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ORCHESTRAL SOUVENIRS

DUETS FORTRUMPETS

arranged byNeil Mueller

ORCHESTRAL SOUVENIRS

DUETS FORTRUMPETS

arranged byNeil Mueller

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ORCHESTRAL SOUVENIRSDUETS FOR TRUMPETSarranged byNeil Mueller

BQ-193UPC: 6-80160-90615-4ISBN: 978-1-4911-4865-5Illustrations by Walter MuellerPrinted in the United States of AmericaPublished by Balquhidder MusicPO Box 856 Montrose CA 91021

Exclusively Disributed byCarl Fischer Music48 Wall St., 28th floorNew York NY 10005

Introduction

Souvenirs tend to be little items - easily packed in the suitcase, to be displayed on a shelf or affixed to the refrigerator. Whether apicture postcard of the Grand Canyon, an Eiffel Tower-shaped keychain, or the unique bit of driftwood from the shore, these objects canboth commemorate a wonderful trip or inspire us to take one in the future. Trumpet duets also tend to be small in stature. Rarely takingcenter stage in a big concert hall, they are often used casually - in the practice room, a teacher's studio, or the occasional trumpet recital.These "Orchestral Souvenirs" evoke the great and out-of-the-ordinary musical experiences awaiting the trumpeter outside the practiceroom.

Composers often turn to the trumpet when a voice needs to be given to heroism, to honor, or to the eternal. Trumpeters are fortunateto play such an exciting and often pivotal role in bringing symphonic scores to life. Tough to fit all of that on a postcard to say nothing ofa trumpet duet! If these duets are admittedly less than the actual experience of playing in an orchestra, they are at least twice as much funas playing by yourself.

While the majority of these duets spring from symphonic repertoire, there are some choral and chamber works included that havesignificant trumpet parts and are considered part of an orchestral playerÕs repertoire. The second parts in these duets are taken from theorchestra score and give the player some combination of harmonic, melodic, or rhythmic context of which to be aware. As you'll see,there are short duets that don't go much beyond a given excerpt; others go on more extensively, as the spirit moved me. IÕve endeavoredto make the second parts playable, but admittedly some are quite challenging, not unlike many of the excerpts themselves. The first partscontain the original trumpet parts and more.

This work is dedicated to my fellow travelers who love playing trumpet in orchestras, to the composers who have written andcontinue to write great ÔrolesÕ for the orchestral trumpet, to my long-suffering students, and most of all, to my family, who knows thewhole book by heart. Special thanks to Rob McGregor for his help making the book a reality and to my favorite artist, Walter Mueller,whose brilliant drawings brought what was in my ear to the eye.

Neil Mueller teaches trumpet at Central Michigan University, is a member of the Grand Rapids Symphony Orchestra, and isprincipal trumpet of ClevelandÕs BlueWater Chamber Orchestra. He has performed concerti with the Boston Pops, the Berkshire BachEnsemble, as well as BlueWater, the Eastern Connecticut Symphony, the Fargo-Moorhead Symphony Orchestras, ensembles in which hehas held principal positions. Prior to coming to Michigan, Mueller was on the faculty at North Dakota State University.

In addition to MuellerÕs work as a teacher and orchestral performer, he has been active as a soloist and chamber musician. He hasrecorded 3 CDs featuring premiere recordings of new music: Call and Response (White Pine) with trumpeter Allan Dean and pianistZhihua Tang; New American Classics (Crystal) as first trumpet with the Brass Ring quintet; and Common Sense (CRI) with the CommonSense ComposerÕs Collective.

MuellerÕs degrees are from Concordia College (Moorhead, MN), Yale School of Music, and Boston University. His trumpet teachersinclude J. Robert Hanson, Manny Laureano, William Vacchiano, Allan Dean and Roger Voisin.

ORCHESTRAL SOUVENIRSDUETS FOR TRUMPETSarranged byNeil Mueller

BQ-193UPC: 6-80160-90615-4ISBN: 978-1-4911-4865-5Illustrations by Walter MuellerPrinted in the United States of AmericaPublished by Balquhidder MusicPO Box 856 Montrose CA 91021

Exclusively Disributed byCarl Fischer Music48 Wall St., 28th floorNew York NY 10005

Introduction

Souvenirs tend to be little items - easily packed in the suitcase, to be displayed on a shelf or affixed to the refrigerator. Whether apicture postcard of the Grand Canyon, an Eiffel Tower-shaped keychain, or the unique bit of driftwood from the shore, these objects canboth commemorate a wonderful trip or inspire us to take one in the future. Trumpet duets also tend to be small in stature. Rarely takingcenter stage in a big concert hall, they are often used casually - in the practice room, a teacher's studio, or the occasional trumpet recital.These "Orchestral Souvenirs" evoke the great and out-of-the-ordinary musical experiences awaiting the trumpeter outside the practiceroom.

