RESEARCH & DESIGN WORK

_James McAlistair Wilson

DESIGN [& BUILD]DEPLOYABLE INTEGRATED SHADING ENVIRONMENT

COLLABORATIVELY DESIGNED, FULL SCALE, PORTABLE SHADING ELEMENT INTENDED TO SERVE AS A FOCAL CONGRAGATION POINT AT OUTDOOR GATHERINGS. AN EXPLORATION OF DIGITAL FABRICATION TOOLS AND TECHNIQUES [RHINOCEROS 3D / MASTERCAM / CNC ROUTER]

DESIGN [& BUILD]DIGITAL FABRICATION

_STEAM BENDING

WAVE SWING

COLLABORATIVE INVESTIGATION AND EXPLOARTION OF DIGITAL FABRICATION TOOLS AND TECHNIQUES [RHINOCEROS 3D / MASTERCAM / CNC ROUTER / WATER JET CUTTER] COMBINED WITH TRADITIONAL METHODS OF STEAM BENDING WOOD TO PRODUCE FULL SCALE FUNCTIONAL OBJECTS [WAVE SWING, EDJE CHAIR]. THE DESIGNS AND MANUFACTURING TECHNIQUES OF MICHAEL THONET WERE STUDIED AS THE MAJOR PRECEDENT FOR STEAM BENT FURNITURE DESIGN.

EDJE CHAIR

CAPTUREilluminating the interior and pixelating the exterior

DESIGN [& INSTALL]OSMOSIS AS NEEDED

CAPTUREplug and play

COLLABORATIVE FULL SCALE INSTALLATION EXPLORING THE USE OF GLOW AS AN EXPERIENTIAL ARCHITECTURAL TOOL. THE PROJECT SOUGHT TO DEMONSTRATE THE IDEA OF GLOW BOTH AS A QUALITY OF LIGHT AND A QUALITY OF DARKNESS. GLOW VERSUS THE LACK OF GLOW. OSMOSIS AS NEEDED ASKS THE USER TO PARTICIPATE IN THE CONTROL OF GLOW AND DARKNESS.

CAPTUREplug and play

{Osmosis As Needed} constitutes a spatial fracture punctuated by two distinct and highly contrasted conditions of Glow. The extreme Glow contained within leaks through to the exterior, transmitted through the porosity of the containing wall. An initial dense condition of emitted Glow is continually altered, its contrast shifted, as directed by the user situated on the interior. The movements of the directing users are trans -mitted through the dividing wall, registering as moments of lack of Glow and creating a dynamic lighting condition on the exterior.

Jessica Mattson | Lisa Sauv | Jamie Wilson

ABSTRACT

ASSEMBLE

10 yards //black fabric

17 yards //white fabric

1000 tubes //4 x 1/2 dia.

8 studs //7 x 2 x 3

8 studs //4 x 2 x 3 2 sheets //

4 x 8 x 1/2

8

24

46

4

fabric, wood, plastic. total cost: $400.12?

Diurnal Direction

Osm

osis As N

eeded

Vaporized

Diused Spaces

Still

Yunyuan Deng, Yinan Li

Beatrice Lau, William Liow, Michael Senkow

Mary Beth Carolan, James Rotz, Katie Schenk

Matt Acton, Patrick Ethen, Meghan Reynard, Nate Smalligan

ENCOMPASS

{Osmosis as Needed} is the nal resulting product of a series of eorts aimed at the control of GLOW and Darkness. The manipulation of two extreme and contrasting light conditions side by side is a common task within architectural design. This particular project sought to add to the discussion surrounding the manipulation of Light and Dark in architec -ture by giving the user a signicant amount of agency in the control of contrasting light conditions. The interactive installation poses questions as to the role of transient active and passive users in the manipulation of GLOW and Darkness. The temporal aspect of the project raises further questions as to the relationship between Light and Time. In what ways can GLOW be utilized to communicate the passage of time or be used to manipulate Time to speed it up, or slow it down? Finally, the project is concerned with the idea of materializing GLOW, of making it more tangible. The simple plastic test tube allows for the ability to hold Light in ones hand and then to transmit that Light by literally piercing the physi -cal boundary between Light and Dark.

