scheme of examination of bachelor of fine arts ( bfa)- 1st ... aug 2010/b_f_a_ dated 20 a… ·...

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Scheme of Examination of Bachelor of Fine Arts BFA – 1 st and 2 nd Semester (Foundation Course) in

Drawing & Painting, Applied Arts and Sculpture(w. e. f. 2010-11 in phased manner)

B.F.A. 1 st Semester Paper No Nomenclature of the Paper Max. Marks ____________ Time Allowed

Sessional ExaminationI (Theory) Hindi — 50 3 Hrs.II (Theory) Communicative English — 50 3 Hrs.III (Theory) Appreciation and Fundamentals

of Visual Arts — 100 3 Hrs.

IV (Practical) Drawing — NO EXAMV -do- Design-2D & 3D. — NO EXAMVI -do- Pictorial Design/Painting — NO EXAMVII -do- Print Making — NO EXAMVIII -do- Clay Modeling — NO EXAMIX -do- Geometry, Perspective — NO EXAM______________& Calligraphy ___________________________________________________

Total Marks — 200

B.F.A. 2 nd Semester

Paper No. Nomenclature of the Paper Max. Marks Time Allowed Sessional Examination

I (Theory) Hindi ---- 50 3 Hrs.II ( Theory) Communicative English ---- 50 3 Hrs.III ( Theory) Appreciation and Fundamentals

of Visual Arts ---- 100 3 Hrs.

IV ( Practical) Drawing 50 50 6 Hrs.V -do- Design-2D & 3D 50 50 6 Hrs.VI -do- Pictorial Design/Painting 50 50 6 HrsVII -do- Print Making 50 50 6 Hrs.VIII -do- Clay Modeling 50 50 6 Hrs.IX -do- Geometry, Perspective 50 50 6 Hrs.

& Calligraphy

Total Marks 300 + 500 = 800

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Scheme of Examination of Bachelor of Fine Arts BFA – 3 rd & 4 th Semester in Drawing & Painting (Group A)

w.e.f. 2011-12

B.F.A. 3 rd Semester

Paper Group of specialization Nomenclature of Maximum Time No. A= Drawing & Painting the paper Marks Allowed

Sessional Examination

Paper-I (Theory) History of Ancient Art — 100 3 HoursPaper-II -do- Art and Society — 100 3 Hours Paper-Ill-do- Method & Materials — 100 3 HoursPaper-IV -do- Communicative English — 100 3 Hours

Paper-V (Practical) Drawing — NO EXAMPaper-VI -do- Head Study — NO EXAMPaper-VII -do- Pictorial Composition — NO EXAMPaper-VIII -do- Print Making & Photography— NO EXAM

Total = 400

B.F.A. 4 th Semester



I (Theory) Group A History of Ancient Art ----- 100 3 HrsII -do- -do- Art and Society ----- 100 3 HrsIII -do- -do- Methods & Materials ----- 100 3 HrsIV -do- -do- Communicative English ----- 100 3 Hrs

V (Practical) -do- Drawing 100 100 18 HrsVI -do- -do- Head Study 100 100 18 Hrs VII -do- -do- Pictorial Composition 100 100 18 HrsVIII -do- -do- Print Making

& Photography 100 100 24 Hrs

Total = 400 + 800 = 1200

Scheme of Examination of Bachelor of Fine Arts

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BFA – 5 th & 6 th Semester in Drawing & Painting (Group A) w.e.f. 2012-13


Paper Group of specialisation Nomenclature of Maximum Time No. A= Drawing & Painting the paper Marks Allowed


I (Theory) Group A History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Indian) ------ 100 3 Hrs

IV (Practical) -do- Head Study NO EXAM& Drawing from Life

V -do- -do- Composition NO EXAMVI -do- -do- Print Making NO EXAMVII -do- -do- Mural NO EXAM

Total = 300




I (Theory) Group A History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Indian) ------ 100 3 Hrs

IV (Practical) -do- Head Study 100 100 24 Hrs & Drawing from Life

V -do- -do- Composition 100 100 24 HrsVI -do- -do- Print Making 100 100 24 HrsVII -do- -do- Mural 100 100 24 Hrs

Total = 400 + 700 = 1100

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Scheme of Examination of Bachelor of Fine Arts BFA – 7 th & 8 th Semester in Drawing & Painting (Group A)

w.e.f. 2013-14


Paper Group of specialisation Nomenclature of Maximum Time No. A= Drawing & Painting the paper Marks Allowed


I (Theory) Group A History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Western) ------ 100 3 Hrs

IV (Practical) -do- Portrait Painting & NO EXAM Life Study

V -do- -do- Advance Composition NO EXAMVI -do- -do- Print Making NO EXAMVII -do- -do- Mural NO EXAM

Total = 300




I (Theory) Group A History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Western) ------ 100 3 Hrs

IV (Practical) -do- Portrait Painting 100 100 36 Hrs & Life Study

V -do- -do- Advance Composition 100 100 24 HrsVI -do- -do- Print Making 100 100 24 HrsVII -do- -do- Mural 100 100 30 Hrs

Total = 400 + 700 = 1100

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Scheme of Examination of Bachelor of Fine Arts BFA – 3 rd & 4 th Semester in Applied Arts (Group B)

w.e.f. 2011-12


Paper Group of specialization Nomenclature of Maximum Time No. B= Applied Arts the paper Marks Allowed



Paper-V (Practical) Drawing — NO EXAMPaper-VI -do- Press Layout — NO EXAMPaper-VII -do- Poster Design — NO EXAMPaper-VIII -do- Graphic Design — NO EXAM

Total = 400




I (Theory) Group B History of Ancient Art ----- 100 3 HrsII -do- -do- Art and Society ----- 100 3 HrsIII -do- -do- Methods & Materials ----- 100 3 HrsIV -do- -do- Communicative English ----- 100 3 Hrs

V (Practical) -do- Drawing 100 100 18 HrsVI -do- -do- Press Layout 100 100 18 Hrs VII -do- -do- Poster Design 100 100 18 Hrs VIII -do- -do- Graphic Design 100 100 18 Hrs

Total = 400 + 800 = 1200

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Scheme of Examination of Bachelor of Fine Arts BFA – 5 th & 6 th Semester in Applied Arts (Group B)

w.e.f. 2012-13




I (Theory) Group B History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Advertising Profession

& Practice ------ 100 3 Hrs

IV (Practical) -do- Magazine Layout & Typography NO EXAM

V -do- -do- Poster Design NO EXAMVI -do- -do- Printing & Photography -I NO EXAMVII -do- -do- Computer Graphics-I NO EXAM

Total = 300






IV (Practical) -do- Magazine Layout & Typography 100 100 18 Hrs

V -do- -do- Poster Design 100 100 18 HrsVI -do- -do- Printing & Photography-I 100 100 18 HrsVII -do- -do- Computer Graphic-I 100 100 12 Hrs

