sault area arts council volume 18, issue 3 march 2018 alberta...

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Sault Area Arts Council Alberta House Arts Center 217 Ferris Street Sault Ste. Marie, MI 49783 906-635-1312 www,saultarts.org [email protected] EVENTS 1 to 3 EXHIBITS 3 to 6 EUP 6 OUTSTATE 7 WORKSHOPS & CLASSES 7 & 8 HONORS & ACCOLADES 9 ARTISTIC OPPORTUNITIES 9 & 10 NEWS & NOTES 11 BOOK BEAT 11 to 15 SUBSCRIPTION INFORMATION 16 Inside this issue: MARCH EVENTS Volume 18, Issue 3 March 2018 Thursday 1 — 4-H BABYSITTING CLASS at the Bayliss Library. 3:30 to 5:30 p.m. VISUALLY IMPAIRED PERSONS MEET at the Bayliss Library from 6 to 8 p.m. THE O’SCHRAVES. Traditional Canadian, Irish, Scottish music mixed with new compositions. LSSU Arts Center, 7 p.m. $21/18/5. SHADOWS OF THE MIND FILM FEST: “Us & Them”, Grand Theater, 9:30 a.m. “Crazy”, Grand Theater, 1:30 p.m. $13. See p. 12 & www.shadowsfilmfest.com. SAULT THEATER WORKSHOP: “Hilda’s Yard”, by Norm Foster. Studio The- ater, 121 Pittsburgh Avenue in Sault, Ont. 8 p.m. $25. Tickets at the Station Mall kiosk.** IN YOUR EYES PRODUCTION: “Girl in the Goldfish Bowl”. Shingwauk Auditorium, 1520 Queen Street East in Sault, Ont.. 8 p.m. $36.50 with tax. https://www.inyoureyesprojects.com/ BEAUTY AND THE BEAST. Superior Heights on stage production at SCTC**, 7 p.m. curtain. $15/5 at the door. Tickets also at the Station Mall kiosk.** ALGOMA INTERNATIONAL FILMS: THE SQUARE. 2017 film directed by Ruben Ostlund. Swedish & English. Palme d’ Or winner. “An audacious satire of the modern art world.” Galaxy Theater in Sault, Ont., 7 p.m. (Also part of the “Shadows of the Mind Film Fest”—see p. 12). Friday 2—DNR OPEN HOUSE with shooting range at the Bayliss Library from 9 to 11 a.m. FIRST FRIDAY RECEPTION for Otto Bacon at the 1668 Winery, 100 W. Por- tage. 5 to 7 p.m. See p. 6 & p. 8. FRIDAY BY THE FIRE. Old Stone House in Sault, Ont. Lunch includes soup, biscuit, beverage and dessert with a different historical talk each week. This week: Community Archives and the Shingwauk Center. 11:45 to 1:15 p.m. $12. Reserve at 705-759-5443. SHADOWS OF THE MIND FILM FEST: “Crazywise”, Grand Theater, 9:30 a.m., “That Never Happened”, Canada’s First National Internment Opera- tions, Grand Theater, 1:30 p.m. “Human Flow”, Grand Theater, 5:30 p.m. and “Truman”, Grand Theater 8:30 p.m. See March 1. HILDA’S YARD. See March 1. (Continued on page 2)

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Page 1: Sault Area Arts Council Volume 18, Issue 3 March 2018 Alberta …saultareaartscouncil.org/news_archive/2009-2018/2018_03... · 2018-02-27 · Sault Area Arts Council Alberta House

Sault Area Arts Council Alberta House Arts Center 217 Ferris Street Sault Ste. Marie, MI 49783 906-635-1312 www,saultarts.org [email protected]

EVENTS 1 to 3

EXHIBITS 3 to 6

EUP 6

OUTSTATE 7

WORKSHOPS

& CLASSES

7 & 8

HONORS &

ACCOLADES

9

ARTISTIC

OPPORTUNITIES

9 & 10

NEWS & NOTES 11

BOOK BEAT 11 to

15

SUBSCRIPTION

INFORMATION 16

Inside this issue:

MARCH EVENTS

Volume 18, Issue 3

March 2018

Thursday 1 — 4-H BABYSITTING CLASS at the Bayliss Library. 3:30 to 5:30 p.m.

VISUALLY IMPAIRED PERSONS MEET at the Bayliss Library from 6 to 8

p.m.

THE O’SCHRAVES. Traditional Canadian, Irish, Scottish music mixed with new

compositions. LSSU Arts Center, 7 p.m. $21/18/5.

SHADOWS OF THE MIND FILM FEST: “Us & Them”, Grand Theater, 9:30

a.m. “Crazy”, Grand Theater, 1:30 p.m. $13. See p. 12 &

www.shadowsfilmfest.com.

SAULT THEATER WORKSHOP: “Hilda’s Yard”, by Norm Foster. Studio The-

ater, 121 Pittsburgh Avenue in Sault, Ont. 8 p.m. $25. Tickets at the Station Mall

kiosk.**

IN YOUR EYES PRODUCTION: “Girl in the Goldfish Bowl”. Shingwauk

Auditorium, 1520 Queen Street East in Sault, Ont.. 8 p.m. $36.50 with tax.

https://www.inyoureyesprojects.com/

BEAUTY AND THE BEAST. Superior Heights on stage production at SCTC**, 7

p.m. curtain. $15/5 at the door. Tickets also at the Station Mall kiosk.**

ALGOMA INTERNATIONAL FILMS: THE SQUARE. 2017 film directed by

Ruben Ostlund. Swedish & English. Palme d’ Or winner. “An audacious satire of

the modern art world.” Galaxy Theater in Sault, Ont., 7 p.m. (Also part of the

“Shadows of the Mind Film Fest”—see p. 12).

Friday 2—DNR OPEN HOUSE with shooting range at the Bayliss Library from

9 to 11 a.m.

FIRST FRIDAY RECEPTION for Otto Bacon at the 1668 Winery, 100 W. Por-

tage. 5 to 7 p.m. See p. 6 & p. 8.