Play.

instructed by Catie Newell

CONSTRUCT

staple black fabric to studs

secure studs to frame wall

attach white fabric backing

x fabric to existing wall *

connect stud wall to ooring

insert tubes through fabric cuts

*if existing wall is not available an extra wall can be manufactured

DIRECTa changing gradient of temporal quality

CONSTRUCT

staple black fabric to studs

secure studs to frame wall

attach white fabric backing

x fabric to existing wall *

connect stud wall to ooring

insert tubes through fabric cuts

*if existing wall is not available an extra wall can be manufactured

DIRECTa changing gradient of temporal quality

FILM -> http://vimeo.com/22180819

DESIGN [& PRINT]DIMENSIONS VOLUME 23

WEB -> http://www.tcaup.umich.edu/architecture/publications/dimensions/dimensions23/

STUDENT-PRODUCED ANNUAL JOURNAL OF THE TAUBMAN COLLEGE OF ARCHITECTURE AT THE UNIVERSITY OF MICHIGAN SHOWCASING OUTSTANDING WORK BY STUDENTS, FACULTY, FELLOWS AND VISITING LECTURERS. THE STAFF OF VOLUME 23 STRIVED TO PRODUCE A HYPER CLEAN AND LEGIBLE DESIGN. THE COVER OF THE BOOK WAS DESIGNED WITH A DIE-CUT STENCIL ATTACHED WITH THE IDEA THAT THE USER/READER WOULD PARTICIPATE IN THE FINAL CREATIVE TOUCHES. THE UNVEILING CEREMONY WAS DESIGNED AS AN INTERACTIVE CREATIVE EVENT.

FILM -> http://vimeo.com/19213402

Parks / Highways Parks / Major Roads Parks / Arterial Roads

Vacant / Highways Vacant / Major Roads Vacant / Arterial Roads

Industrial / Major RoadsIndustrial / Highways Industrial / Rail

Residential / Highways Residential / Major Roads Residential / Arterial Roads

RESEARCH [& DESIGN]LATENT FIGURES@DETROIT, MI

NETWORKEDURBANDYNAMICSLATENT FIGURES IN THE URBAN FIELD

ZOOMED OUT

RE-ROUTING/EXTENDING

A B

C

A

B

C

BLUE COLLAR WORKERS WHITE COLLAR WORKERS RETIRED LARGE FAMILIES LONG-TIME RESIDENTS

INDUSTRIAL

PARKS/OPEN

VACANT [NON-RESIDENTIAL]

BOUNDING/ISOLATING INTERCHANGING

NETWORKEDURBANDYNAMICSLATENT FIGURES IN THE URBAN FIELD

ZOOMED OUT

RE-ROUTING/EXTENDING

A B

C

A

B

C

BLUE COLLAR WORKERS WHITE COLLAR WORKERS RETIRED LARGE FAMILIES LONG-TIME RESIDENTS

INDUSTRIAL

PARKS/OPEN

VACANT [NON-RESIDENTIAL]

BOUNDING/ISOLATING INTERCHANGING

NETWORKEDURBANDYNAMICSLATENT FIGURES IN THE URBAN FIELD

ZOOMED OUT

RE-ROUTING/EXTENDING

A B

C

A

B

C

BLUE COLLAR WORKERS WHITE COLLAR WORKERS RETIRED LARGE FAMILIES LONG-TIME RESIDENTS

INDUSTRIAL

PARKS/OPEN

VACANT [NON-RESIDENTIAL]

BOUNDING/ISOLATING INTERCHANGINGNETWORKEDURBANDYNAMICSLATENT FIGURES IN THE URBAN FIELD

ZOOMED OUT

RE-ROUTING/EXTENDING

A B

C

A

B

C

BLUE COLLAR WORKERS WHITE COLLAR WORKERS RETIRED LARGE FAMILIES LONG-TIME RESIDENTS

INDUSTRIAL

PARKS/OPEN

VACANT [NON-RESIDENTIAL]