Total = 400 + 700 = 1100

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Scheme of Examination of Bachelor of Fine Arts BFA – 7 th & 8 th emester in Applied Arts (Group B)

w.e.f. 2013-14



Sessional-Examination



IV (Practical) -do- Product Campaign Design NO EXAM V -do- -do- Social Campaign Design NO EXAM VI -do- -do- Printing & Photography-II NO EXAM VII -do- -do- Computer Graphic-II NO EXAM

Total = 300



Sessional Examination I (Theory) Group B History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Advertising Profession


IV (Practical) -do- Product Campaign Design 100 100 30 Hrs V -do- -do- Social Campaign Design 100 100 30 HrsVI -do- -do- Printing & Photography-II 100 100 24 HrsVII -do- -do- Computer Graphics-II 100 100 18 Hrs

Total = 400 + 700 = 1100

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Scheme of Examination of Bachelor of Fine Arts BFA – 3 rd & 4 th Semester in Sculpture (Group C)

w.e.f. 2011-12


Paper Group of specialization Nomenclature of Maximum Time No. C= Sculpture the paper Marks Allowed



Paper-V (Practical) Drawing — NO EXAMPaper-VI -do- Composition — NO EXAMPaper-VII -do- Portrait — NO EXAMPaper-VIII -do- Advance Composition — NO EXAM

Total = 400




I (Theory) Group A History of Ancient Art ----- 100 3 HrsII -do- -do- Art and Society ----- 100 3 HrsIII -do- -do- Methods & Materials ----- 100 3 HrsIV -do- -do- Communicative English ----- 100 3 Hrs

V (Practical) -do- Drawing 100 100 12 HrsVI -do- -do- Composition 100 100 18 Hrs VII -do- -do- Portrait 100 100 18 Hrs VIII -do- -do- Advance Composition 100 100 18 Hrs

Total = 400 + 800 = 1200

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Scheme of Examination of Bachelor of Fine Arts BFA – 5 th & 6 th Semester in Sculpture (Group C)

w.e.f. 2012-13




I (Theory) Group C History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Indian) ------ 100 3 Hrs

IV (Practical) -do- Drawing NO EXAMV -do- -do- Composition NO EXAMVI -do- -do- Life Study (Portrait/Torso) NO EXAMVII -do- -do- Advance Composition NO EXAM

Total = 300




I (Theory) Group C History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Indian) ------ 100 3 Hrs

IV (Practical) -do- Drawing 100 100 06Hrs V -do- -do- Composition 100 100 24 HrsVI -do- -do- Life Study(Portrait/Torso) 100 100 24 HrsVII -do- -do- Advance Composition 100 100 24 Hrs

Total = 400 + 700 = 1100

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Scheme of Examination of Bachelor of Fine Arts BFA – 7 th & 8 th Semester in Sculpture (Group C)

w.e.f. 2013-14




I (Theory) Group C History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Western) ------ 100 3 Hrs

IV (Practical) -do- Drawing NO EXAM V -do- -do- Composition NO EXAMVI -do- -do- Life Study (Full Figure) NO EXAMVII -do- -do- Advance Composition NO EXAM

Total = 300




I (Theory) Group C History of Indian Art ------ 100 3 HrsII -do- -do- History of Western Art ------ 100 3 HrsIII -do- -do- Aesthetics (Western) ------ 100 3 Hrs

IV (Practical) -do- Drawing 100 100 06 Hrs V -do- -do- Composition 100 100 24 HrsVI -do- -do- Life Study (Full Figure) 100 100 24 HrsVII -do- -do- Advance Composition 100 100 24 Hrs

Total = 400 + 700 = 1100

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Detailed Syllabus of BFABFA 1st and 2nd Semester (Foundation Course) Examinations

Theory Subjects

Syllabus for 1st Semester 1 st Semester Foundation course Theory Papers:

Paper – I Theory HindiTime-3 hrs Maximum Marks-50

No. of question to be set: 10No. of question to be attempted: 5

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B.F.A. 1 st Semester, Paper-II Communicative English

Theory Papers:

Paper – II Theory Communicative English Time-3 hrs Maximum Marks-50

No. of question to be set: 8No. of question to be attempted: 8 (With internal Choice)

Part-A

A. Chronicles of Time edited by Asha Kadiyan, Reader in English, M.D. University, Rohtak

B. The Pointed Vision: An anthology of Short Stories by Usha Bande and KrishanGopal, (Oxford University Press, New Delhi, with the following deletions andadditions.)

Deletions:(i) "The Saint and the Goblin"(ii) "Happiness"(iii) "Hands"

Additions to be made:(i) Anton Chekhov's "The Bet"(ii) Rabindra Nath Tagore's "The Postmaster"(iii) O. Henry's "The Gift of the Magi"

Scheme of ExaminationQ.1. Explanation with reference to the context.

The candidate will be required to attempt two passages (with internal choice fromthe book of Poems) (15 Marks)

Q. 2. Short-answer type questions on poems (four questions to be attempted out of thegiven eight.)

ORFour short-answer type questions will be set on the prescribed short-stories. The students will be required to attempt any four out of given eight questions. (15 Marks)

Q. 3. One essay-type questions (with internal choice) will be set on each of the prescribedtexts A & B. Students will be required to attempt one question each from both thetexts. (20 Marks)

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B.F.A. (Semester-1 st ) Paper-Ill:

Appreciation and Fundamentals of Visual Art (Theory)

Time- 3 hrs. Maximum Marks-100


Details of course works: a)Definition of art, its various forms, and approaches-representational, conceptual etc.b)The basic concepts of line, form, space, colour, tone, texture and contents.c)Application of terms- balance, rhythm, unity, harmony, perspective and dominance.d)Varieties of mediums applicable in art works- oil colours, acrylic, water, tempera, metals, clay,wood, print-making process etc.e)Geometry and Perspective: different types- one point, two points, three points, oblong, parallelperspectives; geometrical principles in designs.

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2 nd Semester Foundation course Theory Papers:

Paper-I Theory HindiTime-3 hrs Maximum Marks-50


B.F.A. (Semester - 2nd) Communicative English

Paper- II Time: 3 Hours Maximum Marks: 50

Instructions:


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Part-B Text Book Prescribed:

A Remedial English Grammar for Foreign Students by FT. Wood.

Q. 1. Items based in the examples/exercises given in the prescribed text-book ofGrammar. (10 Marks)

The following topics are to be studied in detail:

Topics Chapter No. of thePrescribed text-book

1. Articles 12. Agreement of verb and subject 23. Difficulties with comparatives and superlatives 104. Prepositions 135. Tenses 166. Infinite 20

Q. 2. (a) Idioms and Phrases(b) Synonyms/Antonyms (10 Marks)

Q.3. Paragraph (10 Marks)The candidate will be required to write a paragraph on any of the give given topics.

Q. 4. Letter/Application (10 Marks)Students will be asked to write a letter or an application. The question will carry internal choice.

