‘revolution in the head’: how the beatles and bob dylan made the 1960s reform, revolt and...

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‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

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Page 1: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s

Reform, Revolt and ReactionLecture Fourteen, Term 2 Week 7

Page 2: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Billie Holiday, ‘Strange Fruit’ (1939)

• Always played as the last song of her set at Café Society

• Considered too controversial to release by Columbia – recorded by Commodore instead

Page 3: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Josh White

• ‘Trouble’, Chain Gang (1940)

• ‘Uncle Sam Says’, Southern Exposure: An Album of Jim Crow Blues (1941)

• First African American to give a White House Command Performance (1941)

Page 4: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Woody Guthrie and the Almanac Singers

• Guthrie, ‘Talking Dust Bowl Blues’ (1940)

• Guthrie, ‘This Land Is Your Land’ (1944)

• Almanacs, Songs For John Doe (1941)

• Almanacs, Talking Union and Other Union Songs (1941)

• Almanacs, Dear Mr President (1942)

Page 5: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Old Man Atom (Atomic Talking Blues)

• Vern Partlow (1945)• Sam Hinton (1950)• Ozzie Waters (1950)• The Sons of the

Pioneers (1950)

Page 6: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Pete Seeger• ‘Where Have all the

Flowers Gone’ ([1955] 1961)

• ‘If I Had a Hammer (The Hammer Song)’ (1949): Peter Paul and Mary (1962)

• ‘Turn! Turn! Turn!’ (1959): The Byrds (1965)

• ‘Waist Deep in the Big Muddy’ (1967)

Page 7: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Bob Dylan• ‘Blowin’ in the Wind’

(1962)• ‘Masters of War’ (1963)• ‘Oxford Town’ (1963)• ‘The Death of Emmett

Till’ (1963)• ‘A Hard Rain’s A-Gonna

Fall’ (1963)• ‘Only A Pawn in Their

Game’ (1963)• ‘The Times They Are A-

Changin’’ (1964)

Page 8: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Phil Ochs, ‘I Ain’t Marching Anymore’ (1964)

Page 9: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Joan Baez, ‘We Shall Overcome’

• Had relationship with Dylan

• Sang ‘We Shall Overcome’ at the March on Washington (1963)

Page 10: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Sam Cooke, ‘A Change Is Gonna Come’ (1964)

Page 11: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Nina Simone

• ‘Mississippi Goddam’ (1964)

• ‘To Be Young, Gifted and Black’ (1970)

Page 12: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

James Brown

• ‘Say it Loud – I’m Black and I’m Proud’ (1968)

• ‘I don’t Want Nobody to Give Me Nothing (Open Up the Door, I’ll Get it Myself) (1969)

Page 13: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Sly and the Family Stone

• Stand! (1969)– ‘Everyday People’– ‘Don’t Call Me Nigger,

Whitey’• There’s a Riot Goin’ On

(1971)

Page 14: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Sgt. Barry Sadler, ‘Ballad of the Green Berets’ (1966)

Page 15: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Country Joe & The Fish, ‘The Fish Cheer & I-Feel-Like-I'm-Fixin'-To-Die Rag’ (1967)

Page 16: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

The Beatles

• ‘All You Need Is Love’ (1967)• ‘Revolution’ (1968)• Lennon, ‘Give Peace a Chance’ (1970)

Page 17: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

The Manson Murders and ‘Helter Skelter’ (1968)

“Look out… Helter Skelter… She’s coming down fast… Yes she is”

Page 18: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Crosby, Stills, Nash and Young, ‘Ohio’ (1970)

Page 19: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Marvin Gaye, ‘What’s Going On’ (1971)

Page 20: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Helen Reddy, ‘I am Woman’ (1972)

Page 21: ‘Revolution in the Head’: How the Beatles and Bob Dylan made the 1960s Reform, Revolt and Reaction Lecture Fourteen, Term 2 Week 7

Key Questions to Consider…

• What is a ‘protest song’?• Did artists lead protests or just reflect on the

times?• How did popular music change (and change

in) the 1960s?• How was music interpreted by the listeners?• How important are Bob Dylan and the Beatles

to understanding the 1960s?