Composers often turn to the trumpet when a voice needs to be given to heroism, to honor, or to the eternal. Trumpeters are fortunateto play such an exciting and often pivotal role in bringing symphonic scores to life. Tough to fit all of that on a postcard to say nothing ofa trumpet duet! If these duets are admittedly less than the actual experience of playing in an orchestra, they are at least twice as much funas playing by yourself.

While the majority of these duets spring from symphonic repertoire, there are some choral and chamber works included that havesignificant trumpet parts and are considered part of an orchestral playerÕs repertoire. The second parts in these duets are taken from theorchestra score and give the player some combination of harmonic, melodic, or rhythmic context of which to be aware. As you'll see,there are short duets that don't go much beyond a given excerpt; others go on more extensively, as the spirit moved me. IÕve endeavoredto make the second parts playable, but admittedly some are quite challenging, not unlike many of the excerpts themselves. The first partscontain the original trumpet parts and more.

This work is dedicated to my fellow travelers who love playing trumpet in orchestras, to the composers who have written andcontinue to write great ÔrolesÕ for the orchestral trumpet, to my long-suffering students, and most of all, to my family, who knows thewhole book by heart. Special thanks to Rob McGregor for his help making the book a reality and to my favorite artist, Walter Mueller,whose brilliant drawings brought what was in my ear to the eye.

Neil Mueller teaches trumpet at Central Michigan University, is a member of the Grand Rapids Symphony Orchestra, and isprincipal trumpet of ClevelandÕs BlueWater Chamber Orchestra. He has performed concerti with the Boston Pops, the Berkshire BachEnsemble, as well as BlueWater, the Eastern Connecticut Symphony, the Fargo-Moorhead Symphony Orchestras, ensembles in which hehas held principal positions. Prior to coming to Michigan, Mueller was on the faculty at North Dakota State University.

In addition to MuellerÕs work as a teacher and orchestral performer, he has been active as a soloist and chamber musician. He hasrecorded 3 CDs featuring premiere recordings of new music: Call and Response (White Pine) with trumpeter Allan Dean and pianistZhihua Tang; New American Classics (Crystal) as first trumpet with the Brass Ring quintet; and Common Sense (CRI) with the CommonSense ComposerÕs Collective.

MuellerÕs degrees are from Concordia College (Moorhead, MN), Yale School of Music, and Boston University. His trumpet teachersinclude J. Robert Hanson, Manny Laureano, William Vacchiano, Allan Dean and Roger Voisin. sa

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Table of ContentsBach, Johann Sebastian, Christmas Oratorio ......................

Magnificat ....................................Mass in B minor ..........................

Bartok, Bela, Concerto for Orchestra ..................................

Beethoven, Ludwig van, Leonore Overture No. 2 ..............Leonore Overture No. 3 ..............

Symphony No. 7, III ....................

Berlioz, Hector, Symphonie Fantastique, Un Bal ..............

Bizet, Georges, Carmen Suite No. 1 Prelude .....................Suite No. 2 Chanson du ToreadorSuite No. 2 Habanera ..................Suite No. 2 LaGarde Montante ....Danse Boheme ..............................

Brahms, Johannes, Academic Festival Overture .................

Copland, Aaron, An Outdoor Overture ................................

Dvorak, Anton, Symphony No. 8 .........................................Symphony No. 9 from the New World .......

Debussy, Claude, Nocturnes, Fetes .....................................

Donezetti, Gaetano, Don Pasquale, Prelude Act II .............

Gershwin, George, Concerto in F ....................................... American in Paris .............................

Ives, Charles, Variations on America ..................................

Mahler, Gustav, Blumine Symphonic Movement ................. Symphony No. 2 ..........................

Symphony No. 4 .......................... Symphony No. 3 ........................... Symphony No. 5 ...........................

Mussorgsky, Modest, Pictures at an Exhibition Samuel Goldenberg and Schmuyle ........

Rachmaninoff, Serge, Rhapsody on a Theme of Paganini ...

Ravel, Maurice, La Valse ..................................................... Piano Concerto in G ..................................