Q. 5. Translation (from Hindi to English, of a passage consisting of 6 to 8 sentences)(10 Marks)

Syllabus for 2 nd Semester

Paper-Ill: Appreciation and Fundamentals of Visual Art (Theory) Time- 3 hrs. Maximum Marks-100

No. of question to beset: 8No. of question to be attempted: 05Details of course works:

a) Relationship of art with society, religion and culture.b) Introduction to different approaches in studying art and criticism: philosophy of art,

formalistic approach, psychological approach and content analysis.c) Theory of colourd) Art and Visual perception.

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Practical Syllabus (1 st and 2 nd Semester)

Paper-IV Practical DrawingTlme-6 hrs Maximum Marks-100 (Sessional-50; Examination-50)

Size: quarter sheet.Medium: pencil, charcoal, crayons, pastel, water colours, pen and inks.Note: candidate will have to choose any of the above medium in the examination.

Detail of course work:

Drawing exercises are to learn accurate observation and skills of graphic presentation in free hand drawing exercises from objects and nature to study proportion, volume and visual perspective, suggestion of solidity by line, mass, value and texture; emphasis on variety of visual experiences.

a) Study of proportion, line, colour, form, tone, texture and graphic representation.b) Nature Drawing: study of various natural forms.c) Drawing from various man-made objects.d) Drawing from memory- to develop the sense of observation and the capacity to retain and

recall images and their co-ordination.

No. of assignments:

Nature drawings: 6

Drawing from man-made object: 6

Drawing from mrmory-5

Free-hand sketching: 1000

Paper-V Practical Design-2D and 3-DTime-6 hrs Maximum Marks-100 (Sessional-50; Examination-50)

Courses of study:Study of two-dimensional space and its organizational possibilities.

a) Elements of pictorial expression related to concepts of space and forms. Developing anAwareness of pictorial elements such as point, line, shape, volume texture, light and colour, Basicdesign problems.

b) Study of various types of objects (natural and man-made) with a view to transform them into flatpictorial images.

c) Developing an awareness of pictorial space-division of space form and its relation with space-observation of primitive, folk and miniature paintings as well as graphic designs.

d) Developing an awareness of inter-relationship of different shapes and forms -relative values.

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e) Activation of space through form and colour - Optical illusions.

f) Handling of various types of material for pictorial Organisation and rendering, such as:Pencil, pen, brushes, water colours, poster paints, pastel crayon, inks, cellophanes, oil newsprint and other college material, gums and adhesives, wax crayon with inks, etc.,

g) A coordinated series of basis design problems with aesthetic and analytical approach.

Study of three-dimensional space and its organizational possibilities.

a) To develop the sense of structure.

b) Operational problems in building up structure.

c) Gravitational and mechanical principles.

d) Principles of composition and the study of the principles that hold the structure.

e) Simple assignments in organizing various units through:

Symmetrical load bearing structure Cantilever construction. Flexibility and ability to stretch Geometrical regularity Arched structure. Control of tensions Hinge construction.

f) Expanding structure through unit etc. Experiments through various types of material and theircombinations such as:-

Paper, cardboard, wood block, wire, clay, plasticine, plaster of paris, metal sheets, plastic form thermo-cole, string, gums and adhesives, wax found objects etc. Types:

1. Carved 2. Modeled. 3. Perforated (bored through) 4. Mobile. 5. Various methods of joining such as interlocking, pasting etc.

No. of assignments:2-D Design: 10 3-D Design: 10

Paper-VI Practical Pictorial Design/PaintingTime-6 hrs Maximum Marks-100 (Sessional-50; Examination-50)Size: Quarter Sheet Medium: Water Colors, Acrylic and Oil Colors.Courses of study:

a) Compositional exercises based on studies of objects and groups in space, on studies of the local scene.

b) Compositional analysis of paintings; exercises in the use of colour and textural values.

i) The objective of Painting lessons is to learn theory of colours and develop the ability todraw and paint with them.

ii) Painting from objects and nature (landscape) study of colour, form, tone, and texture.No. of Assignments: 10

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Paper-VII Practical Print Making

Time-6 hrs Maximum Marks-100 (Sessional-50; Examination-50)

Anticipatory and imaginative use of gathering impressions.

Fundamentals of various methods of taking prints.

Observation of intrinsic texture of various surfaces and the textures of natural and man-made things.

Assignments in: Rubbing, potato prints, monoprint, Lino cut, wood cut.

Techniques of taking prints in: -Mono colour and Two colour

Experience of printing of different types of surfaces: Rice Paper, Hand made paper various types of fabrics (cloth)

Experience of Hand printing with wood blocks, printing through press, Methods of inking

No. of Assignments: 15

Paper-VIII Practical Clay ModelingTime-6 hrs Maximum Marks-100 (Sessional-50; Examination-50)Medium: Clay, Plaster of Paris, Paper, metal foil sheet etc.

Courses of study;

(a) Learning to see, experience and study of natural or manmade objects involving perception, analysis of perceptual elements and understanding of their relationships.

In round-Natural or man-made objects, in relief most familiar areas of contact.

(b)Introduction to sculpture-basic elements and their relationships-Sculptural exercises based onstudies from nature, human figures or other areas of contact.

(c) Exercises in sculptural expression-manipulation of space and volumes using different materials.

No. of assignments: 10

Paper-IX Practical Geometry, Perspective and CalligraphyTime-6 hrs Maximum Marks-100 (Sessional-50; Examination-50)

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Size: Quarter sheet. Medium: Pencil, Pen and Ink.Note: Candidate will have to do one each assignment of Geometry and Perspective, and Calligraphy

Courses of study:

Perspective :a) Introduction to orthographic projections in simple positions, drawing of plan, elevation and

selection of simple objects to scale, full size reduced or enlarged.b) Isometric projections.c) Parallel and angular perspective based on simple solids of basic shapes.

Geometry : Simple geometrical drawings-line and angles, triangles, quadrilateral, squares, polygons

and circles, simple scales.Calligraphy :

d) Basic discipline of beautiful handwriting, sense of letter form- simultaneous judgement of the composition of letter's spacing organization - intuitive and logical planning of writing development of style.

e) A co-ordinated series of assignments of script writing with different types of traditional and modern tools. Students should be exposed to calligraphic examples of various traditional scripts.

No. of Assignments: Geometry & Perspective: 8; Calligraphy: 10

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BFA 3rd Semester ExaminationsGroup – A (Painting)

Syllabus of Theory Subjects

Paper I: HISTORY OF ANCIENT ART (Theory) Paper-I TheoryTime-3 hrs Maximum Marks: 100Instructions:

No. of Questions to be set : 10No. of Questions to be attempt: 05

Courses of study:A. INDIAN ART:

Emphasis will be Riven on the social, religious and formalistic development ofIndian Art:-evolution of prehistoric cultures in IndiaPre-Historic: cave paintings at Bhim Betaka and other important sites in MadhyaPradesh, Mirzapur, Bellari.Proto-Historic: Indus Valley, Daimabad and Megalithic cultures.

Sculptures (including terracotta) and Architecture from 3 rd century BC to 6 th

Century AD:B. WESTERN ART:

Pre-Historic: Altamira, LascussEgyptian: Tomb sculptures and paintings- archaich period, old and middle kingdom,etc.Mesopotamia: Sumer, Babylon, Assyria, Persia.

