ratecard2013/2014

w w w. v i s u a l s . t v

2013/2014 RATECARD

“TEChniCAl sERviCE pRoviDER of 2010”

ThERE is no subsTiTuTE foR ExpERiEnCE

3

Please contact us for long term rental prices. All prices are exclusive of VAT and insurance. Johannesburg: + 27 (0)11 788 9879 | Cape Town: +27 (0)21 468 6002

[email protected] | www.visuals.tv

RATE CARD|2013/2014 Errors & Omissions excluded

VISUAL IMPACT GROUPSOUTH AFRICAVisual Impact | Johannesburg +27 (0) 11 788 9879F a x +27 (0) 11 788 2478Visual Impact | Cape Town +27 (0) 21 468 6002F a x +27 (0) 21 461 7983Digi Labs | Cape Town +27 (0) 21 468 6003MediaHive +27 (0) 21 468 6000

UNITED KINGDOM:Visual Impact UK LTD | Head O�ce 20 8977 1222Visuals Northern 1606 42225Visuals Bristol 177 939 3333Visuals Central 207 419 1919Aspect Visuals 208 569 9958Aspect Midlands 1455 23822224-7 Drama 20 8614 8560TT Visuals 207 419 9555Visuals Cardi� 2920 464656Digirent 1 668 1699Visuals Scotland 141 427 043424-7 DramaNorth 161 877 6700

SWITZERLANDVisuals Switzerland SARL +41 Visuals Switzerland SARL +41

FRANCEVisual Impact France +33

SERBIAB e o g r a d +381 11 2656 968

ROMANIAO-Video S.R.L +40 (0) 726 68 6834O-Video S.R.L +40 (0) 268 31 1195

CROATIAVisuals Croatia +385

MOLDOVA:O-Video Chisinaa +373

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+44

+44+44+44+44+44+44+44+44

+44

+44

+353

22 717 855544 867 2883

1 42 2202 05

52 622 335

(0) 22 286902

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johAnnEsbuRg

CApE Town

INDEXpage

HD CAMERAS - large sensor cameras 7-16

SD CAMERAS33-38

SPECIALIST MINI CAMERAS39-42

2. LENSES43-48

CAMERA ACCESSORIES 55-58MONITORS 58EDIT MACHINES 59-62

3. AUDIO – Mixers, Microphones, Radio Mics 63-66MATTE BOXES AND FILTERS 67-70

4. LIGHTING 71-745. GRIPS 75-78

79-82STAGING SYSTEMS6. SERVICES:

UNDERWATER 85-88MULTICAM 89-92POST PRODUCTION 93-100

CONSUMABLES 109-112

INFORMATION 117-124TERMS AND CONDITIONS OF HIRE 125-134CONTACT DETAILS 135

DIGITAL HDSLR CAMERAS

1. CAMERAS

HD LENSESSD LENSES

51-53 53

HD CAMERAS 21-28

ADDITIONAL SERVICES 101-108

LENS ADAPTORS 54

3D SERVICES 17-20

DATA RECOVERY 104

HD RECORDERS 29-32

PRODUCTION COURSES 113-116

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HD CAmERAs

lARgE sEnsoR hD CAmERAs

plEAsE CAll foR pRiCEs AnD AvAilAbiliTy

9




PHANTOM HD GOLD

2K and 1080x1920 HD

•

•

•

••••

•

POR

The Phantom HD Gold is not just a high speed camera but also gives the cinematographer 35mm depth of �eld either at HD or 2K resolutions. It combines high de�ntion imagery with high frame rate speciality cameras.

2K(2048x1536) and HD (1920x1080) resolution using a PL-mount lens2K Image Sensor,comparable in size to super35mm (sensor size: 25.6mmx25.6mm)Up to 1000 frames per second (fps) - framerate at HD resolutionFrame rate adjusted in 1fps incrementsShutter speed as fast as 2 micro seconds14bit sensor depth (42bit colour)ISO- 320, �lm equivelant at 360º shutter 25fps35mm depth of �eldUtilises 32GB of internal memory

* The Phantom rental is subject to a Phantom Operator at an additional cost. Excludes transcoding, please get quote or see DigiLabs rates** See page 137 for Terms & Conditions of Phantom Rental.

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11




ARRI ALEXA2K and 1080x1920 HD

The Arri Alexa is rede�ning the limits of motion picture capture with ultra-fastwork�ows and image quality similar to 35mm �lm. Its a 35mm format digital camera, compact, user friendly and a�ordable. The Alexa has been designed to function both as a motion picture camera and a broadcast camera. It stands alone as the most complete and powerful digital production system ever built.

Rugged and reliable35mm format ALEV III CMOS sensor (sensor size = 27.98mmx18.15mm, 3392x2200 Pixels)Sharp natural images for 2K or HD imagesEI 800 base sensitivity (EI 160-EI 3200)Wide exposure latitude of 14 stopsMultiple output optionsPrecision sync for 3DCompatible with industry standard • PL Mount lens • HD, SDI PROS • V-Lock or gold mount batteryIntegrates into existing HD infrastructuresShoot Arri RAW, Apple ProRes 4:4:4, Apple ProRes 4:2:2

••

••••••

••

R 9 000.00 /day

* Excludes transcoding, see DigiLabs rates.* Alternate option: Arri Alexa including high speed license

SONY PMW-F55

4K / 2K / HD Sensor

••••••••••

R 9 500.00 /day

The Sony PMW-F55 CineAlta 4K Digital Cinema Camera features an 8.9MP Super 35mm image sensor, capable of capturing 4K, 2K and HD resolution video in a variety of formats via the camera's internal recorder. The F55 is among the �rst digital motion picture cameras with a global shutter, which completely eliminates motion skew and other "rolling" shutter distortions. Sony has designed the F55 as the foundation of an exceptionally versatile, modular system.

8.9MP Super 35mm CMOS Image SensorInternal 4K/2K/HD RecordingElectronic Global ShutterHighly Modular DesignOptional 4K/2K RAW RecorderUp 240 fps 2K with Optional AXS-R5Native FZ-Mount and PL-Mount AdapterDynamic Range Rated at 14 StopsWider Color Gamut than FilmSxS Pro+ Media Cards

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OLYMPUS I-SPEED 3

The i-SPEED 3 is the latest addition to the Olympus i-SPEED range, and has been designed to an advanced speci�cation providing high resolution, extreme low light sensitivity and up to 150,000 fps recoding, making it the ideal analysis tool for high level research.

• Olympus quality custom designed CMOS 1280 x 1024 sensor • Full resolution recording to 2,000 fps • 150,000 fps maximum record speed • Monochrome or Colour options • User selectable global shuttering to 1 µs • 4GB / 8GB / 16GB upgradeable memory options • Gigabit ethernet connection • Trigger options 0.5V TTL / Normal / BROC / ROC / Motion video • F-mount lens connection • Download to CF Card

POR

5K Mysterium-X Sensor

CANON EOS C300

Super 35mm CMOS sensor

R 4 500.00

The EOS C300 is Canon's �rst foray into digital cinema and is equipped with Canon's DIGIC DV III image processor, a 9.84-megapixel CMOS sensor (8.29-megapixel e�ective) capable of Super 35 format, and your choice of 23.98, 24, 25, 29.97, 50, and 59.94 fps recording at ISOs ranging from 320 all the way up to 20,000. The EOS C300 has two XLR inputs for audio and can shoot 160 minutes of video onto a 64GB CF card running at a 50Mbps bitrate at 1080p.

• Maximum resolution of 4K• Super 35mm CMOS Sensor • Records to CompactFlash (CF Type I), (CF Type II), SD, SDHC, SDXC• Available in EF and PL mount

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R 1 610.00 R 570.00

R 1 090.00

• Carl Zeiss CP 2 Set R 4 030.00

• Extra Cards SxS • 8 GB R 115.00 • 16 GB R 170.00 • 32 GB R 230.00• Card Reader SxS R 170.00• Matte Box • 4” R 290.00 • 5” R 520.00• Zacuto Support R 290.00

SONY PMW F3

Includes:1x2x3x

V20 Sachtler Tripod32 GB SxS express cardsSony Prime Lenses: 35mm, 50mm, 80mm

R 4 000.00 /day

HD 1920 x 1080

• Super 35mm CMOS Sensor••

Mutiple format recording

•10Bit 4:2:2 HDSDI output

••

Genlock and Timecode Interfaces

ACCESSORIES

EXTERNAL HD RECORDERS

• Convergent Design Gemini External Recorder• Convergent Design Nano Flash• Sound Devices PIX240 10bit 4.2.2 Recorder

S-log 4:4:4 optional35mb/s at 1080i

• Zacuto Electronic Viewfinder (Z-Finder EVF) R 290.00• Visual’s Slim Style Shoulder Rig R 230.00

• Onboard HD Monitor R 460.00

SONY PMW-F5

4K / 2K Sensor

••••••

R 5 000.00 /day

This is the next generation of the Sony PMW-F3 which o�ers robust built-in recording modes, all with vibrant 4:2:2 color. Options include the 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping.

4k/2k RAW recordingVast exposure latitudeHigh speed shooting at 120f fps in 2KHigh speed SxS PRO+ media cardsPL-mount, FZ-mount and still lensesLong life Olivine Battery

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3D sERviCEs

SONY NEX-FS700

4K Super 35mm Sensor

•••••••

R 2 500.00

The FS700 is designed for high-speed shooting, capable of capturing footage at up to 960 frames per second and features a range of capabilities such as 3G HD-SDI output and built-in ND �lters. The NEX-FS700 utilizes a new 4K "Exmor" Super 35 CMOS sensor and the E-Mount �exibility is designed to accept virtually all SLR and DSLR 35mm lenses with the use of simple, inexpensive adapters. Users can also capture high-quality still images with "face detection" and auto focus to help ensure that a subject is always in focus. The NEX-FS700 o�ers creative options, shooting styles and enhanced ergonomics to deliver a �exible production tool that can �t seamlessly into a variety of shooting applications.