FRIDAY BY THE FIRE. Old Stone House in Sault, Ont. Lunch includes soup,

biscuit, beverage and dessert with a different historical talk each week. This week:

Community Archives and the Shingwauk Center. 11:45 to 1:15 p.m. $12. Reserve

at 705-759-5443.

SHADOWS OF THE MIND FILM FEST: “Crazywise”, Grand Theater, 9:30

a.m., “That Never Happened”, Canada’s First National Internment Opera-

tions, Grand Theater, 1:30 p.m. “Human Flow”, Grand Theater, 5:30 p.m. and

“Truman”, Grand Theater 8:30 p.m. See March 1.

HILDA’S YARD. See March 1.

(Continued on page 2)

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www.aarp.orgf/taxaide.

CHIPPEWA THEATER GUILD presents “The Li-

on, the Witch and the Wardrobe”, directed by Kirk

Mauldin and produced by Colleen Lavey. DreamMak-

ers Theater, 7:30 p.m. Poster on p. 1. $15. ***

FRIDAY BY THE FIRE. The Continental Army: A

Month-long Siege on Quebec. See March 2.

Saturday 10—WINTER FARMERS MARKET at the

Bayliss. 9:30 a.m. to 12:30 p.m.

BAYLISS BUILD ING CLUB meets at 1 p.m.

THE LION, THE WITCH AND THE WARDROBE.

See March 9.

Sunday 11—THE LION, THE WITCH AND THE

Wardrobe. 2 p.m. See March 9.

Tuesday 13—TUESDAY MATINEE at the Bayliss Li-

brary. 2 p.m. Free movie.

CREATIVE ENDEAVORS MEETS at the Bayliss

from 6:30 to 8:30 p.m.

SAULT NAURALISTS: Raving about Raptors.

Bayliss Library, 7 p.m.

Friday 16—AARP TAX AIDE. See March 9.

FRIDAY BY THE FIRE: Stories Steeped in Stone—

the Pim Family. See March 2.

Saturday 17—WINTER FARMERS MARKET at the

Bayliss. 9:30 a.m. to 12:30 p.m.

Tuesday 20—TUESDAY MATINEE at the Bayliss Li-

brary. Free movie, 2 p.m.

CHIPPEWA COUNTY GENEALOGICAL Society

meets at the Bayliss Library at 7 p.m.

Wednesday 21— STORY TIME at the Bayliss Library.

10 a.m.

YARN WORKERS GUILD meets at the Bayliss Li-

brary from 10 a.m. to noon.

MSU EXTENSION PRODUCE SAFETY RULE

Training, Bayliss Library, 10 a.m. to 5 p.m.

Thursday 22 — STORY TIME, Bayliss Library. 1 p.m.

MARTY LINK, AUTHOR of “Not All Sugar &

Spice: Bad Women of the Mitten”, will be at the Bay-

liss Library at 7 p.m.

Friday 23—AARP TAX AIDE. See March 9.

MEET THE ARTISTS RECEPTION and Awards

Ceremony for the Alberta House “Emerging Artists”

EVENTS

Page 2 ALBERTA HOUSE NEWS

GIRL IN THE GOLDFISH BOWL. See March 1.

BEAUTY AND THE BEAST. See March 1.

Saturday 3—WINTER FARMERS MARKET at the

Bayliss. 9:30 a.m. to 12:30 p.m.

SHADOWS OF THE MIND FILM FEST: “A Fan-

tastic Woman”, Galaxy Theater, 9:30 a.m. “The

Eagle Huntress”, Grand Theater, noon. “Faces

Places”, Grand Theater, 2:15 p.m. “Prodigals”,

Grand Theater, 4:30 p.m. “Meditation Park”,

Grand Theater, 7:30 p.m., “Pyewacket” & “Talking

Heads” (short film), Grand Theater 9:45 p.m. See

March 1.

CHIARA STRING QUARTET. An Algoma Music

Conservatory Concert at the Machine Shop in Sault,

Ont., 7:30 p.m.705-253-4373, ext. 6400. $35/15.

RUSTY McCARTHY 2 CD RELEASE. Water Tow-

er Inn in Sault, Ont. 8:30 to 11:30 p.m.

HILDA’S YARD. See March 1.

GIRL IN THE GOLDFISH BOWL. See March 1.

BEAUTY AND THE BEAST. See March 1.

Sunday 4 —HILDA’S YARD. 2 p.m. matinee. See

March 1.

SHADOWS OF THE MIND FILM FEST: “Early

Bird”, Galaxy Theater, 9:30 a.m. “Dina”, Grand

Theater at noon; “The Midwife”, Grand Theater,

2:30 p.m.; “Bombshell”, the Hedy Lamarr Story,

Grand Theater, 5:15 p.m. and “Lucky”, Grand Thea-

ter 7:30 p.m. See March 1.

Tuesday 6 — TUESDAY MATINEE at the Bayliss Li-

brary. Free movie, popcorn by donation. 2 p.m.

Wednesday 7 — STORY TIME at the Bayliss Library.

10 a.m.

FREE LIGHTPAINTING (PHOTOGRAPHY)

workshop with Otto Bacon. Alberta House, 7 p.m.

See pp. 6 & 8.

Thursday 8 — STORY TIME at the Bayliss Library. 1

p.m.

POLYMER CLAY CLASS. Bayliss Library, 6 to 9

p.m. See WORKSHOPS, p. 8.

Friday 9 — AARP TAX AIDE at the Bayliss Library.

Call 906-630-0929 for an appointment. This service

is provided in conjunction with AARP and the IRS

especially to help those 50 and older. Forms are then

e- fi led. For more information see:

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EXHIBITS:

Closed March 31

217 Ferris Street, Sault Ste. Ma-

rie, MI 49783—906/635-1312. E-

mail: [email protected]. Web-

site: www.saultarts.org. Open

Tuesday through Saturday from

11 a.m. to 4 p.m.

