Prshontri : G. C. Shrivastava6. Taal Maartand : B S Sharma7. Bhartiya Talon ka Shastriya vivechan: Arun Kumar Sen8. Bhartiya Sangeet Vadyas : L M Mishra9. Taal Rattan : Sujit Singh

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PUNJAB HISTORY AND CULTURE PAPER-V, SEMESTER-I(In lieu of Punjabi Paper)

GENERAL INSTRUCTIONS FOR THE PAPER-SETTER1. The question paper should carry 100 marks and the time allowed would be three hours.2. The question paper should contain ten essay type question. It should be divided into two

sections. Five questions should be set from each section. The candidates should be asked to attempt five questions, selecting at least two questions from each section. All questions carry equal marks.

3. The question should be set strictly according to the syllabus.4. The language of questions should be straight and simple.5. Not more than one question should be based on quotation.6. The question paper should cover the whole syllabus and questions should be evenly

distributed.7. Those questions which have more than one part, marks for each part must be indicated on

the question paper itself.

From earliest times to the Epic period

Max. Marks:100 External Assessment:80 marksTime: 3 Hours Internal Assessment:20 marks

Pass Marks:40%SECTION-A

1. Physical features of the Punjab and there impact on history.2. Sources of ancient Punjab history.3. Harappan Culture: Principal places, town planning, features of social and economic life,

religion and causes of disappearance.

SECTION-B4. The Indo-Aryans: Original home and settlement in Punjab, political organization, social,

religious and economic life during the Rig-Vedic Age.5. Origin and growth of caste system : its merits and demerits.6. The Ramayana and Mahabharata and their historical importance.

SUGGESTED READINGS 1. L.M. Joshi (ed) : History and Culture of the Punjab, Part-I (Patiala, 1989) (3rd edition).2. L.M.Joshi and Fauja Singh (eds): History of the Punjab, Vol-I (Patiala, 1977).3. Buddha Prakash : Glimpses of Ancient Punjab, (Patiala, 1983).4. R.S. Tripathi:History of Ancient India.5. B.N Sharma: Life in Northern India (Delhi, 1966).6. V.C Pandey: Political and Cultural History of India.7. Romila Thapar : History of India Vol-I, (Penguin Books, 1966).8. A.L Basham : The Wonder that was India.9. Sukhninder Kaur Dhillon : Religious History of Ancient Punjab.

Combined Syllabus For

BA -I   HONS SCHOOL IN GURMAT SANGEET SEM-I

BA -I   HONS SCHOOL IN DANCE SEM-I

PAPER -VI-(ENGLISH COMMUNICATION   SKILLS)  

Max. Marks: 60                                                  Time allowed: 3 hours

INSTRUCTIONS FOR THE PAPER SETTER 

(a)  The paper setter shall set nine questions in all. (b) The paper setter shall set two questions from each section A, B, C, & D.

Carrying 10 marks for each question.(10+10+10+10=40)(c)  The paper setter shall set one compulsory question for Section E

carrying 10 short type questions from entire syllabus which will carry 20 marks (10*2=20)

 THEORY PAPER

Section A 

1.     Novel –Arms and the Man by Bernard Shaw.

i)        One Essay type question with internal choice on theme narrative incident or character

ii)         Five Short notes out of  eight given 

2.     Reference to the context from the novel. The candidate shall explain 2 out of 3 given reference to the context. 

Section B 

3.      Phonetics and Phonology4.     The Organs of Speech and Speech Mechanism

Section C 

5.     Letter –writing6.     Paragraph writing

 Section D

 7.     One word substitution

i)                   Negativesii)                Oppositesiii)              Names by which persons with certain characteristics are

knowniv)              Words pertaining to Scientific Instruments

8. Antonyms and Synonyms  BOOKS PRESCRIBED

1.     Arms and the Man by Bernard Shaw.2.     A Course in Phonetics and Spoken English by J. Sethi &P.V. Dhamija,

Chapters 1, 2 and 6 are only to be studied3.     The Students’ Companion by Wilfred D. Best4.     The Written Word by Vandana R. Singh