4K "Exmor" Super35mm Sensor3G HD-SDI outputFull HD Slow Motion up to 240 fpsE-Mount Interchangeable Lens SystemFour ND Filters: Clear; 2, 4 and 6 Stops60/50Hz switchableImproved user interface

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3D PRO ULTRA RIG

Mirror Rig Side by Side Rig

• Capable of filming either mirror mode or side by side• The rig can be switched between modes in a matter of minutes • Offers adjustment capabilities for fast camera alignment and lens change• Can carry most cameras without the need for adaptor plates• Cameras are mounted using either an Arri dovetail or universal slotted plate• Mirror mode uses a 50:50 beam splitter enclosed in a carbon fibre matte box• Side by Side mode allows for greater inter-axial distances to be achieved

• Leight weight, only 7kg, ideally suited to carry smaller cameras for shooting on Steadyam or even hand held• Fully computerised running a custom built interface developed for Android• Adjustable beam splitter allowes for different camera sizes• Quick alignment

3D PRO LIGHT RIG

POR

POR

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VISUAL IMPACT 3D STEREOSCOPIC PLUG-IN FOR FCP R 340.00

R 11 500.00

3D JVC Monitor• 46” polarized screen• 3x HDMI inputs• Line-by-Line / Side-by-side

3D Combiner• Combines your stereoscopic image for monitoring

* Subject to a Stereoscopic operator at an additional cost

Full Post-Production services available for your 3D production

* Purchase option only

Whole package

SALES

3D PROJECTS WE HAVE WORKED ON• Ministry of Illusion• Parlatones Live 3D Broadcast• Mercedez - The first 3D cinema commercial shot in SA for SA cinema• Earth Touch 3D

hD CAmERAs

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SONY PDW 700 XDCAM HD

HD 1920 x 1080

• Three 2/3-inch Power HAD FX CCDs• High-quality four-channel audio

recording• Compact and light-weight at 4.2 kg (9 lb 4 oz)

(without view�nder, lens, microphone, and battery)• Dual HD/SD-SDI outputs and composite/HD-Y

output•

Ethernet interface (100Base-T)i.LINK interface

• Compatible with the new DWR-S01D digital wireless microphone receiver, which can be directly installed

Includes:

1x Lens (HD KLL/ENG Lens)1x Battery kit (includes 4 V Lock Batteries + Charger)1x Sachtler Video 20 Tripod

R 6 500.00 /day

Camera

into the camcorder body

• HD 1080 x 1920, 4:2:2 at 50Mb/s

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SONY PMW EX1 XDCAM CAMCORDER

R 2 100.00 /day

4:2:0 Sampling (alternating)25/35 mb/s recording1/2” CMOS Sensor1080i/720p switchablePAL/NTSC (50hz/60hz) switchable

•••••

SONY PMW EX3 XDCAM CAMCORDER

Includes:1x Sachtler FSB 6 Tripod2x 16 GB SxS Express Card1x 8GB SxS Express Card3x BPU Batteries + Charger (1x BPU 30 Battery + 2x BPU 60 Batteries)• ½” - ²⁄3” (B4) Adapter available on request

R 2 300.00 /day

4:2:0 Sampling (alternating)25/35 mb/s recording1/2” CMOS Sensor1080i/720p switchablePAL/NTSC (50hz/60hz) switchable

•••••

Interchangeable lensing•

Includes:1x Tripod2x 16 GB SxS Express Card1x 8GB SxS Express Card3x BPU Batteries + Charger (1x BPU 30 Battery + 2x BPU 60 Batteries)

SONY PMW 200

Exmor 3CMOS sensors

•••

•

•••

R 2 500.00

The PMW-200 is the sucessor to Sony's well respected PMW-EX1/R camcorder which supports the 50 Mbps MPEG HD422 codec and MXF recording. It is a good companion to the PMW-500 XDCAM HD422 shouldermount camera. With its three 1/2-inch Full HD Exmor CMOS sensor (1920x1280), the PMW-200 is able to achieve high resolution (1000 TVl), high sensitivity (F11@2000 lx), low noise (56 dB), and wide dynamic range. The PMW-200 can be used for both SD and HD applications. It can be set to record 50 Mbps MPEG HD422 as MXF �les on UDF formatted cards just like the PMW-500 memory camcorder or the PDW-700/F800 optical disc based camcorders. Or you can set the camcorder for FAT mode recording to shoot SxS cards which are compabile with the XDCAM EX format made by the PMW-EX1/R or PMW-320/350. For SD applications you can make DVCAM recordings as either MXF �les or XDCAM EX compatible �les.

Three 1/2-inch Full HD Exmor 3CMOS sensorsHD/SD-SDI output and composite/HD-Y output50 Mbps MPEG HD422 recording as MXF �les (UDF mode only)14x Fixed Zoom Lens (servo/manual switchable) with unique focus ring mechanismHigh-quality four-channel audio recordingTwo ExpressCard SxS Memory Card SlotsThe VCL-EX0877 0.8x wide converter option can be used with the PMW-200 lens

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SONY HDW 750 P CAMERA

HDCAM High De�nition digital camcorder. HDCAM 25P progressive and 50i HDW 750P features 10 bit internal image

processing, the camera has HDSDI outputs and comes complete with a built-in2/3” B4 Lens mount.

Includes:1x ENG or CINE-style lens1x Sachtler V 20/25 Tripod1x HDVF20A CRT View�nder1x HKDW 702 Down Converter Board4x V-Lock Batteries1x Charger1x AC/DC Power Unit

R 5 000.00 /day

HD 1080 x 1920 • 2/3” CCD

PANASONIC AJ-HDC 27HE VARICAM CAMERA

DVC-PRO High de�nition digital camcorder, capable of 24&25P progress ive variable frame rate shooting capability. The unique variable frame rate

motion and wildlife �lming. 2/3“ B4 Lens mount.

Includes:1x ENG or CINE-style lens1x Panasonic B&W CRT view�nder1x Sachtler 20 Tripod4x V-Lock Batteries1x Charger1x AC/DC Power Unit1x AJA Down converter (optional)

R 5 000.00 /day

HD 720 x 1280 • 2/3” CCD

Interlaced support, the

down converter.

withcapability is perfect for slow-

SONY HVR Z7E CAMCORDER

Includes:1x Light-weight Tripod

R 1 500.00 /day

HD 1080 • 1/3” CMOS

••

Switchable Recording and Playback-HDV1080i/DVCAM/DVShoots on Compact Flash Card

• Built-in Down-converter for SD Production• 1/3-inch type 3 ClearVid CMOS Sensor System• Carl Zeiss Lens for HD Video • Alpha Lens Compatibility• 25p HDV Native Progressive Recording Modes• 25p Progressive Scan Modes• Interchangeable lens

SONY HVR Z5E CAMCORDER

Includes:1x Light-weight Tripod

R 1 300.00 /day

HD 1080 • 1/3” CMOS

• Switchable Recording and Playback-HDV1080i/DVCAM/DV• Built-in Down-converter for SD Production• 1/3-inch type 3 ClearVid CMOS Sensor System• Carl Zeiss Lens for HD Video as Standard• 25p HDV Native Progressive Recording Modes• 25p Progressive Scan Modes• A streamlined nonlinear editing work�ow for HDV

ACCESSORIES• ¹⁄₃” - 2⁄₃” Lens Adapter available on request

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SONY HVR A1ER 575.00 /day

Boasting an incredibly small size, and providing HDVwith the 1080i standard, the HVR-A1E o�ers a hostof advanced features for professional use.Using technology such as CMOS means the HVR-A1E is an ultra-compact camcorder capable ofproviding HDV in full 1080 line resolution.

SONY HDR HC9R 575.00 /day

Brilliant 1080 HD video quality and powerful manualfunctions for video enthusiasts with the convenienceand editing versatility of a�ordable DV tape. CarlZeiss Vario-Sonnar T* lens with optical imagestabilisation for clearer, blur-free images.Ready package with �rewire cable.

1920x1080 HD video recording, 4.0 MP still image capture, 8GB embedded memory, Face Detection technology, Smile Shutter™ technology, 2.7" touch panel, 10x Optical/120x Digital Zoom.• Shoots on SD Card

R 400.00 /daySONY HDR CX100

SONY HDR CX 560

1920 x 1080 full HD recording, 12 megapixels images, 64 GB embedded �ash memory, EXMOR R CMOS sensor, wide angle G-lens, 10x optical zoom, optical steady shot, built in GPS receiver

R 600.00 /day

Including: Pro Sound unit with LANC control

hD RECoRDERs

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R/Day

Panasonic AJ-1400 HD – DVCPRP HD VTR with HDSDI 4 600.00inputs all DVC PRO Formats 720P and 1080i

HD TAPE RECORDERS

HD DISK RECORDERS R/Day

• Convergent Design Gemini 4:4:4 recorder 4 000.00• Sound Devices PIX240 1 250.00

HARD DISK RECORDERS

1 000.00

•

• AJA Ki Pro Recorder

* A�ordable Arri Raw Solutions: • Gemini On Board Recorder which is a fraction of the cost of the rental rate on a Codex Box.

(Includes S-log License)

RATE CARD|2013/2014

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DigiTAl slR CAmERAswiTh hD shooTing CApAbiliTy

RATE CARD|2013/2014

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CANON 5D MK lll

22.3 Megapixel CMOS sensor

With supercharged EOS performance and stunning full frame, high-resolution image capture, the EOS 5D Mark III is designed to perform.

• 22.3MP Full-Frame CMOS Sensor• 3.2" Clear View High Resolution LCD• DIGIC 5+ Image Processor• 61-Point High Density AF• Full HD 1080/30p and 720/60p Formats• Built-In HDR and Multiple Exposure Modes• Extended ISO Range (50-102400)• Up to 6.0 FPS Continuous Mode• Dual CF and SD Memory Card Slots• Durable Magnesium-Alloy Construction

R 1 400.00 /day

Includes:1x Zacuto Z-�nder2x Compact Flash cards 4x Batteries (LP-E6)1x Canon Lens1x Pelican hard case1x Battery Grip (BC-E6)1x Rain Cover1x HDMI Cable

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• Extra Cards (each) 170.00• High Speed Card Reader POR

• 4” Chroziel Matte Box Kit + Filters 520.00• Vari ND Filter 170.00• Zacuto 50mm DSLR Support 170.00

DSLR ACCESSORIES

• Zacuto Sniper Rig 520.00 • PROAIM DSLR Kit 11 complete Shoulder Rig 400.00 (includes Matte box/Follow Focus)• Glidetrak 1m Hybrid HD Slider 400.00• Genus Shoulder Rig 400.00• Edelkrone Modula 3 Rig (excluding Follow Focus) 400.00

• Zeiss Prime Lenses CP2 4 000.00• Canon Lenses: • Canon EF 16mm-35m, f/2.8 400.00 • Canon EF 17mm-40m, f/4 400.00 • Canon EF 24mm-70m, f/2.8 400.00 • Canon EF 24mm-105mm, f/4 350.00 • Canon TS.E 45mm, f/2.8 400.00 • Canon 100mm Macro 400.00 • Canon EF 70mm-200mm, f/2.8 400.00 • Canon EF 50, f/1.4 200.00 • Lens Baby 170.00

R/DayGRIPS

LENSES

OTHER DSLR ACCESSORIES

LENS ACCESSORIES

• Ikelite Underwater Housing 980.00 • Including Camera & Lens 2 070.00

CANON 5D MK ll

22.3 Megapixel CMOS sensor

The Canon 5D MK II is a 21.1 megapixel full frame CMOS DSLR camerawith an Intellegent View�nder and full HD 1080 recording capability.

• 21.1 Megapixel Full-Frame Sensor• 3.9 fps continous shooting • ISO Range up to 12800• 98 % view�nder coverage • 19 cross-type AF points• FCL metering system• Full HD recording capability• Integrated Speedlite Transmitter• 3.0" High Resolution LCD Display• Dust & Weather-Resistant

Includes:1x Zacuto Z-�nder2x Compact Flash cards 4x Batteries (LP-E6)1x Canon Lens1x Pelican hard case1x Battery Grip (BC-E6)1x Rain Cover1x HDMI Cable

R 1 2000.00 /day

RATE CARD|2013/2014

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sD CAmERAs

Target ShooterIt has three points of contact by having both hands on the camera and the gunstock in your chest. The entire kit is in�nitely adjustable. You can add a forth point of contact by adding one of our Z-Finders to the kit.