BOUNDING/ISOLATING INTERCHANGING

SITE RESEARCH UTILIZING GEOGRAPHIC INFORMATION SYSTEMS [GIS] TO EXPOSE LATENT URBAN CHARACTERISTICS AND DYNAMICS. MULTIPLE VARYING DEMOGRAPHICS WERE FOUND TO BE LARGELY ATTACHED TO PARTICULAR ROAD TYPES. SUBSEQUENT CONCEPTUAL INFRASTRUCTURE DESIGN PROPOSED TO WEAVE THESE ROAD TYPES AND CORRESPONDING DEMOGRAPHIC GROUPS TOGETHER, CREATING A NEW URBAN SPATIAL CONDITION.

RESEARCH [& EXPLORE]DUTCH URBAN PATTERN BOOK@ AMSTERDAM, NL

TRAVEL STUDIO COLLABORATIVE PROJECT TO PRODUCE A PATTERN BOOK OF SIGNIFICANT URBAN SPATIAL CHARACTERISTICS FOUND IN AMSTERDAM. THE PATTERNS WERE COLLECTED AND DOCUMENTED THROUGH EXTENSIVE RESEARCH IN THE FIELD.

RESEARCH, DESIGN [& BUILD]SUCCESSIONAL BOND

RETHINKING THE ORGANIC ORIGINS OF MASONRY

COLLABORATIVELY PRODUCED PROTOTYPE GREEN BRICK MASONRY SYSTEM THAT CREATIVELY ADOPTS TRADITIONAL MASONRY CONSTRUCTION METHODS TO CREATE VERTICAL VEGETATIVE SURFACES AND SCREEN WALLS. THE SYSTEM CAN ALSO BE EMPLOYED HORIZONTALLY FOR PAVED GREEN SURFACES AS WELL. AFTER EXPERIENCING BELDEN BRICKS 125 YEAR OLD BRICK MANUFACTURING PROCESS THAT STARTS WITH THE MINING OF CLAY TO THE FIRING OF BRICK, THE PROJECT INTEGRATES SEAMLESSLY WITH THEIR MANUFACTURING PROCESS. BUILDING ON BELDENS REPUTATION OF PRODUCING HUNDREDS OF DIFFERENT COLORS OF FIRED BRICK THIS PROJECT TRANSFORMS BRICK COLOR INTO VEGETATIVECOLOR.

Credit Card C e m e t e r y + Debtors R e h a b i l i t i o n C o m p l e x

Loss of freedomLoss of cash fl owLoss of timeLoss of opportunities

Hedge fund founder Th ierry de la Villehuchet kills self after losing $1B in Madoff scandal

Total cards in circulation in U.S.(as of 12/31/08)Visa credit: 309 millionMasterCard credit: 211 millionAmerican Express credit: 54 millionDiscover credit: 57.1 million

At the end of 2008, Americans credit card debt reached $972.73 billion.

How happy is the blameless vestals lot! Th e world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each prayr accepted, and each wish r e s i g n d .

a purifi cation or a purging of emotions

a ritual of burial, of unburdening, of forgetting,

of ridding oneself of

Heterotopias of deviation are institutions where we place i n d i v i d u a l s whose behavior is outside the norm ( h o s p i t a l s , a s y l u m s , p r i s o n s , rest homes, c e m e t e r y )

i m p e r f e c t ,d i s e a s e d ,c o r r u p t i b l e ,and ephemeralstate towards a perfect, healthy,i n c o r r u p t i b l e ,and everlasting s t a t e

a more authentic way of being in the world than simply as a way of knowing

a reversal of fortune

the individual is solely responsible for giving ones own life meaning and living that life passionately and sincerely, in spite of many existential obstacles and distractions including despair, angst, absurdity, a l i e n a t i o n , and boredom

to see c o m m o n things in an u n f a m i l i a r or strange way, in order to enhance perception of the familiar

views psychological tension andanxiety as necessary for growth

Recovery is a permanent process without culmination.

emotions are translated into images, narrative or personifi ed as separate entities

involves a radical r e a p p r a i s a l of modern a s s u m p t i o n s about culture, identity, history, or language

Th ere is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.