Paper II: Art and Society (Theory)

Time- 3 hrs. Maximum Marks: 100

Instructions:No. of Questions to be set : 8No. of Questions to be attempt: 05

Courses of study:-Introduction to sociology and anthropology-Races of man-aspects of culture, universals in cultures, cultural patterns and environment andCulture-kinship groups, clan, tribes-social norms and values and condition of learning’s-social stratification and classes: its genesis and development

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Paper-III METHODS & MATERIALS (Theory)Time-3 hrs Maximum Marks: 100

NOTE: (i) No. of Questions to be set- 8(ii) No. of Questions to be attempted - 5(iii) The questions are to be equally distributed among all the topics of the

Syllabus. (iv) All questions will be of equal marks.

Courses of study:A. Importance of Methods and Materials,

Nature and Characteristics of Drawing and Painting media such as pencil, crayon, charcoal, pen and ink, watercolour gouache, pastel and oil paint.

B. Introduction to Mural and Print making media. Fresco Buono, Fresco Secco, Mosaic method: direct and indirect method, distemper and application of various techniques in Mural makings, and Silk-screen, Etching, Lithography, wood-cut, respectively.

C. Ceramics and Glass.Folk Art: Madhubani, Kalamkari and Pat-chitra, Miniature Painting.

Paper IV COMMUNICATIVE ENGLISH (Theory) Time- 3 Hrs Maximum Marks: 100



Part -ACourses of Study

A) Collection of poems edits by Dr. S.K. Sangwan.b) Snap Shots (one act plays edited by Dr. S.K. Sharma)

Scheme of ExaminationQ.1 Explanation with reference to the context The candidates will be required to attempt

two passages (with internal choice) one from the book of poems and the other from the book of one act plays. 20+20=40 Marks

Q.2 Short Answer type questions:Ten short answer type questions will be set from the prescribed poems. The students will be required to attempt five questions out of the given ten questions.

20 Marks

Q.3 One essay type questions (with internal choice will be set on each of the poems and one act plays. Students will be required to attempt one question each from both textbooks. 40 Marks

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Syllabus for B.F.A 4 th Semester

Paper: HISTORY OF ANCIENT ART (Theory)Paper-I TheoryTime-3 hrs Maximum Marks: 100

Instructions:No. of Questions to be set : 10No. of Questions to be attempt: 05

Courses of study:A. INDIAN ART:

Mauryan sculptures and pillars.-Stupa Sculptures and Architecture: Barhut, Sanchi, Amaravati, Nagarjunkonda.

-Mathura, Sarnath, Gandhar, Eran, Deogarh, Ahicchatra, Kosambi etc-Cave Sculptures and Architecture: Bhaja, Karla, Nadsur, Junnar, Ajanta, Ellora,Pitalkhora, Kanheri, Elephanta,Kondivite.-Important art-historical sites: Deogarh, Eran, Kosambi, Udaygiri etc.

B. WESTERN ART:Minoan and Mycenaean Art.

Greek sculptures: four phases of development of Greek sculptures.Roman sculptures and paintingsEarly Christian and Byzantine period,Romanesque:

Paper- Art & Society (Theory)

Paper-II TheoryTime-3 hrs Maximum Marks: 100

Instructions:No. of Questions to be set : 8No. of Questions to be attempt : 5

Courses of study: -Marriage and family.-Function of technology and economy: utilization of natural resources and production of art.-Political system, forms and government and party structures: political statement of art.-Religion, beliefs, rituals, clergy, sectarianism and manifestation of art.-Folklore, myths and language.-Socio-cultural change and its interaction with art.

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Paper-III METHODS & MATERIALS (Theory)Time-3 hrs Maximum Marks: 100



Courses of study:A. Gums and glues, Resin and Varnishes.

Drying oils, thinners and siccatives.Practical: Mounting and Pasting of Art Works/ coating surface on paper etc.

B. Preservation, Restoration methods and techniques.C. Preparation of canvas, and other ground surfaces for the paintings.D. Computers: hard-wares and soft-wares.

Paper IV COMMUNICATIVE ENGLISH (Theory) Time- 3 Hrs Maximum Marks: 100



Part B-

Text book prescribed: A course book of English Grammar, Composition and translation edited by Sanjay Kumar and Inderjit Kumar.

Q.4 Questions on Grammar on the prescribed items will be based on prescribed text book of grammar but not necessarily be the same as those given in the text-book.The following topics are to be studied in detail:1. Tenses.2. Subject verb concord.3. Active and Passive voice.4. Narration.5. Common Errors.6. Idioms and Phrases. 48

Marks

Q.5 The candidates will be required to write an essay ( in about 250 words on any of the five given topics. 32 Marks

Q.6 Translation (from English to Hindi) of passage consisting of seven to eight sentences.20 Marks

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Practical Syllabus for B.F.A. 3rd & 4th Semester

Paper-V DRAWING: Practical Group (A)

Time-18 hrs Maximum Marks-200 (Sessional-100; Examination-100)Medium: Pencil, charcoal, crayon

Courses of study:Introduction to various aspects and techniques of drawing. Time bound exercise.

(a) Still Life; Selection and arrangement of objects, composition, eye level, structure, source of light and its effect, tonal and textural values.

(b) Life drawing: Full Figure, Study of human anatomy, proportion, planes and masses, posture and rhythmic unity of body parts, foreshortening, quick time sketches and finished drawings.

(c) Outdoor : Selection of spot, picture frame observation and study of variations in nature, additions and elimination, simplification, eye levels and perspective, balance and rhythms for use in composition.

(d) No. of assignments: Still life-10

Life Drawing-10Nature Study-10Freehand sketching-1000

Paper-VI HEAD STUDY Practical Group (A)

Time-18 hrs Maximum Marks-200 (Sessional-100; Examination-100)Medium: Pencil, charcoal, crayon, pastels

Courses of study:Head Study; Construction of the skull: planes and masses of the head , bust from different angles and eye levels: adding of details and finishing.


Paper-VII PICTORIAL COMPOSITION Practical Group (A)

Time-18 hrs Maximum Marks-200 (Sessional-100; Examination-100)Medium: Water colour, Acrylics and Oil.

Courses of study:Compositional exercises based on studies of objects and groups in space, on studies of the local scene. Compositional analysis of paintings; exercises in the use of colour and textural values.


Paper-VIII PRINT MAKING & PHOTOGRAPHYPractical Group (A)

Time-24 hrs Maximum Marks-200 (Sessional-100; Examination-100)Medium: As required.

Courses of study: Principles of stencil printing. Preparing drawing for stencils. Preparing frame for printing. Working with glue and tusche for printing.Different methods of photography, use of camera, observation and selection of subjects, exposing, indoors, outdoors, process of developing and printing.


