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TRANSCRIPT
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Nascent as beginning to exist or to grow, to emerge or develop, is our concern in this
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XZICKNZa%XZCdCKQF%]KYXeK,]ZCKd%X,^]ZQ%]KYXeK,]ZCKd%X=f]Y,QA22?%Z29*"?*(
The space is not equivalent to any time. Its a new
system of measurement. Out of time.
But thats not the words. Thats the space between words.
What about the words themselves? Maybe its handwritten,
still a trace of the gesture. The time of the hand.
More likely a typed text. A commonplace book.
Q:And where do such words-as-movement come from?
A:Tear up the page. Go to the performance.
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with only one or two words each.
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- see Treatise$TIefgdcU$d$5"#,$"#$"3.$0#S#-'#;$.=-"
3110(3-"#.$%,$3--(0;3,-#$5%'"$"%.$E3(%.'$1(2%'%-._
Composers who adopt such approximate graphic
indications of what their music is to sound like
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(B) Hearing the Music.
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Sound = Word = (Sound = Word)
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INTERLUDE: PLEASE PROPOSE YOUR SUGGESTIONS FOR RADICAL
MOMENTS OF TRANSFORMATION
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Im still sat in Cafe Oto in Dalston. Someone is
playing!"0%22#0 on the piano. Slow and mediative.
It occurs to me that Michael Jackson is dead.
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Actually its not Thriller, its a#3'$?'. Michael
Jackson is still dead.
Serpentine Pavilion, 2007. A Pauline Oliveros concert. I
arrive a minute late, and am told I cant go in because
its a Deep Listening experience. The security guard
says the phrase with a shrug. A small group of us have
arrived late and no one leaves.
We all know whats going to happen. Ten minutes in, lots
of people are walking out. The security guard turns away
from us, has a conversation on his walkie talkie, then
says you can go in. Its ruined, apparently. Its no
longer a Deep Listening experience.
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40 { rubric
and the pigeons are all talking about going to the moon
they look up at it all night they are unable to sleep
but ask them ask them go ask them why the moon
and they said it is home to a remarkable profusion of
&+1:4-(0$;"0('%0(&+1:4-(0$;"0(&71&D0(671&(/$;%)"0(01'
thats why they want to go up to the moon thats why
all day they look for it all night they are wide awake
hoping for a rare glimpse of ENTRY, NO EXIT or SLOW
caught as the moon turns and the sun beam a lens
bringing the signs to the pigeons eye and making it
fall over and over still rolling even now there it goes
and this happened why why it was three days ago now
To be the size of an institution and have no fear. For the myriad works and phrases to
be regimented in your honour. For the many and varied eorts of human life to ow
freely and easily and in this; to truly possess something. To hold something so that it
cannot be takenso that by its very existence, this object is your belonging.
e sunlight will be so bright that even the grey of metamorphous and igneous
rock will be bleached a shining white. e draw of the place that will be built up
around you (just stay for a few moments and watch construction begin) will be real
and so powerful and subtle that mountain ranges will glide like sliding doors across
the plains and come gently to rest at your feet. e very heavens will rotate slowly
about the crown of your head and their rain will fall in sheets of liquid silver, cascad-
ing in slow motion from the slanted rooves of your ideals.
B M Corser
INSTITUNION
http://adelie.cs.upei.ca/twiki/pub/Trash/ModernExpressionismInTheArts/ -
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