  INSTRUCTIONS FOR THE CANDIDATEThe candidate  shall attempt 5 questions  selecting at least 1 question from Section  (A, B, C,D of 10 marks each question).The fifth question carrying 10 short type questions from Section E shall be compulsory carrying 20 marks)  PRACTICAL PAPER                       MAX. MARKS 20 Viva voice from the following(5+5+5+5=20)

1.     Speech mechanism (5 marks)2.     Organs of speech (5 marks)3.     Phonetics (5 marks)4.     Vocabulary (5 marks)

Scheme of StudyB.A. Hons. School in Gurmat Sangeet

Part - I (Semester - II);a?;aB (2010-11, 2011-2012, 2012-2013)

1H gouk - gfjbk L r[owfs ;zrhs (fbysh)

2H gouk - d{ik L r[owfs ;zrhs (gq?eNheb)

3H gouk - shik L fwT{f}e fJB;No{w?INb$spbk

4H gouk - u"Ek L r[owfs ;NZvh}

5H gouk - gzitK L gzikph bk}wh$gzikp fj;Noh n?_v ebuo

6H gouk - S/tK L fJzrfb;a efwT{Bhe/;aB ;feb

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - I (Sem -II)

(2010-11, 2011-12, 2012-13)

Paper-I: Gurmat Sangeet (Theory)Max. Marks: 100 Lectures to be delivered: 75Pass Marks: 40% in the subject Time allowed: 3 hoursInternal Assessment: 20%Note: Along with Gurmat Sangeet, the candidate can also take Instrumental Music and Tabla as other elective subjects.

INSTRUCTIONS FOR THE PAPER SETTERThe question paper will consist of five sections: A, B, C, D & E.Section A, B, C and D will have two questions from the respective sections of the syllabus and will

carry 12 marks each. Section E will consist of 16 short answer type questions which will cover the entire syllabus uniformly and will carry 32 marks in all.

INSTRUCTIONS FOR THE CANDIDATESCandidates are required to attempt one question each from the section A, B, C and D of the question paper and the entire section E.

Section-A1 (A) Technical Terminology: Alankaar Sathaaee, Antraa, Taan, Saptak, Jaatee,

Lakshan Geet, Alaap.(B) Keertan Chauki, Partaal, Dhuni, Hast Vidhi, Theka, Saam, Taali-Khaali, Avartan

2. Contribution of Guru Angad Dev Ji and Guru Amardas Ji in the development of Gurmat Sangeet Tradition.

Section-B1. Shabad Keertan tradition in the Sikh way of life.2. Sri Guru Granth Sahib - An Introduction.

Section-C1. Detailed description with notation of the prescribed ragaas in comparison to their samprakritik raagas :

Parbhaatee, Gaurhee (Bhairav Ang)2. Detailed description with notation of the prescribed taalas :

Paurhi, Roopak, Ektaal, Chaartaal.

Section-DIntroduction of the following in English and Punjabi1. Gurmat Sangeet2. Any one raag and taal of your syllabus.

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli by Prof. Tara Singh:

Punjabi University, Patiala2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh):

Punjabi University, Patiala3. Gurmat Sangeet Vich Paryukt Lok Sangeetak Tat

(Dr. Gurupratap SIngh Gill): Punjabi University, Patiala4. Sangeet (Gurmat Sangeet Vishesh Ank): Sangeet Karayalaya, Hathras5. Amrit Kirtan (Gurmat Sangeet Vishesh Ank): Amrit Kirtan Trust, Chandigarh6. Punjab da Sangeet Virsaa te Vikaas (Dr. D.S. Narula):

Punjabi Writers cooperative society, New Delhi7. Gurmat Sangeet Vishesh Ank (Editor Dr. Jasbir Kaur):

Punjabi University, Patiala8. Guru Nanak Sangeet Padti Granth Part I & II (Editor Sukhwant Singh):