RESEARCH [& DESIGN]CREDIT CARD CEMETERY

@ NEW HARMONY, IN

SITE-SPECIFIC CONCEPTUAL DESIGN FOR A CREDIT CARD CEMETERY - A SERIES OF MAUSOLEUMS, BUILDINGS FOR THE LITERAL DISPOSAL OF CREDIT CARDS, THE FIGURATIVE SHEDDING OF THE BURDEN OF DEBT.

EXPLORATION OF MULTIPLE COMBINED DESIGN TECHNIQUES [RESEARCH, NARRATIVE WRITING, DESCRIPTIVE WRITING, MEASURED DRAWING, CONSTRUCTION DETAIL DRAWING, ATMOSPHERIC WATERCOLOR RENDERING, MODEL MAKING, FULL SCALE FIELD STUDY]

Relinquish

Where one might give up a power that often leads to the creation of a heavy burden

Suspend

Where one might act to halt a habit that serves only to create and sustain burden

Inter

Where one might entomb a responsibility one is no longer willing or able to bear

Cremate

Where one might start a new life by parting with one that is no longer healthy

PUBLIC PLAZA

SEMI-PUBLIC PLAZA

PUBLIC PEDESTRIAN CIRCULATION

SEMI-PRIVATE STREET

SEMI-PRIVATE

RESEARCH [& DESIGN]MIXED HOUSING@ DETROIT, MI

COLLABORATIVE COMPRHENSIVE HOUSING DESIGN COMBINING MULTIPLE UNIT TYPES [LIVE/WORK, STUDENT, FAMILY RENTAL, FAMILY TOWNHOUSE]. EXHAUSTIVE STUDY OF SITE BUILDING FACTORS [VEHICLE ACCESS, PEDESTRIAN ACCES, PARKING, SOUND BARRIERS, DAYLIGHTING, PUBLIC/PRIVATE SPACE, MOVEMENT THROUGH SITE, ETC] THE BUILDING FORM WAS GENERATED THROUGH A DESIRE TO CREATE A RANGE OF OPEN SPACES [PUBLIC, SEMI-PUBLIC, SEMI-PRIVATE, PRIVATE].