567

8

131415

16

1819222426

30

32

3334

40

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4446

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5051525356

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7376

Table of ContentsBach, Johann Sebastian, Christmas Oratorio ......................

Magnificat ....................................Mass in B minor ..........................

Bartok, Bela, Concerto for Orchestra ..................................

Beethoven, Ludwig van, Leonore Overture No. 2 ..............Leonore Overture No. 3 ..............

Symphony No. 7, III ....................

Berlioz, Hector, Symphonie Fantastique, Un Bal ..............

Bizet, Georges, Carmen Suite No. 1 Prelude .....................Suite No. 2 Chanson du ToreadorSuite No. 2 Habanera ..................Suite No. 2 LaGarde Montante ....

Danse Boheme ..............................

Brahms, Johannes, Academic Festival Overture .................

Copland, Aaron, An Outdoor Overture ................................

Dvorak, Anton, Symphony No. 8 .........................................Symphony No. 9 from the New World .......

Debussy, Claude, Nocturnes, Fetes .....................................

Donezetti, Gaetano, Don Pasquale, Prelude Act II .............

Gershwin, George, Concerto in F ....................................... American in Paris .............................

Ives, Charles, Variations on America ..................................

Mahler, Gustav, Blumine Symphonic Movement ................. Symphony No. 2 ..........................

Symphony No. 4 .......................... Symphony No. 3 ........................... Symphony No. 5 ...........................

Mussorgsky, Modest, Pictures at an Exhibition Samuel Goldenberg and Schmuyle ........

Rachmaninoff, Serge, Rhapsody on a Theme of Paganini ...

Ravel, Maurice, La Valse ..................................................... Piano Concerto in G ..................................

567

8

131415

16

1819222426

30

32

3334

40

42

4446

49

5051525356

67

70

7376sa

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Respighi, Ottorino, Pines of Rome, Pines near a Catacomb ......Pines of Villa Borghese ......

Rimsky-Korsakov, Nicolai, Scheherazade ..................................

Schumann, Robert, Symphony No. 2 ...........................................

Shostakovich, Dimitri, Symphony No.1 ......................................Symphony No.5 .....................................

Concerto for Piano, Trumpet and Strings ....

Strauss, Richard, Don Juan ......................................................... Ein Heldenleben ..............................................

Stravinsky, Igor, Firebird Suite, Danse Infernale ........................ Petrouchka, Ballerina's Dance and Waltz ........ Petrouchka, Apparition of Petrouchka's Double .... Pulcinella Suite, Toccata ............................. L'Histoire du Soldat, March Royale .................

Tchaikovsky, Pyotr Ilyich, Cappriccio Italien ............................. The Nutcracker, LeChocolat - Danse Espagnole ..... Swan Lake, Neopolitan Dance ...................... Symphony No. 4 ........................ . Symphony No. 5 .......................

Wagner, Richard, Gotterdamerung, Trauermarsch ..................... Parsifal, Prelude ................. Tannhauser, Overture ..........

7778

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126129130

Respighi, Ottorino, Pines of Rome, Pines near a Catacomb ......Pines of Villa Borghese ......

Rimsky-Korsakov, Nicolai, Scheherazade ..................................

Schumann, Robert, Symphony No. 2 ...........................................

Shostakovich, Dimitri, Symphony No.1 ......................................Symphony No.5 .....................................

Concerto for Piano, Trumpet and Strings ....

Strauss, Richard, Don Juan ......................................................... Ein Heldenleben ..............................................

Stravinsky, Igor, Firebird Suite, Danse Infernale ........................ Petrouchka, Ballerina's Dance and Waltz ........ Petrouchka, Apparition of Petrouchka's Double .... Pulcinella Suite, Toccata ............................. L'Histoire du Soldat, March Royale .................

Tchaikovsky, Pyotr Ilyich, Cappriccio Italien ............................. The Nutcracker, LeChocolat - Danse Espagnole ..... Swan Lake, Neopolitan Dance ...................... Symphony No. 4 ........................ . Symphony No. 5 .......................

Wagner, Richard, Gotterdamerung, Trauermarsch ..................... Parsifal, Prelude ................. Tannhauser, Overture ..........

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9BQ-193

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Concerto for OrchestraV. Finale

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11BQ-193

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&&

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812∑

Ï Ï Ï Ïb Ïn Ï Ï Ïb Ï Ïn Ïn Ïnp

in CAllegretto

∑

Ï Ï Ï Ïb Ïn Ï Ï Ïb Ï Ïn Ïn Ïnsim.