A

L

B

E

R

T

A

HOUSE

A

R

T

S

C

E

N

T

E

R

March 2 to 28, 2018

OLIVE CRAIG GALLERY:

EMERGING ARTISTS EXHIBITION

MINI GALLERY: KEN HATFIELD: CASA

BLANCA PHOTOGRAPHS, CIRCA WORLD

WAR II

Reception Friday, March 23, from 6 to 8 p.m.

EMERGING ARTISTS

Emerging Artists is an exhibit designed and curated

by Shena Sloboda for the purpose of shining a spot-

light on new artists, artists new to the area or artists

working in a new medium. All that is required is that

the work be the artists own, original work.

The multiple awards include the following: Top prize

is the $150 Joan Muckelbauer Memorial Award donat-

ed by Cooper Dental. Second Prize is $75. Third

Prize is a $50 gift certificate redeemable at the spon-

soring Art Store. There are also three Honorable

(Continued on page 4)

EVENTS

Page 3 ALBERTA HOUSE NEWS

Exhibition. 6 to 8 p.m. All are welcome. See right.

FRIDAY BY THE FIRE. Sticky and Sweet—Maple

Syrup. See March 2.

Saturday 24—WINTER FARMERS MARKET at the

Bayliss. 9:30 a.m. to 12:30 p.m.

BAYLISS BUILDING CLUB meets at 1 p.m.

Sunday 25—SOO LOCKS OPEN TODAY

Monday 26—SAULT AREA SCHOOLS Spring Break

begins. School resumes April 3.

Tuesday 27—CREATIVE ENDEAVORS MEETS at the

Bayliss from noon to 2 p.m.

TUESDAY MATINEE at the Bayliss Library, 2 p.m.

Wednesday 28 — STORY TIME at the Bayliss Library.

10 a.m.

Thursday 29 — STORY TIME at the Bayliss Library. 1

p.m.

Friday 30—AARP TAX AIDE. See March 9.

Saturday 31—BAYLISS LIBRARY CLOSED.

*Tickets for LSSU Arts Center events are available at

the Norris Center ticket office (635-2602) or

o n l i n e a t : h t t p s : / /

lssutickets.universitytickets.com.

** The former Kiwanis Community Theater, at White

Pines Collegiate, 1007 Trunk Road, Sault Ste.

Marie, Ont. has changed both its name and its

website. It is now the Sault Community Theatre

Centre and its website: http://www.saultctc.ca/

Community Theatre tickets are still available

online at: https://th038wq008.boxpro.net/

c2bownet.asp or at the box office in the Station

M a l l T e l e p h o n e 1 - 7 0 5 - 9 4 5 - 7 2 9 9 —

[email protected]

*** DreamMakers Theater, 2186 Shunk Road. Tick-

ets online at: https://tickets.kewadin.com/ or

call: 1-906-635-4917

ALBERTA HOUSE ARTS CENTER

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Page 4

NEXT MONTH IN ALBERTA HOUSE, April 3 to 28

OLIVE CRAIG GALLERY: Les Cheneaux Artists Cooperative

MINI GALLERY: Judy Merrill-Smith

Mention Awards sponsored by Islands Books and Crafts.

Awards will be announced midway through the show’s reception

on Friday, March 23. Award recipients are all determined by

public voting. Voting is ongoing during the show and will contin-

ue until midway through the reception. Ballots and a ballot box

will be available at the gallery until that time. The reception is a

gala event during which people may peruse the exhibit and meet

the artists while enjoying refreshments provided by 1668 Winery

and Lockside Brewery, Karl’s Cuisine and the Palace. All are

invited.

The first Emerging Artists Exhibition, held in 2015, brought

forth many fine artists who were new to Alberta House or new to

the area. The exhibit also boasted a large variety of mediums.

Winner of the First Place Joan Muckelbauer Memorial Award that year was Taishaw Pemberton with “Wing

Wang” (right). Second place was awarded to Stephan Rutledge for his photography (left), which featured a wide range

of subject matter and Third Place went to David Brown for his fanciful wood creation. A second show followed the

next year, making this show the third Emerging Artists Exhibit.

If nothing else the show serves as a reminder that it doesn’t take expensive materials or big names to create art. Pen

and ink works. Eggshells and acorns work. A camera combined with a keen eye can create a masterpiece. Torn paper

collages, charcoal on newspaper ends, stones, metal scraps, found objects—doesn’t matter. Art rules.

This show, by design, is absolutely dependent on public participation, so come in, pick up a ballot and vote! The recep-

tion boasts tidbits provided by top area caterers. Don’t miss it, with a final opportunity to cast your ballot and meet

the winners.

(Continued from page 3)

1st Place winner 2015:

“Wing Wang” by Taishaw

Pemberton 2nd Place 2015:

Stephan Rutledge

Reception Friday, March 23,

from 6 to 8 p.m.

1st Place winner 2015:

“Wing Wang” by Taishaw

Pemberton

KEN HATFIELD — CASA BLANCA PHOTOGRAPHS

Most of you know Ken Hatfield for his paintings and drawings but Ken’s profes-

sion was geology. He worked all over the U.S. and spent considerable time in

Canada as well, recording the lay of the land by simply sketching it—from his

early days looking for uranium in the southwest to his work in northern Ontario.

He then taught geology at Lake State. Ken was also a photographer and made

woodcuts.

During World War II he was an Air Force photographer stationed in Casa Blan-

ca. In his free time he wandered through the area taking photographs of every-

thing, writing the story of each photograph in notes on the back. Otto Bacon,

who is going through this treasury and readying the photographs for exhibit,

says about Ken that, roaming the streets of Casablanca, he took pictures of every-

thing—people, goats, camels, buildings—and made wonderful prints.

This exhibit shows some of these prints.