Z-FinderOptical View�nder that allows DSLR cameras to have the correct form factor for video. Makes it easy to keep both eyes open, one used to focus while the other scouts the environment.

GRDouble BarrelShoulder mounted dual handheld system that uses our DSLR baseplate. Works on any DSLR camera with or without battery grips as it is in�nitely adjustable in height. Your camera can quickly be released from the rig by turning the red knob and pulling it o�. The quick release plate stays mounted to the camera so you can quickly switch between using it on the rig or alone.

DSLR Z-CageAllows you a better form factor for holding the camera in your hands, thus giving more stability, and lots of options and space for all of your additional accessories such as an HD monitor, audio recorder, and so forth.

Single ActionA tripod only kit with a follow focus unit but can easily be upgraded to a shoulder mounted rig. Works on any DSLR camera with or without battery grips as it is highlyadjustable in height

POR

GRIPS

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SONY DSR 450 DVCAM CAMCORDER

R 2 070.00 /day

• 16:9 Widescreen recording Switchable to 4:3• DVCam recorder, mini-DV and DVCam tape capability• Very good under low light• Clear scan function to eradicate scan lines on

computer monitors1x Broadcast zoom lens with internal focus and 2x extender1x Sony 9” SD Monitor (450 lines, AC/DC)

�eld-Monitor4x V-Lock Batteries1x Sachtler tripod with two stage Tall legs

SONY DSR PD 170 DVCAM CAMCORDER

R 920.00 /day

1x Manfrotto (friction) head and lightweight Tripod1x Optical 12x lens: 6mm-72mm

(35mm Conversion:17.2mm-361mm)1x Audio S/N ratio in manual mode improved by 6dB

compared to the PD1501x Sony VCL-HG0758 (0.7x) Wide Conversion Lens1x Sony AC power supply1x Remote record and zoom unit RMT 8111x Rayshade for LCD Monitor and Raincover1x 58mm Circular Polariser & UV Filter, 77mm polariser & UV1x Raincover

1x2x Sony NPF-970 Batteries

Charger

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spECiAlisT mini CAmERAspRiCEs Do noT inCluDE RECoRDER

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MINI CAMERASGOPRO HERO 3: BLACK EDITION

R 600.00 /day

It is a small full HD camera that is designed for sports but can have so many more applications

Solid state - MicroSD cardsLens type: 6-element aspherical glass lensAperture: f/2.864GB SD memory card 12 Mexapixel CMOS sensorBuilt-in microphone, wind noise reductionUSB PC Connection (data and battery charging)HDTV Out: HD NTSC & PAL (cable incl)HDMI outputBattery life approx 2.5hoursRechargeable 1.050mAH lithium-ion BatteryUp to 60m depth ratingPC compatiblity: Windows XP, Vista, Windows 7, Mac OS x 10.4.11 and laterHD Video Resolution Mode: 12MP + 1440p24 fps 8MP + 1080p30 fps 8MP + 720p60 fps

••••••••••••••

Includes:1x Suction cup 1x Headstrap1x Battery 1x Tripod Mount

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GO PRO ACCESSORIES (available on request)

50.00(each)

• 1.4” - 2.5“ Roll Bar Mount (for ATV’s, cars, boats, etc) • 75” - 1.4” Handle Bar and Seatpost Clamp (for bike/motorcycle) • Flat Adhesive Mounts (mounts securely to flat surfaces) • Curved Adhesive Mounts (mounts securely to curved surfaces) • Suction Cup Mount • HD Wrist Hero Housing (waterproof) • Chest Mount Harness • HD Skeleton Housing (connection of TV out,HDTV out and USB while recording) • Anti-fog Inserts (for underwater use) • Surf Mounting Kit (oversized stick-on mount for extreme surfing/kayaking) • Head Strap Mount (one size fits all) • Vented Helmet Strap (with baseplate) • Helmet Front Strap (allows for low profile positioning on font of helmet) • Tripod Adapter (to fit any tripod)

• LCD BacPac (LCD screen expansion for HD HERO 1080 camera)

90.00(each)

SPECIALIST MINI CAMERASExcluding recorders R/Day

• MC1P underwater housing 450.00• Colour Watec Cameras 350.00• Low Light Infra Red Mini Cameras (B&W) 200.00

ACCESSORIES FOR MINI AND PENCIL CAMERAS R/Day

• Action helmet for Mini Cams including Mini Grips 200.00• Boompole adaptor for Minicam 200.00

• Reverse looking mount for V1 or V3 70.00• Specialised mini grips: • Mini cam desk mount • Mini cam flex arm • Mini cam Pole mount with swivel head • Wall mounts

60.00(each)

• Magic arm with ma�er clamp 100.00

SONY HXR-MC1PR 580.00 / day

The HXR-MC1P is an easy to use HD camera system, consisting of a small camera head and a handheld controlling unit with LCD panel and recording function

Solid state - Memory Stick Pro Duo1080i Compact HD cameraFull HD shooting (1920 X1080i) capability 10x optical zoom

HDMI Out: 2 modes1. (HD-AVCHD) FH Mode: Approx. 16Mbps (1920X1080, 50i) HQ mode: approx 9Mbps2. (SP mode) approx. 7Mbps (1440X1080, 50i), LP mode: approx 5Mbps (1440X1080, 50i)

Built-in microphone1/5” ‘Exmor’ CMOS sensorFreeze frame memoryLong-time HD or SD recording to memory stick Pro DuoVideo is recorded in AVCHD which uses MPEG-4Lens type: Fixed Focus (f3.2mm-32.0mm)35mm equivalent: 43-507mm (16:9 camera mode)

••••••••••••

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lEnsEsAnD spECiAlisT lEnsEs

51




HD ZOOM LENSES R/Day

• Canon HJ 40x10mm (10mm-400mm) 4 500.00Built-in stabiliserLens support systemincl Canon Remote Zoom & Focus control

• Canon HJ 11x4.7mm (4.7mm-52mm) 2 000.00HD CINE Style lens T2.1 with Macro35mm Conversion (12mm-130mm)

• Canon HJ 11x4.7mm (4.7mm-52mm) 2 000.00HD ENG Style lens F1.9 with doubler and Macro function35mm Conversion (12mm-130mm)

• Canon HJ 17x7.7mm ENG (7.7mm-131mm) 2 000.00HD ENG Style lens F1.8 with doubler and Macro function35mm Conversion (19mm-327mm)

• Canon HJ 21x7.5mm (7.5mm-158mm) 2 000.00HD CINE Style lens T2.1 with Macro35mm Conversion (19mm-395mm)

• Canon HJ 22x7.6mm (7.6mm-168mm) 2 000.00HD ENG Style lens F1.8 with doubler and Macro function C1.835mm Conversion (19mm-418mm)

• Canon HJ 21x7.5mm (7.5mm-158mm) 2 300.00HD ENG Style lens F2.1 with doubler and Macro function35mm Conversion (19mm-395mm)

35mm Conversion (25mm-1000mm)

• Fujinon Cabrio (19mm-90mm) 31.5 mm Full Sensor Coverage Remarkably fast: T2.9 to 218mm, T4.0 @ 300mm

6 000.00

• Fujinon Cabrio (85mm-300mm) 31.5 mm Full Sensor Coverage Remarkably fast Apperture

6 000.00

52




53




800.00 (each) 4 000.00 (kit)

HD PRIME LENSES

R/Day

Compact Primes CP.2 - Lenses with interchangeable mountSUPER WIDE ANGLE Aperture CFD* AOV** WeightCP.2 18mm/T3.6 T3.6 -22 0.3 69˚ 900 gCP.2 21mm/T2.9 T2.9 -22 0.22 60.9˚ 1000 g

WIDE ANGLECP.2 25mm/T2.9 T2.9 -22 0.17 52.2˚ 900 gCP.2 28mm/T2.1 T2.1 - 22 0.24 47.4˚ 1000 gCP.2 35mm/T2.1 T2.1 - 22 0.3 38.5˚ 1000 g

STANDARDCP.2 50mm/T2.1 T2.1 - 22 0.45 27.3˚ 900 g

TELEPHOTOCP.2 85mm/T2.1 T2.1 - 22 1 16.7˚ 900 gCP.2 100mm/T2.1 CF T2.1 - 22 0.7 14.7˚ 1.49 kg MACROCP.2 50mm/T2.1 T2.1 -22 0.24 27.3˚ 1.35 kg

*CFD= Closest Focal Distance**AOV= Angle of View

• Canon HJ 9x5.5mm (5.5mm-47mm) 1 450.00HD CINE Style Lens T2.3 with Macro35mm Conversion (14mm-118mm)

• Canon HJ 18x7.8mm EC (7.8mm-140mm) 1 450.00HD CINE Style Lens35mm Conversion (20mm-350mm)

• ARRI Alura (18mm-80mm) 6 500.00T2.6MOD 2’4”

HD LENS ACCESSORIES R/Day

• Preston Micro Force Lens control kit 600.00• Arri FF5 Follow focus 750.00

• Chrosziel Follow Focus 600.00• Canon Focus demand control 400.00• Canon Zoom demand control 400.00• Cavision RFF-15B Prosumer Camcorder follow focus 200.00• Canon 10m Zoom Extension Cable 140.00

HD SPECIALIST LENSES

R/Day

• Canon 6mm Prime Lens 1 610.00• Optex 120mm Prime Lens 1 320.00

R/DayOptex 120mm Macro Prime Lens 1 150.00Nikon 8mm True Fisheye Lens 400.00Nikon 14mm Wide Angle Prime Lens 400.00

Nikon FW-ENG ConverterNikon Macro 55mm Lens

200.00350.00

• Optex 40mm, 50mm , 80mm Prime Lens Kit 2 870.00Other HD Lenses

55




54




MECHANICAL ADAPTORSSONY PMW EX 3

SONY HVR Z7• 1/3” Sony b4 to 2/3” Sony B4

POR

POR

• 1/2” Sony B4 to 2/3” Sony B4 adaptor (ACM 21)

SD LENSES R/Day

• CANON J33 x 11 (11mm-363mm) telephoto lens with doubler 2 500.0035mm Conversion (22mm-726mm)

• CANON J11 x 4.5B4 (4.5mm-50mm) super wide angle zoom lens 1 200.0035mm Conversion (9mm-100mm)

• CANON J22ex7.6B4 (7.6mm-168mm) Canon zoom lens 1 250.00with zoom/focus demand

• CANON J17e x 7.7B4 (7.7mm-131mm) zoom lens with doubler 950.0035mm Conversion: (15.4mm-262mm)

• CANON J21ax7.8B4 (7.8mm-164mm) Canon zoom lens 1 150.00with zoom/focus demand

• CENTURY optics wide angle adapter 400.000.6 / 0.8 Widening Factor.Fits lens front diameters of 82, 86 and 90mm

35mm Conversion (19mm-420mm)

35mm Conversion (19.5mm-410mm)

CAmERA ACCEssoRiEs

57




R/Day

Sony HD Extension View�nder 575.00

Pro-sound Communications Talk Back System 1 000.00Five camera stations with talk back and double mu� headphones.One base station with speaker and directors' microphone.All cables included

Kramer Video Switcher 520.005 Video composite input. 1 Video composite outputSuper Lightweight Monitor & VTR Machine Trolley 140.00Ideal for Video Take o� or machine-to-machine recording on set,�ts into a pannel van.