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Theory Syllabus BFA 5th Semester

Theory Papers

Paper: I- HISTORY OF INDIAN ART (Theory) Time: 3 Hrs. Maximum Marks: 100



Courses of Study:Painting, Sculptures and Architecture: (from 6th-7th century AD onwards)Chalukya, Pallava, Rashtrakuta period: rock-cut architecture and sculptures at Ellora, Mahabalipuram, Badami. Early structural temples at Aihol, Pattadakal etc.Temples and sculptures in Orissa, Khajuraho and in western India, Pala and Sen Sculptures.

Paper: II- HISTORY OF WESTERN ART (Theory) Time: 3 Hrs. Maximum Marks: 100

NOTE: (i) No. of Questions to be set- 8(ii) No. of Questions to be attempted - 5(iii) The questions are to be equally distributed among all the topics of the Syllabus.

(iv) All questions will be of equal marks

Courses of Study: Emphasis should be given on the different stylistic characteristic:Gothic periodRenaissance – Early: Cimabue, Giovanni Pissano, Giotto, Duccio, Simon Martini Renaissance Art at Rome, Florence, Venice, Netherland, German, France etc.: Donatelo, Ghiberti, Fabriano, Masaccio, Fillipo Lipi, Fra Angeleco, Piero Della Francesca, Verrocchio, Botticelli, Petrugino, Mantegna, Bellini, Van Eyck.

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Paper: III AESTHETICS (Indian) group-A (Theory)Time: 3 Hrs. Maximum Marks: 100


(iv) All questions will be of equal marks.

Courses of Study: A. An introduction to Indian Aesthetics and its brief historical background.

Brief introduction to the basic principles of Indian philosophy as related to arts. Developments of theories of rasa, Dhvani, Bhava, Alankar, Auchitya, Riti, Guna-Dosh, Vyanjana etc.

B. Inter-relationship of Visual and Performing Art.C. Fundamentals of Indian Art based on Hindu Shilpa Texts such as

Vishnudharmottara Puran, Samarangana, Sutradhar, Sukranitisara and Shilparatnam.

Theory Syllabus B.F.A 6th Semester

Theory Papers

Paper: I- HISTORY OF INDIAN ART (Theory) Time: 3 Hrs. Maximum Marks: 100



Courses of Study:Stone and Metal sculpturesArt in South India: Hellebid Bellur, Bronze sculptures from chola to Vijaynagar period.Paintings at Badami, Ellora.Pala manuscript paintings.Western Indian Paintings: Rajasthani paintings: Mewar, Bundi, Kota, Mughal Miniatures and Pahari paintings.

Paper: II- HISTORY OF WESTERN ART (Theory) Time: 3 Hrs. Maximum Marks: 100

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(iv) All questions will be of equal marks

Courses of Study: High Renaissance: Leonardo, Michaelangelo, Raphael, Titian, Giorgione, Durer, Holbein, Bruegel.

Mannerism: (16th C): Painters: Rosso, Parmagianino, Corregio, Tintoretto, El Greco. Sculptors: Bologna, Cellini, Jean Goujon.Baroque: (17th C): Carracci, Caravaggio, Frans Hals, Rembrandt, Vermeer, Rubens, Velasquez, Poussin, Claude Lorrain, Bernini.

Paper: III AESTHETICS (Indian) group-A (Theory)Time: 3 Hrs. Maximum Marks: 100



Courses of Study:A. Detailed studies related to Rasa-nishpatti, its forms and types

Shadanga – the six limbs of Indian Art.B. Theories related to origin and creation of Art, namely, Communication,

Expression and release of emotion.

Practical Syllabus for B.F.A. 5th & 6th Semester

Paper-IV HEAD STUDY AND DRAWING FROM LIFEPractical Group (A)

Time-24 hrs Maximum Marks-200 (Sessional-100; Examination-100)Medium: Pencil, ink, charcoal, crayons, water colour, pastels, oil colours etc.

Courses of study:Analytical Drawing: drawing as an art form, formation of style.

(a) Head Study: Detailed study of structural characters of human head(b) Life Drawing: study of features, drawings in various media with emphasis on manner of execution.

(c) Full figure: Study of the human form and its features, proportion, line and mass.

No. of assignments: 15; Freehand sketching-1000.

Paper-V COMPOSITION Practical Group (A)


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Medium: Oil and water colours.

Courses of study:Pictorial space and horizon line, arrangements in 2-D and 3-D, sub-division and grouping, compositions based on objects, figures, interiors and landscape.


Paper-VI PRINT MAKINGPractical Group (A)


Courses of study:Advanced work in multi-colour silk screen printing, basic fundamentals of lithography technique, introduction of intaglio, Photo process, printmaking in Intaglio, lino, wood-cut, use of multi-colour relief print and mixed media.


Paper-VII MURAL Practical Group (A)


Courses of study:Mosaic, Direct and Indirect methods, Designs, Materials and Techniques.


Theory Papers B.F.A 7th Semester

Paper: I HISTORY OF INDIAN ART (Theory) Time: 3 Hrs. Maximum Marks: 100


(iv) All questions will be of equal marks.Courses of Study: A survey of following art movements:

A study of the following art movements and significant contribution of different painters and sculptors in the development of Modern Indian Art:Company School, Tanjore School of Paintings, Kalighat Paintings, Raja Ravi Verma, Amrita Shergill.Establishment of Art Schools in India.Bengal School: Abanindranath Tagore, Nandalal Bose, Jamini Roy, Gagendranath Tagore, Rabindranath Tagore, Ram Kinker Baij.Progressive Artists Group: Hussain, Souza, Raza, Ara.Other Bombay painters: Padamsee, Tyeb Mehata, Sabavala, Ram Kumar.

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Paper: II- HISTORY OF WESTERN ART (Theory)Time: 3 Hrs. Maximum Marks: 100



Courses of Study: A survey of following art movements:Rococo (18th C): Watteau, Boucher, Gainsborough, Hogarth, Reynolds.Neo-Classicism: (19th C): David, Ingres.Romanticism: Goya, Delacroix, Gericault, Turner and Constable.Realism: Courbet, Corot, Millet, Duamier.Impressionism: Manet, Monet, Degas, Renoir.Post-Impressionism: Cezanne, Van Gogh, Gauguin.

Paper: III AESTHETICS (Western) (Theory)Time: 3 Hrs. Maximum Marks: 100



Courses of Study:A. Nature of Beauty:-

Plato, Aristotle, Plotinus, Kant, Hegel, Marx, Croce.Theories relating to origin of Art.

B. Imitation, Play and Intuition. Role of Sub-conscious and conscious mind in artistic creation.

Theory Syllabus B.F.A 8th Semester

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Theory Papers

Paper: I HISTORY OF INDIAN ART (Theory) Time: 3 Hrs. Maximum Marks: 100



Courses of Study: Calcutta Painters: Paritosh Sen, Bikash Bhattacharya, Prodosh Das Gupta. Madras and South: KCS Panniker, Sultan Ali, Nand Gopal, PT Reddy, Ramchandran.Delhi and North: Satish Gujral, Kishen Khanna, BC Sanyal, Biren De, Anupam Sud, Dhanraj Bhagat, Sehgal, J. Swaminathan, P.N.Choyal.Baroda: N. S. Bendre, K.G. Subramanyam, G.M. Sheikh, Bhupen Khakkar, Sankho Choudhury, Mahendra Pandya, Vivan Sundaram.Significant Women Painters: Naina Dalal, Nalini Malani, Anjoli Ela Menon, Arpita Singh, Aparna Kaur, Pillo Pochkhanwala.