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LSSU LIBRARY GALLERY through March:

Clothing by Lori Oliver

Art Gallery of Algoma

10 East Street, Sault Ste. Marie, ON P6A 3C3 Regular Hours: Tuesday to Saturday, 9am to

5pm Admission: Adult $7.00 / $5.00 for students and

seniors / children 12 and under Free / AGA members Free

Phone: 705-949-9067 © 2017 Art Gallery of Algoma

Later in March: Love in Bloom Exhibition

L.F. Noyes Collection of

Native American and Western Art The LSSU Arts Center Gallery will showcase works of art from its permanent collection through the month of March. The exhibit displays the beautiful acrylic sculpture by Frederick Hart, Transcendent and works of Native American and Western Art from renowned artists Kenneth Pauling Riley, David Johns, Dan McCaw, Harry Jackson, Maria Martinez and Fritz Scholder.

On loan from LSSU employees Douglas and Suzanne Davidson, is the iconic End of the Trail bronze sculpture. This Western bronze by James Earle Fraser (American, 1876-1953) is one of the most recog-nized symbols of the American West. Fraser meant it to be viewed as a reverent memorial to a valiant people. A melancholic commentary on the vanishing Indian, the work portrays an exhausted Sioux drooping on his equally weary pony, both rider and horse, have literally - and figuratively - reached the end of the trail...

This Fraser bronze is a reproduction of the original work of art and is on loan from the Davidson Family

Collection, which has been in their family for generations.

Location: Inside Arts Center, east end of building on main floor. Hours of Operation: Tuesday, Wednesday and Friday from noon – 4pm; Thursday from 2 – 6pm. Email [email protected] to inquire about special arrangements to visit the gallery during closed

hours.

Volume 1, Issue 1 Page 5

HEY! IT’S MARCH!! ANYTHING YOU CAN FIND IN THE

ALBERTA HOUSE SHOP THAT HAS GREEN IN IT

IS 20% OFF!!!

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EUP

PICKFORD CURTIS

Mon. thru Fri., 10 a.m. to 4 p.m.

Through March: Area Schools

Art Exhibit

Eve of Distraction

PHOTOGRAPHS

BY

OTTO BACON

First Friday

Reception

March 2,

from 5 to 7 p.m.

With Otto Bacon, the best way to describe his exhibit is to let him do it himself: The show is all light paintings. Light paintings are photos that are made by depositing an image on the sensor of the camera with lamps of various sorts over a extended period of time. I use mostly LED bulbs attached to mechanical constructions that move the lights in a combination of predictable and random motions. Think of the old "Spirograph" gone feral. Throw in some basic computer technology, various filters and reflectors, fiber optics, broken toys ....... all done in complete darkness. On a typical night I might make a hundred or more images. Hence the ti-tle..."Eve of Distraction". The picture for promo is actually done backwards. I found some great light coming through the cracks in the barn wall one evening at sunset. I moved the camera, instead of moving the light. Same process, just reversed. I think that my approach to this art form is unique. I have plans to do an evening class* sometime after the exhibit if there is interest.

* See page 8 for class information.

Page 6

Pickford Ice Rink is open Mon to Thurs., 6 to 7:15 p.m.; Fri. 3 to 4:30 & 6

to 7:15 p.m.; Sat. & Sun. noon to 2 & 6 to 7:15 p.m.

Pickford Pickers every Saturday 2 to 4 p.m.

Pickford Library, 2308 E. Main. 906-647-1288.

[email protected].

Open Tues. & Thurs., 1 to 3 p.m.; Wed. & Fri. 10 a.m. to 4 pm.; Sat. 9

a.m. to 3 p.m.; closed Sun. & Mon

Sat., March 3, noon to 3 p.m.: Seed Workshop Saturday with three

different sections. Workshops, socializing and refreshments for

both children and adults. See WORKSHOPS at bottom of next page

for details or call the library at the number above.

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Page 7

March 1 to 29:

Youth in Art. Delta County Students

K through 12.

ESCANABA

Wm. Bonifas Fine Arts Center.

786/3833. 700 First Avenue S.,

E s c a n a b a , M I . 4 9 8 2 9

www.bonifasarts.org.

Open Tues., Wed. & Fri. 10 to 5:30;

Thurs., 10 to 8 & Sat. 10 to 3.

MARQUETTE: NMU DE VOS ART MUSEUM

Hours: Mon., Tues., Wed. & Fri., 10 to 5; Thurs., noon to 8 p.m., Sat.

and Sun. 1 to 4 p.m. 906/227-1481.

PETOSKEY: Crooked Tree Arts Center. 231/347-4337.

Open Mon. thru Sat., 10 to 5. www.crookedtree.org.

to March 24: 2018 Juried Photography Exhibition.

Hand in Hand: Craft and New Technologies.

WORKSHOP & CLASSES

CHEBOYGAN OPERA

HOUSE

231/627-5841 & 1-800/357-9408.

www.theoperahouse.org/

SEED SAVING AND GERMINATION MARCH 3

Pickford Library hosts “Virge and Immie’s” Seed Saver Project on

Saturday, March 3 from 12:30 to 3 p.m. offers three workshops.

Seed Germination and Seed Starting with John and Cindy Dutcher will

be held from 12:30 to 1:30 p.m., Seed Art for children 6 and up with Ju-

dy Merrill-Smith is also from 12:30 to 1:30 p.m. Seed Packaging for the

Seed Saver Library with Sheila Bergdoll will be held from 1:45 to 3 p.m.

Children age 12 and under must be accompanied by an adult.

There will also be time for socializing, sharing garden secrets and refresh-

ments! For more information contact the Pickford Community Library at

[email protected] or 906-647-1288.

OUTSTATE

to March 3: Palate to Palette: Art and Appetite Exhibit. A multi-

media exhibition exploring the themes of food, cooking and eating.

CROOKED TREE ARTS CENTER, TRAVERSE CITY

322 Sixth Street, Traverse City, MI 49684, (231) 941-9488

TRAVERSE CITY

to March 8: Visitors to the Sea—

Masterpieces from the D.I.A.

To April 29: Lines of Light: Craig

Tandy Monofilament

Sculpture

to May 6: Tutankhamun—

Wonderful things from the Pharaoh’s tomb. Instal-

lation features about 100 replicas of the pharaoh's sacred and personal

possessions along with artifacts surrounding his reign that reconstruct

the historic discovery of the tomb by Howard Carter.