•

••

•

• Small Magliner Trollies 290.00

59




R/Day

• Sony BVM D20E 20” HD Monitor 1 500.00

• Sony BVM D14 H 14” HD Monitor 1 200.00

• Sony BVM D9H 9” HD Monitor 900.00

• Astro WM-3007 HD/SD 8” LCD Monitor 1 500.00(HD Waveform and Vector scope)

• Astro WM-3004 HD/SD 6” LCD Monitor 1 200.00(HD Waveform and Vector scope)

• Sony LMD 9050 HD 9” LCD Monitor 1 200.00

• Sony17” Trimaster OLED Monitor 1 700.00

HD MONITORS

SD MONITORS R/Day• Sony 20” SD Monitor 600.00

• Sony PVM 9042QM 9” SD Monitor 350.00• JVC 14” SD Monitor 460.00

• 7” Bon Oled Monitor• SWIT S-1070HU 7”HDSDI Monitor

750.00

• JVC 46” GD-463D10E HD 3D Screen 5 000.00

• Sony 32” EX 400 Bravia Monitor 900.001 100.00

• Sony BVM-D20F1E 1 700.00

EDiT mAChinEs

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R/Day

• Sony HDW F500 Hdcam Cinealta Player/ Recorder 6 325.00• Sony HDW M2000/1 Multi-format Player/rec 6 040.00• Panasonic AJ-HD 1400 DVC Pro HD Recorder with Firewire 4 025.00

• Sony J-H3 Compact HDCam Player with Firewire 2 875.00

• Sony DVW A500 Digital BetaCam Player/recorder 2 590.00• Sony J-30 Compact Player, Digital BetaCam, BetaCam SP SX, MPE6 IMX Format with Firewire 1 725.00• Sony PVW 2800 BetaCam Player/recorder 1 440.00• Sony PVW 2600P BetaCam Player (JHB) 1 265.00• Sony DSR 45P DVCam Player/recorder 750.00

• Sony HVR M25E HDV / DVCam / DV Player/Recorder 1 090.00

• Sony HVR M15e HDV Player/recorder 750.00• Sony HVR M10e HDV MULTI-FORMAT Player/Recorder 520.00

• Sony DSR 11 DVCam Player/recorder 400.00

• Samsung DVD & VHS Combo Machine 400.00• VHS and TV Combo with remote 250.00

• JVC VHS Video Machine with remote 170.00

860.00

750.00

• Pmw 1500 XDCam HD Deck 2 875.00

• Apple Mac Book Pro with FCP

230.00• Sony DVD/Recorder

• Sony GV HD 700 E HDV/ DVCam / DV Player/Recorder

HD Decks

HDV Decks

SD Decks

Others• Sony SRW 5500 -HDCam SR 9 775.00

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AuDiomixERs, miCRophonEs, RADio miCRophonEs

65




R/Day

• Sound Device 442 400.004 audio input and output digital audio mixer

• SQN-IV S-4 with ms codec and umbilical 345.00Includes Hawkwood Adaptor, NP 1B Batteries.

• Sound Device 302 340.003 channel audio input and 2 channel output

• SHURE FP 32 A/FP 33 with umbilical 290.00Includes Hawkwood Adaptor, NP 1B Batteries.

• DENECKE TS-3 Smart Slate – HD 29.xx Frames ready 520.00

SOUND / AUDIO MIXERS

• Zoom H4N Audio Recorder 400.00capable of recording 4 channels simultaneously

• Sound Device 552 575.005 channel mixer

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67




MICROPHONES R/Day

• Sennheiser 816 PH48 with zeppelin and wind sock 600.00• Sennheiser 416 PH48 with zeppelin and wind sock 320.00• Sennheiser ME66 (PH48 or self powered) 200.00• Sony ECM-77B lapel microphone 200.00• Sony ECM-88B lapel microphone 200.00• Sennheiser MD 46 hand microphone 200.00• EV RE-50 or Beyer hand microphone 200.00• Panamic boom poles (mini, midi and maxi) 200.00• EZB desk microphone (conferences & meetings) 200.00

• Microphone stands 80.00

• Hydrophone underwater microphone• Rode onboard microphone (3.5 mm stereo jack)

140.00

R/Day

• Sennheiser Radio handheld microphone (RX & TX system) 400.00• Sony UTX - B2 Radio lapel microphone 320.00

RADIO MICROPHONES

115.00

• Sennheiser EK 100 Radio microphone 320.00

mATTE boxEs & filTERs

69




MATTE BOXESR/Day

Arri MB14 6” 4 tray Matte Box (19mm support) 980.00Chrosziel 6” 4 Tray Matte Box (19mm support) 750.00Chrosziel 5x5 Wide Screen 2 tray Matte Box (15mm support) 520.00Arri 4 6” Clip on Matte Box 520.00Chrosziel Matte Box / Follow Focus System for EX1 520.00Chrosziel Wide Angle Lens Matte Box 520.005X5” and 4X5.6” combo trays4” Chrosziel Matte Box (15mm support) 290.003 to 4 Trays with dual rotary trays and 15mm support barsChrosziel 4” Clip-on Matte Box 290.004” Vocas Matte Box (15mm support) 290.00

R/Dayper Filter

6” Polariser 140.006” Soft/hard Edge Graduated Filter 140.00

4” Soft FX Filter 90.004” Enhancing Filter 90.00

4” Polariser 75.004” Soft/hard Edge Graduated Filter 75.004” Black Pro-mist Filter 75.00

4” & 6” Optical Flats 50.00/90.00

82mm Circular Polariser Filter 75.0077mm Circular Polariser Filter 75.00

58mm Circular Polariser Filter 75.0052mm Circular Polariser Filter 75.00

FILTERS(Specialist Filters Available On Request)

5” Soft/ Hard Edge Graduated Filter 100.00100.00

77mm Vari ND Filter 170.00

5” Polariser

••••••

•

••

•••••••••••••••••

6” Pro-Mist6” Super-Mist 50.00

50.00

71




lighTing(full lighTing sTuDio AvAilAblE - www.mediahive.tv/studio.php)

73




DEDO LIGHTS R/Day

DLH400S - 400watt HMI Soft Light + soft box DLH200D - 200watt HMI daylight/tungsten + Soft box

BASIC DEDO KITS:

Dedo 150W Kit - basic 3xDLH 150 hard case 1x main Dimmer Box 520.00Dedo 150W Kit - basic 4xDLH 150 hard case 630.00

400.00290.00

KINO FLOKino Flo 4 Bank 4ft 750.00Kino Flo 4 Bank 2ft 620.00Kino Flo Diva 400 520.00Kino Flo Kamio Ring Light Kit 750.00

Kino Mini Flo 575.00Bar Fly 630.00

LED LIGHTSCreamsouce LED Onboard Led Light HVLLBP Vect ET-LBPS On BoardMicro Light PanelRoto LightLED 1x1 Light Panel Lite Panel Micro HybridDynacore Light Panel (2 lights) Kit

750.00230.00230.00230.00140.00230.00 POR460.00

••••

••••••

••••••••

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75




OTHER LIGHTINGR/Day

STAR LIGHT (Tungsten with Chimera 1000watt) 660.00STAR LIGHT (Tungsten with Chimera 500watt) 575.00(3x300watt lights with stands, gels and 15 amp ext. cables)RED HEAD KIT 400.00(3x800W lights with stands, gels and 15 amp ext. cables)COSMO 650 WATT LAMPS 345.00(3x650watt lights with stands, gels and 15 amp ext. cables)

Blondes 2K Light with Stand (1x 2000 watt Lamp) 140.0075 Watt Pag Light 115.00

Sony Infolithium 20 Watt 140.00

LIGHTING ACCESSORIESR/Day

12ft x 12ft Black Out Textile (excluding frame) 260.00

6ft x 6ft Black Out Textile (including frame) 290.00

3ft x 3ft Gold and Silver Re�ectors 140.00

Chimera’s Red Head Kit 115.00Chimera’s Blonde Kit 115.00

3ft x 3ft Aluminium Trace Frame 75.00

C-Stand 90.00ComboStand 90.00

12ft x 12ft Green screen textile (including frame) 370.00

12ft x 12ft frame 115.00

12ft x 12ft Black Out Textile (including frame) 370.00

12ft x 12ft Green screen textile (excluding frame) 260.00

6ft x 6ft Black Out Textile (excluding frame) 170.00

Sandbags 7.00

••

•

•••••••••••••••

•••

•

Flag 60.00

gRips

77




R/Day

O’Connor / 2060 / 2075 Fluid Head 1 610.00Sachtler Video 80 Head & Legs – Suitable for large Cameras 1 380.00Sachtler Video 60 Head & Legs – Suitable for large Cameras 1 380.00

Sachtler Video 18 Dutch Tilt Head 750.00

Sachtler Video 18 / 20 / 25 / 30 Head & Legs 1 035.00Suitable for all Eng Cameras & DV Cameras

Sachtler DV6 / DV12 Head & Legs 750.00Manfrotto 504 HD Bridge Tripod 400.00Manfrotto 503 Fluid Head & Legs 400.00Suitable For Lightweight Dv Cameras Such As: Sony PD 170

150mm Low-boy / High Hat (150mm & 100mm) 290.00Suitable For Video 18 / 20 / 25 / 80 HeadsDV Cameras Such As: Sony PD 170Monopod for PD 170 and stills Cameras 200.00Three Stage Handheld monopod for PD 170

PD 175 Low-boy / High Hat (75mm) 140.00Suitable For Manfrotto 501 Head

Ronford Baker 150mm Tall Legs 400.00Ronford Baker 150mm Short Legs 400.00

TRIPODS

Manfrotto 501 HDV - for stills photography 170.00

••••

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•

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DOLLIES & TRACKSVISUAL IMPACT PRODUCTS R/Day

400.00Skateboard Dolly Glidetrack 1m Hybrid HD Slider

520.00

Dolly Tracks Full straight Steel Track 140.00Half straight Steel Track 80.00

R/Day

ABC Traveller MiniDV Crane 1 470.00

ABC Remote Head 660.00Optex Micro Jib 750.00

VISUAL IMPACT Jib Arm 150mm Bowl 600.00VISUAL IMPACT Jib Arm 100mm Bowl 600.00

GRIPS ACCESSORIES R/DayZacuto Support Rig 600.00

Genus Shoulder Rig 580.00

Motorcar Grip Kit 520.00

Zacuto Sniper Rig POR

POR

Chrosziel Hand Held Grip 260.00Shoulder Mount for Sony 100.00Magic Arm 100.00

C Stand or Gobo Stands 90.00Manfrotto Ma�er Clamps 70.00

Spring Grip 70.00

Mini Grips

70.00Suction Mount 70.00Sand Bags 7.00

Motorcar Suction mount kit 520.00

JIBS

ABC steadicam 1 150.00

2 300.00ABC Full kit + 7” LCD + Remote Head

Grips box kit

115.00

STEADYCAM / SUPPORT R/Day

400.00POGO stick170.00VISUAL IMPACT Shoulder Bracket

ABC Shoulder

••

•••

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•••••••••••••

sTAging sysTEms

81




R/Day

Sony VPL VW100 – HD projector 1080x1920 resolution 2 130.00 component HD inputSony VPL CX200 – SD Video/ data projector 2000 Lumens 1 035.00Sony VPL EX1 – SD Video/data projector 1800 Lumens 1 035.00

