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#YEAROF ART WORKBOOK FOR VIDEO 3 : THE GALLERY ? ? ?

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Page 1: s3.amazonaws.com · BLACK ARTISTS (BLACK HISTORY MONTH, FEBRUARY) • Elizabeth Catlett, Harriet, 1975 • Robert Colescott, George Washington Carver Crossing the Delaware: Page from

#YEAROFART

WORKBOOK FOR VIDEO 3:THE GALLERY

? ??

Page 2: s3.amazonaws.com · BLACK ARTISTS (BLACK HISTORY MONTH, FEBRUARY) • Elizabeth Catlett, Harriet, 1975 • Robert Colescott, George Washington Carver Crossing the Delaware: Page from

Why is it important to vary the artworks we show to our students?

What do students learn from looking at art?

What are the first four artworks you want to include in your #YearOfArt?

1

2

3

4

WORKBOOK FOR VIDEO 3:

THE GALLERY

#YEAROFART

COMPARE & CONTRAST

Instructions: Compare two works of art. Describe each one individually. Then, in the

space whre the two boxes connect, list things the artworks have in common.STUDENT NAME: __________________________________ DATE: _______________

ART CLASS CURATOR | https://artclasscurator.com/ | ©2017 Cindy Ingram

ARTWORK TITLE:

ARTIST/CULTURE:

ARTWORK TITLE:

ARTIST/CULTURE:

TWITTER PERSPECTIVES

Instructions: Write tweets of 140 characters or less from you, from the artist, from the painting, and

from characters in the painting. By the @ symbol, create a unique Twitter handle (name) for everyone.

ARTWORK TITLE: _____________________________________________________

ARTIST/CULTURE: ______________________________ DATE OF ARTWORK: __________

STUDENT NAME: __________________________________ DATE: _______________

ART CLASS CURATOR | https://artclasscurator.com/ | ©2017 Cindy Ingram

@_____________________________

@_____________________________

@_____________________________

@_____________________________

WRITE A HAIKU POEM

Instructions: Look at the artwork and answer the warm-up prompts. Use these words as inspiration to

write a haiku poem about the artwork.

ARTWORK TITLE: _____________________________________________________

ARTIST/CULTURE: ______________________________ DATE OF ARTWORK: __________

STUDENT NAME: __________________________________ DATE: _______________

ART CLASS CURATOR | https://artclasscurator.com/ | ©2017 Cindy Ingram

WARM-UP Write 6 ADJECTIVES that describe the artistic style (or the way it is painted ) of the artwork.

1. ____________________________ 2. ____________________________ 3. ____________________________

4. ____________________________ 5. ____________________________ 6. ____________________________

Write 6 ADJECTIVES that describe the emotions of the work of art – either the emotions contained in the

piece, or the emotions you feel while looking at it.

1. ____________________________ 2. ____________________________ 3. ____________________________

4. ____________________________ 5. ____________________________ 6. ____________________________

Write 6 VERBS that describe the subject matter of the artwork.

1. ____________________________ 2. ____________________________ 3. ____________________________

4. ____________________________ 5. ____________________________ 6. ____________________________

Write 6 SIMILES or METAPHORS that describe the artistic style of the artwork.

1. ____________________________ 2. ____________________________ 3. ____________________________

4. ____________________________ 5. ____________________________ 6. ____________________________

WRITE A HAIKU

Write a haiku poem about the artwork using the warm-up above as inspiration.

TITLE: ____________________________________________________________

Line 1: ____________________________________________________ (5 SYLLABLES)

Line 2: ________________________________________________________________________ (7 SYLLABLES)

Line 3: ____________________________________________________ (5 SYLLABLES)

HAIKU EXAMPLES

TITLE: Rainstorm

Daughter

Line 1: Crashing thunder sounds

Tiny burst of light

Line 2: While the sky drops its contents

Joy erupts like solar flare

Line 3: After, a rainbow

You are my sunshine

WRITE A CINQUAIN POEM

Instructions: Fill in the blanks with descriptive words about the artwork to write a cinquain poem.