Independent developments and some contemporary trends in Contemporary Indian Art.

Paper: II- HISTORY OF WESTERN ART (Theory)Time: 3 Hrs. Maximum Marks: 100



Courses of Study: Cubism: Picasso and Braque.Fauvism : Matisse.Expressionism: Munch, Nolde, Paul Klee, Kandinsky.Dada and Surrealism: Duchamp, Dali, Miro.Abstractionism: Jackson Pollock, Vasareily, David Hockney.Eminent Sculptors of the Modern period: Rodin, Picasso, Brancusi, Henry. Moore, Barbara Hepworth, Smith.


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Courses of Study:A. Theories relating to Works of Art: Organic structure, content and Form, ExpressivenessB. Theories relating to Response and Appreciation: Empathy, Psychical Distance, Pleasure, Art

in relation to society.

Practical Syllabus for B.F.A 7th & 8th Semester

Paper-IV PORTRAIT PAINTING & LIFE STUDY Practical Group (A)

Time-36 hrs Maximum Marks-200 (Sessional-100; Examination-100)Medium: Oil colours on canvas, water colours etc.

Courses of study:Creative drawing and various international trends.Portrait: Advanced studies complete with foreground and background, character and expression, composition in different settings, development of a personal style. Life Painting: Full figure – Study from full figure with emphasis on delineation of character, dramatisation, distortion and various expressions, composition of figure in different settings, emphasis on the development of a personal style.


Paper-V ADVANCE COMPOSITIONPractical Group (A)

Time-24 hrs Maximum Marks-200 (Sessional-100; Examination-100)Medium: Oil, water colour, Acrylics etc.

Courses of study:Advancement of previous experience towards a complete pictorial interpretation, theme and expression of mood, symbolism, dramatisation, distortion for emotional effect. Projects with emphasis on independent creative work.


Paper-VI PRINT MAKINGPractical Group (A)


Courses of study:Silk screen: Advanced work in multi-colour photo processes.Lithography: Advanced work in monochrome and multi-colour photo processes technique/Etching: Advanced printmaking in Intaglio, use of multi-colour relief print and mixed media. Introduction of photo processes/ etching printing.


Paper-VII MURAL Practical Group (A)

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Courses of study:Mosaic, Direct and Indirect methods, Designs, Materials and Techniques.


STREAM: APPLIED ART ( GROUP- B) Theory Syllabus B.F.A 3rd Semester

BFA (Applied Arts) ExaminationsPaper-I : HISTORY OF ANCIENT ART

Time: 3 Hrs. Maximum Marks: 100

Courses of Study:

Same as in Painting (Group A).

PAPER-II : ART AND SOCIETY


Courses of Study:

Same as in Painting (Group A)

PAPER-III : METHODS AND MATERIALS


Courses of Study:


PAPER-IV : COMMUNICATIVE ENGLISH


Courses of Study:


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BFA (Applied Arts) Examinations(Group B)

4th Semester

Theory SubjectsPaper-I : HISTORY OF ANCIENT ART


Courses of Study:


PAPER-II : ART AND SOCIETY


Courses of Study:


PAPER-III : METHODS AND MATERIALS


Courses of Study:


PAPER-IV : COMMUNICATIVE ENGLISH


Courses of Study:


Practical Papers:

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Paper:III METHODS AND MATERIALS (Theory)Time: 3 Hrs. Maximum Marks: 100

Courses of Study:Same as in Painting

Paper-IV COMMUNICATIVE ENGLISH (Theory) Time: 3 Hrs. Maximum Marks: 100

Courses of Study:Same as in Painting

BFA (Applied Arts) Examinations (Group B)5th Semester

Theory Subjects

Paper-I : HISTORY OF INDIAN ART


Courses of Study: Same as in Painting (Group A)

PAPER-II : HISTORY OF WESTERN ART



PAPER-III : ADVERTISING PROFESSION & PRACTICE ( Semester 5th )


Instructions:(i) No. of questions to be set : 08(ii) No. of questions to be attempted : 05(iii) The questions are to be equitably distributed among all the topics of the

Syllabus.(iv) All questions will be of equal marks.

Courses of Study:

1. Introduction to Advertising, truth and fundamentals of Advertising, ethics in Advertising. Media of Advertising. Technical terms of Advertising.

2. Principles of Design. Elements of design, its role and effect in Advertising layouts and its elements. Typography and its basic rules.

3. Printing: introduction of main printing processes such as Letterpress, Lithography, Gravure, Offset, Silk-screen, its history and development, latest techniques of printings.

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BFA (Applied Arts) Examinations (Group B)6th Semester

Theory SubjectsPaper-I : HISTORY OF INDIAN ART










Courses of Study:

1. Trends and developments of Modern Advertising, Types of Advertising, Justification of Advertising for expenditure and growth.

2. Advertising for Nation-Building and Social welfare. Concept Planning and Creative Research.

3. Advertising Agency, its structure and different departments. Function of different departments. Role of art studio in the Agency.

4. Different Media of Advertising – Indoor, outdoor, Direct mail etc.

Practical Papers:

Paper-V POSTER DESIGNPractical Group (B)

Time-18 hrs Maximum Marks-200 (Sessional-100; Examination-100)Size: 20”x 30” Medium: Poster colours, pen and ink, water colour

Courses of study:Study of different schools of posters and their application to the project; making of posters, show cards, multi-sheet posters etc.

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No. of assignments:No. of Posters: 8

Paper-VI PRINTING & PHOTOGRAPHY- IPractical Group (B)

Time-18 hrs Maximum Marks-200 (Sessional-100; Examination-100)Size: As per requirement

Courses of study: Use of camera; observation and selection of subject, composition; exposing

outdoors and indoors. Process of developing and printing (contact and enlargements). Films and their sensitivity.

No. of assignments:Black and White Prints: 10

BFA (Applied Arts) Examinations (Group B)

7th Semester

Theory Subjects


Time: 3 Hrs. Maximum Marks: 100Courses of Study:







Instructions:

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(i) No. of questions to be set : 8(ii) No. of questions to be attempted : 05(iii) The questions are to be equitably distributed among all the topics of the


Courses of Study:

1. Campaign Planning, appeal : Use of appeal in campaign planning, objectives, continuity. Different kinds of Campaigns : Social, Product

2. Corporate Image, and Corporate Identity.

3. Market Research & Analysis.

4. Types of copy and Design approach of campaigning.

5. Communication and its type. Barriers in good communication.

Practical Papers:

Paper-VII COMPUTER GRAPHICS- II Practical Group (B)

Time-12 hrs Maximum Marks-200 (Sessional-100; Examination-100)Size: As per requirement Courses of study: Advanced study in Corel Draw, introduction and advanced proficiency in

Photoshop, MS Word and PageMaker, use of softwares in designing Product and Social campaigns.

