reconstructing ancient technology: the analysis of pre- columbian ecuadorian textiles
TRANSCRIPT
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Reconstructing Ancient Technology:
The analysis of Pre-Columbian
Ecuadorian Textiles
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Project Objective
• To uncover aspects of the Guangala culture through analysis of textile impressions on pottery sherds.
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Introduction
• The people of the Guangala region lived between 500 BC and AD 800– Southwest Coastal
Ecuador– No recorded history– Left artifacts with textile
imprints
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Background Information:Culture
• Textiles played central role in pre-colonial South American cultures.
• Textiles often showed status, identity, and had ceremonial implications.
Mummy from Paracas, Peru
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The Guangala (500 BC – AD 800)
• No evidence of any social stratification.
• Communities simply organized.
• Evidence that they were long-distance traders.
• Not definitively tied to any modern culture.
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Textiles and Ceramics in the Guangala
• The Guangala also used textiles in ceramics.
• Textiles were usually recycled textiles, not textiles made specifically for ceramic production.
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Background Information: Textiles
• Important component of Textiles:
Warp and Weft
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Types of Plain Simple Weaves
BalancedBalanced
Weft-facedWeft-faced
Warp-faced
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Textile Characteristics to Find
• Number of threads in the warp and the weft
• Type of weave• The fiber type• Thread diameter• Number of threads
per centimeter• Regularity
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Method
• Artifacts vs. experimental molds
• Negative to positive images
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Observation Techniques
• Photography• Light microscope• SEM
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Experimental
• These are modern textiles of known material and technological processes.
• Compared to artifacts.
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Cotton Saddlebag
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Cotton Towel
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Sheep Wool Bag
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Cabuya Coaster
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Cabuya Purse
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Alpaca Poncho
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The Artifacts
• Artifacts range from Early Guangala (Artifact 5) to Late Guangala (Artifacts 1 and 3).
• From El Azúcar Valley – varied sites.
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Artifact 1
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Artifact 1 - Cast
Excavated Floor
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Artifact 2
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Artifact 3
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Artifact 3 - Cast
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Artifact 4
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Artifact 4- Impression
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Artifact 4 - Cast
Above: Weft dominant
Below: Warp dominant
Above: Artifact cast
Below: Alpaca poncho
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Artifact 5-Artifact 5-Artifact, Artifact, CastsCasts
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Artifact 5 Side ASimple Plain Balanced
Superimposed
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Conclusion• Hypothesis: Balanced Plain Weaves,
irregularities, worn-down textiles• Actual: complex weaves with evidence of
designs and color schemes• Conclusion: Sophisticated and Skilled• Alpaca fibers found although evidence
suggests that there were no llamas on the coast
• Trading System and Economic System
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Artifact Warp Weft Weave
type
Spin Fiber Type
Thread Diameter (mm)
Threads Per cm
Regularity
1 Ind. Ind. Ind. ------- Ind. 1.5 6 Slight variation
2 (green)
1 thick, 2 thin, repeating pattern
Double Balanced plain
------- Cotton (tentative)
.25 (thick)
.2 (thin)
12 warp
16 weft
Slight variation, no knobs
2 (yellow)
Ind. Ind. Plain (loose) ------- Ind. .1-.4 10 warp
14 weft
Irregular spacing/ diameter
3 Single Single Balanced Plain
------- Alpaca (tentative)
.5 11 Fairly regular, gradually loosening
4 Single Single Warp/weft (?) -faced plain
------- Alpaca (tentative)
.8 8 Balanced
5A Single Single Balanced plain
------- Ind. .2 12 Slight variation, no knobs
5B Ind. Ind. Intricate and inconsistent
------- Ind. .2 12 one way, 20 the other
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Acknowledgments
• Thank you Dr. Masucci for your guidance and support as our project leader. Thanks especially for the food!!!
• Thank you Danielle for your long hours of patience and dedication and for just being cool. Cabooyah!
• Thank you Dr. Miyamoto for everything.
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Works Consulted• [1] Masucci, Maria. Introductory Speech. New Jersey Governor’s School in the
Sciences. Hall of Sciences, Drew University, New Jersey. July 2006• [2] Boytner, Ran. 2004. Clothing the Social World. In Andean Archaeology,
edited by Helene Silverman, pp. 130-145. Malden, MA: Blackwell Publishing• [3] Bruhns, Karen Olsen. The Story of a Sherd: The Second Oldest Textile in
Ecuador. 12 July 2006 <http://username.sfsu.edu/~kbruhns/textile.html>• [4] Stothert, Karen E., Kathleen A Epstein, Thomas R. Cummins and Maritza
Freire. “Reconstructing Prehistoric Textile and Ceramic Technology From Impressions of Cloth in Figurines From Ecuador.” Materials, Research Society, Symposium Proceedings., Vol. 185 (1991) pp. 767-776.
• [5] Emery, Irene. The Primary Structures of Fabrics. The Textile Museum, Washington D.C.: 1966. p.10.
• [6] Doyon-Bernard, Suzette J. La Florida’s Mortuary Textiles: The Oldest Extant Textiles From Ecuador. The Textile Museum, Washington D.C.: 1993-1994. pp. 82-102.
• [7] Parker, JH and KE Stothert. Weaving a Cotton Saddlebag on the Santa Elena Peninsula of Ecuador. The Textile Museum Journal 1983; Vol. 22: pp.19-32.
• [8] Rowe, Sarah Marie. Symbolic Function and Social Design: Analysis of Guangala Polychrome Ceramics from Coastal Ecuador. A Thesis in Anthropology, Drew University, New Jersey. May 2003.
• [9] Bruhns, Karen Olsen. Ecuador’s Second Oldest Textile. The Textile Museum Journal 2001-2002. pp. 119-125.