ARTWORK TITLE: _____________________________________________________

ARTIST/CULTURE: ______________________________ DATE OF ARTWORK: __________

STUDENT NAME: __________________________________ DATE: _______________

ART CLASS CURATOR | https://artclasscurator.com/ | ©2017 Cindy Ingram

__________________

NOUN (Subject)

__________________ __________________

ADJECTIVE

ADJECTIVE

__________________ __________________ __________________

__________________

NOUN

__________________ __________________ __________________ __________________

4-Word PHRASE

VERB (ing)VERB (ing)

VERB (ing)

A cinquain poem is

a structured verse

of five lines that

do not rhyme.

The cinquain poem

was created by

Adelaide Crapsey.

A CINQUAIN TYPICALLY has a

set number of syllables

Line 1 � 2 syllables

Line 2 � 4 Syllables

Line 3 � 6 Syllables

Line 4 � 8 syllables

Line 5 � 2 Syllables

STUDENT NAME: __________________________________ DATE: _______________

ART CLASS CURATOR | https://artclasscurator.com/ | ©2017 Cindy Ingram

EXPLORING PLACE: THE 5 SENSES

Instructions: Imagine you have entered the painting. Describe the environment using the 5 senses.

ARTWORK TITLE: _____________________________________________________

ARTIST/CULTURE: ______________________________ DATE OF ARTWORK: __________

WHAT DO YOU HEAR?

WHAT DO YOU SEE?

WHAT DO YOU SMELL?

WHAT DO YOU TASTE?

WHAT TEXTURES CAN YOU FIND?

HOW DOES IT FEEL TO BE HERE?

ART REFLECTIONS

Instructions: Use the prompts below to write about the artwork.

ARTWORK TITLE: _____________________________________________________

ARTIST/CULTURE: ______________________________ DATE OF ARTWORK: __________

STUDENT NAME: __________________________________ DATE: _______________

I SEE .. .• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

I THINK .. .• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

I WONDER ...

• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

• __________________________________________________________________________

ART CLASS CURATOR | https://artclasscurator.com/ | ©2017 Cindy Ingram

+ +=

PAGE 2

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CLASS: SPECIAL MONTH?

WEEK ARTWORK MEDIA CULTURE TIME PERIODWEEK: 1 NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

WEEK: 2 NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

WEEK: 3 NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

WEEK: 4 NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

MONTHLY PLANNERMONTH:

© Cindy Ingram rt Class Curator www.artclasscurator.com

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YEAR: CLASS:MONTH ARTWORK MEDIA CULTURE TIME PERIOD

NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

NAME:

TITLE:

Date:

Other Info:

SculpturePaintingDrawingPrintInstallationArchitectureDigitalPerformanceOther:

Africa AsiaAustraliaEurope Middle East / N. AfricaNorth AmericaSouth AmericaOther:

AncientMiddle Ages15th-17th Century18th-19th Century20th-21st CenturyOther:

YEARLY PLANNER

© Cindy Ingram rt Class Curator www.artclasscurator.com

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BLACK ARTISTS (BLACK HISTORY MONTH, FEBRUARY)• Elizabeth Catlett, Harriet, 1975• Robert Colescott, George Washington Carver Crossing the Delaware:

Page from an American Textbook, 1975• Faith Ringgold, The Sunflower Quilting Bee at Arles, 1991• Amy Sherald, First Lady Michelle Obama, 2018• Henry Ossawa Tanner, The Thankful Poor, 1894• Kehinde Wiley, Mary, Comforter of the Afflicted I, 2016

WOMEN (WOMEN’S HISTORY MONTH, MARCH)• Mary Cassatt, Mère et enfant (Reine Lefebre and Margot before a

Window), c. 1902• Molly Crabapple, Portraits of myself and Lola Montes with things said

about us by our contemporaries, 2014• Nina Katchadourian, The Genealogy of the Supermarket, 2015• Rosa Rolanda, Self-Portrait, 1952• Jaune Quick-to-See Smith, Who Leads Who Follows, 2004• Kara Walker, Insurrection! (Our Tools Were Rudimentary, Yet We Pressed