No. of assignments:Advertising Campaign: 1(Product or Social). The following items are to be included in this:Posters: 2Press/ Magazine Advertisements: 2Logo, Letterhead, & Visiting Card: 1 each Brochure or Any POP item (Dangler, Bunting, Show card etc.): 1

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BFA (Applied Arts) Examinations (Group B)

8th Semester

Theory Subjects











Courses of Study:

1. Introduction to marketing. 4P’s of marketing. 2. Different functions of Advertising Business. Research and Motivational Research

– present and future action.

3. Importance of Marketing and Consumer Behaviour in Advertising.

4. Print media and electronic media Potential – Television and Radio in the light of Mass Communication.

5. Future of Advertising – Career options in Internet Advertising, web designing and Animation.

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BFA (Applied Arts)

Practical Subjects

3rd and 4th Semester

PAPER-V DRAWING

Paper-V Practical Group (B)


Size: half sheet.Medium: Pencil, pen and ink, water colour, Dry pastel etc.

Courses of study:

Study of human figure: draped and undraped proportion: blocking of mass with

the aid of light and shade. Head Study: planes and masses of the head from

different angles.

Outdoor: Sketching from nature.

No. of assignments:

Nature drawings: 10

Human Figure Drawings: 6

Head Studies: 6


PAPER-VI : PRESS LAYOUT

Paper-VI Practical Group (B)


Size: 4 columns x 25 cm. Medium: poster colours, pen and ink.

Courses of study:

Study of fundamental elements of layout and their practical application: preparation of simple typographical layouts for Newspapers.

No. of assignments:

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Press Layouts: 10

PAPER-VII : POSTER MAKING

Paper-VII Practical Group (B)


Size: 10” x 15” Medium: Poster colours

Courses of study:

History of Poster, different influences on Poster designing. Exercise to make different kinds of Posters.

No. of assignments:

No. of Posters: 10

PAPER-VIII : GRAPHIC DESIGN

Paper-VIII Practical Group (B)


Size: As per requirement Medium: Poster colours, pen and ink

Courses of study:

Study and history of letter forms: both Roman and Vernacular: letter as a design form; spacing; study of basic type faces; Interrelation of Negative and Positive space;

Exercises with basic shapes and textures in relation to space; Geometrical designs. Designing symbol, Logo, monograms, Book cover etc.

No. of assignments:

Letter Writing: 10

Logos/Symbols: 10

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BFA (Applied Arts)

Practical Subjects

5th and 6th Semester

PAPER –IV : MAGAZINE LAYOUT & TYPOGRAPHY

Paper-IV Practical Group (B)


Size: half sheet. Medium: Pencil, pen and ink, water colour

Courses of study:

A. Comparative study of different types and sizes of layouts; designing of simple illustrative and typographical layouts for magazines.

B. Study and selection of typefaces for different layouts; use of letters and words as a visual element/ form; calculation of copy according to given space.

C. Exercises of illustration with the different media on stories, poems & myths for designing of books for kids.

No. of assignments:

No. of Magazine layouts: 8

(Including 1 or 2 typographical layouts)


Illustration for Book - 10

PAPER – V : POSTER DESIGN



Size: 20”x 30” Medium: Poster colours, pen and ink, water colour

Courses of study:

Study of different schools of posters and their application to the project; making of posters, show cards, multi-sheet posters etc.

No. of assignments:

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No. of Posters: 8

PAPER – VI : PRINTING & PHOTOGRAPHY- I



Size: As per requirement

Courses of study:

Use of camera; observation and selection of subject, composition; exposing outdoors and indoors. Process of developing and printing (contact and enlargements). Films and their sensitivity.

No. of assignments:

Black and White Prints: 10

Colour Print: 15

PAPER – VII : COMPUTER GRAPHICS- I




Courses of study:

Introduction to Computer, Working with MS Word, paint brush, PageMaker, and CorelDraw; preparation of graphic design like Press Layout, Magazine Ad, Logo and stationery etc.

No. of assignments:

Magazine Ads: 5 (Product: 3; Social: 2)Visiting Card: 10Logo: 10Letterhead: 10Book Cover: 5Point of Purchase item/ Packaging item: 5Poster: 5

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BFA (Applied Arts)

Practical Subjects

7th and 8th Semester

PAPER – V : PRODUCT CAMPAIGN DESIGN



Size: As per requirement Medium: Any Medium

Courses of study:

A. Introduction to advertising campaigns, Use of appeals and USP in designing advertising campaigns for products and services, knowledge of the principles and stages in designing campaigns.

B. Exercises of illustration with the different media on stories, poems & myths for designing of books for kids.

No. of assignments: No. of Product Campaigns: 2Illustration for Book – 10

PAPER – VI : SOCIAL CAMPAIGN DESIGN



Size: As per requirement Medium: Any Medium

Courses of study:

Collection of data regarding social issues and problems designing advertising campaigns on

these issues and problems, designing campaigns for creating social awareness.

No. of assignments: No. of Social Campaign – 2

Free Hand Sketching - 1000

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PAPER – VII : PRINTING AND PHOTOGRAPHY- II




Courses of study:

Advance work for advertising in Photography and printing.

No. of assignments:

Black and White Prints: 10; Colour prints: 15

PAPER – VIII : COMPUTER GRAPHICS- II

Paper-VIII Practical Group (B)



Courses of study:

Advanced study in CorelDraw, introduction and advanced proficiency in Photoshop, MS Word and PageMaker, use of design softwares in designing Product and Social campaigns.

No. of assignments:

1. Advertising Campaign - 1 (Product or Social). 2. Poster – 2 3. Press/Magazine Adv. – 2 4. Logo, Letterhead & Visiting Card – 1 each 5. Broacher or any Top items- (Dagler, Showcard etc.) - 1

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Theory Syllabus B.F.A 3 rd Semester STREAM: SCULPTURE Group – C

Theory PapersPaper-I: HISTORY OF ANCIENT ART (Theory) Time-3 hrs Maximum Marks: 100 Courses of study:

Same as in Painting

Paper-II: ART AND SOCIETY ( Theory)Time- 3 hrs. Maximum Marks:100Courses of study:

Same as in Painting

Paper-III: METHOD AND MATERIAL ( Theory)Time- 3 hrs. Maximum Marks:100

NOTE: (i) No. of Questions to be set- 8(ii) No. of Questions to be attempt - 5(iii) The questions are to be equally distributed among all the topics of the Syllabus.(iv) All questions will be of equal marks.

Course of Study- Study of various media like clay, ceramic, wood, cement, plaster of perish etc. and techniques employed in creative sculpture (including moulding and casting)-Out of these medias colouring and finishing of plaster, cement and wood sculptures and firing of terracotta, pottery and ceramic.-Study of various stone, marble and metals for casting and fabrication like aluminum, bronze, copper, mild steel etc.