Sony VPL-EX1 LCD Video projector 835.00(1800 Lumi, automatic digital keystone)

Sony Bravia 32” Full HD LCD 860.00Sony LCD Projector and Screen (1800 lumi & 2.4 x 1.4m sceen) 835.00

JBL G2 10” EON Self powered PA Speakers set 400.00incl. stands and cabling

•

•••••

•

82


[email protected] | www.visuals.tv83




CRITICAL MONITORING ROOM Viewing Facilities THX certi�ed Includes:• Ideal viewing conditions• Large screen (h1.87m x w3.32m)• Comfortable seating• Kitchenette• Aircon• SIM2 Multimedia PROL4T2MB HD Projector• 5.1 Dolby Digital Sound

Full day R 4 500.00Hourly rate R 450.00


sERviCEs unDERwATER

plEAsE noTE:“no EquipmEnT usED unDERwATER oR nEAR wATER will bE insuRED by

visuAl impACT AnD ThE CusTomER musT EffECT AppRopRiATE insuRAnCE foR All unDERwATER EquipmEnT wiTh A REpuTAblE insuRAnCE

CompAny AnD pRoof of insuRAnCE musT bE DElivERED To visuAl impACT bEfoRE ThE hiRE CommEnCEs.”

foR ouR full T&C’s sEE www.visuals/rental/86-rental-tcs/

85




IKELITE UNDERWATER HOUSING FOR CANON 5D MARK II DIGITAL SLR CAMERA

This heavy duty housing is contoured to the camera, durable and completely corrosion free. The crystal clear polycarbonate case o�ers a clear view of themain o-ring seal, port o-ring seal, camera controls, and dry inside. The housing can operate to a depth of 200 feet (60m).

R 980.00

86




87




Underwater Services:

Subspace HD housing and external monitor for full-size HD and Digibeta camerasAmphibico housing and external monitor for Sony HVR-Z1 HDV cameraMarline Marine housing for Sony HVR-Z1 HDV cameraTowcam and polecam with surface monitor and remote control for Sony HDR-HC1 HDV cameraAmphibico housing and external monitor for Sony PD170 DVCAM housingUnderwater monitors and housing to surface cable for all housingsUnderwater HD video lights (4 units)Sea and Sea housing for Nikon D70 digital SLR stills camera with various lensesNikonos underwater stills camera with various strobes and lensesAGA full face mask with underwater wired communications and ampli�erGemini 7.5 metre RIB diving boat

Underwater housings POR

HD UNDERWATER HOUSINGS AND SERVICESVisual Impact now has the capacity to provide clients with Sony’s High De�nitionF900r’s in an underwater housing and have the �exibility to put all large and smallbroadcast cameras (HDW 900R, HDW 750, HPX 500, DVW 790, DSR 450, HVX 200,PDW 700, PDW 800, HDV Z1, PD 170’s) in underwater housings as well. The Underwater Digital service o�ers a full digital control over the camera and lens functions.

••••

•••••••

UNDERWATER ACCESSORIESR/Day

Underwater Housing For High De�nition Camera POR

Ewa Marine Splash Bag For Betacam SP,D30,D35 OR HD Camera 920.00

Ewa Marine Splash Bag For Sony HDV / DVX 690.00Ewa Marine Splash Bag For Sony PD 170 575.00Under Water Housing For Pulnix Mini Camera 345.00

COMPLETE UNDERWATER SD MINICAMUnderwater housing for Pulnix including mounts and grips for any applicationUnderwater housing for DSR V10This solution is perfect for underwater or wet condition minicam shoots.Ideal for shark cage diving, kite sur�ng, jetski and yachting.Polecam (salt-water camera)

POR

Ikelite Underwater Kit (including camera & lens) 2 070.00

Silver Fish Housing 750.00for handycams eg. hdr hc9; hdr-hc7

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89




SILVERFISHUniversal and �t for the future

R 750.00 /day

An underwater housing with Lan C-control.

The housing and all metal parts on the outside are made of special-purposesteel (high-grade steel 1.4571), which is sea water resistant due to its high share of chromium and nickel.

The housing tube and the 12 mm thick, thermally hardened and colour-neutral front glass are dimensioned in such a manner, that a wide-angle converter, installed on thecamcorder lens, can be used.

LED. The SILVERFISH is suitable for a maximum diving depth of up to 160 m.

In usual operating position a leakage sensor has been installed at the lowest point of the housing, which will signalise even the slightest water leak with the yellow

A built-in 2.5” TFT LCD display (480 width x 2234 height) is situated at the housing rear.

sERviCEs mulTiCAm

91




MULTICAM & EQUIPMENT R/Day

Panasonic MX70 Digital Vision Mixer 1 320.00

Marshall 6” Monitor Rack 1 150.00

Sony DFS-500 Video Mixer 1 320.00A Compact Switcher With Digital Multi E�ects Capable of:Components or Y/C and Composite

6 Headset Comms Kit 1 150.00Sony Quad Monitor Rack 800.00

DV 66 (Includes 1Gig Memory Stick) Digital Mpeg and JPEG Player 575.00Dual 7” LCD Monitors 800.00

Sony Anycast 2 300.00

Wired comms units (each) 115.0050m BNC drums (each) 60.0050m XLR Drums (each) 60.00

FOR A Video Mixer 4 025.00••••

••••••••

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PROJECTS WE HAVE WORKED ON• Idols• Naija Sings - Nigeria• Die Sanger• MasterChef• Der Bachelor - Germany• The Bachelor - UK• Fear Factor - Malaysia - UK - India• Big Brother Africa• Ministry of Illusion• Parlotones Live 3D Broadcast• Mercedez - The first 3D cinema commercial shot in SA for SA Cinema• Earth Touch 3D

sERviCEs

posT pRoDuCTion

95




TEL +27(0)21 468 6003 | www.visuals.tvPlease e-mail: [email protected] for quotes.

• Idols• Naija Sings• Die Sanger• MasterChef• The Bachelor • Fear Factor • Big Brother Africa

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97




TRANSFER HD DIGI FILE HDV DVCAM/DV DVDHDCAM-SR R R R HDCAM R R RDVC-PRO HD R R R DVC-PRO SD R R R DIGIBETA R R R

TRANSFER HDCAM-SR HDCAM DIGIBETA BETA SP SD DIGI FILEHDCAM-SR R R R R HDCAM R R R R DVC-PRO HD R R R R R DVC-PRO SD R R R R R DIGIBETA R R R R R

TRANSFER HDCAM-SR HDCAM DIGIBETA BETA SP SD DIGI FILESD DIGI FILE R R R R R HD DIGI FILE R R R R R BETA SP R R R R RHDV R R R R R DVCAM/DV R R R R R

TRANSFER HD DIGI FILE HDV DVCAM/DV DVDSD DIGI FILE R R R HD DIGI FILE R R R RHDV R R R RDVCAM/DV R R R R

3 6411 6631 4161 0441 262

3 5861 6081 360

9891 205

3 8021 8241 577 1 2051 421

4 203

1 97826 870 2 936

4 2032 8064 6984 914

3 2761 2981 051

680896

3 2761 2981 051

680896

3 7341 7561 5091 9572 467

1 0891 1931 0441 020

736

1 0441 137

989965680

1 2621 3541 2051 181

896

2 7751 7562 7191 5822 410

4 7533 7344 6983 5604 388

552633656371

736828656371

2 1321 113

940

2 3061 2861 1131 941

TRANSFERS - Rates are per hour

MECHANICAL ADAPTORS

SALES HDCAM-SR HDCAM DIGIBETA BETACAM SP DV CAM30 MIN R 40 MIN R R R R 60 MIN R 64 MIN R R R R 90 MIN R R 230 94 MIN 124 MIN R R R R

161

220

322

100

173260

380759

771

426

633

1 185

701

1 265

2 990

XDCAM DVD LTO 4 TAPE BLU RAY MINI DV23 GIG R 50 GIG R 4,7 GIG R 800 GIG R BLU RAY R 60 MIN R

To determine rate, line up vertical column with horizontal column

323 762

52449

52173

R/HourASPECT RATION CHANGE 400CROSS CONVERT 400STD CONVERSION (PAL<->NTSC) 400QUALITY CONTROL 980

• Phantom Cine HD Files • Arri Raw • Arri HD/STD HD Files • Red R3D Files • Red HDRX Files • SR Log Files • SD Files

• XDCAM Solid State Transfer • DSLR Solid State Transfer • Panasonic P2 Solid State Transfer

• Blu Ray • MPEG,TIFF, etc • Audio Sync • Audio Stipe • Clock (up to 3 clocks) 170

• HDCAM SR • HDCAM • DVCPRO HD • DVCPRO SD • DIGIBETA • BETA SP • DVCAM • DVD

10/GB2 0702 0702 8752 8751 035

575575575

1 610805400170

2 8751 035

805460660460170170

R/Hour

R/Hour

R/Hour

R/Hour

DECK TIME

ENCODING

SSD TRANSFERS

TRANSCODING

R/WeekDATA STORAGE PER GIG 12

98




99




MECHANICAL ADAPTORS

• Laptop Macbook Pro • Laptop + IO Express(FCP/AVID) input/output system • MacBook Pro FCP (desktop) • AVID Adrenalin • 2 - 5 weeks • 6 - 9 weeks • AVID NITRIS • AVID Software (3rd system) • ISIS / Unity (AVID shared) • Test Week • IO Express • AVID Dongle

• HDCAM SR - Sony SRW 5500 • HDCAM - Sony HDW M2000P (Recorder & Player) • DVCPRO HD (AJ HD 1400) - Panasonic 1400 • HDCAM Sony J30 (Player) • DIGIBETA (Recorder & Player) • XDCAM - Sony PDW 1500 • DIGIBETA - J30 (Player) • BETACAM SP -SONY J30 (Player) • HDV/MINI DV/DVCAM • Directors Cut • Fibre Channel Array 1 380

8651 3801 7251 840

1 8401 725

520290

10 9256 0404 0252 8752 5902 8751 7251 725

750290

2 590

9 2008 0506 9009 200

18 4004 600

• SD/HD O�ine - FCP/AVID 290 1 725 8 625• SD/HD Online - FCP/AVID 865 6 325 31 625

DECK RENTAL RATES R/Day

DRY HIRE RATES R/Week R/Day

EDIT SUITE RATESEDIT IN HOUSE R/Hour R/Day R/Week

FTP UPLOADS R 90/GB** can vary depending on project

• Work�ow* 520 • VI Digital Imaging* 520 • Stereography/3D* 520 • RIG/3D Rig Equipment 520