On), 2000

ASIA (ASIAN-PACIFIC HERITAGE MONTH, MAY)• Yue Minjun, Blue Sky and White Clouds, 2012• Takashi Murakami, Isle of the Dead, 2014• Do-Ho Suh, Some/One, 2001• Chinese Twelve Heavenly Generals, 12th-13th century• Indian, Shiva as Lord of Dance (Nataraja), ca. 11th century• Bu Hua, Playing a Happy Game No. 11, 2008• Shen Zhou, Poet on a Mountain Top, 1500

LGBT ARTISTS (PRIDE MONTH, JUNE)• Felix Gonzalez-Torres, Untitled (Portrait of Ross in L.A.), 1991• Annie Leibovitz, Meryl Streep, 1981• Zanele Muholi, Dudu, (Parktown), 2016• Alice Neel, Andy Warhol, 1970• Cy Twombly, Coronation of Sesostris (Part V), 2000

U.S. AMERICA • Bo Bartlett, Homecoming, 1995• Romare Bearden, Return of the Prodigal Son, 1967• Ann Hamilton, The Event of a Thread, 2012• Dorothea Lange, Migrant Mother, 1936• Jacob Lawrence, The Migration Series, Panel 3, 1941• Augusta Savage, The Harp, 1939• John Quincy Adams Ward, The Freedman, 1863• Grant Wood, Parson Weems’ Fable, 1939

LATIN AMERICA (NATIONAL HISPANIC HERITAGE MONTH, SEPT 15-OCT 15)• Carmen Lomas Garza, Empanadas, 1991• Frida Kahlo, The Two Fridas, 1939• Monica Lozano, Juarez Photo Series, 2011• Luis Felipe Noé, Cerrado por brujería [Closed for Witchcraft], 1963• u no amayo El Hombre, 1953• David Alfaro Siqueiros, Self-Portrait (The Great Colonel), 1945• Panama Molas• Urn in Form of Cociyo, Zapotec God of Lightning & Rain, c. A.D. 400–500

NATIVE AMERICA (NATIVE AMERICAN HERITAGE MONTH, NOVEMBER)• Sonny Assu, Breakfast Series, 2006• Susan Point, The First People, 2008• Pallaya Qiatsuq, Angakkuq, 1998• Tlingit Totem Poles• Kwakwaka-wakw Transformation Masks

AFRICA• Trigo Piula, Ta Tele Gabon, 1988• Gerard Sekoto, The Song of the Pick, 1947 • Yinka Shonibare, The Swing (After Fragonard), 2001• Tomb of Pashed, Dead Man Kneeling before Osiris, Ancient Egypt• Benin Bronzes• Kongo People, Nkisi Nkondi Power Figures

AUSTRALIA & PACIFIC ISLANDS (ASIAN-PACIFIC HERITAGE MONTH, MAY)• David Malangi, Totemic Animals, 1965 • Tin Mweleun, Slit Gongs, 1960s• rac y o att Useless, 1974, 1994• ori ting ous s• Marshall Island Stick Charts

EUROPE• Marc Chagall, I and the Village, 1911• Salvador Dali, Persistence of Memory, 1931• Jacques-Louis David, Death of Socrates, 1787• Eugène Delacroix, Selim and Zuleika, 1857• Hannah Hoch, Da Dandy, 1919• Käthe Kollwitz, Misery, 1897• Pablo Picasso, Guernica, 1937• Vincent Van Gogh, Sunflowers, 1880s

MIDDLE EAST• Saloua Raouda Choucair, Poem Cube, 1963-65• Abdul Aziz Iran, Zal is Sighted by a Caravan, ca. 1525 • Hana Malallah 5.50.1.1.40.1.30.1.30.30.5, Barzakh (Obstacle), 2014• Shirin Neshat, Fervor, 1999• Tughra of Sultan Suleyman, ca. 1555–60

LIST OF ARTWORKS:Please keep in mind that it is impossible to include a complete summary of any culture, and these are not meant to be repre-sentative of the culture as a whole or even to be considered as “the best” artworks from the culture. Inevitably, there will be important and wonderful works of art that are not mentioned here. This list is a jumping off point to get you started, but is by no means comprehensive. These artworks were chosen because they are good ones to discuss with children.

© Cindy Ingram rt Class Curator www.artclasscurator.com