r&d at sound and vision

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Page 1: R&D at Sound and Vision
Page 2: R&D at Sound and Vision

R&D AT THE

NETHERLANDS INSTITUTE

FOR SOUND AND VISION

Bouke Huurnink

Lotte Belice Baltussen

5 April 2013

Page 3: R&D at Sound and Vision

THE ARCHIVE

Page 4: R&D at Sound and Vision
Page 5: R&D at Sound and Vision

Nederlands Instituut voor Beeld en Geluid

• Foto loopbrug / canyon

• Foto restaurant

• Detail foto’s

• Opening bea

Page 6: R&D at Sound and Vision

HISTORY BEELD EN GELUID

• Founded in 1996

• Archives from 4 organisations:

• Public Broadcasting Archive

• Netherlands Government Information Service

• Foundation for Film and Science

• Broadcaster Museum

Page 7: R&D at Sound and Vision

MISSION STATEMENT

• The best audiovisual archive in the digital domain

• 5 strategic priorities– enriching, connecting, and giving meaning to its

collections

– bringing people into contact with audiovisual heritage

– collecting material from the past, present, and future

– digital storage and access, with manual and automatic annotation

– actively contributing to durability and accessibility of the NL Audiovisual Collection

Page 8: R&D at Sound and Vision

USER GROUPS

• Education and research

• Creative industry

• Heritage institutes

• Consumers

maart 2012

Page 9: R&D at Sound and Vision

• 70% of Dutch AV heritage

• 800 000 hrs, including

• 250 000 hrs television

• 150 000 hrs radio

• 300 000 hrs music

• 50 000 hrs documentary, film, commercials etc

• 2 million pictures

• 20 000 objects

maart 2012

SIZE OF THE COLLECTION

Page 10: R&D at Sound and Vision

maart 2012

• film as of 1898

• commercials as of 1920

• polygoon (cinema journals)1922 – 1980

• radio as of 1934

• television as of 1951

• news and sports programs

• Royal house

• national music collection (cd)

• amateur film

• corporate films

EXAMPLE COLLECTION CONTENT

Page 11: R&D at Sound and Vision

RESEARCH &

DEVELOPMENT

Page 12: R&D at Sound and Vision

FOCUS AREAS

• Access– Annotation

– Retrieval

– Contextualization

• Exchange– Interoperability between collections

– Linking collection to semantic web

• Knowledge about end-users– Interviews

– Experiments

– Log studies

Page 13: R&D at Sound and Vision

FOCUS AREAS

• Access– Annotation

– Retrieval

– Contextualization

• Exchange– Interoperability between collections

– Linking collection to semantic web

• Knowledge about end-users– Interviews

– Experiments

– Log studies

TODAY

Page 14: R&D at Sound and Vision

ANNOTATION

Page 15: R&D at Sound and Vision

ANNOTATION TODAY

• INSERT PICTURE OF IMMIX

– +-15 archivists, with changing role

– Speech recognition and radio streaming in

Page 16: R&D at Sound and Vision

ANNOTATION RESEARCH

• Automatic annotation– Computer vision

– Audio analysis

• Help from the crowds– Crowd-sourcing

– Interactive games

• Secondary sources of descriptions– Subtitles

– Twitter

• Contextual material

Page 17: R&D at Sound and Vision

ANNOTATION RESEARCH

• Automatic annotation– Computer vision

– Audio analysis

• Help from the crowds– Crowd-sourcing

– Interactive games

• Secondary sources of descriptions– Subtitles

– Twitter

• Contextual material

Page 18: R&D at Sound and Vision
Page 19: R&D at Sound and Vision

RETRIEVAL AND

ACCESS

Page 20: R&D at Sound and Vision

RETRIEVAL REALITY

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RETRIEVAL RESEARCH

• Search with all sorts of annotations

– Small scale, diverse

– Hard to integrate with production

• New forms of access

– AVResearcher (MeRDES)

– AXES

– TROVE

– SocialZap

– LinkedTV

– …

Page 23: R&D at Sound and Vision

CONTEXT

Page 24: R&D at Sound and Vision

CONTEXT IS...

Page 25: R&D at Sound and Vision

CONTEXT IS....EVERYTHING?