• JVC 24” Monitor 50/60 HZ • JVC 46” 3D Monitor • 17/19” Sony CRT Monitor • Projector Sony HD - BVM D20F1E • Projector Screen (2.4M x 2.4M) • Projector Screen (1.8M x 1.8M) • Projector Screen With Black Frame• Critical Viewing Room • Digital Theatre Room Incl Projector & Scratch • Digital Theatre Room only• Sony OLED Trimaster Monitor• Davio Image Processor (non-discountable) R/Day R/Hour• Assimilate Scratch Lab 2 875 400• Assimilate Scratch 6.1 Colour Grading Suite 4 025• Scratch Operator For Transcoding 2 070• Scratch Operator For Grading 5 175 575• Data Wrangler 2 875

R/Day1 7255 1751 1502 340

420390750

5 1752 8751 7251 725

• Technical Support 400

*can vary depending on Scratch operator

• LTO BACK UP*: 1 - 500 GB 3.50 500 - 1000 GB 2.50 more than 1000 GB 2• LTO UNARCHIVE*: 1 - 500 GB 2.50 more than 500 GB 2

R/GBDATA BACK UP

*please Note A Minimum Rate of R250 applies

VIEWING OPTIONS

DIT

ADDITIONAL SERVICES R/Hour

100




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MOBILE DIGITAL LAB

• Super Fast Dell Laptop M6600• 32G RAM. 3 x 256 G SSD. 2G Nvidia Graphics Card• Scratch Lab• Wacom Tablet• Ezio Colour Edge Monitor

sERviCEs ADDiTionAl sERviCEs

103




ENGINEERING SERVICES R/Day

HD Technical Operator PORHD Engineer PORHD Charts POR

SD Wave Form & Vector 605.00

Astro WM-3007 HD/SD 8” LCD Monitor 1 440.00(HD Waveform and Vector scope)

Astro WM-3004 HD/SD 6” LCD Monitor 1 090.00(HD Waveform and Vector scope)

Down Converter:AJA 600.00Miranda 600.00

••••

•

••

••

• Data Recovery • 0 - 160 GB 1 670 • 161 GB - 500 GB 1 840 • 501 GB - 1 TB 2 185 • 1.5 TB - 2 TB 2 530 • 3 TB and above 2 990

Data Recovery

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DATA RECOVERY Rand

• 0 - 160 GB • 161 GB - 500 GB • 501 GB - 1 TB • 1.5 TB - 2 TB • 3 TB and above

1 6701 8402 1852 5302 990

FTP UPLOADS R 90/GB** can vary depending on project

STUDIO - CAPE TOWN ONLY

R 4 025.00 per day

• In�nity curve• NC30 noise coe�cient audio rating (BBC standard soundproof)• Sound attenuated air conditioning• Drive-in door for car shoots• Double storey control room + gantry for high angle top shots• Moveable lighting grid• Wireless internet• Dressing room, Kitchenette, WC with shower• 1 x Loading bay & 5 x parking spaces• Provision for OB truck

• Dimensions of studio �oor | 120 square metre | 1292 square feet• Length, width & height of studio | 14 m x 10 x 5m• Height from ceiling to the �oor | 5m• Height from lighting grid to �oor | 4.830m• Height from gantry to the �oor | 2.520m

ELECTRICAL SPECIFICATIONS• C-Form connectors.• Single & three phase supply.• 63 amp & 32 amp C-Form supply.• There are normal plugs (16amp) in each DB box for small lights like redheads, kinos, blondes.• There are also 16 amp c-form to 15 amp adaptor cables to run smaller lamps from the lighting grid.• Populated lighting grid with 16 and 32 amp supply.• For larger lamps you will need break out boxes.

1 Glynville Terrace, Gardens | Cape Town Tel: +27(0)21 468 6000 | [email protected]

DIMENSIONS & SPECIFIC MEASUREMENTS

FEATURES

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STUDIO - CAPE TOWN ONLY ADDITIONAL SERVICESDelivery/Collection (within 25km radius)

After-hours opening up feeAfter-hours Gear Checks (Sunday & Public Holidays)Set-Up and inspection of EquipmentCall Out feeSpecialised Training

R 345.00Delivery/Collection fee (beyond 25km radius) Extra: R 400.00

R 400.00 R 575.00

R 520.00/hR 400.00

R 4000.00 - 520.00/hEngineers Media Wrangler

PORPORPORPOR

•••••••••• 3D Operator• Phantom Operator• Critical Monitoring Room Viewing Facilities THX certified Full day R 5 175.00

Hourly rate R 520.00

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CRITICAL MONITORING ROOM Viewing Facilities THX certi�ed Includes:• Ideal viewing conditions• Large screen (h1.87m x w3.32m)• Comfortable seating• Kitchenette• Aircon• SIM2 Multimedia PROL4T2MB HD Projector• 5.1 Dolby Digital Sound

Full day R 5 175.00Hourly rate R 520.00

ConsumAblEs

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CONSUMABLESGa�er Tape ChamoisSelvytRosco Lens CleanerTape stockPolarizer Filters UV FiltersLens PensiKlear Cleaning KitDust O�Marker PensMonitor RayshadesSteady BagsSand BagsBean BagsCable BagsVarious Gels LightingSound AccessoriesSpecialised CablesAudio Cables

Video CablesEnergizer BatteriesCamera BatteriesCamera Chargers5 in 1 Re�ectorsUSB memory sticksDust O� pouchCellphone pouchMaglite pouchVelcro strapsMulti Spanner pouchCroc clip strapsGa�er strap assorted coloursStandard beltsEar mu�sFilter pouchesDigital camera bagsLoader pouchesBattery pouchesSound Harness

The VISUAL IMPACT Sales Shop o�ers Visual Impact clients the opportunity to test broadcast equipment on the �oor. Both the camera and post production work�ow

are connected to post production suites. A variety and consumables are for

DVDsCDsFlash memoryHard drives

Clapper BoardsReplacement Globes for lampsBluRay DiscsRain coversTape Stock

••••••••••••••••••••••••••

••••••••••••••••••••••••••

can be tested as the camerasof cameras, Apple and PC machines, lighting, tapessale over the counter.

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Portable Hard Drives PORFireWire Hard Drives PORBlue Laser Disc Recorders PORSD Cards POR

HARD DRIVES

SOLID STATE

PORPOR

Blue Ray Recorders

PORSony SxS Solid State CardsPCM CIA Solid State Cards

Compact Flash PORSD Cards PORMemory Stick PORFlash Drives PORCard Readers POR

Sony PFD-23A XDCAM Rewritable Disk PORSony PFD50DLA XDCAM Rewritable Disk (50GB) POR

Lacie Rugged (120G)Lacie Rugged (250G)Lacie Rugged (500G)

•••••

•••••

•••••

•••

SSD Harddrives POR

MEDIA & HARD DRIVES

PORPORPOR

pRoDuCTion CouRsEs

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• Production Tour of new kit • We’ll show and explain what you are quoting on (60 minutes)• Introduction to 3D Workshop (90 minutes)• Introduction to formats and Digital Work�ow (90 minutes)

COURSES/WORKSHOPS WE OFFER

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infoRmATion

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SPECIAL RATES & DISCOUNTS

At Visual Impact we are aware of your production needs and therefore, to help you as our customers, we o�er the following industry standard discount structures:

• On Short Term Shoots

we o�er a 5 for 7 day week (when you rent the camera between 5 to 7 days,you will only be charged for the �rst 5 days)

• On Long Term Shoots

we o�er a 4 for 7 day week (when you rent the camera between 4 to 7 days,you will only be charged for the �rst 4 days)

PROJECTS AND LONG FORM RENTALS

• 1/2 day rates = 2/3 of normal price Half day rates constitue 4 hours, from leaving Visual Impact the kit needs to be returned within 4 hours.

• Travel days are charged at 50% discount

STUDENT RATES

Students receive a 50% discount on all SD cameras and 40% on all HD cameras.(must provide student card for current study at a �lm institute)

* Visual Impact reserves the right to refuse rentals to students

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USEFUL INFORMATION – HD FORMATS

VIDEO TO FILM CONVERSIONS

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1

2.

2

3.

3

4.

4

5.

5

1. 50mm Still camera (full frame)2. Same 50mm on Super35mm-sized sensor (now 80mm equivalent)3. Same 50mm on 2/3” sized sensor (now 125mm equivalent)4. Same 50mm on 1/2” sized sensor (now 172mm equivalent)5. Same 50mm on 1/3” sized sensor (now 230mm equivalent)

Visual Impact sells a wide range of broadcast and prosumer equipment. Among otherbrands we are also an o�cial Sony agent. Visual Impact provides broadcast systemsand has the ability to supply soft and hard equipment cases, as well as custom designs

accessories.

PROFESSIONAL BROADCAST SALES:HIGH & STANDARD DEFINITION

®

case �ttings. Visual Impact also o�ers a wide range of consumables and

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USEFUL RESOURCES

CREW PORTAL

The VI Crew Portal is a searchable database with members located from all over South Africa. Using certain criteria, you are able to locate the best �t foryour production based on expertise, experience and local locations.

http://www.visuals.tv/crewportal/

STOLEN EQUIPMENT

The Visual Impact Stolen Goods Portal aims to assist in stemming the tide of broadcast equipment thefts. We have created a world-wide resource for tracking stolen equipment.The portal allows one to input contact information with a list of the stolen goods.

http://www.visuals.tv/stolen-equipment/

BLOG

For the latest technology and news from the �lm industry visit our blog.

http://www.visuals.tv/blog/

Also �nd us on http://www.facebook.com/visualimpactsahttp://twitter.com/VisualimpactSAhttp://www.youtube.com/user/VisualImpactRSA

IMPORTANT CLIENT NOTICESAll equipment is scheduled to be dropped o� at 09h00 of the next day after the last rental day or an additional day will be charged.A 20% to 100% cancellation fee will be charged if equipment is cancelledwithin 48 hours of the pick up.Equipment rented and not used, will still be charged at the full rentalprice. At Avis you still pay for the car, even if it is parked in the street.C.O.D. rentals - equipment will only be released once proof of payment is con�rmed and the client has completed the necessary paper work. Allow time for this process before picking up the equipment.Production representative collecting the equipment must produce a signed authorisation from production before equipment will be released.

Visual Impact Rentals is not liable for any equipment damage or failure on underwater shoots.Client must have a quali�ed/certi�ed underwater videographer/diverpresent when using our equipment.A Visual Impact Representative could be available for technical assistance and support at an extra charge if required.

Please do your research before using an unfamiliar format. Visual Impactis not liable for any post-production problems.Visual Impact cannot be held responsible for any loss of footage due to corrupt �les or mishandled media.Due to di�erent post work�ow when using solid state cameras, we cannot be held liable for any post-production issues due to outdatedsoftware. At a minimal charge Visual Impact can assist with this regard.Unless otherwise requested by production or the client in writing all solid state media will be formatted and deleted when equipment isreturned.If clients don’t return media they will be charged for the media with cameras.Visual Impact o�ers storage facilities for all solid state media if need be.A Visual Impact Media Wrangler is available at request.

UNDERWATER VIDEOGRAPHER

SOLID STATE RENTALS

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2.

3.

4.

5.6.

1.

2.

3.

1.

2.

3.

4.

5.6.7.