1410 College

Drive

231-995-1055

dennosmuse-

um.org

to April 1: “Aperture”—Photographs

Hulk, St. Marys River, by Ken Hatfield

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HELGA FLOWER WORKSHOPS

Helga Flower’s schedule is busy as always. The

following 2018 workshops are scheduled in our gen-

eral area.

July 9 to 12: Sault Ste. Marie

July 28 & 29: Marquette

Aug. 4 to 5: Curtis

Sept. 24 to 28: Mackinac Island

Oct. 1 to 5: Mackinac Island

Oct. 8 to 12: Mackinac Island

Contact Helga for more information: P.O. Box

736, Sault Ste. Marie, MI. 49783.

E-mail: [email protected]

906-632-3437

POLYMER CLAY CLASS AT THE BAYLISS LIBRARY

A free three hour class on working with polymer clay will be held on Friday, March 8, between 7 and 9 p.m. at the

Bayliss Library. The class is suitable for all ages, from school age through adults. Instructor is Colleen Smith. You

don’t need to sign up ahead of time—just come.

Otto Bacon is offering a free workshop in light painting for beginners at 7

p.m. on Wednesday, March 7, in Alberta House. Take a look at Otto’s

Show, up in the Winery during March, to see what light painting is all

about. The reception for his exhibit is Friday, March 2, from 5 to 7 p.m.,

with complimentary Hors d'oeuvres furnished by the Winery—you can

talk to him there and study his photographs.

Class participants need a camera that can be manually focused and do

time exposures of at least a few seconds. Two people can share a camera,

and this would be a great activity for an adult and a child, although it will

probably run late into the evening, as the process requires working in the

dark. You may e-mail Otto for more details or talk to him at his Winery

reception. Those interested in participating should let him know by e-

mailing: [email protected]. Talk to him at his First Friday

Winery reception and see his work there to learn what light painting is all

about. See the information on Otto’s Winery Show on p. 6.

Page 8 ALBERTA HOUSE NEWS

4-H BABYSITTING CLASS

A 4-H babysitting class will be held at the Bay-

liss Library on Thursday, March 1, between 3:30

and 5:30 p.m.

Light Painting by Otto Bacon

OTTO BACON: FREE LIGHT PAINTING WORKSHOP

WITH OTTO BACON

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Curator Otto Bacon has an-

nounced the winners of the Feb-

ruary Alberta House Photography

Exhibition. The categories, titles

and prize winners will give you

an idea of the flavor of the show—

upbeat and fun—and also of the

broad participation in this show.

Awards were handed out at the

show’s reception on Friday, Feb-

ruary 17.

Otto established two categories

for photographs—Art Photos and

Snaps. Snaps were defined as

“something that makes you smile

or even giggle a little”. Winners

in the Art Photo categories took

home fifty dollars. Awards for the

snaps were just for the honor of

the thing and turned out to be

pencil sharpeners in the form of a

camera.

In the Art Photo category the

winner for Just plain FUN (a pic-

ture that makes you smile) was

Trevor Moran for “Golden Foot-

print”. Runner up was Judy

Merrill-Smith for “Not Snow-

plowed”. The winner for Grab

your COLOR (brilliant or unusual

color) was John Sheffler for

“Flower Dream. Runner up was

Jessica McLean for “Dusk”.

Mike Moberly was both winner

and runner up in the category of

“Pixel counter TECH—gets all the

tech issues right” for photographs

titled “Storm Truck” and “Snow

Barn”.

“Winter Morning” by Terry

Humphrey won the award in the

cate go ry o f T his LAND

(landscape, outdoor picture where

the scenery is the main subject)

with Jude McConkey as Runner

up for “Autumn Apples”. The

winners in the “Animal LIFE”

category (bed bugs to bears, some-

thing alive and moving) was Lisa

Bohn for “Staring at Me”. Phil

Bellfy was Runner Up with “River

Otter”. Norris Seward was the

Judges Favorite, taking fifty dollars

for “Moon over Cloverland Hydro”.

Each photographer got one vote to

decide the Photographers FAVOR-

ITE award which went to Jude

McConkey for “Blue Winter”. Eve-

ryone who visited the show also had

one vote to decide the Public Favor-

ite” which went to Trevor Moran

for “Golden Footprint”.

Snaps category winners were as

follows: Judy Merrill-Smith in

the category of “Oh my gosh this is

so Weird—fun, goofy, offbeat) for

“Morning View”. Lisa Bohn, in the

category of “It Just Makes Me Hap-

py—you smile when you see it” for

“Big Sky”. Terry Humphrey, in

the category of “Once in a lifetime—

right place at the right time” for

“Northern Lights. Gwen Worley,

in the category of “OOOohhhhhh!,

you can’t take your eyes off it” for

“Ceiling of the Library of Congress”.

Ginny Johnson for “Dragon on

Fire” in the category of “Color—

vibrant or unusual”. Kathleen

Spencer, in the category of “I Wish

I was there—Travel” for “Basilica at

Notre Dame”. Norris Seward in

the category of “How’d They Do

That—special effects, for “Light

Show” and Mary Barry in the cate-

gory of “Who Is that Beautiful Per-

son”—people, any variety, for

“Totem”.

Otto Bacon is on to a show of his

light photographs at the Winery

this month and is also offering a

free workshop on this art. See 1668

Winery on p. 6 and WORKSHOPS

on p. 8.

HONORS & ACCOLADES

Page 9

ARTISTS’ OPPORTUNITIES 5 X 7 2018: A SLICE OF LIFE:

lssu.edu/artscenter/5x7

Sunrise Rotary Club has partnered

with the Lake Superior State Uni-

versity Arts Center Gallery for

the 5 x 7 Art Show Fundraiser.

Works of art are requested of art-

ists in all forms of media on a 5 X 7

canvas. Think paintings, drawings,

fabric, photography and mixed me-

dia for the juried show and fund-

raiser on April 20, 2018 – May 31,

2018 in the Arts Center Art Gallery.