Gur Gian Prakash, Jawaddi Kalan, Ludhiana9. Sangeet Sidhant te Sohaj Shaster (Dr. D.S. Narula): Punjabi University, Patiala10. Sangeet Roop (Dr. Devinder Kaur): Sangeetanjali Publications, Patiala11. Sri Guru Granth Sahib Raag Ratnakar by Dr. Gurnam Singh: SGPC, Amritsar

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - I (Sem -II)

(2010-11, 2011-12, 2012-13)

PAPER -II- GURMAT SANGEET (PRACTICAL)Max. Marks: 100 Lectures to be delivered: 150Pass Marks: 40% in the subjectExamination Time Allowed for each student: 20 Mts. Internal Assessment: 20%(i) Hazoori Gayan 35 marks(ii) Viva 20 marks(iii) Tanti Saaz 15 marks(iv) Taal Saaz 10 marks

INSTRUCTIONS FOR THE PAPER-SETTER(i) There should not be more than 10 students in a batch for practical examination.(ii) Harmonium is allowed as an accompaniment. Preference will be given to be students reciting Shabad

Kirtan along with string instruments of Gurmat Sangeet.

INSTRUCTIONS FOR THE CANDIDATESHarmonium may also be allowed as an accompanist. Preference will be given to the students reciting

Shabad Keertan along with string instruments of Gurmat Sangeet.

1. Keertan of fourth to sixth chhant of Asaa Di Vaar.2. So-Dar di Keertan Chauki.3. Introduction of prescribed Ragas:

Parbhaatee, Gaurhee (Bhairav Ang)4. Practical performance of Thheka of following Talas on Tabla and by Hast Vidhi :

Paurhi, Roopak, Ektaal, Chaartaal

BOOKS PRESCRIBED1. Sri Guru Granth Sahib Raag Ratnavli (Prof. Tara Singh)

Punjabi University, Patiala.2. Gurmat Sangeet Prabandh te Pasaar (Dr. Gurnam Singh)

Punjabi University, Patiala.3. Sri Guru Granth Sahib Raag Ratnakar (Dr. Gurnam Singh)

SGPC, Amritsar.4. Sikh Musicology (Dr. Gurnam Singh): Kanishka Publishers, Delhi.5. Gurbani Sangeet Darpan (Prof. Kartar Singh): SGPC, Amritsar.6. Gurmat Sangeet Darpan Part I & II (Prof. Kartar Singh): SGPC, Amritsar. 7. Gurbani Sangeet Pracheen Reet Ratnawali Part I & II (Bhai Avtar Singh Gurcharan Singh): Punjabi

University, Patiala.8. Gurbani Sangeet Part I & II (Giani Gian Singh Abtabad): SGPC, Amritsar.9. Guru Angad Dev Sangeet Darpan, (Prof. Kartar Singh): SGPC, Amritsar.

B.A. HON'S SCHOOL IN GURMAT SANGEETPart - I (Sem -II)

(2010-11, 2011-12, 2012-13)

PAPER - III - MUSIC INSTRUMENTAL (PRACTICAL ASPECT)Max. Marks: 100 Time Allowed: 3 Hrs.Pass Marks: 40% in the subject Lectures to be delivered: 75Internal Assessment: 20%(i) Viva 60 marks(ii) Harmonium 10 marks(iii) Tabla 10 marks

INSTRUCTIONS FOR THE PAPER-SETTER/EXAMINER

(i) There should not be more than ten students in a batch for practical examination.(ii) Separate practical paper should be set from practical Paper B of prescribed syllabus.

1. One drut gat with short Alaps, Torhas and Jhala in each of the following Ragas: Bilawal, Khamaj.2. One slow gat with simple Alap and Torhas in any of the prescribed Ragas.3. Ability to demonstrate Ektal, Chautal, Sooltal by hands in Ekgun and Dugun Layakaries.4. Ability to play Ektal on Tabla.5. Ability to play Ten Alankaras on your instrument with different bols.6. Dhun in any Raag.7. Singing of National Anthem while playing Harmonium or yours instrument.