12

3

5

4

1

2

3

4

3 SHIPLAP CLADDING

RADIANT FLOOR HEATING

8 PRECAST CONCRETE HOLLOW CORE

HUNG PRECAST CONCRETE PANEL

2 X 8 WOOD DECKING

5

5

1

2

3

4

BRICK CLADDING

BRUSHED STEEL GUARDRAIL

8 PRECAST CONCRETE HOLLOW CORE

HUNG PRECAST CONCRETE PANEL

2 CONCRETE TOPPING

1

4

2

5

1

2

3

3 SHIPLAP CLADDING

FINISHED WOOD PLANK FLOORING

2 x 12 WOOD JOISTS

1

2

3

LIVE / WORK UNIT TYPE 21600 SQ FT

FLOOR 1 FLOOR 2

2 BEDROOM STUDENT UNIT500 SQ FT

FAMILY TOWNHOUSE UNIT1200 SQ FT

FLOOR 1 FLOOR 2 FLOOR 3

TERRACESERVICE SPACELIVING SPACEBEDROOMSCIRCULATION SPACE

LIVE / WORK UNIT TYPE 11000 SQ FT

LIVE / WORK UNIT TYPE 21600 SQ FT

FLOOR 1 FLOOR 2

1 BEDROOM STUDENT UNIT400 SQ FT

FAMILY RENTAL UNIT1200 SQ FT

Trumball St

Michigan Ave

I-75

RESEARCH [& DESIGN]THESIS: MACHINES OF MANIPULATION

THESIS AND CONCEPTUAL DESIGN THROUGH RESEARCH WITH A FOCUS ON RESEARCH THROUGH MAKING. SITED AT THE FERMI NATIONAL ACCELERATOR LABORATORY IN BATAVIA, IL. THE PROJECT PROPOSES THE HYBRIDIZATION OF MATERIAL LABOR TYPES [THE LABOR OF THE MATERIAL SCIENTIST OR THE EXPERIMENTAL PHYSICIST WITH THAT OF THE ARCHITECT OR LANDSCAPE ARCHITECT]. THE CREATION OF A LANDSCAPE THAT IS CONTINOUSLY DESIGNED AND MANIPULATED, CONTINUOUSLY MADE AND RE-MADE. THE PROJECT ANTICIPATES A FUTURE OF INCREDIBLE MATERIAL MANIPULATION TECHNOLOGIES.

THE LABOR PROCESSES AND PRACTICES OF MATERIAL PRODUCTION ARE UNDERVALUEDWITHIN THE ARCHITECTURAL DISCIPLINE.

THE DESIGN AND MAKING OF THE BUILT ENVIRONMENT CONSTITUTES A MANIPULATION OFMATERIAL ON A GRAND SCALE - THE MANIPULATION OF MATERIAL AT MULTIPLE SCALES. THEARCHITECTURAL APPARATUS RELIES ON THE OPERATION OF VARIOUS MACHINES OFMANIPULATION. THIS THESIS ARGUES THAT THE DISCIPLINE OF ARCHITECTURE REMAINS LARGELY DISENGAGED FROM THE ONGOING OPERATIONS OF THESE VARIOUS MACHINES. IT CALLS FOR A DIRECT PARTICIPATION IN THE LABOR OF MATERIAL MANIPULATION WHICH WOULD THEN SERVE TO ADVANCE THE MATERIAL PRACTICE OF ARCHITECTURE ITSELF. THIS THESIS PROMOTES A NEW FROM OF ARCHITECTURAL PRACTICE. IT SEEKS TO HYBRIDIZE THE MATERIAL LABOR OF ARCHITECT WITH THAT OF THE MATERIAL SCIENTIST. IT PROPOSES THE INTEGRATION OF A SCIENTIFIC METHOD THAT PUSHES THE BOUNDARIES OF MATERIAL KNOWLEDGE INTO THE ARCHITECTURAL DESIGN PROCESS. THIS THESIS IS CONCERNED WITH THE IDEA OF THE ARCHITECT AS INVENTOR.

THIS THESIS MOVES IN ON SITES OF MATERIAL INNOVATION. THE APPARATUS OFARCHITECTURE IS MOVING AWAY FROM AN OBJECT-BASED MODE OF OPERATING. IT ISINFILTRATING EXTENDED NETWORKS OF MATERIAL PRACTICES. THE SITE OF FERMILAB IS HERETAKEN AS A PRIME EXAMPLE OF A POTENTIAL SITE OF ARCHITECTURAL INTERVENTION. THEPHYSICISTS AT THE FERMI NATIONAL ACCELERATOR LAB, LOCATED IN BATAVIA, ILLINOIS HASFOR DECADES SOUGHT TO DISCOVER THE FUNDAMENTAL BUILDING BLOCKS OF MATTER, TOUNDERSTAND HOW THE MATERIAL UNIVERSE IS MADE AND WHY IT BEHAVES THE WAY ITDOES. THIS LABOR TAKES PLACE AT THE SCALE OF THE PARTICLE - MATTER AT ITS MOSTFUNDAMENTAL LEVEL. THE TEVATRON - A CIRCULAR PARTICLE ACCELERATOR 3.9 MILES INDIAMETER - IS THE MAIN EXPWWWERIMENT AT FERMILAB. IT IS USED TO COLLIDE PARTICLES INORDER TO CREATE CONDITIONS SIMILAR TO THOSE AT THE TIME OF THE BIG BANG. THIS THESISIS ATTRACTED TO THIS IDEA OF USING A MASSIVELY SCALED INSTRUMENT TO STUDY MATTER ATTHE SMALLEST SCALE POSSIBLE.