Var. XVIIRhapsody on a Theme of Paganini

î . .ú-

Ï Ï ä Ï Ïn ä Ï Ï ä Ï Ï äF

poco marcato

cresc.p

Sergei Rachmaninoff (1873-1943)

&&

bbbbbbbbbb

.ú .ú-

Ïn Ï ä Ï Ïn ä Ïn Ï ä Ïn Ï ädim.

.w-

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p

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&&

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p cresc.

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.w-

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p

&&

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pp cresc.

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π

f dim.

70 BQ-193

RHAPSODY ON A THEME BY PAGANINI, OP. 43 By SERGEI RACHMANINOFF

Copyright © 1934 (Renewed) CHARLES FOLEY, INC. All Rights Assigned and Administered by BOOSEY & HAWKES MUSIC PUBLISHERS, LTD. (Publishing) and ALFRED

PUBLISHING CO., INC. (Print) All Rights Reserved

&&

bbbbbbbbbb

812

812∑

Ï Ï Ï Ïb Ïn Ï Ï Ïb Ï Ïn Ïn Ïnp

in CAllegretto

∑

Ï Ï Ï Ïb Ïn Ï Ï Ïb Ï Ïn Ïn Ïnsim.

Var. XVIIRhapsody on a Theme of Paganini

î . .ú-

Ï Ï ä Ï Ïn ä Ï Ï ä Ï Ï äF

poco marcato

cresc.p


&&

bbbbbbbbbb

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p

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&&

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p cresc.

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p

&&

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pp cresc.

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π

f dim.

70 BQ-193


Copyright © 1934 (Renewed) CHARLES FOLEY, INC. All Rights Assigned and Administered by BOOSEY & HAWKES MUSIC PUBLISHERS, LTD. (Publishing) and ALFRED

PUBLISHING CO., INC. (Print) All Rights Reserved

samp

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&&

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&&

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p

&&

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86

86

.ú .ú-

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p

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812

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Ï Ï Ï Ïb Ïn Ï Ï Ï Ï Ïn Ïn Ïna tempo

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71BQ-193

&&

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&&

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p

&&

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86

86

.ú .ú-

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p

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&&

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812

812.w-

Ï Ï Ï Ïb Ïn Ï Ï Ï Ï Ïn Ïn Ïna tempo

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71BQ-193

samp

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43

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∑S f

in CAllegro

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3f

Ï. Ï. Ï. Ï. jÏ# .ä

ú Ïb Ï Ï3

Var. XIVRhapsody on a Theme of Paganini

Ï. Ï. Ï. Ï.jÏ. ä

ú- Ï Ï Ï3

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F


&&

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&&

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3

.ú-

jÏ. ä JÏ. ä JÏ. ä

f dim..ú

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Ï Î Ï Ï Ï3

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ú- Ïb Ï Ï3

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&&

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ú Ï Ï Ï3

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jÏb . ä jÏ. ä jÏ. äF

ú Î

ú Î

72 BQ-193


Copyright © 1934 (Renewed) CHARLES FOLEY, INC. All Rights Assigned and Administered by BOOSEY & HAWKES MUSIC PUBLISHERS, LTD. (Publishing) and ALFRED PUBLISHING CO., INC. (Print)

All Rights Reserved

&&

bb

43

43jÏ ä Ï. Ï. Ï. Ï.

∑S f

in CAllegro

Ï. Ï. Ï. Ï. jÏ. äÎ Î Ï Ï Ï

3f

Ï. Ï. Ï. Ï. jÏ# .ä

ú Ïb Ï Ï3

Var. XIVRhapsody on a Theme of Paganini


ú- Ï Ï Ï3

Ï. Ï. Ï. Ï. jÏ# .ä

ú- Ïb Ï Ï3

Ï. Ï. Ï. Ï. jÏ# .ä

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F


&&

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3


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ú Ï Ï Ï3

&&

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3

.ú-

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f dim..ú

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Ï Î Ï Ï Ï3

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ú- Ïb Ï Ï3

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&&

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72 BQ-193


Copyright © 1934 (Renewed) CHARLES FOLEY, INC. All Rights Assigned and Administered by BOOSEY & HAWKES MUSIC PUBLISHERS, LTD. (Publishing) and ALFRED PUBLISHING CO., INC. (Print)

All Rights Reserved

samp

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&&

.Ï> JÏb . Ï.

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Mouvement de valse Viennoise

Ä

in C

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La Valse

Î Ï# . Ï.

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ÄMaurice Ravel (1875-1937)

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&&

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