BOOKS RECOMMENDED

1. H.C. Srivastav: Rag Parichay Part - I, II, III.2. Sangeet Karyala, Hathras (U.P.): Sangeet Visharad3. S. Bandhopadhay: Sitar Marg Part II.4. Dr. Jagmohan Sharma: Tabla Vadan Part-I, Pbi. Uni. Publication.5. Sangeet Kaumudi. Part-III (Punjabi), Published by Punjabi University, Patiala6. Veena Mankaran: Sangeet Sar Part-I7. Shanti Goverdhan: Sangeet Shashtra Darpan.8. Bhagwat Sharan Sharma: Sitar Malika.9. Sangeet Karyala, Hathras: Hamare Sangeet Rattan10. Dr. Gurnam Singh: Sangeet Nibandhavali,

Published by Punjabi University, Patiala.

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part - I Semester - II (2010-11, 2011-2012, 2012-2013)

PAPER-A: - III-TABLA (THEORY) Max. Marks-100 Time: 3 HrsPass Marks-40% Practical - 40 MarksInternal Assessment-20 Marks Theory - 40 Marks

Instruction for Paper Setter: The question paper will consist of five sections A, B, C, D and E. Section A, B, C, D will have two questions from the respective sections of the syllabus and will carry 6 marks each. Instruction for Candidates: Candidates are required to attempt one question each from section A, B, C, D and the entire section E is compulsory.

Section - A1. Definition with full explanation of following:-

Vihbhag, Tihai, Mukhra, Kayada, Palta, Rela and Paran.2. Importance of Taal in Music.

Section - B1. Knowledge of Nagada.2. Life Sketch of Ustad Bahadur Singh and Pt. Chatur Lal.

Section - C1. Comparative Study of the following Taals:

(a) Kehrava (b) Ektaal 2. Recognition of above mentioned taals through some bols set by Paper-Setter.

Section - D1. Writing notation in the following material:

Ektaal - One Quaida, two tukras, tehais and one paran.Chautaal - Thheka in Ekgun, Dvigun and Chaugun Layakaries.

2. Notation of above mentioned taals with their dugan & chaugun layakaries.3. Ability to compose small tehais and paltas in above mentioned Taals.

Section - ESection E will consist of 8 short answer type questions which will cover the entire syllabus uniformly

and will carry 16 marks. Each short answer type questions will carry 2 marks.

Combined SyllabusB.A. (Hon's) School in Gurmat Sangeet

&B.A. (Hon's) School in Dance

Part - I Semester - II (2010-11, 2011-2012, 2012-2013)

PAPER - B: - III - TABLA (PRACTICAL) Max. Marks-100 Time: 1 HrsPass Marks-40% Practical - 40 MarksInternal Assessment-20 Marks Theory - 40 Marks

(a) Proper Barhat of following Taals : Chautaal and Ektaal.

(b) Laggis in Keharav Taals.

(c) Ektaal - One Quida, two turkas, two tehais, one paran

(d) Chautaal - Thheka in Ekgun, Digun and Chaugun Layakaries.

(e) Ability of play Nagma on Harmonium in Taals prescribed in syllabus.

(f) Tunning of Tabla.

BOOKS RECOMMENDED1. Tabla Vadan, Published by Pbi.Uni. : Jagmohan Sharma 2. Tabla Tarang : B S Nigam3. Taal Prakash : Sangeet Karyala Hathras4. Taal Prichiya - Part-I, II & III : G.C. Shrivastava5. Taal Prabhakar Prshontri : G. C. Shrivastava6. Taal Maartand : B S Sharma7. Bhartiya Talon ka Shastriya vivechan: Arun Kumar Sen8. Bhartiya Sangeet Vadyas : L M Mishra9. Taal Rattan : Sujit Singh

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PUNJAB HISTORY AND CULTURE PAPER-V, SEMESTER-II(In lieu of Punjabi Paper)

GENERAL INSTRUCTIONS FOR THE PAPER-SETTER1. The question paper should carry 100 marks and the time allowed would be three hours.2. The question paper should contain ten essay type question. It should be divided into two sections. Five

questions should be set from each section. The candidates should be asked to attempt five questions, selecting at least two questions from each section. All questions carry equal marks.