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TERms & ConDiTionshttp://visuals.tv/terms.php

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TERMS & CONDITIONS OF HIREConditions of Hire

1. DEFINITIONS “VISUAL IMPACT” means Visual Impact Broadcast Solutions (Pty) Ltd t/a Visual Impact: Magus, a company incorporated in the Republic of South Africa under company registration number 2001/019706/07 and having its registered business address at: 60 Cradock Avenue, Dunkeld, Johannesburg, 2196; “Customer” means the hirer of the Equipment, namely the person or company whose details are set out in the Quotation or Rental Collection Note; “Contract/s” means these Conditions of Hire together with where applicable, the Quotation, the Rental Collection/Delivery Note, the Credit Application, the Order and all schedules and appendices thereto; “Equipment” means all equipment hired to the Customer by VISUAL IMPACT under these Conditions of Hire as detailed in the Quotation; “Hire Period” means the period in respect of which the Equipment is hired by VISUAL IMPACT to the Customer as detailed in the Quotation; “Order” means the written acceptance of a Quote by the Customer; “Quotation” means the quotation to which these terms and conditions are attached, and. “Commencement Date” means the start date as set out in the Quotation. 2. HIRE OF EQUIPMENT2.1 The Quotation is an offer by VISUAL IMPACT to hire the Equipment as detailed in the Quotation and subject to these Conditions of Hire.2.2 Acceptance of the offer will be the signature of the Quotation and the return thereof by no later than the quote expiry date. Alternatively the Customer shall be deemed to have accepted the Quotation subject to the Conditions of Hire by:2.2.1 the written confirmation of the Quotation, or2.2.2 the payment thereof, or2.2.3 collecting the Equipment from Visual Impact.2.3 These Conditions of Hire are deemed to be incorporated into all Contracts for the hire of Equipment to the Customer and supersede all terms and conditions previously issued by VISUAL IMPACT;2.4 The Contract constitutes the whole of the agreement between VISUAL IMPACT and the Customer and should not be varied in any way unless done so in writing and signed by both parties;

3. TITLE Notwithstanding anything herein contained, VISUAL IMPACT shall remain the sole and absolute owner of the Equipment. Without prejudice to any provision in these Conditions of Hire, the Customer shall at all times use its best endeavors to assist VISUAL IMPACT to resume possession of the Equipment whether during or after the Hire Period if the Customer has lost or relinquished possession of the Equipment or at the expiration of the Hire Period if it is not then returned to VISUAL IMPACT, and hereby authorizes VISUAL IMPACT to enter upon the Customer’s premises during normal working hours for those purposes.

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4. PRICES4.1 The cost of the hiring of the Equipment shall be the cost as set out in the Quotation and shall be subject to VAT at the prevailing rate. VISUAL IMPACT shall have the right to adjust its price list for any increase in any costs of any kind arising for any reason after the commencement of the Hire Period.4.2 Payment of all invoices are due by the Customer prior to collection of the Equipment unless credit facilities have been granted to the Customer in which case payment will be due without set off within 30 days from date of invoice and the Customer shall pay interest on any overdue amount from the date on which payment was due to that on which it is made (whether before or after judgement) at the maximum prevailing rate in terms of the National Credit Act, 2005 on a daily basis or the legal rate of interest, whichever is higher and reimburse to VISUAL IMPACT all costs and expenses (including legal costs incurred on an attorney and client basis) incurred in the collection of any overdue amount.4.3 Any discount provided is on the basis that the Customer has agreed to make payment of its account within the specified settlement period. Failure to make payment within the settlement period will amount to forfeiture of the discount and the Customer will then be liable for payment of the discounted portion, which will be invoiced to the Customer.

5. EXTENSION OF HIRE PERIOD Any extension to the Hire Period or addition to the Equipment hired by the Customer shall be agreed to in writing by VISUAL IMPACT and shall be invoiced separately and shall be subject to the then current price list of VISUAL IMPACT.

6. TERMINATION Without prejudice to any right or remedy of VISUAL IMPACT, this Contract may be terminated by VISUAL IMPACT forthwith by notice in writing to the Customer:-6.1 upon breach of the terms and conditions of this Contract by the Customer, in which event VISUAL IMPACT may demand the immediate return of the Equipment, together with compensation for any damages or loss suffered as a result of such breach.6.2 if the Customer enters into liquidation (other than for the purposes of bona fide amalgamation or reconstruction) whether voluntary or otherwise or a receiver, business rescue practitioner or administrator is appointed over all or part of its assets or enters into a voluntary arrangement with its creditors or suffers any insolvency event or suffers any process analogous to the above under foreign laws; or6.3 if the Customer comes under the control of any third party or parties other than that by which it is controlled at the date hereof or other than by an affiliate of it for the purposes of a bona fide reorganization. For the purposes of this paragraph, control shall mean either the ownership of fifty percent (50%) or more of the ordinary share capital of the company carrying the right to vote at general meetings of either party or the power to nominate a majority of the board of directors of either party.

7. USE OF EQUIPMENT The Customer undertakes to:7.1 use and maintain the Equipment at all times strictly in accordance with the manufacturer’s instructions and all user manuals, pamphlets and booklets provided by VISUAL IMPACT to the Customer and to comply with all safety instructions and regulations relating thereto;. 7.2 only allow persons with appropriate qualifications and experience to use the Equipment,7.3 ensure that only qualified underwater camera operators make use of the underwater camera’s and housing;

7.4 not use the Equipment on any hazardous assignment or in any high risk areas without the prior written consent of VISUAL IMPACT;7.5 take all reasonable precautions to avoid loss or damage to the equipment;7.6 not remove the Equipment from the territory of South Africa.

8. DELIVERY, COLLECTION AND RETURN OF THE EQUIPMENT8.1 Unless otherwise agreed to by VISUAL IMPACT in writing, the Customer shall collect the Equipment from VISUAL IMPACT’s premises;8.2 All vehicles brought onto VISUAL IMPACT’S premises will be at the vehicle owner’s risk. VISUAL IMPACT accepts no liability whatsoever for loss or damage to vehicles or personal property. 8.3 The person authorized to collect the Equipment on behalf of the Customer shall be deemed to have authority to bind the Customer in signing any agreement with VISUAL IMPACT on behalf of the Customer;8.4 Where the parties have agreed in writing that VISUAL IMPACT shall deliver the Equipment to the Customer and VISUAL IMPACT is unable to deliver or collect such Equipment due to the fault or negligence of the Customer, the Customer shall be obliged to pay all delivery and/ or collection charges at VISUAL IMPACT’s standard transport rates as applicable at the date of such attempted delivery or collection.8.5 Delivery or collection of the Equipment, as the case may be, shall be deemed to take place at the time VISUAL IMPACT makes the Equipment available to the Customer, any duly authorised agent of the Customer or any carrier deemed to be the Customer’s duly authorised agent at VISUAL IMPACT’s premises or other delivery point agreed to in writing by the parties and all risk in and to the Equipment shall pass upon the Equipment being handed over to the Customer at such delivery or collection point.8.6 VISUAL IMPACT shall not be liable for any penalty, loss, injury, damage or expense arising from the delay or failure to timeously deliver the Equipment or the delay or failure to make the Equipment timeously available to the Customer for collection.8.7 If the Customer fails to collect or take delivery of the Equipment or any part thereof on the Commencement Date or fails to provide any instructions or authorisations required to enable the Equipment to be collected by or delivered to the Customer, as the case be, on the Commencement Date, VISUAL IMPACT shall be entitled upon written notice to the Customer to terminate the Contract forthwith and claim from the Customer all damages and loss suffered as a result thereof. 8.8 The Customer acknowledges that on signature of the Rental Collection Note, whether signed by the Customer, an employee, an agent or representative of the Customer, he has inspected and tested the Equipment and he is satisfied with its condition, quality, safety, suitability and correct functioning (including the film testing of all cameras and underwater housing) for his purpose and agrees no warranty, condition, description or representation on VISUAL IMPACT’s part is given other than as may be contained in a written document signed by VISUAL IMPACT and the Customer’s obligation to pay hire prices and otherwise comply with these Conditions of Hire shall continue notwithstanding any subsequent defect or breakdown of the Equipment.8.9 Unless otherwise agreed in writing by the parties, the Customer shall be responsible for the return of the Equipment to VISUAL IMPACT’s premises and handed to an authorized representative of VISUAL IMPACT upon expiration of the Hire Period or termination of the Contract. All costs incurred in or as a result of the return of the Equipment shall be borne solely by the Customer.8.10 Any return note for the Equipment issued by VISUAL IMPACT at or after the end of the Hire Period shall not be evidence of the condition of the Equipment described in it.

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8.11 On the return of the Equipment by the Customer, VISUAL IMPACT’s engineers (“the Engineers”) shall conduct a thorough inspection of the Equipment to ensure that the Equipment has been returned in the same condition as received by the Customer at the Commencement Date.8.12 The Engineers’ report shall be forwarded to the Customer upon completion thereof and shall detail any loss or damage caused to the Equipment during the Hire Period. Such report shall constitute prima facie evidence of any loss or damage caused by the Customer to the Equipment during the Hire Period. The liquidated amount of the loss or damage to the Equipment shall be paid on demand by the Customer to VISUAL IMPACT. In the event of the Equipment being damaged beyond repair, then the loss will be in accordance with VISUAL IMPACT’s then current replacement list price of the Equipment. 8.13 On the return of the Equipment, all data on the memory devices, including but not limited to hard drives, discs or tapes shall be deleted by VISUAL IMPACT, unless the Customer has specifically instructed VISUAL IMPACT otherwise in writing prior to the return of the Equipment.8.14 The Customer shall pay delivery and collection charges at VISUAL IMPACT’s standard transport rates from time to time to VISUAL IMPACT on demand as an extra cost.8.15 The Customer shall pay delivery and collection charges at VISUAL IMPACT’s standard transport rates from time to time to VISUAL IMPACT on demand as an extra cost.

9. INSURANCE9.1 Unless otherwise agreed by VISUAL IMPACT, the Customer shall contribute the rate of 10% of the total cost of hire to VISUAL IMPACT for the cost of insurance, indemnifying VISUAL IMPACT and the Customer against physical loss of or damage to the Equipment during the hiring, on terms which are available from VISUAL IMPACT upon request. Those terms will exclude liability of the insurers for the stipulated excess of loss arising from each and every identifiable loss. The Customer will be liable to pay VISUAL IMPACT for the full excess amount on demand, which excess will be a minimum of R 5,000.00. The excess will be calculated as 20% of the claim for each and every loss due to theft or accidental damage and 10% of the claim in respect of every other loss.9.2 Such indemnifying of the Customer is subject to the terms, exclusions, and conditions of the policy of such insurance and to the Customer complying with all the terms and conditions of this Contract. The exclusions include the insurer not being liable for:9.2.1 Loss of or damage to Equipment resulting from or caused by:9.2.1.1 Theft from unattended vehicles;9.2.1.2 Its undergoing a process of cleaning, repair, dyeing, bleaching, alteration or restoration;9.2.1.3 Inherent vice, latent defect, vermin, insects, shrinkage, evaporation, loss of weight, rust contamination, mildew, or leakage of contents, unless caused by a peril not otherwise excluded;9.2.1.4 The dishonesty of any principal, partner, director or employee of the insured whether acting alone or in collusion with others;9.2.1.5 Detention, confiscation or requisition by customs or other officials or authorities, shortage of inventory or any unexplained loss or mysterious disappearance. 9.2.2 Wear and tear or gradual deterioration (including the gradual action of light or climatic or atmospheric conditions) unless following an accident or misfortune not otherwise excluded;9.2.3 Mechanical, electronic or electrical breakdown, failure, breakage or derangement;9.2.4 Loss of or damage to goods consigned under a bill of lading;9.2.5 Aerial and underwater photography;9.2.6 Absconsion.