ON JANUARY 10, 2011, IT WAS ANNOUNCED THAT THE TEVATRON WILL CEASEOPERATIONS AT THE END OF SEPTEMBER, 2011,[4] AS IT HAS BEEN MADE OBSOLETEBY THE LHC,[5] WHICH BEGAN OPERATIONS IN EARLY 2010. THIS THESIS SEEKS TOSET NEW MATERIAL AGENDAS FOR THE SITE, AND WITH THOSE NEW AGENDAS, A NEWLANDSCAPE FORM. THE CURRENT LANDSCAPE OF FERMILAB, ARTIFICIAL AND IMPORTED,WILL BE MADE FURTHER ARTIFICIAL THROUGH PERPETUAL MANIPULATION. AN INITIALMASSIVE CONTROLLED BURN OF THE SITE WILL CLEAR THE WAY FOR THE NEWLANDSCAPE. THE TEVATRON WILL BE EXCAVATED. A NEW POLYMER-CONSTRUCTEDARCHITECTURE IS INJECTED INTO THE LANDSCAPE. THE ARCHITECTURAL TEAM TAKES UPRESIDENCE IN THE MAIN CONTROL ROOM - FROM HERE THE ARCHITECT OVERSEES THECONTINUAL MANIPULATION OF THE LANDSCAPE - DAILY ROUNDS OF CONTROLLED BURNS,SHIFTS, EXPANSIONS AND CONTRACTIONS OF THE ARTIFICIAL, PLASTIC LANDFORMS. THEWORK OF THE ARCHITECT IS ONGOING. THE DESIGN AND MANIPULATION OF THELANDSCAPE IS TAKEN IN SHIFTS. THE PROGRAM, A HOTEL, IS ADOPTED IN ORDER TOBUILD A CONSTANT DENSITY OF TRANSIENT USERS - THE POLYMER HILLS RESORT. THEHOTEL GUESTS ARE ATTRACTED BY THE SPATIAL EXPERIENCE OF AN EVER-CHANGINGLANDSCAPE AND THE SPECTACLE OF THE CONTROLLED BURNS. THEIR PHYSICALPRESENCE MAKES THEM INTO PASSIVE MATERIAL LABORERS AS THE REFLEXIVETECHNOLOGY OF THE ARCHITECTURE UNMAKES AND REMAKES ITSELF ACCORDINGLY -RESPONDING TO CHANGES IN HEAT, CO2 LEVELS, MOVEMENT, PRESSURE, SOUND.AN INFRASTRUCTURE IN SUPPORT OF A PERPETUAL CONSTRUCTION SITE IS LAID. OIL ANDOTHER CHEMICALS FOR THE PRODUCTION OF VARIOUS POLYMERS ARE PIPED IN. AFARM IS STARTED ONSITE TO CULTIVATE WHEAT, SUGAR BEETS, AND POTATOES - USEDTO PRODUCE BIOPOLYMERS.

UNBEKNOWNST TO THE ARCHITECT OR THE HOTEL GUESTS, A SUBTERRANEAN MILITARY RESEARCH LAB AND AIR DEFENSE COM-POUND IS INSTALLED ONSITE - THE GOVERNMENT EAGER TO FIND A WAY TO USE THE TECHNOLOGY OF THIS NEW EVERSHIFTINGPOLYMER LANDSCAPE FOR DEFENSE PURPOSES. A STOCK OF PATRIOT SURFACE TO AIR MISSILES STAND READY TO PROTECT THE SITE FROM NUCLEAR ATTACK. A LARGER INVOLVEMENT IN TERRITO-RIES OF MATERIAL TECHNOLOGY OBLIGATES PARTICIPATION IN A GLOBAL DISCUSSION OF MATERIAL ETHICS. THE IMPLICATIONS OFUNCHECKED MATERIAL MANIPULATION ARE ENTERING INTO THE DISCOURSE OF ARCHITECTURE. THE CONSTRUCT CONSTITUTES MY OWN ATTEMPTS AT RESEARCH THROUGH MAKING. IT HAS PROVIDED ME A PLATFORM ON WHICH TO LAY OUT AND ORGANIZE THE VARI-OUS RELATIONAL ASPECTS OF THE THESIS. THE CONSTRUCT WAS USED TO SITUATE THE THESIS WITHIN THE LARGER CONTEXT OF MA-TERIAL MANIPULATION AT MULTIPLE SCALES AND ACROSS MULTIPLE VALENCES.