The official opening of the art show will

be on April 20, 2018, in the Arts Cen-

ter Art Gallery. The preview recep-

tion includes music, hors d’oeuvres, and

cash bar. The reception is from 6 to 8

(Continued on page 10)

Direct from the Pickford Community

Library:

We were surprised and honored to

learn from the Library of Michigan

that the Pickford Community Library

was listed as one of the “10 Best

Libraries in Michigan,” according

to Best Things Michigan (https://

bestthingsmi.com/libraries/). "The

little town of Pickford, in Michi-

gan's Upper Peninsula, has to get a

nod on this list thanks to its sheer

achievement as a library."

Our thanks go to our staff, volunteers,

and patrons for making this such an

adventurous and joyous place of learn-

ing.

OTTO BACON ANNOUNCES PHOTOGRAPHY SHOW WINNERS PICKFORD COMMUNITY LIBRARY

HONORED IN TOP TEN OF “BEST

MICHIGAN LIBRARIES”

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SAULT THEATER WORK-

SHOP 2018-2019 SEASON

The Sault Theater Workshop is

ready to line up its 70th season

and is inviting all those interested

in directing to submit a proposal.

The theater plans a four play sea-

son capped with a one act festival

workshop. Time slots, while in-

definite at this time, usually in-

clude a play in October, one in late

November or early December; one

in late February or early March

(which is also the Quonta entry)

and one in early to mid May. The

one-act play workshop is June 8, 9

& 10.

STW will have suggestions if you

are interested in directing but don’t have a play in mind or if you have a play

you’d like to see produced. Contact Harry Houston if interested: 705-946-4081

& [email protected].

Page 10 ALBERTA HOUSE NEWS

p.m. when those in attendance will

have the first opportunity to view

and purchase these original works

of art for $50.00.

The artist’s name will be hidden on

all artwork until it is revealed at

the end of the show. The three

best, as determined by a local pan-

el of artists, will be awarded priz-

es—Best in Show: $300; 2nd Place

$200; Third Place $100—at the

preview reception.

Answers to frequently asked ques-

t i o ns ca n b e f o u nd a t :

h t t p s : / / w w w . l s s u . e d u / a r t s -

c e n t e r / a r t - g a l l e r y / 5 x 7 - a r t -

show/#toggle-id-7

For further information, please

contact Sharon Dorrity, LSSU Arts

Center Gallery manager at 906-

635-2665 or [email protected].

(Continued from page 9)

Applications for the 46th annual Sault Summer Arts Festival are now downloadable on

the the Sault Area Arts Council website: www.saultareaartscouncil.org and

www.saultarts.org. The festival date is Tuesday, August 7. The festival will be held in

the Sault Locks area this year. Festival hours are from 10 a.m. to 8 p.m. The space fee is

$100 for a 10’ x 10’ space.

The Sault Summer Arts Festival is a juried, multi-media show and sale. All work must be

the original creation of the exhibiting artist. No dealers or agents are allowed nor is work

from commercial patterns, molds or kits. Three photographs of each type of work to be

exhibited are required—five are required for jewelers. Digital photos are preferred and

may be e-mailed to [email protected]. The festival also welcomes authors and food ven-

dors.

Festival awards include $300 for Best of Show; $150 each for Best of Crafts and Painting; $75 for Judge’s Choice and

$50 awards in wood, jewelry, glass, fiber, photography, pottery, graphics, design and display.

Jury deadline is June 1, 2018.

The Sault Summer Arts Festival is sponsored as a public service by the Sault Area Arts Council. If you need a mailed

application or have questions, call Jean Jones at 906-437-5463 or e-mail: [email protected].

SAULT SUMMER ARTS FESTIVAL APPLICATIONS AVAILABLE

GET READY! OLIVE CRAIG GALLERY ANNUAL JURIED EXHIBITION SET FOR JUNE

For a really special St. Patrick’s Day gift or Easter gift, check out the Alberta House Shop. 20% off anything with green in it!

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Page 11

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BOOK BEAT: THE TAYLOR BROTHERS

SHADOWS OF THE MIND FILM FESTIVAL

Sault, Ontario’s “Shadows of the Mind” Film Festival information just came in and the first two days of its run were

in February, but there are four days and twenty films to go. Their website states: “We are a film festival that show-

cases films and other art forms for two purposes: to entertain and to educate. By attracting audiences through the

entertainment value of film, we use select films and events to increase awareness and education on mental health and

addiction issues, as well as other prevalent social topics as decided each year.”

Films are screened at the Galaxy and the Grand Theaters in Sault, Ontario. Admission is $13. We’ve listed the

March films in the Events Section, March 1 through 4. Lots more information is available on the Shadows of the

Mind website: www.shadowsfilmfest.com.

OUT OF THE PAST

Paul Freedman took many photographs for us

over the years, documenting festivals, exhibits,

shop offerings and much more. Paul was a pur-

ist, refusing to accept the convenience of the

digital camera, but documenting everything on

film. He was also a master of stuffing a ballot

box to garner great

publicity for SAAC.

His photo below

shows the signage

for our selection of

the Evening News

“Garden of the

Year”—selected by

ballots issued by the Evening News. We have

no idea of how many ballots he filled out.

In another year Jean Jones was voted “Best

Reporter”, probably to the shock of the Evening

News editor. Yup! Paul stuffing the ballot box

again! Abov is the “Garden of the Year” sign,

and, left, Bill Morrison’s beautiful arch which

helped make it so.

A TALE OF TWO BROTHERS: SPRAGUE

AND WILLIAM TAYLOR

This is the story of two brothers, Yoopers, who

grew up in the Hulbert area and matured to cele-

brate the area in which they lived in prose, poetry

and a commitment to preserve its history through

meticulous research. Their mother was a former

teacher; their father, after a stint as a bank clerk,

was in the lumber industry. Both Sprague and

William grew up intensely aware of their sur-

roundings—the woods, fields, waters, flora and

fauna—and recorded their impressions through

their writing their entire lives. Separated in age

There’s a treat in store for youngsters

and their parents. The LSSU Arts

Center is screening “Shh! We Have a

Plan”, by Chris Naughton on March

15, at 10 a.m. and at 1 p.m. The mov-

ie runs 45 minutes. Cost is just $4.