3. The question should be set strictly according to the syllabus.4. The language of questions should be straight and simple.5. Not more than one question should be based on quotation.6. The question paper should cover the whole syllabus and questions should be evenly distributed.7. Those questions which have more than one part, marks for each part must be indicated on the question

paper itself.From the rise of Buddism to 1000 A.D

Max. Marks:100 External Assessment:80 marksTime: 3 Hours Internal Assessment:20 marks

Pass Marks:40%SECTION-A

1. Teachings and impact of Buddhism and Jainism in the Punjab.2. Political condition of the Punjab on the eve of Alexander's invasion, account of the invasion and its

impact.3. Punjab under Chandragupta Maurya and Ashoka.

SECTION-B4. The Kushans and their contribution to the Punjab.5. The Punjab under the Gupta and Vardhana Emperors.6. Development of Education, literature, art and architecture till 1000 A.D.

SUGGESTED READINGS 1. L.M. Joshi (ed) : History and Culture of the Punjab, Part-I (Patiala, 1989)

(3rd edition).2. L.M.Joshi and Fauja Singh (eds): History of the Punjab, Vol-I (Patiala, 1977).3. Buddha Prakash : Glimpses of Ancient Punjab, (Patiala, 1983).4. R.S. Tripathi:History of Ancient India.5. B.N Sharma: Life in Northern India (Delhi, 1966).6. V.C Pandey: Political and Cultural History of India.7. Romila Thapar : History of India Vol-I, (Penguin Books, 1966).8. A.L Basham : The Wonder that was India.9. Sukhninder Kaur Dhillon : Religious History of Ancient Punjab.

Combined Syllabus ForBA -I   HONS SCHOOL IN GURMAT SANGEET SEM-II

BA -I   HONS SCHOOL IN DANCE SEM-II

PAPER -VI-(ENGLISH COMMUNICATION   SKILLS)    

Max. Marks: 60                                                  Time allowed: 3 hours

 

INSTRUCTIONS FOR THE PAPER SETTER 

(a)The paper setter shall set nine questions in all.

(b) The paper setter shall set two questions from each section A, B, C, & D. Carrying 10 marks for each question. (10+10+10+10=40)

(c) The paper setter shall set one compulsory question for Section E carrying 10 short type questions from entire syllabus which will carry 20 marks (10*2=20)

 

THEORY PAPER

 

Section A

1. Selected College Poems by Orient Longman

POEMS   1 TO 6

i)                 One Essay type question with internal choice on theme, summary, central idea of the poem

2. Reference to the context from the Poems. The candidate shall explain 2 out of 3 given reference to the context. 

 

 

Section B

1. Description and classification of Consonant

2. Description and classification of Vowels

Section C

 3. Phonetic Symbols (knowledge of IPA symbols as used in Daniel Jones English Pronunciation Dictionary)

4. Phonetic transcription

Section D 

5. Report writing 6. Words frequently miss pelt.

   

 BOOKS PRESCRIBED 

1. Selected College Poems By Orient Longman

2. A Course in Phonetics and Spoken English  by J. Sethi &P.V. Dhamija, Chapters 3, 4, 9 and 10 are  only to be studied

3. English Pronouncing Dictionary by Daniel Jones.

4. The Written Word by Vandana R. Singh

5. Introduction to the Pronunciation of English by A.C. Gimson and Susan Ramsaran

6. The Students’ Companion by Wilfred D. Best

 

INSTRUCTIONS FOR THE CANDIDATE

The candidate  shall attempt 5 questions  selecting at least 1 question from Section  (A, B, C,D of 10 marks each question).The fifth question carrying 10 short type questions from Section E shall be compulsory carrying 20 marks)

 

PRACTICAL PAPER               MAX. MARKS 20                                           Viva voice from the following (5+5+5+5=20)

1. Consonants (5 marks)

2. Vowels (5 marks)

3. Phonetic Transcription (5 marks)

4. Vocabulary (5 marks)