9.2.5 Aerial and underwater photography;9.2.6 Absconsion.9.3 The Customer will be liable to pay VISUAL IMPACT the full replacement cost of the Equipment in the event of the insurer repudiating the claim, which amount will be in accordance with VISUAL IMPACT’s then current replacement list price of the Equipment.9.4 Should the Quotation not specify an amount for the Customer’s contribution to the cost of insurance, the Customer shall be solely responsible for insuring the Equipment against any loss or damage of the Equipment during the Hire Period, for any reason whatsoever. 9.5 The Customer agrees:9.5.1 not to do, suffer or admit any act, matter or thing which may prejudice any policy of insurance effected by VISUAL IMPACT for the benefit of VISUAL IMPACT and the Customer;9.5.2 to immediately notify VISUAL IMPACT and the Police where necessary and take any practicable steps towards discovery and recovery in the event of theft and, as soon as practicable, provide to VISUAL IMPACT a full written report of the circumstances of any loss or damage with any particulars or evidence as is reasonably required by the VISUAL IMPACT.9.6 No underwater equipment will be insured by VISUAL IMPACT and the Customer must take out appropriate insurance for all underwater equipment with a reputable insurance company and proof of insurance must be delivered to VISUAL IMPACT before the hire commences. VISUAL IMPACT’s interest in the equipment must be noted on all insurance documents. The Customer must inform the insurer of the potential hazardous conditions associated with the use of the underwater equipment including exposure to salt water. The insurance policy must include an extension to include hire charges incurred on lost or damaged underwater equipment whilst it is being replaced or repaired.

10. LOSS, DAMAGE AND LATE RETURNS Notwithstanding the provisions of clause 9, should any Equipment while at the risk of the Customer be lost, destroyed, damaged or returned after the Hire Period, the Customer will be liable to pay to VISUAL IMPACT the following on demand10.1 any expenditure VISUAL IMPACT may incur by reason of tracing or endeavouring to trace the whereabouts of or retaking or attempting to retake possession of the Equipment including, but without limiting the generality of the foregoing, any moneys paid by VISUAL IMPACT in releasing any lien claimed over the Equipment and any repairs to the Equipment;10.2 the loss of hire charges, which charges will not exceed 13 weeks hire;10.3 storage charges for the Equipment; 10.4 the replacement cost of the Equipment in the event of loss, which amount will be in accordance with VISUAL IMPACT’s then current replacement list price of the Equipment.

11. DEPOSIT11.1 As security for the hiring and use of the Equipment for the Hire Period, the Customer shall at the election of VISUAL IMPACT make payment to VISUAL IMPACT of a refundable deposit as set out in the Quotation of the value of the Equipment. The full refund of the deposit shall be conditional upon VISUAL IMPACT not suffering any loss or damage to the Equipment during the Hire Period. 11.2 The Customer shall on demand pay VISUAL IMPACT such amount/s as VISUAL IMPACT may from time to time in its absolute discretion require as security for hire charges for any period of the hiring and the return of the Equipment not covered by sums previously paid as security.11.3 The balance of any sums to be paid by the Customer shall be refunded after all liabilities of the Customer to VISUAL IMPACT have been satisfied in full.

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12. NOTICE OF DEFECT12.1 The Equipment shall be deemed to be in good repair and condition in accordance with the Conditions of Hire and to the Customer’s satisfaction upon collection or delivery thereof, as the case may be.12.2 Any alleged defect shall be notified by the Customer in writing to VISUAL IMPACT within 40 hours of the receipt of the Equipment or, in the case of any defect which is not reasonably apparent on inspection, within 1 day of the defect coming to the Customer’s attention and in any event not more than 3 days from the date of receipt of the Equipment.12.3 VISUAL IMPACT shall have no liability with regard to any claim in respect of which the Customer has not complied with the Conditions of Hire.12.4 The Customer shall not allow any technician to do any repair work upon the Equipment without VISUAL IMPACTS prior written consent in which event the Customer shall not have any authority to create any lien or charge upon the Equipment and the Customer hall give notice of this provision to any technician before such technician does any repair work upon or service of the Equipment

13. INDEMNITY AND LIMITATION OF LIABILITY13.1 The Customer hereby indemnifies VISUAL IMPACT, its respective officers, directors, employees, shareholders, agents and representatives and holds them harmless against all and any claims, actions or proceedings of whatsoever nature made or instituted by any third party in respect of any liability or liabilities (including any contingent liabilities) relating to or arising out of the hiring of the Equipment in terms of this Contract or the operation of the Equipment.13.2 The Customer shall at all times and in all respects indemnify VISUAL IMPACT in respect of all actions, proceedings, costs claims, and demands whatsoever brought by any person for the death of or injury to any person/s other that death or injury due to the negligence of VISUAL IMPACT or damage to property caused by or arising out of the use of the Equipment in any manner whatsoever whether such liability arise under statute or common law howsoever13.3 VISUAL IMPACT shall not be liable to the Customer for any damage, loss or destruction howsoever caused, which shall include but not be limited to transportation of the Equipment (including transportation by VISUAL IMPACT), use of the Equipment, instances where the solid state memory, hard drives, discs, tape or any form of media fails to render the results required, expected, stipulated or contracted for by the Customer or, its agents or any third party either within the time period as required, expected, stipulated or contracted for by the Customer or, its agents or any third party at all, trans-coded files not rendering the results required, expected, stipulated or contracted for by the Customer or, its agents or any third party either within the time period as required, expected, stipulated or contracted for by the Customer or, its agents or any third party at all, data loss in part or partial or corruption of solid state memory, hard drives, laser discs, tape or any form of media.

14. CANCELLATION If the Customer purports to cancel this Contract (whether prior to or during the Hire Period) or fails to accept delivery of the Equipment for any reason whatsoever, the Customer shall pay VISUAL IMPACT by way of liquidated damages the full amount of the total hire price payable for the Hire Period and any discount granted to the Customer in terms of the Quotation shall be forfeited Such payment shall be made without prejudice to any other right or remedy of VISUAL IMPACT under this Contract.

15. SURETY The person signing the Quotation on behalf of the Customer (“the Surety”) does hereby bind himself/herself jointly and severally with the Customer as surety and co-principal debtor, in favour of VISUAL IMPACT for the due fulfillment of any and all obligations of the Customer to VISUAL IMPACT, arising out of this Contract The Surety hereby renounces the benefits of excussion and division, and the benefits of cession of action, “non numeratae pecuniae”, “non causa debiti “, “revision of accounts and no value received, the full meaning and effect of which he/she declares to understand and accept

16. AUTHORITY TO CONTRACT If the person signing the Contract is not the Customer he warrants that he/she has the authority of the Customer to enter into this Contract on the Customer’s behalf and shall indemnify VISUAL IMPACT against all losses, damages, actions, proceedings, costs, claims, or demands whatsoever suffered or incurred by VISUAL IMPACT as a result of the lack of such authority.

17. NON-ASSIGNMENT The Customer shall not assign this contract or rehire or part with possession of any of the Equipment without VISUAL IMPACT‘s written consent.

18. GOVERNING LAW AND JURISDICTION The laws of the Republic of South Africa shall govern this contract, its implementation and interpretation and any arbitration or litigation arising out of or in relation to this Contract shall be conducted in Cape Town, South Africa.

19. OTHER TERMS19.1 During all times the Equipment is in the actual or constructive possession of the Customer, Visual Impact, its agents or employees may inspect the Equipment, enter upon any premises where the Equipment is being stored or used, and if it is found that the Equipment is being misused, abused or not being used in accordance with clause 7 hereof, repossess the Equipment or any part thereof prior to the expiration of the Hire Period. 19.2 The Customer acknowledges that he is not entitled to grant possession of the Equipment to any other person or company and is not entitled to hire the Equipment to any other person or to assign this Contract to any other person.19.3 Visual Impact’s terms and conditions are available on our website at www.visuals.tv/rental/86-rental-tcs/.

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RATE CARD|2013/2014 RATE CARD|2013/2014

PHANTOM AND DIGITAL IMAGING CAMERA TERMS AND CONDITIONS OF RENTAL

The following terms and conditions apply to Phantom rentals from Visual Impact, these terms and conditions are over and above the standard terms and conditions of rentals from Visual Impact as found on the reverse of the rentals booking sheet.

1. Phantom cameras on rent from Visual Impact must be operated by a qualified/certified operator.2. Phantom cameras must be gear checked and signed for before the commencement of the shoot.3. Visual Impact are in no way , means or form responsible for corrupt or unusable footage due to operator incompetence, negligence or operating mistakes.4. Visual Impact are in no way , means or form responsible for loss of data due to operator incompetence, negligence or operating mistakes.5. Visual Impact are in no way, means or form responsible for loss of data or costs arising there from due to any hard ware failure.6. If any other facility is used for the trans-coding of Phantom footage, Visual Impact can not be held responsible for the data integrity, redundancy or colour fidelity of the footage whatsoever.7. Phantom cameras are not insured against water damage especially from use in a water housing and as such any damages arising from afore mentioned use would be the sole responsibility of the rental client.8. Cine Mags and docking stations must be returned by 12h00 on the day after the last day of rental, failure to do so will incur an additional days rental on the afore mentioned items.9. Discounts on Phantom rentals are only applicable if payment is received before commencement of the shoot.10. Data delivery is solely dependent on times dictated by the trans-coding process and the amount of data to process. Therefore Visual Impact can only guarantee delivery of footage 24hrs from the start of the trans-coding process. 11. Visual Impact can guarantee data redundancy if our services are used otherwise we accept no responsibility for data once it is downloaded from the cine mags.

By accepting a quote and sending through a purchase order the client accepts the above terms and conditions for Phantom Rentals.

Please contact us for long term rental prices. All Prices are exclusive of VAT and insurance.Johannesburg: +27 (0)11 788 9879 | Cape Town: +27 (0) 21 468 6002


visuAl impACT 2 1 RATECARD

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ThERE is no subsTiTuTE foR ExpERiEnCE

johAnnEsbuRg60 Cradock Avenue | Dunkeld | Johannesburg | 2196 | South Africa

GPS | S 26 08’08” | E 28 02’39”

P.O Box 412433 | Craighall 2024 | South Africa

Tel | +21 (0) 11 788 9879 | Fax +27 (0) 11 788 2478

email | [email protected]

After Hours Tel | +27 (0) 72 871 0627

CApE TownThe Mediahive | 1 Glynville Terrace | Gardens | Cape Town | 8001 | South Africa

GPS | S 3355’55” | E 1825’00”

P.O Box 50448 | Waterfront | Cape Town | 8002 | South Africa

Tel | +27 (0) 21 468 6002

email | [email protected]

After Hours Tel | +27 (0) 76 644 2685

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