Great entertainment for kids pre-K

through grade 3. Schools are welcome

and encouraged to bring their stu-

dents.

NEWS & NOTES

Page 12 Newsletter Title

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Page 13 ALBERTA HOUSE NEWS

IDES

Something ominous in the wind

Something nondescript and strange

Revives a memory in the blood—

The mid-March imminence of change.

Last night a witless signature

Was scribbled bird-wise over snows

Whose vacant pages long had held

Immaculate their white repose.

This morning’s gusty winds reveal

Bird that was harbinger of thaw,

As overhead the air is cleft

By sudden and percussive . . . Caw!

William Taylor was born in Newberry in 1927.

He graduated from Michigan State University

where he studied music, expecting to teach,

which he did for a short time before his arthri-

tis became so crippling that he was forced to

live with his parents in the Rudyard area. His

arthritis seemed to peak in waves, during

which he was often hospitalized and bedridden

for more than a year at a time. The acute at-

tacks were followed by remissions when he

could get around. While his regular teaching

career was short because of the arthritis at-

tacks he was, for a number of years, able to

give private piano lessons. When he could be

outside he was a keen observer of the natural

world, with many of his observations recorded

in poetry.

by seven years, and in circumstances by college,

World War II, and illness, their influence on one

another was probably minimal, but both were

naturalists, keen observers, researchers and

most of all, authors. Their circumstances after

their youth and especially after William was

wracked with arthritis were vastly different, yet

the two matured to be remarkedly alike. Both

were avid historians. Both were meticulous re-

searchers. Both were excellent and fluent writ-

ers. Both loved the area in which they lived and

were keen observers of its wildlife and every-

thing that grows here and of the people who

lived here.

Charles Taylor, Sprague and William’s father

was in the lumber business when they were

growing up. Both Sprague and William were

born in Newberry and spent their early years in

Hulbert. When Sprague went to war in 1941

William was fourteen years old and when Spra-

gue returned and joined his father in the lumber

business William was off to college, so their in-

fluence on one another was minimal.

William was stricken with severe, crippling ar-

thritis, while still in his teens and after graduat-

ing from Michigan State was able to teach for

only a couple of years, and then only with the

help of a brace that allowed him to stand.

Thereafter his mobility was pretty much limited

to the Rudyard area surrounding the home

where he lived with his parent. His research

passion was Upper Peninsula postal marks,

stamps and history and his research covered the

entire Upper Peninsula. Sprague’s primary area

of interest was “Tahquamenon Country”, the

title of his book, and broad in scope. He was a

student of the lumber industry, its colorful lan-

guage and heritage, the area’s indigenous people

and most of all the Tahquamenon watershed.

WILLIAM TAYLOR

There are many areas where people equate the

coming of spring with the arrival of the first rob-

in. Not so here. Up here the first robin usually

announces the beginning of summer. We’re

more anxious for signs of spring in an area

where winter can last six months and need more

in the way of a promise than the eventual rob-

in. For those of you in the Sault the first sign

comes with the beginning of the shipping sea-

son. For those in the countryside that sign is

aural—the caw of the crow. Crows are early

nesters and announce themselves almost pre-

cisely in the middle of March, Caesar’s “Ides of

March”, so their arrival is a sure sign of the

new life to come. “William Taylor’s first book

of poetry, “Wild Harvest”, illustrated by Grace

Dubow, begins with “Ides”, so we’ll begin with

him.

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Page 14

His historical research was a passionate study of Up-

per Peninsula postal history and included research

on early routes; postmen on snowshoes traveling by

dog sled; train stops; post offices, many of which are

long gone; postmarks; stamps; covers; commeratives,

and even delving into postcards (noting that they

were printed in Germany often, since German print-

ing was better and cheaper). He studied letters to

the editor complaining about mail deliveries and pri-

vate letters that mentioned winter isolation and

whether the boat with mail had made it through the

ice or the mail train or dog sled had made it through

the snow. In a way, the book is more UP history

than about postal history and a vivid reminder of

how totally cut off early settlers could be in the win-

ter and how desperate they were for news.

William Taylor’s study, titled “Upper Michigan Post-

al History and Postmarks”, was published in 1988.

You can still buy a copy from the Chippewa County

Historical Society and it is still well used and re-

viewed by philatelists.

William Taylor also wrote many articles for various

publications on the subject of postmarks, stamps and

covers and collecting and preserving such material

that appeared in various publications. He carried on

a lively correspondence with a large number of postal

buffs, giving advice and exchanging information, and

with many fellow poets as well.

“Wild Harvest”, William Taylor’s first book of poetry

was published in 1968, although many of the poems

has appeared previously in such publications as The

Christian Science Monitor, American Forests, The

Lyric, National Wildlife and the New York Herald

Tribune. The slim volume is enhanced by the pen

and ink drawings of Grace Dubow. The poems run

the gamut from lyric odes to natural beauty to ironic

comments on current affairs. It’s a Yooper book doc-

umenting hard winters, viscous clay soil, raspberry

summers, fall apples and winter blizzards made

bearable by last fall’s hard cider—part observation,

part philosophic musing.

The triumph of the dandelions:

Dandelions

French: dent-de-lions

Each gladiator, blade in hand,

Strides forward to smite the foe

Which threatens, with tenacious teeth,

Suburban status quo.

He cuts a swath along their manes

And boasts he won the war,

But at each heel the lions spring

With silent yellow roar.

Hard circumstance:

Field of Oats

Their oats unreaped, and with it a summer’s hope

Unharvestable in steady September Rain,

A bumper crop had turned beneath its drizzle,

To sodden heaps of slowly rotting grain.

They came to town. “I never saw such weather,”

The man said. “Not in close to fifteen years”.

We aim to use the tractor if we’re able . . .

The kids can help us . . . if the weather clears . . .”

“We got some potatoes out,” the woman offered.