Paper-IV: COMMUNICATIVE ENGLISH (Theory) Time- 3 Hrs Maximum Marks: 100

Course of Study:Same as in Painting

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Theory Syllabus B.F.A. 4th Semester (Sculpture)

Theory Papers Paper-I HISTORY OF ANCIENT ART (Theory)Time-3 hrs Maximum Marks: 100

Courses of study:Same as in Painting

Paper:II ART AND SOCIETY (Theory)Time- 3 hrs. Maximum Marks:100

Courses of study: Same as in Painting

Paper:III- METHOD AND MATERIAL (Theory)Time- 3 hrs. Maximum Marks:100

NOTE: (i) No. of Questions to be set- 8(ii) No. of Questions to be attempted - 5(iii) The questions are to be equally distributed among all the topics of the Syllabus.(iv) All questions will be of equal marks.

Courses of Study:-Technique of carving and tools used for carving and finishing, polishing.-Different Techniques of mould making for metal casting and various techniques for casting traditional, tribal and Italian Etc.-Lost wax casting and sand casting, sculpturing by fabrication of metal patina and colouring.

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Paper:IV - COMMUNICATIVE ENGLISH (Theory)Time- 3 Hrs Maximum Marks: 100


Practical Syllabus B.F.A. 3 rd & 4 th Semester (Sculpture)

Paper-V: DRAWING Paper V (Practical) Group C

Time : 12 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size : Half SheetMedium : Pencil, Crayon, Conte, Charcoal.No. of Assignments: 15

Courses of Study:Drawing in Pencil, Crayon etc. from life, Antique models and other objects from

Nature as also creative drawing reflecting structure of compositional concept.

Paper-VI: COMPOSITION (Practical ) Group CTime : 18 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size: 12"xl2"Medium : Clay.No. of Assignments : 06

Courses of Study:Composition in Clay and in cast/ direct plaster with human figure, animal, birds

and other objects and experiences from nature. Casting in plaster and cement round and relief.

Paper-VII: PORTRAIT(Practical) Group C

Time : 18 Hours Max. Marks : 200 (Sessional: 100, Examination:100) Minimum Size : Life Size Medium : Clay & Plaster. No. of Assignments : 06

Courses of Study:Head Study in Clay from plaster casts (Antiques -Eastern and Western) and from

life model with and without the use of calipers, waste mould and cast in plasters.

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Paper-VIII: ADVANCE COMPOSITION (Practical) Group CTime : 18 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size: 12" x 12"Medium : Wood Carving/POP Carving/ Terracotta.No. of Assignments : 06

Courses of Study:Carving round and relief in wood with proper understanding of the character of

wood and tools employed to carve and finish. Use of common bodies of different types of used for Terracotta. Use of Kilns for firing of these objects (Sculpture).

Theory Syllabus B.F.A 5 th Semester (Sculpture)

Theory Papers Paper-I HISTORY OF INDIAN ART (Theory)Time-3 hrs Maximum Marks: 100


Paper-II HISTORY OF WESTERN ART (Theory)

Time- 3 hrs. Maximum Marks:100


Paper: III AESTHETICS (Indian) (Theory)Time: 3 Hrs. Maximum Marks: 100


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Theory Syllabus B.F.A 6th Semester (Sculpture)



Paper-II HISTORY OF WESTERN ART (Theory)

Time- 3 hrs. Maximum Marks:100


Paper: III AESTHETICS (Indian) (Theory)Time: 3 Hrs. Maximum Marks: 100


Practical Syllabus for B.F.A 5 th 6 th Semester (Sculpture)

Paper-IV: DRAWING (Practical ) Group CTime : 6 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size : Half SheetMedium : Pencil, Crayon, Conte, Charcoal.No. of Assignments : 15

Courses of Study:Advance exercise compared to syllabus of 2nd year with special emphasis on trunk

and limbs of body as also figure, animal, birds in motion, layout for carving and casting.

Paper-V: COMPOSITION (Practical ) Group CTime : 24 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size: 12"xl2"Medium : Clay.No. of Assignments : 06

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Courses of Study:Composition – individual or Group compositions based on specific subjects

suitable for execution in a certain media particularly stone and metal, piece moulding and casting including in cement.

Paper-VI: LIFE STUDY (PORTRAIT/ TORSO) (Practical ) Group C

Time : 24 Hours Max. Marks : 200 (Sessional: 100, Examination 100) Minimum Size : Life Size Medium : Clay, Plaster and Cement No. of Assignments : 06

Courses of Study:Different types of Portraiture in clay, plaster, life study of torso portion, static and

mobile leading to the understanding of role of torso in describing posture in human forms, life sizes as also over and under life size renderings. One head study or torso study based work in stone/ marble.

Paper-VII: ADVANCE COMPOSITION (Practical ) Group C

Time : 24 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size: 12" x 12"Medium : Wood Carving/Stone Carving/Fibre Casting/Terracotta/Scrap Metal.No. of Assignments : 06

Courses of Study:Carving of Wood, Stones, marble etc. by direct and indirect method - relief and

round. Flexible mould making and casting of composition suitable for fibre casting and use of scrap metal with welding – Terracotta making round and relief.

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Theory Syllabus for B.F.A. 7th & 8th Semester (Sculpture)



Paper:II HISTORY OF WESTERN ART (Theory)Time- 3 hrs. Maximum Marks:100




Theory Syllabus B.F.A. 8th Semester (Sculpture)



Paper:II HISTORY OF WESTERN ART (Theory)Time- 3 hrs. Maximum Marks:100




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Practical Syllabus B.F.A 8 th Semester (Sculpture)

Paper-IV: DRAWING

(Practical ) Group CTime : 6 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size : Half SheetMedium : Pencil, Crayon, Conte, Charcoal.No. of Assignments : 15

Courses of Study:Advance work in nature of syllabus of 3rd to 6th Semester.

Paper-V: COMPOSITION(Practical ) Group C

Time : 24 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size: 12"xl2"Medium : Clay.No. of Assignments : 06

Courses of Study:Advance work according to exercise learnt in 3 rd to 6th Semester.

Paper-VI: LIFE STUDY (FULL FIGURE)(Practical ) Group C

Time : 24 Hours Max. Marks : 200 (Sessional: 100, Examination 100) Minimum Size : Life Size Medium : Clay, Plaster, Cement and Fibre.No. of Assignments : 06

Courses of Study:Advance work of 3rd to 6th Semester particularly full figure and combination of

figure including in motion.

Paper-VII: ADVANCE COMPOSITION(Practical ) Group C

Time : 24 Hours Max. Marks : 200 (Sessional: 100, Examination 100)Minimum Size: 12" x 12"Medium : Wood Carving/Stone Carving/Fibre Casting/Metal Casting/Scrap Metal.No. of Assignments : 06

Courses of Study:Any two medium, advance work including experimental or mixed medium as

done either in 3rd to 6th Semester depending in medium chosen by student.

scheme of examination of bachelor of fine arts ( bfa)- 1st ... aug 2010/b_f_a_ dated 20 a… ·...

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