RECENT PROFESSIONAL WORKCOMPETITION ENTRY: MASTERPLAN, FIBA GAYRIMENKUL

GAD ARCHITECTURE / ISTANBUL, TR

SAMPLES OF COLLABORATIVELY PRODUCED WORK COMPLETED FOR A COMPETITION ENTRY FOR THE DESIGN OF A MASTERPLAN FOR A LARGE MIXED USE DEVELOPMENT IN EASTERN ISTANBUL.

LOFT

VIL

LAC

ITY

S.

APA

RTM

EN

TH

YB

RID

T. H

OU

SE

DU

PLE

XFL

AT

3

3

4

4

3 2 garden flats 4 roof flats

1 garden duplex1 roof duplex

2 garden duplex

1 garden duplex 1 roof duplex

2 roof flat2 garden flat

2 garden flat 2 roof flat

1 garden duplex2

3 1 garden duplex

4 standard apartments per floor

4 standard apartments per floor

4 standard apartmentsper floor

4 standard apartments per floor

split level villa

two level villa

urban loftgarden loft

duplex

3

321 garden duplex1 roof flat1 garden flat

3

4

5

6

12

4

2

x 11

x 20

x 5

x 52

x 50

x 15

PARCEL

8 3

7

x 9 9

5

4 7

15

2

1

2

2

8

5

4

2 3

19 3 15

1 2 3 4 5

x 2

4

15

x 4

7 11 21 11

x 8

10x 10

x 1

2 luxury apartments per floor4 6x 6

x 7

x 7

x 4

x 49

x 58

site plan & typology key

Sunset District section rendering

Hillside Suites section rendering

The Lofts section rendering

rendered perspectives, Sunset District

rendered perspectives, Sunset District

aerial rendered perspective, Sunset District

GAD globalarchitecturaldevelopment

BEDROOM

BATHROOM

KITCHEN

MAID/LAUNDRY

LIVING/DINING

GREEN SPACE

Villa Type A @ 180 m2

140 m240 m2

entry level [140 m2] +1 level [40 m2]

PARCEL 2

program plans and massings for Villa unit type

GAD globalarchitecturaldevelopment

BEDROOM

BATHROOM

KITCHEN

MAID/LAUNDRY

LIVING/DINING

GREEN SPACE

Villa Type B @ 200 m2

111 m2

85 m2

PARCEL 1

INDEPENDENT RESEARCH [& TRAVEL]ISTANBUL: A SPATIAL ENCYCLOPEDIA

CROWDFUNDED INDEPENDENT RESEARCH @ ISTANBUL, TURKEY CONDUCTED OVER A PERIOD OF 4 MONTHS. [AUDIO FIELD RECORDINGS, PHOTOGRAPHY, FILM, WRITING, DRAWING]

KICKSTARTER PAGE: HTTP://KCK.ST/JDOFLAPROJECT PAGE: ISTANBULSE.TUMBLR.COM

CD cover design and tracklist [Heard in Istanbul: field recordings] project postcard designs

interior, Aya Sofya, Sultanahmet

interior, Sultanahmet Camii, Sultanahmet

courtyard, Sultanahmet Camii, Sultanahmet

interior, Haydarpaa Station, Kadiky

360 degree view, Galata Tower, Galata

interior, Sleymaniye Camii, Fatih

istanbul, 41 1' 7 N, 28 57' 53 E

project poster design

istanbul, 41 1' 7 N, 28 57' 53 E

Seagull Study, Eminn