But hard upon their faces were the clues

To plain arithmetic of winter’s losses . . .

The barn repair, a coat, a pair of shoes.

William’s second book of poetry, “New and Collect-

ed Poems”, came out nine years later and it, too,

opened with “Ides”. All three of the poems quoted

above were included in the second book along with

a number of other poems from “Wild Harvest”, but

this book had more political and topical musings,

more satire and more pain. It was dedicated to

Sprague, who had died three years previously.

Some of the poems in it had been published previ-

ously in American Forests, American Haiku, Cla-

vier, The Christian Science Monitor, Hawk and

Whippoorwill Recalled, Legend, The Lyric, National

Wildlife, The New York Herald Tribune, The Orego-

nian, Peninsula Poets and Poet Lore.

SPRAGUE TAYLOR

Charles Sprague Taylor (known as Sprague)

was born in Newberry in 1920. He was attending

Ferris State College on Pearl Harbor Day, and en-

listed in the army the next day. The army sent him

to Officers Training School; at the end of the war he

was a captain. When the war was over he joined

his father in the lumber business and remained in

that occupation all his life. He was deeply interest-

ed in everything that had to do with the Tah-

quamenon watershed and Two Hearted River ar-

ea—its geology, the wildlife, the lumber industry,

the indigenous people and the rivers themselves.

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Page 15 ALBERTA HOUSE NEWS

He could tell stories about its characters, especially

those in the lumber industry and explain the color-

ful language used to describe the jobs and people

and tools. He knew the entire watershed well and

knew and wrote about the town of Newberry and

its history. His book, “Tahquamenon Country”,

published by the Michigan State University Press

and copyrighted by the Historical Society of Michi-

gan came out to great acclaim in 1991, with a sec-

ond edition coming out in 2008. It is currently

widely available and probably will continue to be

because it’s timeless, a meticulously researched

history that reads almost like a novel—pure pleas-

ure.

Sprague noticed everything. Most people who live

near the lake know that the levels have changed

radically over the years as the lake wore through

various natural dams, the most recent break-

through being the rapids at the Sault, all of which

lowered the level of the lake. The evidence of the

higher levels is obvious—just look at the steep de-

scent to the Sault. What they may not know is

that there has been another much more gradual

change in the other direction as the lake slowly

rebounds from the weight of the most recent glaci-

er. Since the glacier retreated to the north and the

rebound is slow the south side has risen more.

Sprague Taylor knew this, of course, being a stu-

dent of almost everything about the area, and

when he and his son found pottery shards in the

snow at Naomikong Point he immediately looked to

the lake where wave action accelerated by the cold

north wind was even then in the process of heaving

up more shards.

Naomikong Point is a desolate stretch in winter,

very cold in the north wind, and the beach was

stitched with fresh bear tracks so immediate explo-

ration was unwise but Sprague brought photo-

graphs of the artifacts to the Chicago Museum of

Natural History in the winter of 1963. Divers sent

by that institution subsequently confirmed the

find, and three years of intensive study and recov-

ery by archeologists from the University of Michi-

gan followed. To make a long story short, the

shards came from a Paleo-indian encampment,

formerly on the shore but now, due to the rise of

the lake, underwater. Over three hundred shards

were collected over a period of three years. The

artifacts have been carbon dated to between 200

BC and 200 AD. It was typical of Sprague to un-

derstand the importance of the find and to have

the knowledge to bring the information to the at-

tention of those best suited to utilize it.

Like his brother, Sprague’s writing is full of mus-

ings on wildlife, especially birds—both writing of

eagles, jays and the song of the whitethroat. He

also wrote of the wreck of the Cypress and about

both historical and contemporary Chippewas from

chiefs to fisherman. He recorded Indian lore and

lumberjacks’ tales. There is much in his writing

on the history of Newberry as it grew from a stop

on the railroad to an area with minor industries

and a large mental hospital, on the Wire Road be-

tween Whitefish Point and Eckerman and about

the entire Tahquamenon watershed area.

Sprague Taylor died in 1974, leaving a rich legacy

of research and writing. “Tahquamenon Country”

is still widely available. Michigan State Universi-

ty came out with a new edition in 2008. You can

get it on Barnes and Noble for $14.01. It’s cur-

rently out of stock on Amazon, but more are com-

ing.

Sprague Taylor, 1920—1974

“Tahquamenon Country”, published by

Michigan State University Press in 1991. Reis-

sued in 2008. Currently widely available.

William Taylor, 1927—1987

“Wild Harvest”, 1968 Illustrations by

Grace Dubow—not available

“New and Collected Poems”, 1977

available at the Chippewa County Historical Soci-

ety.

“Upper Peninsula Postal History and

Postmarks”, available at the Chippewa County

Historical Society.

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Sault Area Arts Council

Alberta House Arts Center

217 Ferris Street

Sault Ste. Marie, MI 49783

Phone: 906-635-1312

www.saultarts.org

Email: [email protected]

Home of the Olive Craig Gallery

SUBSCRIPTION INFORMATION

Alberta House News is published monthly as a public

service by the Sault Area Arts Council. Printed copies

may be picked up free of charge at Alberta House Arts

Center or the Bayliss Library. Printable copies can be

downloaded from our web site (www.saultarts.org). Items

for Alberta House News are best transferred in written

form: e-mail [email protected]., drop off at Alberta

House or mailed there c/o Jean Jones. You may also call

906/437-5463 afternoons or evenings. Alberta House

News publishes art news of general interest to its readers.

There is no charge for inclusion. Please include the

sponsor of an event and prices or fees with the

information.

If you would like to become a member of SAAC and help

support arts council services, fill in the form alongside

and mail with your check for $25.00 in U.S. funds to the

Sault Area Arts Council, Alberta House Arts Center, 217

Ferris Street, Sault Ste. Marie, MI 49783. Members are

mailed a monthly copy of “Alberta House News” as a ben-

efit of membership or can download a copy. The free

downloadable copy is on line at the 1st of every month and

has the advantage of being in color.

Photograph

by Fred Hill