Page 26: R&D at Sound and Vision

All information that can be used to interpret and understand

the production, publication and reception of audiovisual

heritage from multiple standpoints.

metadata ≠ context source

CONTEXTUALISATION:

AN AV-ARCHIVE DEFINITION

Page 27: R&D at Sound and Vision

5-4-2013

• What do you want to contextualise?

• What can be used as context?

• Which categories of context do you have?

• Which target users need which type(s) of context?

• How can you connect and represent context sources?

CONTEXTUALISATION:

IMPORTANT QUESTIONS

Page 28: R&D at Sound and Vision

FROM SEPARATE SILOS...

5-4-2013

Page 29: R&D at Sound and Vision

...TO CONTEXT: MUTUALLY

CONNECTED COLLECTIONS...

5-4-2013

Connecting collections:

topics, people, genres, etc

Ca

talo

gu

e

Ph

oto

s

B&

G W

iki

Pro

gra

mm

e

gu

ide

s

Page 30: R&D at Sound and Vision

...AND NEW POSSIBLITIIES FOR

INTERPRETING AV-HERITAGE

NL-HaNA, ANEFO / neg. stroken, 1945-1989, 2.24.01.05, bestandeelnummer 929.8771

CC BY-SA

Page 31: R&D at Sound and Vision

EXAMPLE OF WHAT DO WE WANT TO

DO AND PREVENT

Page 32: R&D at Sound and Vision
Page 33: R&D at Sound and Vision
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EXAMPLE: COMERDA

5-4-2013

• BRIDGE project: ISLA, Centre for Television in Transition (UU), S&V

• Goal: linking diverse, relevant collections to aid tv-researchers

Page 35: R&D at Sound and Vision

VIDEO HYPERLINKING

Method to link a video to other multimedia sources

Applications:

Search: connections between sources based on a query

(clustering, storytelling)

Detail-on-demand: zooming in on specific elements

through linked information sources (contextualisering)

12 februari 2013

Page 36: R&D at Sound and Vision

VIDEO HYPERLINKING:

AXES VS LINKEDTV

12 februari 2013

Page 37: R&D at Sound and Vision

12 februari 2013

VIDEO HYPERLINKING:

AXES VS LINKEDTV

Page 38: R&D at Sound and Vision

Concept: Jan Sluijters (Painter)

In DBpedia & VIAF

Related items

Further links

• Styles

(Expressionism, Cu

bism, Fauvism)

• Period

(contemporaries)

Concept relations:

VIDEO HYPERLINKING:

LINKEDTV ENRICHMENT PROCESS

Page 39: R&D at Sound and Vision

THANKS!

@lottebelice | [email protected]

Special thanks

• Marc Bron, Anders Bouwer, Maarten de Rijke (ILPS, UvA)

• Jasmijn van Gorp, Sonja de Leeuw (UU)

• Johan Oomen, Roeland Ordelman, Jaap Blom (B&G)

Page 40: R&D at Sound and Vision

WORKING TOGETHER

Page 41: R&D at Sound and Vision

ACCESS

• Sound and Vision Labs

– Place to put prototypes and

software

– Public/private access

– Data exchange

– Under construction

• We can put you in touch with

users and broadcasters

Page 42: R&D at Sound and Vision

DATA

• What do we have available?

– Catalog collection (complete)

– Keyframes

– MPG1

– Query logs (searches, clicks, purchases)

– Other collections

Page 43: R&D at Sound and Vision

EXAMPLE RESEARCH IDEAS

• Effective analysis of tweets about TV

• Large-scale video analysis

• Search over heterogeneous noisy metadata

• Online learning

• Incorporating thesaurus in search (suggestion)

• Binary concept detection (tagging)

Page 44: R&D at Sound and Vision

WANT TO KNOW MORE?

• Running research

• New ideas

• Data access

• Potential collaboration

• …?

Get in touch!

[email protected]

[email protected]

Find this presentation @ http://www.slideshare.net/boukehuurnink1

NL-HaNA, ANEFO / neg. stroken, 1945-

1989, 2.24.01.05, bestandeelnummer 933-2365 CC BY-SA